3D Render Prompts

The rendered look is three decisions: a material with known light behavior, a studio rig, and a camera no tripod could hold.

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0:53

Seedance 2.5

Create a high-quality cinematic 3D animated short film featuring adorable, stylized baby otter-like woodland creatures in a beautiful sunny meadow. Scene 1: A cute brown baby otter stands in a lush green meadow, happily holding a large shiny blue berry with both paws. It has soft brown fur, a round chubby body, huge glossy black eyes, rosy cheeks, and a tiny dark scarf around its neck. The character looks innocent and curious. Warm morning sunlight, soft grass, rolling green hills, tall trees, blue sky, cinematic depth of field. Scene 2: The blue berry slips from the otter's paws and rolls quickly down a gentle grassy slope. The little brown otter runs after it, trying desperately to catch it. The camera follows the rolling berry with a smooth dynamic tracking shot while the otter runs behind it. Scene 3: The berry rolls toward a large hollow fallen tree trunk lying in the meadow and stops near its entrance. The brown otter reaches the tree and looks around curiously, wondering where the berry went. Scene 4: The camera moves upward through the surrounding trees toward the bright sunlight shining through the leaves. A magical, peaceful atmosphere fills the scene with glowing sun rays, floating dust particles, and gentle wind moving the leaves. Scene 5: A second adorable baby otter appears — smaller and gray-colored, with soft gray fur, a round chubby body, huge expressive black eyes, rosy cheeks, and an innocent expression. It comes out near the fallen tree and notices the brown otter. Scene 6: The gray otter and brown otter interact playfully near the hollow tree. They look at each other with curiosity and surprise, then move around the tree together. Keep their character designs consistent throughout the entire video. Scene 7: The gray otter climbs onto a nearby tree branch and looks around. The camera follows from behind and slightly below, showing the bright green forest canopy and warm sunlight filtering through the leaves. Scene 8: The gray otter rests against a large moss-covered rock, looking sleepy and exhausted. Its eyes become heavy as it relaxes in the warm sunlight. Scene 9: The gray otter suddenly notices the shiny blue berry again. The camera cuts to a close-up as it happily picks up the berry with both paws. Its huge eyes sparkle with excitement. Scene 10: The gray otter proudly holds the blue berry close to its face and smiles innocently. The brown otter approaches from behind. Final scene: The brown otter gently jumps onto the gray otter in a playful, affectionate hug. They tumble softly onto the grass together beside the blue berry, laughing and cuddling. Tiny glowing sparkles appear around them as they lie peacefully in the meadow. Visual style: premium cinematic 3D animation, adorable family-friendly characters, soft detailed fur, expressive oversized eyes, rounded proportions, vibrant natural environment, warm golden sunlight, volumetric lighting, soft shadows, realistic grass and foliage, beautiful depth of field, smooth character animation, polished feature-film quality, gentle camera movements, emotionally expressive faces, whimsical magical atmosphere. Maintain consistent character appearance, fur color, facial features, body proportions, scarf, and environment throughout all scenes. No text, no subtitles, no watermark, no distorted anatomy, no extra limbs, no flickering, no character deformation.

