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0:30
Seedance 2.5
FINAL LAP —THE LAST MILLISECOND Create a photorealistic, live-action Formula 1 racing sequence filmed like a premium motorsport movie. Extreme speed, realistic tire grip, authentic racing lines, carbon-fiber details, tire smoke, engine vibrations, dramatic trackside cameras, and intense race commentary-style sound design. HERO DRIVER: One professional male racing driver wearing a white racing suit with red and black accents and a black helmet with a distinctive gold stripe. His helmet, suit, gloves, and appearance remain identical throughout. HERO CAR: One sleek red-and-black Formula-style racing car, number 07, with a small white lightning emblem on its nose. Preserve the exact livery, number, tires, wings, and body damage in every shot. RIVAL CAR: One silver-and-blue Formula-style racing car, number 22, driven by a rival wearing a blue helmet. Its appearance must remain consistent. LOCATION: A modern Grand Prix circuit at sunset, dry asphalt, packed grandstands, realistic safety barriers, pit buildings, and a clearly visible finish line. Both cars are on the final lap. 0–4 SECONDS — THE FINAL LAP A low trackside camera captures both cars blasting past at extreme speed, engines screaming. The red number 07 follows the silver number 22 by approximately one car length as they approach a long straight. Heat haze ripples behind their exhausts. 4–8 SECONDS — SLIPSTREAM A rear tracking camera follows the red car directly behind the silver rival. The hero moves out of the slipstream to the left. Both cars accelerate toward the braking zone, with realistic suspension movement and tire contact. 8–12 SECONDS — BRAKING DUEL Both drivers brake hard approaching a tight right-hand corner. The rival holds the inside line. The hero stays on the outside, turns in smoothly, and keeps his car alongside without contact. The tires squeal briefly as both cars remain close to the racing line. 12–16 SECONDS — THE OVERTAKE The cars exit the corner almost side by side. The hero gets better traction and accelerates past the rival by half a car length. The camera tracks the red car's rear wheel as the tire grips the asphalt and the rival drops just behind. 16–20 SECONDS — THE RIVAL STRIKES BACK On the next straight, the silver car uses the slipstream and pulls alongside the red car on the right. Both cars race wheel-to-wheel at high speed. Their front wings remain inches apart without touching. The grandstands blur in the background. 20–24 SECONDS — LAST CORNER They approach the final corner before the finish. The rival brakes late and takes the inside. The hero briefly lifts off the throttle, takes the wider line, and smoothly cuts back toward the exit. The red car gains traction earlier and launches onto the main straight ahead by a fraction. 24–28 SECONDS — FULL THROTTLE A low front-facing camera races backward ahead of both cars. The hero's red number 07 leads by less than half a car length. The rival closes rapidly on the right. The finish line grows larger ahead as both engines reach maximum revs. The hero holds a steady line and accelerates without contact. 28–30 SECONDS — THE HERO WINS A perfectly timed side-on finish-line camera captures the red number 07 crossing the line first by a tiny but visible margin. The silver number 22 crosses immediately afterward. The crowd erupts. The hero briefly raises his left hand inside the cockpit while maintaining control of the car. End with a dramatic tracking shot of the winning red car continuing down the straight, followed by a quick cut to the checkered flag waving. AUDIO DESIGN: Authentic high-revving racing engines, gear shifts, tire squeal, wind rush, realistic radio static, rising crowd noise, and a powerful celebratory sound at the finish. No music overpowering the engines.
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Nano Banana
A photorealistic creator-style sports portrait of a striking adult woman standing on the Court Setting, holding the Tennis Racket in one hand after a point. She has a beautiful symmetrical face, styled hair, defined eyes and lips with natural makeup, true skin texture with visible pores, believable hands, and a fit, toned, curvy figure with naturally full proportions. She wears the Outfit, with a confident athletic stance and an assured expression toward the camera. Bright afternoon sunlight creates crisp highlights, natural shadows, and subtle warmth across her skin and clothing. Use the Color Palette throughout the scene, with the terracotta court providing a vivid contrast against the surrounding greenery. Capture her from a slightly low three-quarter angle with a natural smartphone-camera perspective, realistic depth of field, and very subtle phone-camera grain. Keep the composition clean and social-media ready in the Format. No text, watermarks, logos, captions, or borders. Use these details: Outfit: white pleated tennis skirt with a fitted athletic crop top Court Setting: a well-maintained terracotta clay tennis court surrounded by green fencing and leafy trees Tennis Racket: a modern graphite tennis racket with a white grip Color Palette: white, terracotta clay, fresh green, and warm golden tones Format: 4:5 vertical Instagram post
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0:19
Seedance 2.0
15s, 16:9 cinematic anime-inspired sports commercial. Night professional football stadium just after heavy rain, wet grass, mist and dramatic stadium lights. Same young male striker Nova throughout, messy black hair, black-and-red #07 kit, black-red football boots. Final attack at 90:00, score 2–2. Nova receives the ball and is trapped by three defenders in white. He feints right, then plants his right foot hard into the wet turf. Extreme low-angle shoe close-up: the studs bite firmly into the grass with no slipping, mud and water burst backward. Using that stable grip, Nova explosively cuts left while the defenders commit the wrong way. He enters the box, chips the goalkeeper and scores. Final hero shot returns to the wet turf, showing the deep grip mark beside the same black-red football boot. High-energy sports anime film × premium footwear campaign, black/red palette, realistic rain, mud, sweat and grass texture, dynamic tracking, sharp motion, restrained speed lines, consistent face, outfit, #07 jersey and shoes. No body deformation, no shoe changes, no teleportation, no excessive fantasy effects.
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Nano Banana
A young, athletic woman with long expresso brown hair is in a low crouching pose on a golf course, about to putt. She wears a pink and yellow v-cut golf shirt, white golf skirt, golf gloves, and white golf shoes. A golf club is held in her right hand, and she is positioning a yellow golf ball in-front of her, close to a golf hole in the foreground. The background shows a trees and a cloudy sky. photorealistic, hyperrealistic, natural lighting, outdoor lighting, shallow depth of field, bokeh, sharp focus, high detail, 8k
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0:15
MiniMax H3
Wide establishing shot of an outdoor football field at sunrise, strong sun flare behind the stadium, players appearing as silhouettes in the distance. Moody, premium sports-commercial atmosphere. SHOT 2 — 2–4s Extreme macro close-up of a black football sneaker. Focus on the textured sole, stitching and three-stripe detailing. Dramatic studio lighting, shallow depth of field, slow cinematic camera movement. SHOT 3 — 4–6s A young male football player wearing a clean white T-shirt, dark athletic pants and black sneakers sits in a school/locker-room hallway and tightens his laces. Low-angle close-up, natural light through windows, realistic movement. SHOT 4 — 6–10s Night football match on an outdoor court under powerful stadium floodlights. The same player dribbles a football with confidence and speed. Dynamic tracking camera, realistic footwork, subtle motion blur, cinematic contrast, energetic sports-commercial feel. SHOT 5 — 10–13s Close-up of the player looking focused before the next play. Stadium lights glowing behind him, shallow depth of field, dramatic rim lighting, realistic skin and facial details. SHOT 6 — 13–15s Premium hero product shot of the black football sneaker standing on a glossy reflective surface in a dark studio. Soft spotlight from above, dramatic shadows, crisp details, slow camera push-in. End on a clean luxury sports-ad frame. Style: photorealistic live-action, premium sports commercial, cinematic lighting, realistic physics, natural skin texture, smooth camera movements, shallow depth of field, high detail, 4K, no text, no watermark, no distorted hands or feet.
