Fantasy Prompts

A breathtaking celestial ball-jointed doll princess floating in a deep cosmic starfield, upper-body portrait, delicate porcelain BJD doll, extremely beautiful ethereal face, pale translucent porcelain skin, subtle visible ball joints on the shoulders and elbows, large dreamy pale blue eyes, soft pink blush around the eyes and cheeks, tiny glossy pink lips, elegant melancholic expression. She has luminous silver-white hair with a subtle holographic rainbow sheen, silky sparkling strands reflecting starlight, straight wispy bangs, short bob framing the face combined with longer flowing translucent hair behind her shoulders, tiny crystal floral ornaments and sparkling gemstones woven into her hair. She wears an extravagant iridescent silver-white fantasy princess gown, shimmering holographic fabric covered with countless microscopic glitter particles, structured corset bodice, sculptural off-shoulder translucent organza sleeves, voluminous flowing skirt, pearlescent and opalescent textures, crystal embellishments, delicate pearl necklace with an ornate silver pendant and a large teardrop-shaped blue-white gemstone. Surrounded by swirling translucent cosmic fabric, glittering stardust, tiny floating crystals and sparkling particles, as if her dress and hair are dissolving into the Milky Way. Background filled with an incredibly deep navy-blue universe, dense stars, distant galaxies, blue nebula clouds, bright stellar flares and scattered points of white light, dreamy celestial atmosphere. Luxury fantasy doll photography, macro portrait photography, shallow depth of field, soft diffused frontal lighting, cool moonlight, subtle rim light around the hair, realistic glass reflections, pearlescent highlights, holographic diffraction, extremely detailed materials, cinematic bloom, dreamy soft-focus glow, sparkling bokeh, elegant composition, centered subject, dark cosmic background creating strong contrast with the luminous silver doll, hyper-detailed, photorealistic collectible art doll, magical, ethereal, celestial, masterpiece, 8K.

Cinematic AI Video Prompt A frustrated young male creator sits alone in a dark creative studio, staring at a completely blank computer monitor. He rests his hand on his forehead, looking stuck and out of ideas. The room is moody and cinematic, with soft monitor glow and deep shadows. The blank screen suddenly begins transforming into a vivid cinematic world. The camera smoothly pushes toward the monitor and transitions seamlessly inside it, revealing an enchanting fantasy forest filled with enormous ancient trees, glowing purple-pink foliage, exotic plants, soft mist, and a crystal-clear stream reflecting warm rays of sunlight. Magical particles float gently through the air as the camera slowly travels forward through the forest. The scene then dramatically transitions into a sleek futuristic black supercar speeding through a winding mountain road at dusk. The car accelerates aggressively around the curves, tires producing subtle smoke and sparks, glowing red taillights reflecting across the wet asphalt. Massive mountains surround the road with a bright full moon in the background. Ultra-cinematic commercial look, photorealistic details, dynamic camera movement, smooth transitions, volumetric lighting, atmospheric fog, realistic reflections, shallow depth of field, dramatic contrast, premium VFX, realistic motion blur, 4K quality. End with a powerful tracking shot behind the supercar as it disappears into the mountain road. Duration: 15 seconds. Aspect ratio: 16:9. No text, no logos, no watermark.

A highly detailed stylized fine-art forest scene with a dreamlike, mosaic-painted aesthetic, built around a symmetrical tree-lined avenue and a vivid jewel-toned color world. Tall dark-barked trees rise on both sides of a long central path, their dense green canopies dotted with soft clusters of pale cream and blush-pink blossoms, while the ground and sky are rendered in faceted stained-glass-like geometric planes. Environment: • Long straight forest corridor with evenly spaced tree trunks on both sides, creating a strong tunnel effect and deep central vanishing point • Dense overhead canopy framing a narrow opening of luminous blue sky down the center • Forest floor transformed into a vivid patchwork of angular polygonal shapes in red, orange, cream, teal, blue, and black • Background recedes into darker blue-green forest depth • Avoid man-made objects, people, animals, signage, benches, or clutter Lighting: • Soft radiant daylight filtering from above and down the central opening in the canopy • Gentle highlights along the tree trunks and blossoms, with glowing brightness concentrated toward the distant center • Evenly distributed illumination with rich contrast but no harsh artificial light • Must not include blown-out whites, muddy shadows, or flat low-contrast rendering Materials: • Tree bark with painterly yet tactile wood grain and warm brown highlights • Foliage rendered as dense stippled clusters with layered green tones • Blossoms appearing soft and cloudlike in cream, peach, and pink • Ground and sky treated as faceted crystalline or stained-glass-like surfaces with visible angular segmentation and saturated color blocks Composition: • Vertical aspect ratio • Centered, perfectly symmetrical perspective down the avenue • Eye-level camera aimed straight ahead • Trees framing both left and right edges, with the path occupying the full foreground and leading the eye into the distance • Strong depth and repetition, balanced frame with a n

Create a breathtaking cinematic fantasy scene titled “The Painter Who Finished the Sky.” At sunset, a lone artist stands high on the rooftop of an old European city, viewed mostly from behind, holding a wooden painter’s palette in one hand and a fine paintbrush raised toward the sky in the other. Beside him rises an enormous antique wooden canvas frame, several times taller than the artist. But there is no ordinary canvas inside it—the frame is mysteriously connected directly to reality itself. Create a dramatic visual transformation across the scene. On the left side, the world is unfinished: cold, desaturated and rainy. Heavy charcoal storm clouds cover the sky, rain falls over monochrome historic buildings, wet rooftops reflect dim light, balconies are empty and the entire city feels quiet and lifeless. Exactly where the artist’s brush touches the sky, reality begins transforming. A luminous burst of golden paint-like energy spreads naturally outward from the brushstroke. Dark clouds gradually become magnificent glowing sunset clouds in gold, amber, peach and soft blue. Color flows from the sky down through the city as though reality itself is being painted. Historic buildings regain warm natural colors. Windows begin glowing. Flowers bloom across balconies. Green vines appear along old stone walls. Birds emerge naturally from the painted sky and fly into the real world. Warm sunlight pours dramatically through the streets below and reflects across rain-soaked cobblestones. The right half of the city is now completely transformed into an extraordinary golden-hour world filled with warmth, life and beauty, while the far left remains cold and monochrome. The boundary between the two worlds should feel magical and organic—not like a simple split-screen effect. Individual brushstrokes, particles of light and subtle trails of pigment should visibly transition into real clouds, architecture, flowers and sunlight. Far below, small groups of people have stopped in the streets and on balconies, looking upward in wonder as they realize the sky and city are being transformed above them. The artist is carefully painting one final tiny unfinished patch of darkness near the top of the sky. Composition: epic vertical cinematic framing, artist prominent in the foreground, enormous frame creating strong visual geometry, sprawling European city extending deep into the background, dramatic sense of scale and atmospheric perspective. Lighting: spectacular golden-hour sunlight contrasted against cool storm light, volumetric rays, wet reflections, subtle mist, realistic atmospheric haze. Style: sophisticated cinematic fantasy realism, photorealistic textures, emotionally powerful visual storytelling, intricate architecture, realistic human proportions, premium movie-poster composition, extremely detailed, elegant rather than overly fantastical. The final image should communicate one story instantly: A painter isn’t painting a picture—he is finishing reality itself. No text, no typography, no logos, no watermark, no distorted hands, no duplicated people, no malformed architecture.

Hyper-realistic dark fantasy tavern cinematic, grounded physical combat, realistic body momentum, medieval atmosphere, gritty lighting, practical effects, handheld cinematic camera, physically accurate movement, ultra-detailed textures, realistic collisions and environmental interaction. Duration: 15 seconds Aspect Ratio: 16:9 IMPORTANT: Keep the SAME characters fully consistent with the reference: 📷Image1 — Nyssa: athletic woman, dark curly hair tied back, bronze leather armor, cloth wraps, sword on hip — Grok: massive muscular green orc, scarred skin, fur armor, heavy axes, large physical weight Combat MUST obey realistic physics: — no floating — no anime flips — realistic inertia and recovery — believable weight transfer — realistic impacts and exhaustion — grounded footwork — environment reacts physically to impacts [00:00-00:02] Wide cinematic shot inside a crowded medieval tavern filled with drunk mercenaries, candles, smoke, spilled ale, and loud cheering. Nyssa walks through the tavern cautiously while patrons stare. Grok sits at a massive wooden table drinking heavily. Deep bass-heavy tavern music and crowd ambience. [00:02-00:04] Close-up tension sequence: — Nyssa locks eyes with Grok — Grok slowly stands, towering over everyone — benches scrape across the floor — mugs shake from his weight — crowd forms a fighting circle cheering loudly Handheld camera movement feels realistic and grounded. [00:04-00:07] The fight erupts violently. Grok swings a heavy punch with believable momentum. Nyssa narrowly dodges while stumbling realistically into a wooden table. Wood cracks and splinters physically on impact. She counters with fast grounded strikes to Grok's ribs and legs. Crowd roars and throws coins and mugs into the air. [00:07-00:10] Combat intensifies through the tavern: — Grok grabs Nyssa and throws her across a table — table explodes realistically beneath her weight — Nyssa rolls across the floor recovering naturally — Grok charges heavily, smashing furniture — patrons jump away realistically No exaggerated movement, only physically believable combat. [00:10-00:12] Nyssa uses speed and positioning intelligently. She dodges another heavy attack causing Grok to crash into a support beam. Dust and debris fall from the ceiling. She climbs briefly onto the bar counter and leaps down with controlled realistic momentum, locking Grok's arm and using leverage to throw him off balance. [00:12-00:15] Final cinematic climax. Nyssa tackles Grok to the ground hard onto broken wooden debris. The floor shakes from the impact. She pins him down on top of him while holding a blade near his throat. Grok struggles realistically beneath her massive weight difference and exhaustion. Tavern crowd erupts cheering wildly, slamming mugs against tables. Camera slowly pushes inward on Nyssa breathing heavily while sweat, dirt, and candlelight flicker across both fighters. Audio: Heavy cinematic tavern battle soundtrack with deep drums, loud cheering crowds, breaking wood, metal impacts, realistic body hits, roaring fire ambience, mugs crashing, heavy footsteps, and gritty medieval atmosphere. Negative prompts: No floating, no anime combat, no superhero physics, no unrealistic flips, no weightless motion, no blurry characters, no low detail, no cartoon style, no slow reactions, no clipping through objects.

