VFX Prompts

A catastrophic collision between two massive space stations in low Earth orbit. Metal shears apart in slow motion as the stations grind into each other, sending a hailstorm of debris spiraling outward. Entire modules crumple like tin cans. Pressurized compartments blow out in violent bursts of crystallizing atmosphere. Solar panels shatter and cartwheel into the void. The camera tumbles through the wreckage as an isolated astronaut in a white EVA suit ragdolls past, arms flailing helplessly. Explosions ripple down the station’s spine. Earth looms enormous in the background, serene and indifferent. Hyper-realistic, catastrophic scale, orbital debris field, 8k, Gravity collision sequence energy.

A massive tidal wave crashes into a coastal city. Buildings crumble as the wall of water surges through the streets. Cars are swept up and tumble through the flood. The camera captures the destruction from a rooftop as the wave passes below, water exploding against skyscrapers. Debris and foam churn in every direction. The sky is dark with storm clouds. Hyper-realistic, catastrophic scale, 8k, Roland Emmerich disaster movie, the deafening roar of a million tons of water.

【Style】Surrealism, megalophobia, epic visual spectacle, Hollywood special effects quality, extremely realistic lighting and shadow rendering. 【Duration】15 seconds 【Scene】Above a clear city skyline, or an open wheat field. [00:00-00:05] Shot 1: Calm illusion (The Calm). The scene shows a cloudless, absolutely beautiful blue sky, sunny and bright, with birds flying by. The camera slowly tilts upward, giving a feeling of peaceful times. Key detail: Suddenly, a giant, silver metallic gleam appears in the sky—it's a **"zipper"** spanning across the horizon. [00:05-00:10] Shot 2: Unzipping the zipper (The Unzipping). A **giant, translucent God's hand** grasps the zipper pull, slowly unzipping the blue sky with a tremendous roar (audio effect). Action: As the zipper opens, the "blue sky" wrinkles and falls like fabric. Visual spectacle: Behind the zipper is **not the universe**, but a **cyberpunk future world filled with neon lights, flying cars, and giant mechanical structures** (or a giant mechanical eye staring at us). [00:10-00:15] Shot 3: Gaze between two worlds (The Revelation). Only a corner of blue sky remains hanging in the sky. It turns out our living world was just an "eco-box" covered up. Ending: The camera rapidly pulls back to reveal that our entire world (city/wheat field) is actually just a **glass miniature landscape ball** on a giant's table. The giant is leaning in close to observe us.

Act 1: Stillness and Burst (Testing Acceleration from Standstill) Visual: Close-up. Nezha's Red Armillary Sash gently sways in the wind with sparks flying. The camera suddenly zooms out rapidly. Action: Nezha suddenly kicks off the ground, causing the earth to shatter. Visual Focus: Testing Seedance 2.0's simulation of debris trajectory, and the transition from stillness to ultra-high-speed movement. Act 2: Attribute Transition (Testing Match Cut Editing) Visual: Nezha swings his Fire-Tipped Spear in a sweeping motion, creating a circular ring of flames. Transition Design: The flame ring seamlessly transforms into Ao Bing's rotating ice blade while spinning. Action: The camera follows the rotation axis of the weapons, achieving an instant, smooth transition from red tones to blue tones. Act 3: Fierce Battle Interaction (Testing Physics Collision and Cinematography) Visual: Mid-shot from the side. The Fire-Tipped Spear and ice sword collide in mid-air. Action: Sparks and ice fragments explode simultaneously. Ao Bing's body moves like a dragon, spiraling upward around a fire pillar; Nezha inverts in the air, feet-first toward the ground on his Wind-Fire Wheels. Visual Focus: Testing whether the model's limbs break down during "high-speed dueling" of the two characters. Act 4: Ultimate Transition (Testing Space Folding) Visual: Nezha punches and shatters an ice wall. Transition Design: The shattered ice crystals transform into dancing red leaves or fire feathers in the air. The camera passes through the ice fragments and instantly cuts to the next scene. Visual Focus: Testing Seedance 2.0's logical continuity using particle continuity.

A catastrophic collision between two massive space stations in low Earth orbit. Metal shears apart in slow motion as the stations grind into each other, sending a hailstorm of debris spiraling outward. Entire modules crumple like tin cans. Pressurized compartments blow out in violent bursts of crystallizing atmosphere. Solar panels shatter and cartwheel into the void. The camera tumbles through the wreckage as an astronaut ragdolls past, arms flailing. Explosions ripple down the station spine. Earth looms enormous in the background, serene and indifferent. Hyper-realistic, catastrophic scale, ISO debris field, 8k, Gravity collision sequence energy.