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0:15
Seedance 2.5
Create a photorealistic cinematic fashion-sports video set on a pink tennis court at night. The woman is standing and riding on a skateboard while simultaneously playing tennis. She wears the black-and-white tennis-inspired bodysuit, layered pearl necklaces, white leg warmers, sunglasses, and black high heels shown in the reference. She pushes off and smoothly skates across the tennis court on the skateboard, maintaining believable balance. She holds a tennis racket in one hand and hits tennis balls coming toward her while continuing to roll forward. Her movements should feel confident, stylish, athletic, and controlled—not exaggerated or cartoonish. Her long dark-red hair moves naturally with the motion. Shot sequence: 0–3 sec: Low-angle close-up of the skateboard rolling across the pink court, wheels moving naturally as tennis balls bounce nearby. 3–7 sec: Wide side-tracking shot showing her riding the skateboard across the court while returning a tennis ball with a clean forehand. 7–11 sec: Smooth camera orbit around her as she continues skating and hits another incoming ball, with her hair and jewelry moving naturally. 11–15 sec: Front-facing tracking shot as she rides toward the camera, performs one final stylish tennis swing, then smoothly passes the camera. Visual style: luxury fashion campaign meets futuristic tennis commercial, nighttime stadium lighting, glossy pink court, realistic shadows and reflections, cinematic depth of field, subtle slow motion during racket impacts, smooth stabilized camera movement, realistic human anatomy, realistic skateboard physics, natural facial expression, detailed skin and hair, high-end editorial photography, photorealistic. Format: 15 seconds, 24 fps, high resolution. Negative prompt: distorted face, changing identity, extra fingers, extra limbs, duplicated tennis rackets, warped skateboard, floating wheels, impossible body positions, broken anatomy, jittery motion, unnatural hair, flickering clothing, changing outfit, cartoon appearance, CGI-looking skin, blurry face, camera shake.
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0:15
MiniMax H3
0–2s — THE SIP Fast close-up of the ginger-haired golfer on a sunny golf course. She grabs the Sprite can, cracks it open — PSHHHT! — condensation and tiny droplets flying in slow motion. She takes a refreshing sip and gives a confident little smirk. 2–4s — GAME ON Hard cut. She tosses the Sprite can slightly upward, catches it, grabs her golf club, and steps into position. Quick whip-pan around her as sunlight flashes across the frame. 4–7s — THE SWING Rapid montage: close-up of her gripping the club → golf ball on the tee → her eyes locking onto the ball → skirt and ponytail moving as she swings. She hits the ball with a powerful, perfectly timed CRACK! 7–10s — FOLLOW THE BALL Ultra-fast camera follows the golf ball flying across the bright green course. Speed ramp as it passes trees and sunlight, then lands perfectly near the hole. 10–12s — HOLE IN ONE She watches it drop into the hole. Quick reaction shot: she smiles, spins the club casually, and walks toward the camera like she absolutely knew that was happening. 12–15s — HERO SHOT She grabs the cold Sprite can again and takes another sip. Camera pushes in as she lowers the can, smiling confidently. Condensation sparkles in the sunlight. End on a clean product close-up of the Sprite can beside the golf ball. On-screen text: “REFRESH. RELOAD. PLAY.” SPRITE — THIRSTY FOR MORE. Fast cuts, energetic commercial pacing, whip transitions, speed ramps, crisp summer lighting, realistic golf physics, dynamic camera movement, refreshing splash effects, premium sports-ad aesthetic.
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0:28
Wan 3.0
Create a 30-second ultra-realistic professional women's wrestling match, 16:9, 4K/8K HDR, photorealistic, premium live sports broadcast quality. Two female professional wrestlers compete against each other inside a massive packed arena. Both athletes must remain visually consistent throughout the entire video. WRESTLER A: athletic young woman, long dark hair in a tight ponytail, black-and-gold professional wrestling gear, confident and aggressive expression. WRESTLER B: athletic young woman, blonde hair in a high ponytail, red-and-white professional wrestling gear, determined expression. Keep their faces, hairstyles, physiques, outfits and colors identical in every shot. 0–5 SEC — INSTANT HOOK Start in the middle of the match. Wrestler A charges toward Wrestler B. Wrestler B suddenly dodges and performs a fast counter. Use 0.5-second dramatic slow motion exactly during the counter, showing realistic hair movement, sweat, facial expressions and believable body physics. Immediately snap back to full speed. Fast cuts: ring → audience → referee → close-up of Wrestler B. Commentator: “WHAT A COUNTER! SHE SAW THAT COMING!” 5–10 SEC — RAPID EXCHANGE Both female wrestlers move quickly around the ring. Show realistic: Grappling Reversals Blocks Footwork Rope rebounds Controlled takedowns Realistic recovery Use professional ringside tracking cameras and quick broadcast cuts. Brief slow motion as Wrestler A narrowly avoids a strike. Commentator: “THE SPEED BETWEEN THESE TWO IS INCREDIBLE!” The crowd reacts naturally. 10–15 SEC — MAJOR REVERSAL Wrestler A grabs Wrestler B and attempts a controlled takedown. Wrestler B reverses the move at the last second and takes Wrestler A to the mat using believable professional wrestling choreography. Use a 1-second slow-motion replay-style moment, then instantly return to live speed. Close-up of Wrestler B's determined face. Commentator: “SHE JUST TURNED THIS MATCH AROUND!” 15–20 SEC — HIGH-ENERGY MOMENT Wrestler B climbs onto the corner turnbuckle while Wrestler A gets back to her feet. The entire arena reacts. Rapid cuts between: Wrestler B's eyes → Wrestler A → referee → screaming audience → wide arena. Wrestler B performs a carefully choreographed aerial wrestling maneuver. Capture the peak of the movement in cinematic slow motion, then return immediately to real-time as both wrestlers land safely. Commentator: “LOOK AT THIS! ABSOLUTELY INCREDIBLE!” 20–25 SEC — FINAL EXCHANGE Both women are exhausted and breathing heavily. Extreme close-ups show realistic sweat and facial expressions. They circle each other. Wrestler A suddenly attacks. Wrestler B ducks, counters and executes a powerful realistic finishing-style takedown. Use: FULL SPEED → 0.7 SEC SLOW MOTION → FULL SPEED. The referee immediately moves into position. The audience erupts. 25–30 SEC — FINAL MOMENT Wrestler B rises to her feet. The crowd is standing and cheering. The camera rapidly circles the ring. Cut: extreme close-up of Wrestler B → Wrestler A on the mat → referee → massive audience → wide arena shot. The commentator shouts: “SHE DID IT! WHAT A MATCH!” End with Wrestler B raising her arms while the crowd roars and Wrestler A slowly gets back to her feet.