Skyship flight across a floating kingdom (single continuous shot) From above a sea of endless clouds, the camera dives toward a majestic skyship soaring between gigantic floating islands. Lock-on: the airship accelerating into a violent thunderstorm suspended in the sky. The camera slingshots beneath the hull, whips across the towering sails, then drops tight behind the glowing engines: lightning tears across the clouds, rain lashes the deck, shattered rock fragments tumble through the air. A collapsing floating island sends massive boulders crashing into the storm; the captain steers beneath a breaking stone arch before threading between waterfalls pouring into the sky, hanging bridges and drifting islands in one uninterrupted line. The camera mirrors every impossible maneuver before bursting through the storm into brilliant sunlight, revealing an endless kingdom of floating continents stretching beyond the horizon above a sea of clouds.

@Image1 15s | 16:9 | 1440p | 24fps | PERFECT SEAMLESS LOOP [REFERENCE LOCK] Render exactly as @image1. Preserve the character exactly as shown. Do not redesign, reinterpret, or modify any aspect of her appearance. Do NOT alter her hairstyle, bangs, facial proportions, eye color, expression, clothing, coat silhouette, sash placement, body proportions, sword guard, hilt ornament, blade length, or overall composition. The character must always remain holding the sword throughout the entire sequence. The sword never leaves her hand. --- [LOOP DESIGN] Create a mathematically perfect infinite loop. Frame 1 and Frame 360 must match perfectly. Maintain identical: • Pose • Camera angle • Lens • Lighting • Sword position • Character expression • Particle placement • Composition The sword continuously shatters and reconstructs while remaining in the character's grip, creating an endless cycle with no visible transition. --- [COLOR PALETTE] Background: Smooth vertical gradient Top: Luminous Cyan-Teal (#2AA6B4) Bottom: Deep Petrol (#0F4A55) No environment. No horizon. No props. Only a clean cinematic graphic backdrop. Character Coat: Bright Coral (#FF9273) Inner Garment: Deep Ocean (#14454E) Hair: Natural black with subtle blue-white rim highlights. Metal & Glass: Bright silver-white. Accent colors appear ONLY through light refraction and chromatic dispersion. Gold (#FFD27A) Electric Cyan (#6FE3F5) Soft Magenta (#FF9ED8) The main palette must always dominate. --- [VISUAL STYLE] Premium 2.5D Anime High-end cinematic illustration Ultra-clean rendering Feature-film quality Bright high-key lighting Elegant bloom Sharp specular highlights Volumetric glow HDR dynamic range Soft filmic contrast Luminous skin with subtle subsurface scattering. Heavy cotton twill coat with realistic cloth simulation. Hair moves naturally in layered strands with soft flyaways. Glass has authentic thickness, edge refraction, internal fracture lines, microscopic scratches, and realistic prism reflections. --- [EFFECTS] Progressively increase visual intensity. • Time Echo Motion Trails • Liquid Mercury Blade Reconstruction • Kaleidoscope Mirror Fractures • Shockwave Refraction • One-frame Negative Flash • Glass Crack Frame Wipes • Reverse Gravity Debris • Chromatic Dispersion • Dynamic Caustic Lighting • Floating Crystal Dust • High-speed Light Trails • Micro Lens Distortion during impacts Effects should evolve naturally and never become repetitive. --- [CAMERA] Premium anamorphic cinema language. 85mm intimate close-ups 35mm cinematic medium shots 24mm aggressive dynamic movement Oval bokeh Blue anamorphic streak flares Subtle barrel distortion 180-degree shutter Depth of field shifts emotionally. Shallow during hero moments. Deep during action moments. Rack focus: Blade → Eyes at 2.4s Blade → Eyes at 14.2s Smooth cinematic easing with invisible acceleration. --- [LIGHTING] Hard cinematic sunlight originates from screen-right behind the character. Strong rim lighting illuminates Hair Jawline Shoulders Sword edge Soft cyan bounce light fills from the background. Floating shards cast constantly changing colored kick lights. Shadows remain soft, open and cinematic. Brightness peaks around 10.4 seconds before gradually returning to the exact opening lighting by 15 seconds. --- [SWORD ENGRAVING] A finely engraved CRYPTOSAM appears on the ricasso directly above the sword guard. Small letter-spaced capital letters carved directly into polished steel. This engraving is part of the blade itself. Never an overlay. Visible in Frame One. Visible throughout the animation. Visible after every blade reconstruction. The engraving catches the sunlight whenever the camera glides across the blade. --- [GLASS SHARDS] Every shard reflects a different scene. Examples include Blue sky Soft white clouds Golden wheat fields Warm sunset Lens flares The character's own reflection Moments that have not yet happened No empty glass. Every fragment contributes to the visual storytelling. --- [KINETIC TYPOGRAPHY] Typography exists behind the character on the gradient background. Use only premium cinematic condensed sans-serif fonts. Animated with Impact slams Scroll reveals Prism sweeps Glass shattering Shockwave distortion Perspective warping Never cover the character's face. Timeline 0.8s "REFLECTION" Coral → Gold 2.2s "A BLADE THAT BREAKS" "AND REFORGES FOREVER" Pale Cyan → White 5.0s "ONE IMAGE" "FIFTEEN SECONDS" White → Coral 7.2s "EVERY SHARD REMEMBERS" Cyan → Magenta → Gold 10.6s "NO CUT" Gold → White Warp under expanding shockwave. 13.2s "MIRRORFALL" Silver → Pale Gold Soft coral glow. Typography completely dissolves before 15 seconds. --- [SHOT 01] 0.0–1.6s LOOP ANCHOR The character firmly grips the sword with both hands. An ultra-fast macro camera races along the polished blade toward the hilt. Cloud reflections glide across the steel. An anamorphic flare slides along the cutting edge. The engraved word CRYPTOSAM briefly catches the sunlight. Without releasing the sword, the blade suddenly fractures into thousands of crystalline shards while the hilt remains firmly in her hands. A glass-crack transition wipes into the next shot. --- [SHOT 02] 1.6–3.2s BULLET-TIME ORBIT Time freezes. The character remains perfectly still while tightly holding the sword hilt. The shattered blade floats in front of her hand. The camera performs a smooth 180-degree orbit through the suspended crystal field. Each shard reflects a different reality. Reverse-gravity debris hangs motionless. As the orbit finishes, time resumes and the floating shards accelerate back toward the hilt, beginning to reconstruct the blade directly in her grip.

High-quality anime footage. The world setting is a refined modern fantasy academy, depicted as 2D hand-drawn slice-of-life conversation animation. Facial expression design must always be done in this order: eyes → eyebrows → eyelids → mouth → gaze. [Reference Images and Character Consistency] Image 1 is the reference image for Character A. Maintain the character depicted in Image 1 as the same person throughout the entire video. Use Image 1 only as a reference for Character A's face, eye shape, iris color, hairstyle, hair color, outfit, accessories, physique, silhouette, atmosphere, and character colors. Image 2 is the reference image for Character B. Maintain the character depicted in Image 2 as the same person throughout the entire video. Use Image 2 only as a reference for Character B's face, eye shape, iris color, hairstyle, hair color, outfit, accessories, physique, silhouette, atmosphere, and character colors. Do not reproduce the background, room, furniture, pose, camera angle, framing, or lighting arrangement of the reference images themselves. Only the following may change: facial expression, gaze, mouth shape, posture, breathing, and natural movement of hair and clothing. Do not blend the features of Character A and Character B. Averaging faces, swapping outfits, swapping hairstyles, turning them into different people, cloning, creating doppelgangers, and adding extra people are prohibited. Even if Image 2 contains a weapon or handheld item, Character B's hands must hold nothing. Only if Image 1 contains a non-combat accessory or small bag may it remain naturally on Character A. However, the bag must be fixed to the body side; holding it in the hand, opening it, or using it in action is prohibited. No weapons, large equipment, or glowing combat gear. [Props, Color Tone, and Atmosphere Adjustments] The location, seating position, conversation content, the action of dividing the bread, and the camera composition are fixed. On that basis, naturally adjust hair ornaments, brooches, ribbons, bags, and other accessories, props, color schemes, light impression, and background accent colors to match the reference images of Character A and Character B. Adjust the overall line color, shadow color, background accent colors, and color temperature of the afternoon light to match the character colors and atmosphere of Character A and Character B. However, maintain the bright, refined, and clean everyday feel of a modern fantasy academy; do not make it a dark combat space, horror, decadent, or extremely backlit. [Art Style Fixation] Thin, delicate colored line art; transparent two-to-three-layer colored shadows; soft gradients. Do not make saturation too low; naturally reflect the reference characters' inherent colors into the hair, eyes, clothing, reflected light, and background accent colors. Eyes have jewel-like iris depth and multiple small catchlights; hair has pearl-like multi-layered highlights. Draw hair, eyelashes, lace, embroidery, hair ornaments, accessories, and clothing wrinkles with high density. Fabric is rendered with distinct delicate textures for high-quality matte material, lace, metal, gemstones, and ribbons. The background uses the same 2D hand-drawn brushwork, drawing the cream-colored walls, wooden bench, plants, and distant school building with sufficient density. Thick lines, heavy outlines, simplified TV anime style, flat single-layer cel shading, low-density backgrounds, smooth 3D assets, semi-realism, photorealistic textures, heavy dulling, AI-average faces, and mixed art styles are prohibited. [Fixed Location and Character Placement] A wooden bench in the school courtyard after class. Character B is on the left side of the screen, Character A on the right. The two sit next to each other. Only Character A holds one round anpan (sweet bean bun) wrapped in thin paper, supporting it from underneath with the right hand. At the start, the bun is perfectly round with no bite marks or missing pieces. The fingers are placed under the paper wrapper, away from the eating position. Do not multiply the bun, the paper wrapper, or the fingers. [Cut 1] Camera position: front-center of the bench. Camera height: at the eye level of the two seated characters. Frame both characters from the front, from the chest up, at equal size, with the background vanishing axis receding between the two into the distance. Purpose: to establish the relationship between the two and that the bun belongs to Character A. Character B looks at the bun, then returns their gaze to Character A, brings both hands together at the chest, and leans slightly closer with the whole body. Eyes sparkling, eyebrows raised, eyelids opened in anticipation, making a coaxing mouth shape, gaze directed at Character A. Only Character B speaks in a bright, sweet voice: "Let me have a bite of that anpan." A brief pause, then coaxing further: "Please, it's the request of a lifetime!" Character A does not speak, but looks at Character B with an exasperated yet gentle expression. [Cut 2] Camera position: diagonally in front of Character A. Camera height: at the eye level of the two seated characters. Angle from over Character A's shoulder toward Character B, showing both faces and the bun in a medium close-up. The background vanishing axis shifts to the upper right. Purpose: to show the response, the offering hand, and the single bite action in one continuous sequence. Character A softens the eyes, lowers the eyebrows slightly, gently narrows the eyelids, forms a wry smile with the mouth, and directs the gaze at Character B. A small exhale, a brief pause, and only Character A speaks in a calm, gentle voice: "Honestly, you're hopeless. Just one bite, okay?" While finishing the line, Character A offers the single anpan in the right hand toward Character B's mouth. The owner remains Character A; it is not handed over. Before contact: the bun is perfectly round. There is a small gap between Character B's teeth and the bun. Contact: show the moment Character B leans in and the teeth touch the upper edge of the bun, taking just one bite. After contact: only a small crescent-shaped bite is missing from the bun, and Character B pulls the face away. Character A returns the same bun to the chest with the right hand. Do not bite the hand or fingers. Do not duplicate the bun, paper wrapper, or fingers. [Cut 3] Camera position: diagonally in front of Character B. Camera height: at the eye level of the two seated characters. Angle from Character B's side toward Character A, showing Character B slightly larger from the chest up, then briefly panning left to a chest-up two-shot of both. The background vanishing axis shifts to the upper left. Purpose: to place Character B's satisfied face and Character A's returning smile in the same final frame. Character B closes the mouth and chews twice, small bites, then swallows. After a brief pause, the eyes brighten, the eyebrows form a soft arc, the eyelids narrow happily, a satisfied smile forms on the mouth, and the gaze returns to Character A. Only Character B speaks in a buoyant, gentle voice: "Mmm, delicious!" Character A holds the same bun with one bite missing at the chest with the right hand, silently returning a warm smile. Keep both faces and the bun in the same frame, and cut at the moment Character B finishes the final vowel of "delicious" and both smiles are complete. [Audio] Generate two Japanese voices that match the characters' appearance, perceived age, and atmosphere. Character B has a bright, sweet voice; Character A has a calm, gentle voice. Do not swap speakers; deliver the three lines verbatim, without overlapping, and synchronize mouth movements with the vocalization. No dialogue other than the lines, no narration, no subtitles, no on-screen text. No BGM, no music. Only ambient sound and foley. Synchronize weak wind, distant birds, fabric rustling, the paper sound of the wrapper, and the small compression sound at the moment of the single bite into the soft bread with the visible actions. Do not add exaggerated chewing sounds. [Important Prohibitions] No speaker swapping, no simultaneous speech, no lip-sync errors, no duplication of the bun, no unsolicited handover, no eating more than one bite, no bite marks before eating, no deformation of fingers, no adding people, no foreground covering faces, no light spots in the center of faces, no subtitles, no logos.