Forcing Thanos to apologize before a Spider-Man-led group assault

Use #Seedance 2.0 to create an exciting fight scene between Spider-Man and Octopus Man.

A fast-paced fight scene: John Wick &. James Bond (007) & another guy — a three-way brutal showdown.

SHOT1 Close-up inside the cockpit, a male driver in his 30s grips the suede steering wheel of a low-slung race car. He’s focused, sweat on his temple, lit only by blue dashboard LEDs and passing neon reflections from outside. Tokyo’s city lights flicker across the windshield. Camera slowly pushes in, locked on his intense gaze through the rearview mirror. SHOT2 Side profile mid shot, from the passenger seat view. The driver shifts gears with a snap, neon signage from outside streaks across his face in sharp reflections. The city races by — puddles splash under the tires. Camera pans with him as he leans forward, eyes narrowing. SHOT3 Exterior low rear shot, the car’s tail lights flare as he slams the NOS button. Blue flames erupt from the exhaust. The car launches forward, disappearing into the glowing Tokyo streets. Camera tracks behind, lights blurring, engine scream echoing in the distance.

Man in green suit with logo fighting with man in black, in style of spy movies, X man beaten on the floor screaming elooooon! in the end

Generate a video about a running scene, behind is a giant monster big as a building with 100 floor is coming close, using Arcane style.

The woman kneels down slowly onto the wooden bridge. Camera zooms in tightly to an extreme close-up of her left eye, which begins glowing intensely with bright magical energy. Camera switch. Camera rapidly zooms out as she launches powerfully upward into the air, her body

This is a street scene depicting a John Woo-style gunfight. Based on scene image 3, please generate a smooth gunfight scene in a confined space, using realistic effects of the man in the white suit (image 1) and the man in the floral shirt (image 2). This should utilize shot splits and different perspectives to create a more rhythmic and cinematic feel.

A surreal battlefield in the sky: floating rock islands drifting through a thunderstorm, clouds swirling below like an ocean. The masked ronin dashes across the drifting platforms, pursued by a colossal winged beast whose chest is a swirling vortex of storm clouds and lightning. The camera hurtles from island to island, struggling to keep up as rocks tilt, spin, and crumble away beneath them. Every wingbeat sends shockwaves through the air, shaking the frame and blowing debris and rain straight into the viewer’s face. Rapid handheld cuts capture the ronin leaping impossible gaps, sword carving arcs of light that briefly cut through the darkness. The finale shows the camera diving behind him as he jumps off the last crumbling rock, riding a bolt of lightning directly into the monster’s chest vortex with a final, all-or-nothing slash that explodes the storm from within and clears the sky in a blinding flash. 720p 16:9 15 seconds

A few shots to include. The explosion and physics is so on point without much guidance.

Will smith fighting a spaghetti monster, Epic 80s action movie scene , industrial factory setting, intense fight choreography, dramatic camera cuts, cinematic lighting, slow motion moments, practical effects, film grain texture, high tension

A flooded subterranean megastructure, ancient stone corridors half-submerged in black water, bioluminescent algae pulsing along the walls like a heartbeat. A masked diver in scarred tactical gear, lit by a flickering wrist-mounted flare, is pulled downward through collapsing flooded chambers by the current of a colossal eyeless leviathan moving beneath the floor grates. The camera plunges after the diver as water rushes through shattering stone archways, air bubbles and debris spiraling past the lens. The diver grabs a broken pillar to stop herself, the current ripping at her body, then releases and freefalls through a vertical shaft, twisting to dodge the leviathan's translucent tendrils whipping upward through the darkness. Quick shaky frames catch her igniting a harpoon gun mid-fall, the flare illuminating the creature's massive jaw opening below. In the final movement, the camera spirals downward around her as she fires the harpoon into the creature's mouth, the bioluminescence erupts blinding white, and the camera bursts through the surface of a vast underground ocean, the diver silhouetted against the glow of a thousand pulsing organisms on a cathedral-sized cavern ceiling. 15 seconds.

Handheld shot circling two boxers practice sparring in a gritty gym, purposefully missing each other with their swings. Sweat droplets, sharp impacts, breathing intensity. Shallow depth of field, practical lighting, visceral realism, stable identity. Duration: 10s. Aspect ratio: 16:9. Photoreal cinematic. Single shot unless specified. Avoid text, captions, watermarks, logos. Stress camera movement: smooth parallax, consistent objects, stable faces; no text