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0:30
Seedance 2.5
CAMERA/LOOK: DV 16mm tape camcorder, handheld POV by CHASE; sometimes propped on mirror/rack. Shaky framing, imperfect focus/zoom, occasional face cut-offs. Soft blurry tape texture, faint noise, bloomed gym lights, flickering exposure, muted contrast, realistic skin, gradually increasing sweat. Camcorder never visible. STYLE: Playful gym vlog → steadily building tension → focused PR attempt → triumphant release. Quick handheld cuts, music audible throughout. CHASE: Korean idol in her 20s, long black high ponytail, glowing skin, expressive eyes, slim athletic build. Modest new matching long-sleeve workout set, sneakers, towel around neck, no jewelry. SETTING: Early-evening gym, mirror wall, bench press, barbell, phone/speaker, water bottle, soft overhead lighting. 30s / 12 CUTS: 1. 3s: Mirror, propped camera. Pose/excited: “Okay guys, new gym fit. Check it out!” 2. 2.5s: Close outfit check, tugging sleeve/hem: “So comfy, and the color is perfect.” 3. 2.5s: Warmup with phone: “Playlist is locked in. This one always gets me going.” 4. 2s: Playful dance/stretch, laughing; music only. 5. 2.5s: Sets camera near bench, eyes heavier plate: “Okay... today’s the day I try a new PR.” 6. 2s: Macro of hands loading heavy plate; metal clink. 7. 2.5s: Close face, nervous/focused: “Okay. Okay. Deep breath.” 8. 2.5s: Side angle, lies down and grips bar; music fades, breathing louder. 9. 3s: Unracks, slow controlled descent, hard press upward: “Come on—come on—” 10. 2s: Racks bar, sits up stunned; heavy breathing. 11. 2.5s: Huge grin, covers mouth: “Wait—I actually did it!” 12. 3s: Sweaty arm’s-length selfie, triumphant fist: “New PR! Okay, best gym fit ever. See you guys!”
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GPT Image 2.5
2x2 grid, 9:16, 4 goat chess players who passed away [SUBJECT] :: single standalone vertical tribute poster, not a grid Create a heroic illustrated legacy poster for [SUBJECT], showing them as a larger-than-life cultural icon. The poster should combine a giant emotional portrait, multiple smaller action poses, milestone trophies/medals, symbolic locations, fan signs, handwritten quotes, and inspirational typography into one dense but readable composition. CORE FORMULA :: GIANT_PORTRAIT([SUBJECT]) + ACTION_ECHOES([career moments]) + ACHIEVEMENT_OBJECTS([trophies / medals / records]) + HOME_SYMBOLS([city / country / team / arena]) + FAN_MEMORY([signs / banners / handwritten notes]) + LEGACY_TEXT([values / slogans / future impact]) = premium inspirational athlete collage poster AI-INFERENCE RULES :: - infer the sport, uniform, colors, trophies, signature pose, and visual symbols of [SUBJECT] - infer 4–8 smaller action poses showing iconic movements or career moments - infer the most meaningful achievement object: trophy, medal, championship, record, title, crown, ball, apparatus, etc. - infer background landmarks: home city, national flag colors, stadium, court, arena, skyline, mountains, track, field, or stage - infer 5–10 short text fragments: slogan, values, stats, fan signs, handwritten quote, legacy phrase - make the subject feel inspirational, mythic, beloved, and larger than the sport - keep the poster as ONE finished image, not a 2x2 sheet STYLE :: luxury sports tribute poster ::5 maximal illustrated collage ::5 watercolor + gouache + pencil texture ::4 premium magazine cover energy ::4 heroic portrait realism mixed with painterly poster art ::5 large elegant typography ::4 scrapbook/fan-art emotional layering ::4 soft atmospheric glow and paper grain ::4 national/team color palette inferred from subject ::3 dense but readable hierarchy ::5 COMPOSITION :: top = bold inspirational headline or name upper center = huge close-up portrait looking upward / determined / visionary middle = smaller action poses wrapping around the portrait lower center = trophy, medal, ball, apparatus, or iconic achievement object bottom = crowd, stadium, city, flag, court, field, or homeland scene edges = flowers, paint splashes, smoke, stars, signatures, banners, handwritten notes TEXT LOGIC :: Use large readable title text: [SUBJECT NAME] [LEGACY PHRASE] Add short inferred phrases like: “MORE THAN A CHAMPION” “REDEFINING WHAT’S POSSIBLE” “THE BEAUTIFUL GAME LIVES ON” “FLY HIGHER” “COURAGE LOOKS GOOD ON YOU” “DREAMS HAVE NO BORDERS” NEGATIVE :: no 2x2 grid, no plain portrait, no empty background, no corporate infographic, no photorealistic Photoshop collage, no flat vector, no random unrelated objects, no illegible text, no generic athlete, no watermark
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0:20
Seedance 2.5
Cinematic action-sport eyewear commercial, photorealistic, 20-second video, 30fps, 16:9, 4K, fast dynamic cuts, motion blur on quick moves, dusty warm color grade — sun-bleached orange and sandy beige tones, high contrast shadows. Character: Athletic man >>, late 20s, tan skin, buzzed hair, sleeveless tactical vest over grey shirt. Product: Wraparound sport sunglasses, matte black rubberized frame, polarized dark-grey lenses, red "HEIS" logo on outer hinge. Environment: Open desert dirt-bike trail, dust clouds from tires, harsh midday sun, hazy distant mountains. Shot list: 0-2s — Wide shot, he sprints toward parked dirt bike, dust swirling. 2-4s — Low-angle tracking shot, swings onto bike, glasses on, engine roars. 4-6s — Close-up, dust reflecting off polarized lenses as he revs throttle. 6-9s — Fast tracking shot alongside bike launching forward, motion blur, jacket flapping. 9-11s — Extreme close-up, sweat/dust on jaw, distorted trail reflection in lens. 11-14s — Aerial-style shot, bike jumping dune, brief hang-time, dust trailing. 14-16s — Slow-motion landing shot, dust exploding in golden backlight. 16-18s — Close-up, bike stops, he pushes glasses up slightly, red HEIS logo catches sun. 18-20s — Final wide shot, looks back over shoulder, dust settling, sun flare crosses frame. Technical notes: realistic dust/dirt physics, motion blur only on fast movement, consistent character/product identity, no text overlays besides logo.
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GPT Image 2
Ultra-realistic cinematic portrait of Loryane, a red-haired Ferrari Formula 1 driver, celebrating her race victory on the podium. She is wearing her red Ferrari racing suit with sponsor patches (Shell, Santander, Pirelli, Ferrari) and a white Ferrari cap, smiling with joy as she sprays champagne into the air, creating dynamic sparkling droplets frozen in motion. The background shows a blurred Formula 1 podium with soft lighting and bokeh effect, evoking excitement and triumph. Camera angle: mid-close shot (from waist up), slightly diagonal to capture motion of the champagne spray. Lighting: natural daylight with strong reflections on the champagne mist, warm highlights accentuating her red hair. Expression: genuine happiness and adrenaline. Composition: vertical (9:16), cinematic depth of field, high-speed shutter realism, visible droplets and motion blur. Keywords: Ferrari victory celebration, champagne spray, realistic racing portrait, female Formula 1 driver, red suit, dynamic motion, cinematic lighting, joyful expression, sports triumph. Negative Prompts: no dark background, no cartoon look, no cropped face, no helmet, no exaggerated motion blur, no confetti, no audience too close, no monochrome tone.