15 seconds | 16:9 | 1440p | 24fps | Seamless loop [Character Lock] Follow @image1 exactly as presented, no redesign whatsoever. Fluffy blue-gray wavy short hair, bangs falling to cover the upper half of the face; delicate features, warm-toned lips; coral vermilion wide-sleeved robe, wide sash wrapped in layers around the waist, dark inner garment; sword hand wearing a dark glove. Longsword: ornate silver-gold Baroque guard and pommel, mirror-polished blade reflecting the real sky and clouds. Throughout the entire film, do not alter hair volume or curl direction, the way bangs cover the eyes, robe silhouette, sash wrapping method, gloves, guard pattern, or blade proportions. [Loop · Core Setting] The blade has been covered in a fixed network of old gold veins since the very first frame—traces left from a previous shattering and repair with kintsugi. This film is one more iteration of that cycle: it cracks again along the existing gold veins, fragments scatter, molten gold pours back into the same cracks, restoring it to exactly the same state. No new gold veins added, no change to their direction or count. The last frame must be identical to the first frame. [Sword Constancy · Highest Priority] The reforged sword must be completely identical to the opening: length, width, curvature, tip, guard engravings, pommel, grip wrapping, mirror finish, gold vein direction/count/thickness, engraving positions—each must correspond one-to-one. Any morphological change is strictly forbidden—no growing longer or larger, no new ornamentation or spikes, no glow or energy leakage, no change in color or material, no "evolution," "awakening," or "enhanced form" transformations. Gold only fills back into the original cracks, never spilling beyond the blade surface, never covering the mirror finish. [Anatomy Lock · Highest Priority] Throughout the entire film there is exactly one character: two arms, two hands, five fingers on each hand, one sword. Extra arms, palms, fingers, or a second weapon are strictly forbidden. During fast spins and motion blur, afterimages must never be rendered as additional limbs. Hands must be structurally complete with distinct knuckles in every frame; the gloved hand grips the hilt, the free hand must be clearly visible with an explicit orientation. [Immersion · Viewer Enters the Frame] The image itself is a real sheet of washi paper, and the camera is an eye the viewer extends into this world—the world affects it in return. 1. Cracks on the frame: At the exact same frame as the sword cracks at 0.9 seconds, an extremely fine crack spreads from the center of the frame toward the four corners, as if the glass through which the viewer watches is also being scratched. The crack persists throughout the film and slowly deepens; from 10.8 seconds it is filled along with the kintsugi gold, and completely disappears before 13.8 seconds. 2. Paper edges: The washi fibers along all four edges of the frame constantly undulate slightly; on heavy impacts they are lifted and curl inward, revealing the paper's deckled edge. 3. Ink on the lens: The ink splatter from the long arc at 3.2 seconds lands directly on the lens, then slowly bleeds along the paper fibers, gradually fading, and is completely dried and gone before 13.8 seconds. 4. The viewer in the reflection: At 2.2 seconds and 13.4 seconds, a fragment rotates to extreme proximity, and its mirror surface briefly reflects the lens itself and a patch of skylight beyond it—as if the viewer sees their own position—appearing for only an instant before turning away. 5. Submersion: From 7.0 to 8.8 seconds, an ink cloud charges directly at the lens and swallows it—the lens sinks into the ink, surrounded by dense black, with only skylight and her silhouette visible above; paper fibers drift slowly past like flocculent matter in "water," and the frame gently undulates as if swaying with liquid; at 8.8 seconds the ink recedes downward and the lens breaks through the "water's surface." All of the above effects must be completely cleared before 13.8 seconds, and the final frame must be as clean as the first frame. [Scene · Bright] High above the clouds, noon. Above is a transparent, saturated azure sky, grading toward the horizon into bright pale mist; far below is a sea of pristine white cumulus clouds lit by sunlight. She floats in the void—no ground, no architecture, no props. Gold leaf ribbons drift past on updrafts. The entire film is bathed in abundant, bright sunlight—never turning overcast, never desaturated. [Colors] Sky #2E6FA8 grading to #CFE3EF. Robe coral vermilion #D9563F, folds #A63A2A. Hair blue-gray #8CA3B8, warm rim light on edges. Gloves and inner garment #14161C. Guard aged silver-gold. Fragments reflect real blue sky and white clouds. Ink pure black #0A0A0C. Gold veins matte gold leaf #C9962E, molten gold leading edge incandescent white #FFEBB0, cooling back to the exact same #C9962E. [Style & Texture] A fusion of ink wash painting and photographic glass. The entire frame is covered in an extremely faint washi paper fiber texture; sky and clouds are rendered in ink wash with soft bleeding edges and dry-brush streaks; the figure and sword are rendered as fully sharp, solid entities, as if embedded in the painting. Gold is real gold leaf—extremely thin, wrinkled, oxidized and worn, unevenly lit. Fragments have real thickness and internal cracks, each reflecting a different cloud. Hair strands are rendered individually, backlit and translucent; robe fabric is heavy, folds have real weight and rebound; carved recesses in the guard are shadowed. Film-like highlight roll-off, soft halation on gold, fine grain. [Effects] Escalating in stages: ink curls and blooms like water where the blade passes; gold leaf peels from ribbons and drifts away; ink and gold repel each other and never mix, pushing against each other like marble patterns; fast motion trails dry-brush streaks; each heavy impact has one frame of pure black silhouette; molten gold races along cracks, incandescent at the leading edge, cooling to matte gold leaf behind. [Animation Principles] Every action follows anticipation—burst—recovery: an explicit counter-movement before the move, the burst occupying only a few frames, the recovery featuring deceleration and slight overshoot before settling, never uniform motion. Hair, wide sleeves, robe hem, and sash ends each follow the body with different delays, never starting and stopping in sync. All trajectories are arcs. Everything in the high altitude carries a slight sense of buoyancy. Any stiffness, freezing, or unnatural joint angles are strictly forbidden. [Beat-by-Beat Action] 0.0-1.4 She stands with both arms lowered, right hand holding the sword slightly behind her side, blade pointing diagonally downward, head slightly lowered, bangs covering her eyes; only breathing causes a slight rise and fall of her chest. The sword cracks along an existing gold vein, and her fingers instinctively tighten once. 1.4-3.2 The sword cracks along all gold veins simultaneously and releases from her hand; fragments scatter outward, all fracture edges being the original gold. Her right hand remains in its gripping position suspended in midair, fingers slightly spread; her left hand rises to chest height, palm up; her head remains slightly lowered. 3.2-5.2 Her right hand sweeps the empty hilt from beside her body in a full long arc upward diagonally; hips and waist lead, driving shoulders and back; the wide sleeve flares and rolls; on recovery, the wrist slightly overshoots before settling back; her left hand extends backward flat for balance. 5.2-7.0 She turns sideways in a half-spin, weight shifting from right foot to left foot, robe hem spiraling open; during the turn, her right hand transfers the empty hilt to a reverse grip in front of her body, and her left hand rises beside her face. 7.0-8.8 A push off from the void, body sinking slightly in anticipation, then both arms fling wide to summon the fragments back; then both arms draw together to her chest, palms facing each other, fragments locking into a ring. 8.8-10.8 A real arm swing and turn, presented through cuts between different rendering styles. 10.8-13.0 Her right hand slowly turns over, palm up, then closes; fragments spiral along her arm back into place; as the sword reforms, her five fingers close around the hilt one by one, her arm dips half an inch under the weight, shoulder line lowering. 13.0-13.8 She raises her head for the first time, bangs parting in the airflow to reveal her eyes, looking level at the lens; she rotates her wrist a full turn to catch the light on the gold veins. 