VFX Prompts

Forcing Thanos to apologize before a Spider-Man-led group assault

Use #Seedance 2.0 to create an exciting fight scene between Spider-Man and Octopus Man.

A fast-paced fight scene: John Wick &. James Bond (007) & another guy — a three-way brutal showdown.

SHOT1 Close-up inside the cockpit, a male driver in his 30s grips the suede steering wheel of a low-slung race car. He’s focused, sweat on his temple, lit only by blue dashboard LEDs and passing neon reflections from outside. Tokyo’s city lights flicker across the windshield. Camera slowly pushes in, locked on his intense gaze through the rearview mirror. SHOT2 Side profile mid shot, from the passenger seat view. The driver shifts gears with a snap, neon signage from outside streaks across his face in sharp reflections. The city races by — puddles splash under the tires. Camera pans with him as he leans forward, eyes narrowing. SHOT3 Exterior low rear shot, the car’s tail lights flare as he slams the NOS button. Blue flames erupt from the exhaust. The car launches forward, disappearing into the glowing Tokyo streets. Camera tracks behind, lights blurring, engine scream echoing in the distance.

Man in green suit with logo fighting with man in black, in style of spy movies, X man beaten on the floor screaming elooooon! in the end

Generate a video about a running scene, behind is a giant monster big as a building with 100 floor is coming close, using Arcane style.

The woman kneels down slowly onto the wooden bridge. Camera zooms in tightly to an extreme close-up of her left eye, which begins glowing intensely with bright magical energy. Camera switch. Camera rapidly zooms out as she launches powerfully upward into the air, her body

This is a street scene depicting a John Woo-style gunfight. Based on scene image 3, please generate a smooth gunfight scene in a confined space, using realistic effects of the man in the white suit (image 1) and the man in the floral shirt (image 2). This should utilize shot splits and different perspectives to create a more rhythmic and cinematic feel.

A surreal battlefield in the sky: floating rock islands drifting through a thunderstorm, clouds swirling below like an ocean. The masked ronin dashes across the drifting platforms, pursued by a colossal winged beast whose chest is a swirling vortex of storm clouds and lightning. The camera hurtles from island to island, struggling to keep up as rocks tilt, spin, and crumble away beneath them. Every wingbeat sends shockwaves through the air, shaking the frame and blowing debris and rain straight into the viewer’s face. Rapid handheld cuts capture the ronin leaping impossible gaps, sword carving arcs of light that briefly cut through the darkness. The finale shows the camera diving behind him as he jumps off the last crumbling rock, riding a bolt of lightning directly into the monster’s chest vortex with a final, all-or-nothing slash that explodes the storm from within and clears the sky in a blinding flash. 720p 16:9 15 seconds

A few shots to include. The explosion and physics is so on point without much guidance.

Will smith fighting a spaghetti monster, Epic 80s action movie scene , industrial factory setting, intense fight choreography, dramatic camera cuts, cinematic lighting, slow motion moments, practical effects, film grain texture, high tension

A flooded subterranean megastructure, ancient stone corridors half-submerged in black water, bioluminescent algae pulsing along the walls like a heartbeat. A masked diver in scarred tactical gear, lit by a flickering wrist-mounted flare, is pulled downward through collapsing flooded chambers by the current of a colossal eyeless leviathan moving beneath the floor grates. The camera plunges after the diver as water rushes through shattering stone archways, air bubbles and debris spiraling past the lens. The diver grabs a broken pillar to stop herself, the current ripping at her body, then releases and freefalls through a vertical shaft, twisting to dodge the leviathan's translucent tendrils whipping upward through the darkness. Quick shaky frames catch her igniting a harpoon gun mid-fall, the flare illuminating the creature's massive jaw opening below. In the final movement, the camera spirals downward around her as she fires the harpoon into the creature's mouth, the bioluminescence erupts blinding white, and the camera bursts through the surface of a vast underground ocean, the diver silhouetted against the glow of a thousand pulsing organisms on a cathedral-sized cavern ceiling. 15 seconds.

Handheld shot circling two boxers practice sparring in a gritty gym, purposefully missing each other with their swings. Sweat droplets, sharp impacts, breathing intensity. Shallow depth of field, practical lighting, visceral realism, stable identity. Duration: 10s. Aspect ratio: 16:9. Photoreal cinematic. Single shot unless specified. Avoid text, captions, watermarks, logos. Stress camera movement: smooth parallax, consistent objects, stable faces; no text