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GPT Image 2
Photorealistic vertical outdoor lifestyle photograph of an adult woman riding a mountain bike through a sunny countryside meadow. She is seated naturally on the bicycle, wearing a fitted black sleeveless top, a lightweight white pleated mini skirt, and clean white athletic sneakers. Very long straight auburn-brown hair flows naturally down her back. She turns her head over her shoulder toward the camera with a relaxed, confident expression while continuing to hold the handlebars. Golden-green grass, scattered trees, clear pale-blue sky, warm afternoon sunlight, realistic shadows, subtle lens softness, authentic amateur smartphone photography, natural skin texture, candid travel-adventure atmosphere, slightly imperfect framing, 9:16 vertical composition.
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0:15
MiniMax H3
Minimax H3 Prompt A dramatic sports sequence begins on a lush, windswept coastal cliff during a violent rainstorm. A golfer in bright yellow rain gear stands on the tee box, gripping a driver. His stance is planted firmly, eyes locked on a distant green across a churning ocean cove. As he swings, the clubhead connects with a resounding crack, launching the dimpled white ball into the stormy sky. The camera immediately accelerates and locks onto the golf ball mid-flight. The camera tracks directly behind the spinning sphere, maintaining perfect alignment as it cuts through the driving rain. The ocean waves and dark clouds become a streaking motion blur while the ball remains sharp and centered. The howling wind roars as the projectile travels straight and true. The manicured green grows rapidly larger. In the final seconds, the camera closes in tightly as the ball strikes the turf. End on an extreme close-up of the ball ripping through the wet grass, throwing up a spray of dirt before dropping perfectly into the cup.
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0:15
MiniMax H3
@Hailuo_AI prompt: [Style] UGC ringside fight footage (Ringside Phone Footage), real vertical handheld phone shooting (9:16 Vertical, Handheld), raw on-site feel: digital zoom, slight defocus, motion blur, flash strobes, no filter no color grading straight-out-of-camera footage [Duration] 15 seconds [Scene] Indoor boxing gym fight night: regulation boxing ring, ropes on all sides, overhead lights shining directly down, crowd in darkness holding up phones, camera flashes going off everywhere, shooter standing in the second row at ringside filming on a handheld phone [Characters] Main character 1 @image1 (black robe with blue trim side, after removing robe: black boxing trunks and black gloves), main character 2 @image2 (white robe with green trim side, after removing robe: white boxing trunks and white gloves) [Shooting mechanics] Single continuous handheld phone shot throughout: the frame constantly has slight hand shake and breathing motion, at key moments the shooter aggressively pushes digital zoom to get close, briefly loses focus then refocuses, during intense moments the lens gets blocked by a front-row spectator standing up for half a second before finding the angle again — all the "imperfections" are the source of authenticity [00:00-00:03] Opening feeling-out Phone perspective shoots over the front-row spectators' heads toward the ring: the bell "clangs" and the two close in from their corners, main character 1 lowers his center of gravity and weaves side to side looking for an angle, main character 2 keeps both gloves up guarding his face and circles with small steps, the two exchange probing jabs, gloves thudding against each other. [On-site audio] Bell, crowd chatter, someone near the shooter yelling "hit him!" [00:03-00:07] First exchange The shooter aggressively pushes digital zoom to get close: main character 1 steps in with a left jab followed by a right hook, main character 2 ducks his head to dodge, closes distance and fires back with a two-punch hook combination, gloves thudding against each other, sweat flying under the overhead lights, the frame blurs for half a second from the rapid zoom before refocusing. [On-site audio] Continuous thuds of glove impacts, the crowd erupting with "ooooh—!", the shooter letting out an involuntary "holy shit." [00:07-00:10] Clinch and obstruction The two clinch up in close quarters grappling, the referee steps in to separate them — at that moment a front-row spectator jumps up excitedly, the phone frame gets blocked by the back of a head for an instant, the shooter frantically raises the phone higher over the heads to keep filming: the two separate and each take a step back, main character 2 wipes his face, main character 1 rolls his neck. [On-site audio] Referee yelling "Break!", the swell of crowd commotion drowning everything out. [00:10-00:13] Climax heavy blow Raised high-angle perspective: main character 2 throws a heavy punch first, main character 1 ducks under it, and the moment he comes up lands a solid right uppercut square on main character 2's chin — main character 2 staggers, stumbles backward into the ropes and slides down to sit on the canvas, the arena instantly explodes, camera flashes going off in a sea of light. [On-site audio] One explosive thud from the heavy blow followed by the crowd's roar blowing the roof off, the shooter shouting wildly, the phone shaking violently. [00:13-00:15] Final freeze frame The frame shakes as it pulls back to a wide shot: the referee rushes in to check, main character 1 retreats to a neutral corner raising both gloves high, countless phone screens glowing below like a sea of stars, the shooter yelling while pointing the lens toward the ring, the frame freezes on the blurry moment of main character 1 pumping his arm. [On-site audio] Cheering, whistling, someone pounding on the seat back in front, all fading into the roaring crowd. [Notes] The entire video maintains the raw gritty feel of straight phone footage: overexposed overhead lights, blurry focus, motion trails, and tilted framing are all acceptable; any cinematic color grading or gimbal-smooth camera movement is forbidden; striking actions should be stylized with results shown (hit, stagger, sit-down), staying within competitive sports bounds, no blood and no injury close-ups.