13.8-15.0 She slowly lowers her wrist, the sword returning to behind her side pointing diagonally downward; her head lowers again, bangs falling back over her eyes, left hand dropping to her side—returning exactly to the first frame's pose. [Performance] The entire film is calm and restrained. No panic when shattering—only a single tightening of the knuckles; when recalling, the chin lifts slightly and breathing deepens; when the gold veins close, an extremely subtle loosening at the corners of the mouth; when raising her head to meet the gaze, the eyes are calm and assured; when lowering her head, she returns to the initial silence. [Signature] At the blade root above the guard, engraved: CIA0 (capital C, capital I, capital A, numeral zero; the last character is the numeral zero, not the letter O), small wide-tracked capitals, part of the sword itself, never an overlaid layer. The engraving has been inlaid with gold since the first frame, identical after reforging, never brightening, enlarging, or gaining ornamentation. [Text · Ink on Paper] All text is wet brush calligraphy bleeding into the washi paper fibers of the image itself: brush-hair marks and dry-brush breaks at stroke starts, ink bleeding along fibers for one beat before drying and fading with the paper. Latin text is heavy engraved serif; Japanese text is dense bold ink in vertical columns on the side third. Text is positioned behind her and partially obscured, never covering her face. The following must appear verbatim: 0.8s 「墨」vertical, right third 2.4s "IT HAS BROKEN BEFORE" single line, left-aligned 5.0s "EVERY CRACK" / "REMEMBERS THE SKY" two stacked lines, left-aligned 7.6s 「金継」vertical, left third; as the ink is about to dry, gold seeps out from the brushstrokes 10.6s "AND WILL AGAIN" ink first, then filled with gold leaf 13.2s Centered title group: 「天墨」above, "INKFALL" below; must fully fade before 14.4s; the final frame must contain no text whatsoever @Image1 [Cinematography] Anamorphic widescreen, elliptical bokeh, warm horizontal lens flares, 180-degree shutter, slight barrel distortion. The crane arm has mass, with ease-in/ease-out on all starts and stops; whip pans have slight overshoot at the end before settling; focus pulls have an extremely brief overshoot before pulling back. Gold leaf ribbons, fragments, or robe sleeves constantly pass through the foreground to create parallax. 0.0-1.4 100mm macro traveling along the mirror blade toward the guard, cloud shadows flowing across the steel, gold veins and engravings passing by. 1.4-3.2 35mm orbiting 180 degrees around the fragment field, weaving between fragments. 3.2-5.2 24mm wide angle rising with the long arc, large expanses of sky entering frame. 5.2-7.0 18mm one continuous take, pushing into a fragment's reflection and passing through, looking back at her from a high vantage on the other side. 7.0-8.8 Sinking into ink, lens tilting slightly upward to gaze at her silhouette, gently bobbing with the liquid. 8.8-10.8 Focal length jump-cuts with the edit points, alternating 85mm close-ups and 24mm wide shots. 10.8-13.0 50mm slow push-in, Dutch angle returning from five degrees to level. 13.0-13.8 85mm facial close-up. 13.8-15.0 Slowly descending from her face and pushing in, traveling along the blade back to 100mm macro, perfectly matching the first frame. [Storyboard] 0.0-1.4 Loop point. Macro shot racing along the mirror blade, cloud shadows flowing across the steel. The sword slowly cracks along an existing gold vein like thin ice breaking; at the same frame, a fine crack spreads from the center of the frame toward the four corners. Black feathered ink clouds surge from the crack. 1.4-3.2 Hover. The camera orbits the floating fragment field, each piece slowly rotating on its own axis, each holding a corner of sky, gold edges glinting; at 2.2 seconds a fragment spins to extreme proximity, its mirror surface briefly reflecting the lens itself. She hangs at the center, bangs covering her eyes. 3.2-5.2 Ink burst. She sweeps the empty hilt in a long arc, dragging a massive ink brushstroke across the entire sky, wet black arc with dry-brush streaks; flung ink splatters hit the lens and bleed along the paper fibers. Fragments falling into the ink turn to silhouettes. 5.2-7.0 Through the mirror. One continuous take: the lens pushes into a fragment's reflection and passes through, looking back at her from a high vantage on the other side; gold leaf ribbons sweep past the lens, her turn trailing dry-brush streaks. 7.0-8.8 Submersion. The ink cloud charges directly at the lens and swallows it—surrounded by dense black, only skylight and her silhouette with arms spread visible above, paper fibers drifting slowly like flocculent matter, the frame gently undulating with the liquid, the frame crack pressed into fine branching lines within the ink. At 8.8 seconds the ink recedes downward and the lens breaks through the surface; fragments flip simultaneously and lock into a ring slowly orbiting her. 8.8-10.8 Ink wash montage, one pose per frame alternating rendering styles: pure black ink linework on paper-white ground, vermilion-and-cyan two-color woodblock frames, gold-leaf silhouettes on black, dry-brush motion-trail frames, one full-frame color inversion, fully rendered. Ink dots and gold flecks accumulate continuously, never resetting. 10.8-13.0 Kintsugi. Fragments spiral back along her arm into place, fracture edges aligning one by one; molten gold pours back along the original cracks, incandescent at the leading edge, cooling to matte gold leaf behind, ultimately identical to the opening gold veins—not one more, not one less. Simultaneously, the crack on the frame is also filled with gold, then the gold gradually fades. The overall light warms. 13.0-13.8 Eye contact. She raises her head for the first time, bangs parting to reveal her eyes, looking level at the lens; at 13.4 seconds a remaining fragment spins past, its mirror surface briefly reflecting the lens once more. She rotates her wrist a full turn to catch the light on the gold veins. 13.8-15.0 Return. She lowers her wrist and gaze, the sword returning to her side, bangs falling back over her eyes; the ink on the lens dries and vanishes, the frame crack and gold traces all recede, text fades completely; the lens travels back along the blade to the opening macro shot. The final frame is identical to the first frame. [Audio] Every sound effect lands on the exact frame, mixed to loop seamlessly end-to-end. Foundation layer: thin high-altitude air, distant continuous wind, an extremely faint paper-rustling texture. 0.0-1.4 Rising metallic sustained tone, long brittle crackling of glass slowly breaking, low surging of ink entering water, one extremely fine near-field crack when the frame splits, as if right beside the ear. 1.4-3.2 Near silence—faint crystalline tinkling of fragments rotating, low-frequency liquid flow of ink curling, one held breath. 3.2-5.2 Broad wet brush dragging across paper, fine hissing of ink spreading along fibers, one extremely close wet impact as ink splatters onto the lens, beneath which a shakuhachi breath rises. 5.2-7.0 Pressure drop entering the fragment, muffled enclosed interior sound, a clear release upon exiting, the fluttering of gold leaf ribbons sweeping past. 7.0-8.8 Submersion—the full frequency range is instantly swallowed by a heavy low-pass filter, leaving only low liquid surging, distant distorted wind, and one slow heartbeat; at 8.8 seconds breaking through the surface, high frequencies and airiness crash back in. 8.8-10.8 Eight brush strikes landing on each cut, ink splattering, styles separated by short filter gates, one taiko hit on the inversion frame. 10.8-13.0 Warm low hum rises, soft crackling of molten gold flowing, each crack closing with a clear short chime, guzheng scale ascending step by step. 13.0-13.8 Extended shakuhachi long tone, clear metallic ring of the blade turning. 13.8-15.0 Everything converges—soft rustle of the sleeve settling, one slow exhale, resolving into the exact same high-altitude wind and paper sounds as the opening, seamlessly returning to the start. Score: minimalist and warm, guzheng and shakuhachi only. Enters at 3.2 seconds, filtered out along with the submersion from 7.0 to 8.8 seconds, returns at 8.8 seconds, strings join from 10.8 seconds, exits at 13.8 seconds leaving only wind, seamlessly connecting to the opening note. No dialogue. [Restrictions] Only one character, two arms, two hands, one sword. The sword carries gold veins from the first frame, identical after reforging to the first frame; any change in form, size, ornamentation, color, or light effects is strictly forbidden. Ink remains pure black, gold remains gold leaf, never mixing into brown. All text must be wet ink bleeding into the paper surface, never flat overlaid. Ink on the lens, frame cracks, and gold traces must be completely cleared before 13.8 seconds. The engraving must be accurately spelled CIA0. No logos, watermarks, or subtitles other than the text specified above. No ground, no architecture, no props. The entire film is bright and saturated. The first and last frames are perfectly identical, with no residual text or lens blemishes in either frame.

High-quality anime visuals. The tone and worldview of the work form an elegant, dreamlike lyrical fantasy that flows continuously from a translucent summer glass greenhouse into an original tiny wonderland existing inside a swirl of tea. Clear white, light blue, amber, and pale gold serve as the leading colors, depicting not fear or chaos but curiosity, floating sensation, and quiet exhilaration. This time, only one source reference image, image1, is used, and image1 is treated as the sole reference for the character, costume, 2D hand-drawn art style, color scheme, and the real-side glass greenhouse background. [Fixed same character] Maintain exactly the same single girl as in image1 throughout the entire work. Fix the small delicate facial features, large blue-green jewel-like eyes, the same eye shape, layered iris with white catchlights, faint blush on cheeks, fine eyelashes, pearl-like silver-white hair, soft long waves, updo hairstyle including braids, pale gold ribbon, and blue teardrop-shaped hair ornament. Even with expression changes, follow the order of eyes, brows, eyelids, mouth, then gaze. Do not change the white long-sleeved high-neck dress, pale light blue embroidery and trim, pale gold waist ribbon, slender and elegant physique, or the character-specific white, light blue, and pale gold color scheme. Do not make multiple girls exist simultaneously in the real greenhouse and the wonderland; keep the same single girl continuous before and after the optical transition. What may change is only expression, gaze, breathing, walking, hand movements, and natural sway of hair, sleeves, and skirt hem. Do not produce a different person, averaged face, costume change, missing decorations, doppelgangers, extra people, or famous characters reminiscent of existing works. [2D hand-drawn / fixed 2D hand-drawn art style] Maintain throughout the entire work image1's thin pale blue-gray and warm gray lines, translucent two-or-more-layer color shading, soft gradients, and the bright palette of white, milky blue, clear sky blue, amber, and pale gold. Render with high-density hand-drawn brushwork everything from the pearl-like highlights of the silver-white hair, multi-layer reflections in the eyes, faint luminous quality of the skin, wrinkles and embroidery of the dress, flowers, leaves, glass, white furniture, floor tiles, and even the tea. Distinguish materials: fabric is soft, glass is transparent and hard, tea is clear amber, and the other-world paths and architecture are translucent white glass-like. Do not use thick outlines. Do not make it simplified TV anime. Do not make it flat single-layer cel shading. Do not make it low-density backgrounds. Do not make it smooth CG or 3D. Do not make it semi-realistic. Do not make it live-action. Do not use dull colors or mixed art styles. [Fixed stage and props] The real side is the same bright glass greenhouse as in image1. Maintain the white window frames and roof framework, blue sky and white clouds, green outside with white flowers, white round table, white metal chairs, and pale blue-gray floor tiles. At the start, maintain image1's girl's face, eyes, hair, costume, greenhouse background, white, light blue, and pale gold color scheme, brightness, and soft contrast, with the only added prop being a teapot. The sole owner of the props is the girl from image1. Use only one transparent glass teapot, one transparent teacup, and one transparent saucer. In the initial state, the teacup is placed at the center of the saucer with a shallow layer of amber tea at the bottom. The girl holds the teapot handle with her right hand, and her left hand rests lightly beside the saucer. Do not multiply, replace, or transform the teapot, cup, or saucer. In the wonderland, do not duplicate them as characters or oversized props. The girl's expression changes in the order of eyes, brows, eyelids, mouth, then gaze. First, the small catchlights in both left and right eyes brighten slightly, then the brows rise a little, then the eyelids open softly, a small surprised smile forms at the mouth, and finally the gaze lowers toward the center of the swirl. Do not overlap reflection lines, window frames, or light spots onto the center of the face; keep the face and both eyes always clear. The initial camera height is at the same low position as the white round table. From diagonally in front of the girl, place the teacup and saucer large in the foreground, and the girl's upper chest and face clearly in the background. Align the background vanishing axis with the direction in which the floor tiles and the right-side window frames extend diagonally into the depths of the greenhouse. The purpose of this composition is to make the girl, the tip of the teapot, and the landing point at the center of the cup readable in a single frame at the very first cut. When the girl slowly tilts only her right wrist, a single stream of amber tea falls from the tip of the teapot into the center of the cup. Make the teapot tip, the liquid stream, and the landing point readable in one frame, and the tea does not spill outside the table. Use this landing point as the starting point of transformation. From the landing point, one clockwise swirl is born, and while drawing in the reflection of the blue sky and pale gold sunlight, it grows into a three-color spiral of amber, blue, and white. The camera smoothly rises from the same low position as the table to diagonally above the cup, keeping the character size from a medium shot of the upper chest to a close shot where the face in the background is readable, while approaching the tea surface. Converge the background vanishing axis from the depths of the greenhouse toward the circular center of the cup. The purpose of this movement is to turn the real landing point into a guide line into the other world. Briefly and clearly show the intermediate state of formation where half of the spiral is still amber tea and the other half has become a thin path of light. Then, at the moment the spiral fills the entire frame, while preserving the same rotation direction, curvature, and color arrangement, complete it into a single path of light. Do not use dark cuts, teleportation, explosions, or drowning-in-liquid expressions; connect continuously from the tea surface to the bird's-eye view of the other world as an optical shape match. The wonderland after the transformation is composed of a tilted white glass garden path, white flower beds slowly flipping in midair, greenhouse arches linked like rings, and a sky-blue garden where up and down gently exchange places. Do not show clock faces, numbers, signs, animals, or humanoid inhabitants. The camera height moves to a position slightly lower than the girl's chest, and while retreating diagonally in front of the same girl, it follows her in a medium shot from chest to knees. Align the background vanishing axis with the direction in which the amber-and-blue path of light extends into the depths of the circular arches. The purpose of this movement is to make it readable that the curve that was the tea swirl has become an adventure path guiding the girl. The girl takes three light steps along the path of light: on the first step she steps onto the tilted garden path, on the second she crosses a floating white floor fragment, and on the third she passes through the circular glass arch. Land each sole in sequence, and let the hair, sleeves, and skirt hem sway in the same wind direction slightly delayed from the steps. Do not make it look like gliding, flying, or rapid spinning. When the girl passes through the arch, the surrounding white flowers dye pale light blue in order from the outside inward, and the glass framework overhead slowly rotates a quarter turn to connect the upper and lower gardens. The girl herself remains upright and does not abruptly change the direction of gravity. The camera keeps a position slightly lower than the chest and briefly swings around to over the girl's shoulder, bringing the character size closer to the upper chest. Converge the background vanishing axis toward a single circle formed by the path of light ahead. The purpose of this movement is to show that a return path is born ahead of the girl's adventure. The path of light becomes a clockwise spiral once again, and its circumference aligns to the same shape, size, and angle as the rim of the real teacup. The camera passes through the center of the spiral and smoothly pulls back from the extreme close-up of the amber tea surface to the real greenhouse. The camera height returns to the same low position as the table, and the character size returns to the upper chest in the background. Return the background vanishing axis from the circular center of the cup to the starting direction in which the floor tiles and window frames extend into the depths of the greenhouse. The purpose of this movement is to collect the other-world adventure back into a single cup of tea and return a reward to the girl's emotion. Maintain the continuity that the same girl has returned. At the end, the girl returns the teapot in her right hand to vertical, cleanly stops the stream of tea, and holds the teapot at a height lower than her chest. Her left hand remains placed beside the saucer. The final swirl inside the cup slowly shrinks, leaving only one small blue-and-pale-gold reflection at the center, then becomes still. The camera is positioned diagonally in front at table height, reading simultaneously the quiet tea surface in the foreground and the girl's three-quarter face and gentle smile in the background. Cut at the moment when the reflection on the tea surface has completely stopped and the girl's both eyes, the teapot, the cup, and the remnant of the swirl are all clearly visible in a single frame. Do not make the liquid murky black. Do not turn the swirl into a black hole, rough water surface, or an object of a different shape. Do not distort the face. Do not add extra fingers. Do not show extra people or extra tableware. No strobe, intense flickering, strong horizontal flare, or blown-out highlights. No text, subtitles, logos, or watermarks. No BGM, no music, no ambient sound, no foley, no sound generation.