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0:30
Seedance 2.5
“THE RIDGE” 30 SECONDS | 9:16 | PHOTOREALISTIC EXTREME SKIING DOCUMENTARY | SEEDANCE 2.5 | MULTISHOT CAMERA The entire video captures a lone professional skier descending a steep, remote alpine mountain, launching from a natural snow ridge, performing a controlled mid-air 360-degree spin, landing on the slope, and carving through deep powder directly toward the camera. It feels like authentic extreme-sports documentary footage captured by a mountain film crew positioned around the descent. Aerial establishing shot. Long-lens mountain coverage. Handheld follow camera. Low ski-level tracking shots. Close-up of ski boots and bindings. Extreme close-up of ski edges cutting through powder. Rear-follow downhill footage. Side-profile tracking. Wide shot of the complete jump. Low-angle landing shot. Close-up of body position and leg compression. Camera operator reacts naturally to the skier’s speed and approaching snow spray. Natural handheld shake. Realistic tracking errors. Brief focus adjustments. Snow crystals striking the lens. Natural motion blur. Occasional partial obstruction by flying powder. Realistic exposure changes between bright snow and dark mountain shadows. No impossible camera positions. No weightless floating camera movements. No videogame camera. No polished fantasy sports cinematography. CHARACTER SKIER: One experienced adult professional skier. Athletic build. Dark forest-teal technical shell jacket. Deep charcoal-teal ski trousers. Black insulated gloves. Matte dark helmet. Reflective goggles with a subtle teal tint. Black ski boots. Two dark skis with realistic bindings and visible metal edges. Two ski poles held naturally during the descent. Realistic body proportions. Natural fabric movement. Visible frost and fine snow particles on clothing. The skier moves with trained confidence but remains physically grounded. Knees flex over uneven terrain. Hips shift naturally during turns. Arms adjust for balance. The skier compresses at takeoff and landing. No exaggerated superhero posture. No unnecessary tricks. No facial or equipment changes between shots. The same skier, clothing, skis, bindings, and poles must remain consistent throughout the entire video. SETTING Remote high-altitude alpine mountain range. A narrow snowy summit overlooking a steep, untouched powder slope. A prominent natural snow ridge forms the jump. Vast layered mountain peaks extend into the distance. Deep winter atmosphere. Cold morning daylight. Thin windblown snow crossing the summit. Dark rock formations partially exposed along distant ridgelines. Soft atmospheric haze. No ski resort. No buildings. No groomed trails. No artificial ramps. No other skiers. The terrain must remain geographically consistent throughout the descent, with the same ridge, slope direction, and landing area. COLOUR PALETTE — USE THE UPLOADED REFERENCE IMAGE: Deep charcoal brown. Near-black forest teal. Dark evergreen. Blue-green petrol. Deep teal. Saturated turquoise. Muted jade. Pale mint. Soft icy sage. The darkest colours define the shadowed mountain terrain, equipment, and distant rock formations. Petrol teal and turquoise appear subtly in the mountain shadows. Muted jade and pale mint guide the transition into the snow highlights. Snow remains naturally white with restrained cool teal shadows. The entire film follows this palette without making the snow appear artificially coloured. No purple shadows. No orange-and-teal blockbuster grading. No neon colours. STORY 00:00–00:02.5 — THE SUMMIT Ultra-wide aerial documentary shot of an immense alpine mountain range. The camera glides toward a narrow snowy peak where the lone skier stands near the beginning of a steep descent. The skier appears small against the enormous landscape. Wind pushes loose powder across the ridge. Cut to a wide side-profile shot of the skier standing still, looking down the mountain. The terrain drops sharply ahead. The skier plants both poles into the snow and studies the line. The scale, isolation, and steepness of the mountain establish the challenge. 00:02.5–00:05 — PREPARATION Medium handheld shot from behind the skier’s shoulder, looking down the slope. The skier shifts their weight forward and bends their knees slightly. Extreme close-up of a gloved hand tightening around a ski pole grip. Cut to a foot-level close-up of the ski boots secured firmly inside the bindings. The metal ski edges rest against the powder. Fine snow moves across the skis in the wind. The skier pushes both poles into the snow. A brief pause. Then the body moves forward. ⸻ 00:05–00:07.5 — THE DROP Low-angle foot shot from beside the skis. The skier pushes off forcefully. The ski edges release from their stationary position and begin cutting into the slope. Powder sprays backward as the skier accelerates. Cut to a wide downhill shot showing the skier committing to the steep descent. The camera begins tracking from a parallel position slightly above the skier. The first turn starts immediately. The sound of the wind rises as speed increases. ⸻ 00:07.5–00:10 — BUILDING SPEED Low ski-level tracking shot. The ski tips move rapidly across the lower frame as the skier carves through the first deep section of powder. Cut to a medium side shot showing the skier shifting from one edge to the other. The knees flex naturally. The torso remains balanced over the skis. A large plume of powder rises behind the outside ski and disperses downwind. The camera briefly struggles to keep pace, allowing the skier to move toward the edge of the frame before catching up. ⸻ 00:10–00:12.5 — THE RIDGE Wide long-lens shot from across the mountain. The skier descends toward a prominent natural snow ridge. The ridge becomes a
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0:20
Seedance 2.5
Create a 20 second cinematic tennis brand reveal for wilson. Scene 1: The Serve (10s): Create a photorealistic 16:9 premium tennis commercial. A beautiful adult blonde female tennis player wearing a vibrant hot-pink fitted tennis top, crisp white pleated tennis skirt, matching pink headband and pink tennis shoes performs a powerful serve with a Wilson tennis racket. Track the ball with dynamic cinematic camera movement, then freeze time for a dramatic close-up of her outfit, racket and ball. Scene 2: The Brand Reveal (10s): Continue seamlessly from Scene 1. Follow the tennis ball flying across the court, then rise into an aerial view revealing white and pink tennis balls arranged to spell “WILSON” on the court. Finish with a clean, stable overhead brand reveal. Style: Ultra-realistic, premium sports advertising, smooth camera movement, consistent character and outfit, natural lighting, crisp details, no extra text, no misspelled lettering.
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Nano Banana
A young woman with long dark hair tied in a high ponytail stands on an indoor volleyball court wearing a black and yellow jersey with the number 69 and the word DREAMY printed across the chest. She wears black compression sleeves on both arms, gold hoop earrings, and has dark nail polish on her fingernails. Her expression is calm and focused as she looks slightly off-camera with one hand resting near her hip and the other hanging loosely by her side. The background shows blurred stadium seating with orange accents and indistinct figures of spectators or teammates. The lighting is bright and even, typical of an indoor sports arena, casting soft shadows on her face and uniform. The image has a shallow depth of field that keeps the subject sharp while blurring the background for emphasis. Style Details: naturalistic photography with high detail in skin texture and fabric weave, clean color grading, no visible filters or artistic manipulation.
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0:20
Kling 3
Bodybuilders doing rhythmic gymnastics: Oiled bodybuilders in sequined leotards twirl ribbons and hoops on a gym floor, one tosses a hoop 20 feet up and catches it on his flexed bicep to wild applause from a packed arena.
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0:10
Seedance 2.5
First-Frame Image Prompt A large, dark-skinned man with short black hair and a neatly trimmed beard, wearing a fitted white sleeveless athletic tank top and black athletic shorts with white piping along the edges, barefoot. He stands on the tan tiled edge of a bright blue outdoor swimming pool, leaning forward with knees bent, weight on his toes, preparing to jump. His right arm is raised high, his left arm out for balance. His expression is focused and slightly nervous. A standard white plastic patio chair floats upright on the water about two body-lengths from the pool edge, with clear open water around it. Farther out, and spaced well apart, the other floating objects are faintly visible: a red table, a yellow barrel, a blue barrel, a green sofa, and a black grand piano in the distance. The crowd on the far side of the pool is made up entirely of men and boys, a varied mix of ages and body types in casual summer clothes: swim trunks, shorts, t-shirts, tank tops, sunglasses, caps, and bucket hats. Some stand at the edge holding drinks or filming with phones. Others sit on loungers, and a few young boys sit on the men's shoulders. Their poses and expressions differ: some lean forward in anticipation, some laugh, some cover their mouths in suspense. They are slightly out of focus, with natural depth of field. Tall palm trees, a blue patio umbrella, and a wooden pergola-style structure stand behind them. The sky is sunny and blue with scattered white clouds. Lighting is bright natural sunlight with hard shadows, vibrant saturated colors, and high contrast. The look is realistic but slightly stylized, as if AI-generated. Vertical composition, poolside leisure atmosphere. Image-to-Video Prompt (10 seconds) **Theme:** Whimsical poolside obstacle-course victory, with risky jumps and last-second recoveries. **Visuals:** A man in a white sleeveless athletic tank top and black shorts leaps across a chain of absurd floating objects in a sunny swimming pool: a white plastic chair, red table, yellow barrel, rolling blue barrel, green tufted sofa, and finally a black grand piano. Each object floats impossibly on the water, separated from the next by a clear gap of open blue water roughly 1.5 to 2 body-lengths wide. Every jump is a stretch. He barely reaches each object, landing with his toes at the edge, and his arms windmill, his body tilts, and the object wobbles or sinks slightly. He catches himself just in time. A realistic all-male crowd of men and boys of mixed ages in casual summer clothes watches from the poolside, with palm trees, a blue umbrella, and a pergola in the background. **Crowd behavior:** Individual, natural reactions from the men and boys rather than uniform movement. Some gasp and cover their mouths on near-falls, others wince, laugh, or point. Some film on phones, boys on shoulders bounce excitedly, and friends grab each other's arms or slap each other's backs. Tense on each wobble, erupting with cheers and fist pumps on each recovery. Nobody moves in sync. **Camera:** Smooth horizontal tracking shot panning right, keeping the man centered as he moves across the pool, with the wide gaps visible between objects. **Style:** Bright, saturated, slightly stylized AI-generated realism. Cartoonish, exaggerated physics, with heavy objects floating effortlessly but tipping and bobbing under his weight. Dynamic water splashes. Color pops of white, red, yellow, blue, green, and black against the bright blue pool and sky.