15 seconds | 16:9 | 1440p | 24fps | Seamless loop | Web hero animation [Character lock · @image1] Render exactly as shown in the reference image, with no redesign whatsoever. Golden curly hair, closed eyes, upturned face with serene expression; ivory draped robe; two golden rose-embossed shoulder guards on left and right, featuring center gemstones and radiating relief; gold filigree chest ornament, cross pendant, layered bead chains; crystal greatsword with ornate golden baroque crossguard and pommel, wrapped grip, both arms raised overhead holding it horizontally, a pillar of golden fire descending into it from above; white marble circular platform; sea of clouds below; deep blue sky; behind her a massive halo inscribed with golden runes and radial crystal shards with hard-edged RGB diffraction. Throughout the entire piece, do not alter the hairstyle, face, shoulder guard relief, chest ornament, robe silhouette, crossguard pattern, or blade proportions. Her eyes remain closed for the entire piece, opening only from 11.4 to 12.6 seconds, and closing again before 15.0 seconds. [Typography lock · @image2] All Latin text in this piece must use exactly the glyphs from @image2 — the same serif structure, chiseled stroke terminals, character width proportions, and letter spacing. No font invention or substitution is allowed. Material is taken from @image2: polished chrome silver, with a warm amber rim light on the upper-left edge of every stroke, subtle bevels, fine grain. [Anatomy lock · Highest priority] Throughout the entire piece there are only two arms, two hands, five fingers per hand, and one sword. Extra arms, palms, fingers, or a second weapon are strictly forbidden. During fast rotation and motion blur, afterimages must never be rendered as additional limbs; every frame must show structurally complete hands with distinct knuckles and no merging. The sword grip is held only by the hand specified for that shot; the free hand must be clearly visible with an unambiguous orientation. [Web UI/UX system · Skeleton of the entire piece] The frame is built on a 12-column grid, with left and right margins each occupying 6% of frame width, and column gutters at 2%. Safe zone: columns 1 through 5 are left empty for the webpage title and call-to-action buttons. The figure, sword, and halo must never enter columns 1 through 4. Viewport frame: chrome hairline corner lines extend into place by 1.4 seconds and remain, subtly re-snapping at each transition, never resetting. Loading indicator: the halo's progress arc doubles as the page loading bar — starts at 1.4 seconds, reaches roughly half circle at 7.8 seconds, closes and flares bright at 11.4 seconds, then clears in reverse after 12.6 seconds. Sub-rings: three concentric rune rings expand outward in sequence at 3.2 seconds, rotating in opposite directions at different speeds. Crosshair: tracks the sword blade and continuously corrects with her movement, tightening on impact. Data column: a thin typographic strip rolls along the right edge of the frame, accelerating with the music. Counter: continuously climbs, flickers abnormally at 9.6 seconds, flashes red and resets to zero at 11.4 seconds. Spectrum bars: a ring of radial bars outside the halo pulses with the audio. All UI elements are chrome hairline strokes and thin glows, semi-transparent, refracted by the crystal, with uniform stroke weight, never crossing the face, never entering columns 1 through 4. Easing: all UI and text elements enter with an ease-out curve of approximately 0.4 seconds; exit at approximately 0.25 seconds. Never linear, never bouncy. Multiple elements are staggered by approximately 0.06 seconds. [Text · Sparse and physical, never overlaid] There are only four instances of text in the entire piece, each one a real object existing in the scene with thickness, bevels, shadows, and lighting response, undergoing perspective distortion with the camera, occluded by foreground elements, and refracted by crystal. The text inside the quotation marks below is what is actually rendered on screen and must appear exactly as written — no translation, no substitution, no additions or removals: 1.8s A segment of runes on the halo's rune band reassembles into @image2 glyphs spelling "ASCENSION" in deep chrome intaglio cut into the ring body, rotating out of frame with the ring. 4.6s "SCROLL" appears as a small chrome label with a thin arrow below it, positioned at the lower edge of frame in columns 6 through 7, gently pulsing. 12.8s The hero layout assembles in columns 1 through 5: a chrome hairline navigation bar with three dots at the top; display-level "ASCENSION"; below it a hairline rounded button containing small "ENTER". Holds for 0.8 seconds then dissolves entirely. 14.2s "CIA0" is cut into the rune band in deep chrome intaglio, with cut depth, stroke width, edge wear, and oxidation levels perfectly matching the surrounding runes. Never brighter, never larger, no glow, no outline. It undergoes perspective distortion along the ring's curved surface, is partially occluded by crystal shards in front, appears only for a moment when swept by side light, and nearly recedes back into the metal under direct light. No Japanese characters, subtitles, or other text appear anywhere in the piece. [Color] Sky from deep navy #0B2350 at top to sapphire blue #12356B, warming to off-white #F0E4CE at the horizon. Fire pillar core is overexposed white, transitioning outward to light gold #FFE9B0, amber #FFD98A, orange-gold #E8A63C, with semi-transparent heat distortion at the outermost edge. Sword blade gradients from cool cyan #9FD8E0 at the tip to warm gold at the crossguard, with a full-spectrum dispersion band flowing along the blade mid-section. Robe lit surfaces are ivory white #F5EDDC to warm gray-beige #C9BBA4, with cold blue shadows #8C93A6 in deep folds. Metal highlights #FFF0C0, midtones #E0B454, shadows #8A6220, darkest areas with green undertones, never flat. Corona from inner to outer: white, gold, amber, magenta, indigo, transparent — six segments. Sea of clouds warm white #FFF6E6 to gray-blue #7E96B4 to violet-blue #4A5A85. Chrome text and UI #E8ECEF with warm amber #D9A05B rim light. Full spectrum appears only as refraction, never as flat color. [Style & effects] Cinematic hand-painted 2.5D animation with baroque density. Film highlight roll-off, lifted shadows, soft glow at brightest points, fine grain, rich saturation without clipping. Skin has subsurface scattering; gold is anisotropic brushed metal; crystal has true dispersion; fabric is multi-layer cloth simulation with inertia and rebound; hair is rendered strand by strand, semi-transparent in backlight. Effects escalate progressively: shards cast hard-edged RGB diffraction light bands; starburst lens flares on golden highlights; the fire pillar descends as churning ribbon-like streams; god rays pierce through the sea of clouds; shards shed feathers of light; prismatic caustics crawl across the shoulder guards and chest ornament; the circular platform glows from within; visible shockwave distortion rings; brief overexposure when the corona blooms before settling; dust and crystal particles perpetually suspended in the air. [Camera] Anamorphic widescreen, elliptical bokeh, blue-gold dual-color streak flares, 180-degree shutter, slight barrel distortion. Every shot has clear motivated movement with three layers of depth — foreground cloud wisps, light feathers, crystal particles, or a corner of the robe always creating parallax. The figure remains within columns 6 through 12 at all times. 0.0-1.4 @Hailuo_AI @Image1 Macro shot inside the crystal sword blade, traveling between crystal fissures, light dispersing along cracks, then emerging through the blade edge into open sky. 1.4-3.2 Crane arm ascends along the inner edge of the halo, runes igniting in sequence from near to far, with heavily compressed perspective. 3.2-4.6 35mm arcing track moves behind the shards, full spectrum sweeps across the lens, she emerges as a backlit silhouette. 4.6-6.0 40mm low-angle slow push-in, the fire pillar enters from the top of frame meeting the sword tip, composition tightening to hero aspect ratio. 6.0-7.8 50mm aerial orbit, circling in sync with her 180-degree rotation, the strike moment slows to 4x slow motion before returning to real time. 7.8-9.6 18mm single continuous shot following her fall through the halo, full spectrum flooding the frame during the pass-through, no cuts. 9.6-11.4 Focal length changes with whip-pan cuts, 85mm close-ups alternating with 18mm wide angles, one whip-pan inserted in between. 11.4-12.6 Crane rise with dolly zoom, from low angle up to eye level, background compression shifting accordingly. 12.6-15.0 Slow pull-back, then push forward along the sword blade re-entering the crystal interior, perfectly matching the first frame. Opening and closing segments use glowing dissolves and camera displacement exclusively, never hard cuts; only 9.6 to 11.4 seconds uses hard cuts with noise gating. [Storyboard] 0.0-1.4 Loop point. Camera travels inside the crystal sword blade, cracks, bubbles, and dispersion drifting past slowly, then emerges through the blade edge as the sky opens wide. Corner frame lines begin extending. 1.4-3.2 Ignition. Crane arm climbs along the inner edge of the ring, fire runs around the ring igniting runes one by one. At 1.8 seconds a segment of runes reassembles into deep chrome intaglio "ASCENSION" and rotates out of frame with the ring. Progress arc begins. 3.2-4.6 Emergence. Track moves behind the shards, full spectrum sweeps across the lens, she emerges as a silhouette, both hands gripping the sword handle with the blade held vertically before her. Three rune rings expand. Data column begins scrolling. 4.6-6.0 Raising the sword. Both hands lift the greatsword overhead into a horizontal hold, returning to the @image1 pose, chin slightly raised, the fire pillar descends meeting the sword tip. "SCROLL" settles at the lower edge of frame. Composition locks to hero aspect ratio. 6.0-7.8 Receiving light. She raises the sword to meet the descending pillar of fire — the blade receives it, both hands gripping the handle firmly without ever letting go — then rotates her entire body 180 degrees delivering a horizontal slash. Prismatic light explodes, UI flares red across the board. Eyes remain closed. 7.8-9.6 Falling. She falls backward through the center of the halo, right hand holding the sword at her side rotating slowly, left hand reaching upward, robe spreading open like an umbrella. Single continuous shot, full spectrum flooding the frame during the pass-through. 9.6-11.4 Montage, eight beats at 0.225 seconds each: one, white background with chrome line art, only the sword and both arms outlined; two, flat spectral color-block collage; three, two-color silhouette, ivory white with pure gold; four, fully rendered, one real aerial spin; five, motion-trail frame pulling long afterimages; six, full-frame negative inversion, this frame only; seven, chrome line art overlaid with rainbow diffraction; eight, fully rendered with brief freeze. Light and cloud disturbance accumulates across the eight beats, never resetting. 11.4-12.6 Climax. Left hand returns to the grip, both hands together driving the blade into the void, shockwave expanding outward. She opens her eyes — teal-green, calm, looking directly into the lens. Eyelashes separate first, eyelids rise, pupils contract then dilate, tear film catching the fire pillar's highlight, a single glint at the corner of the eye. Corona blooms, progress arc closes and flares bright. 12.6-15.0 Return. She rises back onto the circular platform, both arms raising the sword horizontally overhead returning to the @image1 pose, rings folding back in reverse, corona converging into a single gold line, eyes closing. Hero layout assembles in the left zone, holds, dissolves. "CIA0" rotates into frame with the ring, revealed by a sweep of side light, then rotates into direct light and recedes from visibility. Camera pushes along the blade, re-entering the crystal interior. The final frame is identical to the first frame. [Motion] Weight and elegance take priority over posing, movement is continuous and never stiff. Robe, curly hair, and trailing ribbons lag on every turn, fabric with true inertia and rebound. The greatsword is heavy, bearing load and deceleration visible when swung. Everything carries a slight high-altitude floating quality. Cloud flow and figure movement influence each other. No stiffness, no pauses, no unnatural joint angles. [Audio] Every sound effect lands on the exact frame of its visual beat, and the mix is seamless for looping. Bed layer: high-altitude airiness, distant wind, an extremely faint sustained vocal. 0.0-1.4 Enclosed resonance inside the crystal, very light crystal stress sounds, air opening up abruptly when emerging through the blade edge. 1.4-3.2 Crisp metallic ignition sounds as runes light one by one, running around the ring forming an accelerating run, chorus surging from afar, a single low thud when the chrome text settles. 3.2-4.6 High-frequency overtones from the full spectrum sweep, soft fabric rustling, layered ring chimes from the sub-rings expanding. 4.6-6.0 Low-frequency buildup from raising the sword, sustained hum of the fire pillar descending, one clear sustained tone when the sword tip meets. 6.0-7.8 Impact. Pipe organ and sub-bass hit simultaneously, glass shattering, reverse cymbal crescendo, alarm-bright UI red-flash sound. 7.8-9.6 Falling air-pressure howl, abruptly filtered into underwater chorus upon entering the ring, exploding into large-space reverb upon emerging. 9.6-11.4 Eight percussive hits landing on the eight beats, staccato chorus, hard noise gate between each beat, the negative frame gets one inverted-metal noise hit. 11.4-12.6 Climax. Full chorus, pipe organ, bells, and one deep brass chord together, a single clear bell rings on the frame her eyes open, mix widening with the corona. 12.6-15.0 Resolving into an extended sustained choral note, rings closing in opposite rhythms, finally returning to the exact same enclosed crystal resonance as the opening. No dialogue. [Restrictions] Only one figure, two arms, two hands, one sword in the frame. The figure never enters columns 1 through 4. All Latin text must exactly match @image2 glyphs. "CIA0" must be spelled precisely, never glowing, outlined, enlarged, or brighter than the surrounding runes. Spectrum appears only as refraction. UI layer maintains chrome hairline quality, never crossing the face. Effects accumulate continuously until the return segment. Eyes open only from 11.4 to 12.6 seconds. No Japanese characters, no brand logos, no watermarks, no subtitles. First and last frames are perfectly identical, and neither frame may contain any residual floating text.

fire dragon and his rider of living flame, rising over a scorched world, cutting through smoke and sunset.

Fire-Breathing Dragon in a Broken Palace** A colossal fire-breathing dragon with obsidian-black scales streaked by glowing molten cracks stalks through the ruins of a shattered royal palace during a violent thunderstorm. Rain crashes through the collapsed marble ceilings and broken palace domes, lightning flashes behind towering fractured columns and crumbling statues of forgotten kings, while thick smoke and mist drift across the flooded stone floors. The dragon exhales a massive stream of blazing fire, turning the rain into clouds of steam and illuminating the ruined palace with fiery orange light. Every thunderous roar sends shockwaves through the ancient structure—massive pillars split apart, cracked walls collapse, shattered stained-glass windows explode outward, and glowing magma-like fissures spread beneath its claws across the palace floor. The camera tracks low beside the dragon, capturing ultra-detailed wet scales, razor-sharp claws crushing marble tiles, smoke pouring from its nostrils, glowing molten eyes, and fire reflecting across the rain-soaked stone. Cinematic camera movement with dynamic close-ups, slow-motion embers, volumetric smoke, and dramatic lightning flashes emphasize the creature's immense scale. **Final moment:** The dragon spreads its colossal wings atop the broken royal throne as a gigantic bolt of lightning strikes the ruined palace behind it. It unleashes an earth-shaking roar while breathing an enormous column of fire into the stormy sky, casting its gigantic shadow across the shattered palace walls. **Mythic creature realism, cinematic fantasy, ultra-detailed dragon anatomy, broken palace environment, heavy rain, lightning storm, volumetric fog, fire and smoke simulation, dynamic destruction, epic scale, dramatic lighting, photorealistic CGI, cinematic 4K.**

The Condor Heroes protagonist fun word lesson: dream

Use the reference @ image for the exact character design, clothing, proportions, blue hair, pointed ears and glowing cyan spirit fox. Preserve the cinematic stylized 3D look, saturated teal jungle palette, soft volumetric light and detailed natural textures. No dialogue; environmental sound only. 0–4 seconds: Begin close to the reference composition on the ancient stone bridge. The girl kneels beside the small glowing spirit fox as ripples begin moving backward across the stream below. She notices the unnatural movement and looks over her shoulder. A massive moss-covered stone serpent suddenly erupts from beneath the bridge, lifting one side of the platform. The stone tilts physically under her weight. She loses balance, catches herself with one hand and quickly pulls the spirit fox against her chest as cracks spread beneath her knees. 4–10 seconds: The bridge collapses progressively behind her. She rises naturally from the crouch and sprints barefoot across the tilting stone slabs, carrying the fox securely with one arm. Each footfall dislodges moss and small fragments; broken slabs fall with believable weight and strike the water below, producing delayed splashes. The camera tracks closely beside her at waist height. The serpent sweeps its heavy stone tail across her path. She drops into a fast knee slide beneath it; her torn cloak and blue hair trail behind with clear inertia. Still moving forward, she catches a hanging vine with her free hand. Her momentum pulls the vine taut and swings her outward across the widening gap while the camera arcs alongside her. 10–15 seconds: At the highest point of the swing, the vine begins tearing from the temple ceiling. She releases before it snaps, travels forward in a natural gravity-driven arc and lands hard on the opposite platform. She absorbs the impact through her feet and one hand, then rolls once across her shoulder while protecting the fox against her chest. The camera drops and rolls partially with her, then stabilizes behind her as she rises into a defensive crouch. The spirit fox leaps from her arms and lands in front of her, its cyan light intensifying as the serpent crashes into the broken bridge behind them, sending water, dust and stone fragments through the backlight. Maintain one continuous route and clear cause-and-effect motion. No teleporting, floating, sudden directional changes, extra characters, costume changes or transformation of the girl. Keep the fox small throughout; only its light becomes brighter in the final moment.

@image1 Present exactly as shown in the reference image, do not redesign the character. Facial feature proportions, the gold embossed armor patterns, the garment tailoring, and the greatsword design must remain strictly consistent throughout the entire film, with no deviation caused by movement amplitude, camera angle, or lighting changes. Weapon lock: Only this greatsword is used throughout the entire film. No other weapons or props appear. Scene: A high, open gray-white rocky mesa, scattered with boulders of varying sizes, with a house-sized black monolith standing in the far distance. The sky is a clear gray-blue with a few white clouds. Strong side lighting casts long shadows across the rocks. Fine dust hangs suspended in the air, catching the light and showing visible grain; occasional faint dark-red ember-like glows flicker dimly in the rock crevices. Sword mechanics: The blade surface is a charred black carbon shell, with orange-red molten lava flowing through cracks beneath the shell. Its flow speed and brightness respond in real time to her exertion—pulsing rhythmically like a heartbeat when charging, and shifting from dim to blazing in the instant before a full-power swing. Molten orange-red droplets slowly drip from the sword tip at all times, solidifying into small dark-red crystals upon hitting the ground. Each time a cut is completed, the cracks in the carbon shell widen slightly, revealing more internal molten glow. By the end of the film, the glowing area of the blade is noticeably larger than at the opening, forming a clear arc of escalating energy. Cutting effect iron rule: Her sword does not split rock—it melts through it. Every cut must show the complete process—the rock surface along the blade's path first burns dark red and collapses inward, the cross-section reveals a molten orange-red glowing face with flowing molten drips, and only then does the rock block slide apart along the cut face, pulling thin strands of molten thread between the separated surfaces. At the moment of cutting, occasional fine rock fragments burst and scatter from the high heat, trailing short arcs of orange sparks. All glowing cuts remain lit throughout the entire film without extinguishing. The orange glow from the cross-sections illuminates her armor surface and surrounding rock walls in real time, creating dynamic reflections that move with the light source. Molten slag and sparks splashed when rocks land accumulate on the ground. Visual effects: When swinging the sword, distorted air and orange-red heat trails drag behind the blade; the high temperature causes the air around the blade to continuously rise and warp; molten droplets hitting the ground kick up fine sparks and wisps of blue smoke, with embers slowly drifting upward like fireflies; rock fragments sent flying by cuts spin with burning edges; a thin white-hot stream of gas jets from the cut at the moment of impact; when the blade is fully lit, a faint white halo spills around the blade edge; her hair strands and garment hems are unevenly stirred by rising heat, showing asymmetrical movement. A pure white impact frame is inserted at the moment of impact, occurring twice in the entire film (4.5–6 seconds and 10.5–12.5 seconds). High-speed action segments (1.5–3s, 3–4.5s, 7.5–9s, 10.5–12.5s) are overlaid with brush-texture speed lines and triple afterimages; slow or static shots do not apply this effect. Movement principles: The eyes arrive first, the blade follows after. Before a swing, the shoulder turns first, the waist and hips drive the power, and the arm lands last; on the recovery, the wrist adds a light flick to accelerate the blade. After each sword strike, the tip continues to sink for half a beat due to the greatsword's weight; after a powerful chop, her torso follows the sword's momentum and rotates a bit further before stopping, showing real inertia and delay rather than mechanical one-position returns. On landing, the knees sink to absorb impact and the toes grip the ground. She alternates between two-handed and one-handed grips throughout, with the hilt rotating half a turn in her palm during hand changes. Breathing is synchronized with exertion—short inhales when charging, a compressed exhale forced through her teeth at the moment of release, and visibly rising shoulders and back before the ultimate move. The rhythm of each strike is not identical: some are fast, crisp, and gone in a flash; others are heavy, deep, and carry delayed inertia—avoiding a monotonous rhythm across the entire film. Style: 2.5D theatrical anime, cel shading with thick-paint lighting and shadows, sharp linework. A cool-toned environment (gray-white rock, gray-blue sky) forms complementary color contrast with the blazing orange-red sword light. Simulated 35mm anamorphic widescreen lens: horizontal elliptical bokeh, shallow depth of field. 16:9, 4K, 24fps, 15 seconds. The camera changes angle every 1.5 seconds without repetition. Sound: The low gurgle of flowing lava, the fine crackling of the carbon shell splitting, the heavy whoosh of the greatsword cutting through air, the sizzling of rock being melted through, the dull thud of rock blocks sliding apart and landing, the light patter of molten droplets falling, the scraping of boot soles grinding over gravel during sprints, her breathing and exertion exhales. No music. 0–1.5s Extreme close-up, shallow depth of field: The camera glides slowly along the blade surface. Orange-red lava pulses rhythmically like a heartbeat within the cracks of the charred black shell. A molten droplet stretches, falls, and bursts into sparks upon landing. Focus pulls back—she grips the hilt with both hands, knuckles tightening one by one, black nails pressing into the wrapped cord. She lowers her gaze toward the first boulder, pupils narrowing slightly as she locks onto the target. 1.5–3s Side tracking shot, matching her speed: The right foot steps forward with the heel striking first and gripping the ground. The waist and hips turn first, driving both arms to whip out. The greatsword sweeps horizontally through the first boulder. Along the blade's path, the rock surface instantly burns dark red and collapses inward. The cross-section ignites with molten orange light, fine rock fragments scattering with sparks. The rock pauses for half a beat before sliding apart in two halves along the cut face, molten threads stretching between the surfaces. Orange light reflects off the side of her armor. As she recovers the sword, the tip continues to sink for half a beat from the weight. 3–4.5s Low-angle upshot: Two boulders stand on either side of her. Pivoting on her toes in a half-turn, she raises the sword overhead with both hands. A fast, crisp chop strikes the left side first, then borrowing the sword's momentum, a heavy return swing cuts to the right—fast and heavy forming a rhythmic contrast. Both cuts ignite almost simultaneously. Four rock sections slide outward and crash to the ground, splashing molten slag and blue smoke, with a few embers rising slowly. As she settles, her knees bend slightly and her hair is unevenly blown to one side by the heat. 4.5–6s Extreme near-vertical close-up: She fully extends both arms raising the sword overhead, shoulders and back visibly tensing as she charges. The lava flow in the blade's cracks suddenly accelerates and brightens. Her entire torso then sinks as she drives a vertical chop downward, jaw clenched, a short exhale bursting from her teeth—the blade melts through the tall standing rock from top to bottom. The rock mass topples to both sides along the cut face, a thin white-hot stream jetting from the cut. A pure white impact frame is inserted, and the camera trembles slightly from the impact. 6–7.5s Slow lateral pan, volumetric light passing through heat haze: She pauses with the sword tip touching the ground, shoulders heaving heavily, exhaling a puff of white breath. Her center of gravity sways gently between her feet as she regains balance. The camera pans across behind her—three cuts still burn brightly, molten droplets drip slowly, dark-red crystals and blue smoke have accumulated on the ground, and orange light flickers and reflects across her cheeks and armor. The hilt rotates half a turn in her palm as she switches to the other hand. 7.5–9s High-speed orbiting acceleration: Several small rocks are kicked into the air by her foot. She pushes off the ground and leaps, knees tucking slightly to increase rotation speed. Spinning once mid-air, she delivers four consecutive sword strikes, each with the arm fully extended and finished with a light wrist flick—every rock lights up with an orange cross-section the moment it is melted through, burning edges spinning as they fly.