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0:30
Seedance 2.5
Duration: 30 seconds | Aspect Ratio: 16:9 | Style: Ultra-photorealistic live-action Hollywood MMA action. HERO: Use image1 as the exact hero identity. Preserve his face, facial structure, hairstyle, physique and proportions consistently in every shot. He wears black MMA shorts with a red waistband, black fingerless MMA gloves, bare feet and wrist tape. His skin becomes naturally sweaty during the fight. RIVAL: Tall, heavily muscular bald fighter with a short dark beard, tribal tattoo covering the left shoulder/upper arm, white-and-royal-blue MMA shorts, blue gloves and bare feet. After Shot 03, maintain a small realistic cut above his right eyebrow. LOCATION: Packed night arena, eight-sided steel cage, overhead rig lights through haze, cool blue cinematic palette with warm skin highlights, realistic crowd, sweat and atmospheric depth. Referee wears a white shirt and black trousers and remains mostly at frame edges. SEQUENCE: 00:00–02 High-angle 24mm wide, bell rings, both fighters leave corners, slow crane descent. 02–04 35mm Steadicam arc, fighters circle; rival throws a probing jab. 04–06 FAST 50mm handheld, hero slips and lands jab-cross, opening a small cut on rival's right eyebrow. 06–08 FAST 40mm OTS, rival throws hook-cross-hook; hero blocks and parries. 08–10 SLOW-MO 85mm close-up, heavy hook snaps hero's head, sweat sprays; speed ramp as he hits cage. 10–12 40mm handheld, hero pinned against fence, rival flurries; rack focus to hero's determined eyes. 12–14 FAST 28mm tracking, hero slips hook, lands liver shot and spins away. 14–16 SLOW-MO 85mm, hero's uppercut lifts rival's chin, sweat suspended in rim light. 16–18 FAST 35mm, rival throws wild cross; hero ducks and lands three-punch combo. 18–20 65mm slow orbit, both exhausted fighters trade heavy close-range punches. 20–22 FAST 28mm push-in, hero unleashes four-punch barrage, driving rival to fence. 22–24 EXTREME SLOW-MO 100mm profile, hero slips overhand and lands decisive right cross to jaw; brief silence, then massive impact. 24–27 Ground-level 24mm wide, rival collapses, referee waves off fight, hero steps back. 27–30 35mm low-angle Steadicam push-in, hero raises gloves in exhausted relief; crane pull-up reveals roaring arena, cut to black. SOUND: Crowd roar, bell, breathing, canvas footsteps, realistic glove impacts. Low drone, cello, taiko and strings build toward knockout, brief silence at impact, then orchestral hit and emotional piano/strings finale. QUALITY: Realistic physics, anatomy, sweat, skin texture, cinematic motion blur and subtle film grain. No cartoon, CGI look, plastic skin, face changes, wardrobe changes, duplicated fighters, extra limbs/fingers, deformed hands, warped faces, impossible punches, jitter, flicker, oversaturation, text, watermark or logos.
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GPT Image 2.5
Create a premium 3:4 semi-realistic anime × cinematic sports photography poster featuring the person from the uploaded photo as the main character. IDENTITY REFERENCE: Use the uploaded photo as the ONLY identity reference. Preserve the person's exact recognizable facial identity, facial structure and proportions, eyes, eyebrows, nose, lips, cheekbones, jawline, chin, hairstyle, hairline, skin tone and distinctive features. Keep their natural gender presentation exactly consistent with the uploaded photo. Do not feminize, masculinize, beautify, reshape, slim, widen, age, de-age or genericize the face. SCENE & COMPOSITION: Show the person as a confident skateboarder performing a dynamic street-skating moment. Use an extreme wide-angle, ultra-low camera perspective. Place the skateboard and one wheel close to the lens in the foreground, creating strong depth and scale, while the character appears slightly farther behind it. The character must remain clearly visible and the face must be large, sharp, naturally detailed and instantly recognizable. Keep the face unobstructed and in strong visual focus. VISUAL STYLE: Blend 70% high-end cinematic sports photography + 30% premium semi-realistic anime. Use realistic anatomy, natural skin texture and believable clothing, combined with refined anime linework, subtle cel-shading, slightly stylized hair, expressive facial rendering and polished anime-inspired lighting. Create a vibrant clear-blue sky, modern urban skate environment, warm concrete surfaces, atmospheric depth, subtle flying dust and realistic clothing movement. Add controlled directional motion blur to the skateboard, wheels, dust and background while keeping the face tack-sharp. GRAPHIC ELEMENT: Behind the character's upper body, add one flat, hard-edged jagged graphic burst in a bold anime accent color such as electric lime or vivid yellow. Keep it clean and graphic — not glowing, not multiple explosions, not magical energy. ANIME EDITORIAL TYPOGRAPHY: Integrate the typography directly into the composition using premium Japanese street-anime / modern sports-anime graphic design language. Main title: "SKATE" Use sharp, energetic anime-inspired lettering with: • dynamic angular cuts • slightly condensed geometric forms • thin-to-medium strokes • subtle outline treatment • controlled offset/shadow detail • slight perspective or rotation • speed-line-inspired micro details • editorial Japanese anime poster energy Secondary text: "RIDE THE MOMENT" Typography should feel like part of a premium anime opening sequence or high-end manga sports campaign, not a childish cartoon font. Keep typography behind or around the character where appropriate, never covering the face. Maintain clean hierarchy and generous negative space. BRANDING: Place "https://t.co/SZctZTs8Nk" small and refined at the bottom center. No logo. QUALITY CONTROL: Premium composition, cinematic lighting, realistic perspective, crisp facial details, natural anatomy, sophisticated color grading, subtle film grain, polished semi-anime rendering, high-end sports campaign aesthetic. No: logos, brand marks, extra text, text boxes, thick block typography, superhero elements, fantasy powers, magical effects, helmet, face covering, hidden face, distorted hands, distorted anatomy, duplicate limbs, generic model face, excessive anime exaggeration or childish cartoon styling.