Create a 15-second cinematic showdown between the most technologically advanced human and the most primordial warrior. The technological fighter wears adaptive nano-armor, holographic interfaces, energy weapons, and glowing cybernetic implants. The primordial fighter is massive and feral, covered in ritual markings, bone armor, and animal hides, wielding a brutal stone weapon. Set the battle in a ruined landscape where a futuristic megacity merges with an ancient volcanic wilderness. 00:00 — The fighters face each other as futuristic machinery hums and distant primal drums begin. 00:02 — The technological fighter activates the nano-armor and says in a cold synthetic voice: “Evolution ends with me.” 00:04 — The primordial warrior roars and replies in a deep, savage voice: “You have forgotten what strength is.” 00:06 — They charge toward each other at full speed. 00:08 — Their weapons collide, releasing a massive shockwave of blue plasma, fire, sparks, debris, lightning, and shattered holographic fragments. 00:10 — The technological fighter launches drones and energy blades while the primordial warrior smashes the ground, creating volcanic cracks and a towering blast of stone and flame. 00:12 — Both fighters unleash their final attacks simultaneously as the camera circles them in dramatic slow motion. 00:14 — A blinding explosion consumes the battlefield. 00:15 — The smoke begins to clear, revealing only a mysterious silhouette without showing who won. Use dynamic tracking shots, dramatic low angles, rapid orbiting camera movement, extreme close-ups, speed ramps, controlled handheld energy, and slow motion during key impacts. Cinematic 4K, 16:9, ultra-realistic VFX, physically accurate destruction, volumetric smoke, plasma energy, fire, sparks, debris, lightning, synchronized impact sounds, futuristic weapon audio, primal roars, distinct English voices, and a cinematic orchestral score mixed with electronic pulses and tribal percussion.

A daring aerial rogue diving on a bio-mechanical glider through a chaotic floating-island bazaar, weaving effortlessly through airborne merchants, dodging passing airships, flocking griffins, and tethered trading posts. He plummets past crumbling stone arches, busy rope bridges, and cascading waterfalls, barrel-rolling through narrow gaps with precision and style. Cinematic tracking shots follow his descent, enhanced by dynamic motion blur and ethereal dappled sunlight reflecting off crystal formations and mist. The sky-city pulses with an energetic fantasy vibe—flapping wings, shouting vendors, and nonstop vertical motion. Ultra-realistic detail with an epic high-fantasy action aesthetic, capturing speed, agility, and fearless momentum through the clouds.

【Style】Van Gogh Post-Impressionism oil painting, thick paint texture (Heavy Impasto), signature swirling brushstrokes, dreamy feel, high saturation blue-yellow contrast. 【Duration】15 second animation [Visual Content] This is a completely dynamic world made of thick oil paint. Sky: In the deep blue night sky, huge yellow celestial bodies and crescent moon are surrounded by radiating short brushstrokes, nebulae swirling wildly in the air like rushing rivers (Swirling motion). Foreground: On the left is a huge cypress tree, twisted like burning black flames, shooting up to the sky. Background: A sleeping town in the valley, windows of houses emit warm, circularly painted yellow light. The entire scene slowly flows and breathes following the direction of brushstrokes.

Act 1: Stillness and Burst (Testing Acceleration from Standstill) Visual: Close-up. Nezha's Red Armillary Sash gently sways in the wind with sparks flying. The camera suddenly zooms out rapidly. Action: Nezha suddenly kicks off the ground, causing the earth to shatter. Visual Focus: Testing Seedance 2.0's simulation of debris trajectory, and the transition from stillness to ultra-high-speed movement. Act 2: Attribute Transition (Testing Match Cut Editing) Visual: Nezha swings his Fire-Tipped Spear in a sweeping motion, creating a circular ring of flames. Transition Design: The flame ring seamlessly transforms into Ao Bing's rotating ice blade while spinning. Action: The camera follows the rotation axis of the weapons, achieving an instant, smooth transition from red tones to blue tones. Act 3: Fierce Battle Interaction (Testing Physics Collision and Cinematography) Visual: Mid-shot from the side. The Fire-Tipped Spear and ice sword collide in mid-air. Action: Sparks and ice fragments explode simultaneously. Ao Bing's body moves like a dragon, spiraling upward around a fire pillar; Nezha inverts in the air, feet-first toward the ground on his Wind-Fire Wheels. Visual Focus: Testing whether the model's limbs break down during "high-speed dueling" of the two characters. Act 4: Ultimate Transition (Testing Space Folding) Visual: Nezha punches and shatters an ice wall. Transition Design: The shattered ice crystals transform into dancing red leaves or fire feathers in the air. The camera passes through the ice fragments and instantly cuts to the next scene. Visual Focus: Testing Seedance 2.0's logical continuity using particle continuity.

A multi shot high action epic video about exodus story in the style of mad max

A massive kraken attacks a pirate ship, the captain slices it with his sword. hyper realistic cinematic movie scene

【Style】Hollywood Live-Action Blockbuster, IMAX movie quality, 8K ultra-high definition, photorealistic cinematography, dark fantasy, Unreal Engine 5 realistic rendering, no anime feel. 【Duration】15 seconds 【Scene】A realistic misty forest under the moonlight, with damp soil and real fallen leaves on the ground. [00:00-00:05] Shot 1: Live-Action Performance - Water Breathing (Realistic Water FX). 【Close-up】An Asian young swordsman (the pores on the actor's face are visible), wearing a green and black checkered coarse cloth haori (the fabric texture is clear). Action: He holds his sword with both hands under the moonlight, lowering his center of gravity. Special Effects: As he breathes, instead of cartoonish water flow, **highly realistic, transparent, and luminous pressurized high-pressure water flow (Hyper-realistic Fluid Simulation)** condenses on the blade. The water, like a living dragon, coils around the realistic sword blade, water droplets splashing onto the lens and refracting moonlight. [00:05-00:10] Shot 2: Lightning Plasma. [Medium Shot/High-Speed ​​Photography] Opposite is a young swordsman with dyed blond hair (real hair flowing), wearing a yellow triangular-patterned fabric jacket. Action: He makes the starting stance for an iaido slash, the ground beneath his feet cracking due to the excessive force. Effects: **Real, blinding blue-white electric currents (Real Plasma Arcs)** erupt in the air, instead of yellow cartoon lightning. The current pierces through the surrounding real trees, leaving scorched marks. [00:10-00:15] Shot 3: Fated Showdown - Physics Clash. [Slow Motion/Big Explosion] The two collide at high speed in the center of the frame. Action: The solid water giant sword collides violently with the lightning blade. Effects: No comic book lines, only **real physical particle explosions**. Large amounts of water vapor, mud, broken tree branches, and dazzling sparks flew through the air. The shockwave created realistic ripples in the water beneath their feet. The scene was incredibly powerful and destructive.

A colossal armored baboon charges through a burning Maasai village, it picks up and throws a maasai warrior into a burning hut, Maasai warriors are running away in fear amid a storm of fire and debris.

A dark, fantastical female figure, with flowing long hair and an intricate metal crown topped with sharp, antler-like points, her eyes closed, her expression serene, her pale skin softly glowing. Her forearms and torso are transformed into smooth, black liquid metal with reflective chrome details, and sharp, claw-like fingers extend from the darkness. Dramatic backlighting creates a halo effect around her head, a cool blue-toned misty atmosphere, cinematic lighting, rich detail, surreal yet elegant—a dark fantasy aesthetic.

A story of a magical artifact: a butterfly flies out of the picture and transforms into a beautiful butterfly fairy. Looking around, she suddenly senses someone approaching, and the butterfly fairy returns to the wall.

"Sailor moon jumping onto the bed and screaming "Girls, we did it!". Sailor Venus appears and says: "How many were there? 6? 7?". Sailor Jupiter laughs and says "6 7!""

Doramon and spiderman fighting very high quality and intense

Live action Saiyan battle between Goku & Vegeta, super saiyan blue

Music Accompanying Scene 1: "Sun Wukong stands on the roof of the city, brandishing his golden cudgel, his robe fluttering in the wind. The city lights illuminate the night, creating a cinematic and epic feel. The camera slowly zooms in on the image, 4 seconds." Music Accompanying Scene 2: "Homelander descends slowly from the sky, his eyes glowing with red laser light. Dark clouds churn, superhero movie style, slow motion, 4 seconds." Music Accompanying Scene 3: "Sun Wukong attacks Homelander at high speed, swinging his golden cudgel. The air shakes, action movie effect, motion blur effect, slow motion, 4 seconds." Music Accompanying Scene 4: "Homelander fires a red laser, colliding with the golden cudgel's energy. The sky explodes, the clouds tear apart, science fiction film style, intense light effects, 4 seconds." Scene 5: "The two float in the air, facing each other, energy ripples spreading. Epic closing scene, wide angle, cinematic composition, 4 seconds."