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0:30
Seedance 2.5
Create a ultra-realistic UGC-style sports sneaker review video featuring a young woman testing premium VYRO sneakers across different environments. She should personally explain the sneaker’s features while wearing them throughout the video.
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GPT Image 2.5
Create a high-impact vertical editorial illustration of a motocross rider performing an aggressive wheelie directly toward the camera on a dirt bike. Use an extremely low front-facing camera angle, making the large front knobby tire dominate the lower-right foreground while the rider appears powerful and imposing above it. The rider wears a full motocross helmet with a dark tinted visor, protective motocross jersey, padded riding pants, gloves, and rugged motocross boots. Show realistic protective gear with layered fabric, stitching, armor panels, folds, scratches, and worn textures. The motorcycle should have detailed handlebars, handguards, front suspension forks, spokes, brake components, engine parts, frame, mudguards, and thick off-road tires. Use a bold graphic comic-book illustration style with heavy black ink outlines, rough hand-drawn linework, crosshatching, imperfect ink edges, expressive contour lines, subtle paper grain, and screen-print-like texture. Use a limited high-contrast palette of vivid red-orange, black, cream, muted yellow, and warm gray. The background is a flat intense red-orange field with subtle geometric color variation, distressed paint texture, scattered black dirt particles, and small debris around the motorcycle. Add a dusty ground surface beneath the bike with splashes of dirt and gritty texture. Dynamic action composition, dramatic perspective, exaggerated scale, crisp illustrated details, strong shadows, vintage motocross poster aesthetic, modern editorial graphic design, energetic and rebellious mood. No text, no letters, no numbers, no logos, no usernames, no watermark, no signature, no typography anywhere in the image. Vertical 4:5 composition.
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0:15
MiniMax H3
Create a fast-paced, high-energy cinematic sports commercial featuring a professional female tennis player competing on a blue hard court. Scene & Camera: - Begin with an overhead bird’s-eye shot of her powerful serve. - Transition into low-angle tracking shots capturing her fast footwork and movement across the court. - Use intense close-ups of her focused face, hands, racket, and ball impact. - End with a dramatic golden-hour silhouette as she strikes the ball. Visual Style: Photorealistic, premium sports-commercial aesthetic, bright natural sunlight, subtle lens flares, crisp focus, realistic motion blur, dynamic camera movement, cinematic composition, 8K detail, 35mm film look, subtle film grain. Performance: Natural athletic movement, realistic tennis technique, accurate racket and ball physics, powerful swings, quick footwork, confident expressions, and believable body mechanics. Audio: Realistic tennis-court ambience, racket impacts, ball bounces, quick footsteps, and subtle cinematic sports sound design. No dialogue. Negative Prompt: Distorted hands, extra fingers, unnatural anatomy, incorrect tennis technique, floating racket, unrealistic ball movement, duplicated objects, face distortion, flickering, jitter, slow motion unless intentional, CGI appearance, low detail, watermark, text, or logos.
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0:30
Seedance 2.5
Ultra-photorealistic 30-second 16:9 mountain-bike action video. Same female rider, bike, clothing, trail, and daylight throughout. Show her starting on a mountain ridge, accelerating naturally downhill, navigating roots, rocks, gravel, and tight corners with realistic braking, balance, tire traction, and suspension movement. Finish as she exits the forest and stops at a scenic valley viewpoint. Cinematic tracking shots, realistic outdoor physics, natural forest ambience, bike sounds, wind, and breathing. No dialogue, CGI look, impossible jumps, teleportation, distorted anatomy, text, logos, or watermark.
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0:30
Seedance 2.5
Create an explosive, high-adrenaline extreme mountain-biking action sequence in 16:9, 24fps, exactly 30 distinct cuts, total runtime 30–31 seconds. A lone rider in a dark grey/black hooded jacket, black shorts, gloves, backpack and full-face helmet rides a blue full-suspension mountain bike through a vast alpine landscape of steep rocky slopes, snow patches, green pine trees, dirt trails and distant snow-capped peaks under a clear blue sky. Preserve the exact rider silhouette, bike color, clothing details, helmet design and environment throughout — never redesign them. This film is 80 % pure kinetic camera motion and 20 % environmental drama: aggressive tracking shots, whip pans, snap zooms, speed ramps, motion blur, dust and snow particle bursts, rim-light flares and impact shakes. No text, no graphics, no logos — pure cinematic action. ### CUT LIST CUT 01 | 0.00–1.00s Low rear tracking shot: rider pedals hard away from camera on a narrow dirt trail cutting through green alpine meadow, snow patches and scattered pines; camera follows low and tight, slight motion blur on the ground. CUT 02 | 1.00–2.00s Camera rises slightly and accelerates; rider leans into a gentle left curve, mountains rising dramatically on both sides; speed lines of blurred grass and dirt. CUT 03 | 2.00–3.00s Rider powers up a short incline then drops onto a steeper rocky section; camera stays locked behind, slight Dutch tilt as the trail narrows. CUT 04 | 3.00–4.00s Fast forward tracking over uneven dirt and snow; rider’s body pumps the bike, backpack shifting; distant peaks fill the upper frame. CUT 05 | 4.00–5.00s Rider approaches a sharp crest; camera drops lower, almost ground-level, dust kicking up from the rear tire. **CUT 06 | 5.00–6.00s** Explosive launch: rider and bike leave the ground in a high backflip / inverted aerial over a rocky drop; camera tilts upward to follow the full rotation against the blue sky and mountain backdrop. **CUT 07 | 6.00–7.00s** Rider lands hard on a steep rocky face and immediately accelerates downhill; camera recovers with a quick snap-zoom and impact shake. **CUT 08 | 7.00–8.00s** Steep rocky descent; rider stays low and centered, bike suspension compressing; camera tracks tightly from behind with heavy motion blur on the rock surface. **CUT 09 | 8.00–9.00s** Rider leans into a high-speed left turn on a near-vertical rock slab; camera swings wide then snaps back. **CUT 10 | 9.00–10.00s** Another massive drop: rider launches off a cliff edge, arms outstretched, bike inverted above; camera freefalls with them, looking straight down into the deep valley below. **CUT 11 | 10.00–11.00s** Mid-air recovery; rider rights the bike and falls toward a steep rock face; camera rotates with the motion. **CUT 12 | 11.00–12.00s** Rider lands on the near-vertical face and begins a controlled high-speed descent; camera stays directly behind and slightly above. **CUT 13 | 12.00–13.00s** Extreme angle looking almost straight down the cliff; rider is a small silhouette against the massive rock wall and distant valley floor. **CUT 14 | 13.00–14.00s** Rider continues the steep descent, body low, bike tracking the rock contours; camera follows with continuous slight shake. **CUT 15 | 14.00–15.00s** Slight pull-back revealing the full scale of the mountain face and the valley far below; rider remains centered. **CUT 16 | 15.00–16.00s** Rider cuts across a diagonal rock ledge; camera banks hard with the movement. **CUT 17 | 16.00–17.00s** High-speed traverse on a narrow rock spine; dust and small rocks kick up behind the tires. **CUT 18 | 17.00–18.00s** Rider drops into a steeper chute; camera drops with them, heavy motion blur. **CUT 19 | 18.00–19.00s** Rider emerges onto a broader rocky slope and accelerates; camera rises slightly for a wider view of the terrain. **CUT 20 | 19.00–20.00s** Fast tracking across open rock and snow patches; rider stays low and aerodynamic. **CUT 21 | 20.00–21.00s** Rider approaches another crest; camera drops low again, almost scraping the rock. **CUT 22 | 21.00–22.00s** Rider launches a smaller jump, body compressed; camera follows the arc. **CUT 23 | 22.00–23.00s** Landing and immediate acceleration down a smoother but still steep face; camera locks in tight rear tracking. **CUT 24 | 23.00–24.00s** Rider carves a wide arc across the slope; distant snow fields and trees become visible lower in the frame. **CUT 25 | 24.00–25.00s** High-speed section on a more open rocky plain; camera pulls back slightly to show the full landscape. **CUT 26 | 25.00–26.00s** Rider approaches the final steep drop-off; camera lowers and accelerates. **CUT 27 | 26.00–27.00s** Rider launches off the last major lip into a big aerial; camera freefalls with them. **CUT 28 | 27.00–28.00s** Mid-air inversion / style grab; rider and bike silhouetted against the bright sky and distant peaks. **CUT 29 | 28.00–29.00s** Rider lands on a grassy, snow-patched slope and immediately pedals hard toward a denser tree line; camera recovers with impact shake and continues tracking. **CUT 30 | 29.00–30.73s** Final high-speed tracking shot as the rider disappears into the greener lower slope; camera gradually rises and the frame slowly overexposes to bright alpine light. ### Editing & Sound Extremely aggressive rhythm — hard cuts on every major terrain change or jump, continuous tracking with occasional whip pans and snap zooms, heavy motion blur, dust/snow particle hits, and impact shakes on every landing. No text, no graphics, no slow-motion except brief speed-ramps into the biggest airs. BGM: hard-hitting electronic / drum-heavy future bass or aggressive cinematic trailer music with deep sub drops, risers, and glitch fills locked to every jump and landing; tire screeches, rock impacts, wind whooshes and bike suspension compressions are rhythmic
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Nano Banana
Photorealistic vertical outdoor lifestyle photograph of an adult woman riding a mountain bike through a sunny countryside meadow. She is seated naturally on the bicycle with a little sticker 'Keor' on it somewhere, wearing a fitted red sleeveless top, a lightweight white pleated very short skirt, and clean red glossy high heels. Very long straight auburn-brown hair flows naturally down her back. She turns her head over her shoulder toward the camera with a relaxed, confident expression while continuing to hold the handlebars. Golden-green grass, scattered trees, clear pale-blue sky, warm afternoon sunlight, realistic shadows, subtle lens softness, authentic amateur smartphone photography, natural skin texture, candid travel-adventure atmosphere, slightly imperfect framing, 9:16 vertical composition.
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0:30
Seedance 2.5
A young snowboarder drops into an alpine terrain park, carves smoothly down the slope, performs a controlled 180° jump and freestyle butter, then finishes with a clean stop. Ultra-realistic winter sports documentary, physically accurate snowboard physics, authentic human movement, natural English lip-sync, bright winter daylight, immersive mountain ambience, and seamless story continuity throughout.
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0:15
MiniMax H3
(16:9 / 15 seconds / 8 cuts / Japanese dialogue version) @ ImageA = Approved image board. (Hereafter referred to as the image board) The image board is to be used only as reference for the atmosphere of the two characters, swimsuits, beach environment, product bottle design, colors, refreshing feel, and video tone. Important: Absolutely do not depict the layout or composition of the image board itself in the video. Do not create image boards, 8-division grids, panel splits, numbers, captions, headings, product lists, color swatches, mood boards, posters, still-image collages, or storyboard-style displays. Output the final result as a single live-action CM video, and do not display text, numbers, logo explanations, CUT numbers, or panel divisions on screen. 15 seconds, 16:9, live-action cinematic CM, 8 cuts total. A bright midsummer beach in daylight. White sand, transparent blue sea, strong sunlight, refreshing breeze. The characters are two adults in their early 20s, one man and one woman. Healthy and stylish, natural smiles, a light and refreshing vibe between friends. The product is a fictional ultra-carbonated PET bottle drink, SPARKRUSH ULTRA FIZZ. Clear PET bottle, blue cap, dark blue-dominant label, diagonal lines, granular carbonation bubble graphics, energetic and striking design. Make it look like a strong ultra-carbonated drink, not water or mineral water. The label should be energetic, stylish, and convey the kick of carbonation. Do not use any real brand logos or designs. Keep the characters' faces, swimsuits, product logo, bottle shape, and label colors consistent across all cuts. Do not include subtitles, captions, additional text, or separate logos. CUT1 0:00-0:02 Wide shot. Midsummer beach. A man and woman run through the shallow water into the sea. Water splashes sparkle. A refreshing, youthful opening. Man: "Whoa, this is amazing!" CUT2 0:02-0:04 The two play with a beach ball. They toss it back and forth, laughing brightly. The sky and sea are vivid, with a summery sense of openness. Woman: "Here, nice catch!" CUT3 0:04-0:06 Upper-body shot of the woman. She holds up a SPARKRUSH ULTRA FIZZ bottle toward the camera and smiles refreshingly. The bottle's blue lines and granular carbonation design are clearly visible. Woman: "This is ultra-carbonated!" CUT4 0:06-0:08 Product close-up. A hand twists open the cap, and a sharp fizzing sound bursts out. Fine bubbles and cold mist erupt from the bottle opening. Emphasize the intense kick of the ultra-carbonation. SE: Sharp carbonation opening sound CUT5 0:08-0:10 Close-up shot of the man drinking from the bottle. Water droplets on the chilled bottle, the refreshing sensation going down his throat, and his expression of intense, pleasant surprise as he drinks. Man: "Whoa, that's a sharp kick!" CUT6 0:10-0:12 Two-shot of the pair. They hold the bottle while laughing together. Natural closeness, dazzling sunlight, an atmosphere of summer bursting with energy. Woman: "So crisp and refreshing!" Man: "This feels like summer!" CUT7 0:12-0:14 Product image cut by the seaside. A SPARKRUSH ULTRA FIZZ bottle is placed in the foreground or near the rocks. In the background sea, a pod of dolphins leaps several times. A refreshing, miraculous-feeling touch. Sea spray and sunlight glisten. NA: "Ultra-carbonated refreshment!" CUT8 0:14-0:15 End cut. The two standing side by side with the sea behind them, or a back view of them sitting by the shore. The product bottle is placed prominently in the foreground or to the side. The product takes center stage at the end. Both: "Spark Rush!" Video tone: A premium summer beverage CM, refreshing, youthful, open, clean, and polished like a fashion advertisement. Camera: Switch rhythmically between wide, medium, product close-up, and character close-up shots. Sound: Waves, light summer pop, the soft sound of a beach ball, the carbonation opening sound, and bubbles popping. Lip-sync naturally to the Japanese dialogue. Strict prohibitions Do not reproduce the mood board style of the image board itself Do not make it an 8-panel grid, panel split, or still-image collage Do not display numbers, headings, explanatory text, color palettes, or product comparison charts Do not make it look like a poster, storyboard, advertisement board, or reference image Output as a natural continuous CM video, not a single still-image reference sheet
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