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0:29

Seedance 2.5

All facial close-ups, cavalry, flying mounts, and giant beasts use the same set of high-end pre-rendered AAA game CG aesthetics; skin maintains digitally sculpted forms and controlled subsurface scattering, never turning into live-action photography, cosplay, ordinary gameplay, 2D animation, or cel shading. Use a cinematic montage with clear cuts, including character reveals, cavalry charges, aerial sweeps, and two sides approaching; do not change it to a single continuous take, and do not add extra close-quarters combat or victory/defeat endings without buildup. Environment and space: an open, dry ochre-yellow battlefield with rolling low hills, trampled golden dry grass, brown earth, horse-hoof dust, and dense distant army formations; on one side is a huge low golden-white sun with thick amber clouds, on the other side are deep cyan-blue storm clouds and a bright cyan mist band on the horizon. Maintain a unified color palette of warm amber sunlight, burnt ochre earth, gunmetal armor, and cold teal storm; lighting is directional, and faces and dark armor remain readable. The giant beast and the closed-helmet commander are on the storm-army side; the female swordswoman, axe-wielding warrior, the two running shoulder-to-shoulder, cavalry, and white flying riders advance from the sunlight side toward the storm side. Ordinary soldiers, horses, spears, and dry grass in wide shots always provide scale reference for the giant beast. The mist band is volumetric, churning cloud-fog and does not turn into a portal or explosion on its own. Fixed character A, red-eyed iron-masked commander: a tall adult masculine warrior, always wearing the same fully enclosed dark gun-gray helmet, two red points of light within a narrow eye slit, a vertical grille mask, a dark red neck scarf, black iron layered breastplate, silver-gray worn edges, and outward-projecting spiked pauldrons; his face is never revealed. Fixed character B, red-cloak axe warrior: another independent adult male, exceptionally broad and strong, short black hair swept back and standing up, a square sculpted face, thick brows, and a tight jaw, never wearing a helmet throughout; black heavy plate armor with thick silver edging, round rivets, and huge shoulder spikes, a long deep-red cloak fixed to his shoulders and back, his right hand always gripping the same long-hafted wide-bladed double-sided battle axe. A and B never swap appearances; B is not what A looks like with the helmet removed. Fixed character C, braided female swordswoman: an adult woman, lean athletic build, warm light skin tone, chestnut-brown side-swept bangs and one long thick braid, her face a clearly refined game CG character; silver-gray segmented breastplate and pauldrons with warm gold reflections, a dark scarf, dark form-fitting combat underlayer, blue-black segmented waist skirt, leg guards, and combat boots; her right hand holds only one straight-edged silver longsword, with unchanging length, guard, and grip. Fixed character D, shoulder-carrying runner: an adult male, warm brown skin, upward-standing dark short hair, brass goggles pushed onto his forehead, teal-brown sleeveless combat tunic, leather straps, and arm guards; he keeps his torso stable while carrying a companion on his shoulders, and his arms swing naturally with running. Fixed character E, shoulder-mounted artificer: a small but clearly adult blonde woman, short messy blonde hair, forehead goggles, brown leather clothing, and a small amount of teal-green mechanical trim, always seated on D's shoulders; her left hand holds the same palm-sized dark spherical device with bright yellow-green ring patterns on its surface, her right hand steadies herself on D's shoulder to keep balance, and the sphere is never thrown or exploded. Fixed character F, flying rider: an adult rider, deep blue-purple hood and cloak, dark light armor, seated in the saddle on the back of a white-feathered flying beast, both hands holding the reins. Fixed giant beast G, crystal-crowned white-winged tiger: a massive quadruped feline creature, broad tiger face, thick white cheek mane, ice-blue eyes, long sword-like fangs, continuous dark gray-blue stripes on white fur, a red diamond-shaped crystal in the center of its forehead, a row of tall pink-to-deep-red crystal spikes along its shoulders and back, and one huge white feathered wing on each side; body, four legs, wing roots, and crystal spikes are always physically connected. Its shoulders and back are far taller than ordinary cavalry, its spread wings span a large number of soldiers, and it does not shrink into an ordinary tiger after a cut; it carries no rider. Fixed flying beast H is a different creature: curved black beak, red eyes, fluffy white feathered head and neck, broad feathered wings, a slender white tail, and folded clawed feet, carrying F on its back; it does not grow a tiger face, sword fangs, or a red back crystal crown. A small number of the same kind of flying riders accompany in the distance, changing size with distance. The cavalry are each independent adult warriors, silver-gray metal armor, blue cloaks or crests, riding brown and dark armored warhorses, carrying physical spears or longswords, with individual movements staggered, not cloned, not uniformly synchronized. 0.00–2.00 seconds: immediately use a low-angle medium-wide shot passing through black tattered-banner-like shadows and brown dust streams sweeping across the foreground; A stands at the center front of the army formation, and behind him the silhouettes of spears and soldiers gradually become clear. The camera slowly pushes forward, dust mist parts behind him, and G's massive white tiger face leans in from the upper background, ice-blue eyes revealed; A occupies only a very small area below the giant beast's face, A and G are two separate entities front and back, and the giant beast is not morphing out of his body. 2.00–4.00 seconds: cut to a close-up of G's head and neck; the giant beast raises its head, opens its massive jaws, and lets out one deep non-verbal roar, with sword fangs, tongue, and lower-jaw structure clearly visible. The camera rapidly pulls back to a wide shot as G's two wings fully spread from a folded state to both sides, feather segments opening in sequence, the wing roots driving the shoulders and back, wind pressure stirring the dust stream at its feet; A and rows of ordinary soldiers are in the lower foreground, maintaining the massive scale. The red crystal spikes move with the back, do not float, and do not emit extra energy. 4.00–6.50 seconds: hard cut to a frontal close-up of C from the chest up, with the golden-white sun and thick clouds behind her; her right arm is already extended upward, her right hand raising the silver longsword high, gazing firmly forward, her thick braid and blue-black waist skirt blown by the wind. The camera rapidly pulls back along the same axis to a full-body wide shot, revealing her stance with both feet planted firmly; multiple cavalry riders charge continuously from behind her on both left and right sides toward the camera and graze past the foreground, horse hooves kicking up dust. C maintains the sword-raising rallying pose, the cavalry genuinely charge forward, they must not stand as a static corridor, and they do not crash through her. 6.50–8.50 seconds: cut to a side-front tracking shot close to horse-chest height; three to four armored warhorses run staggered in parallel in the near foreground, with more cavalry continuously closing in behind; the camera retreats at high speed and moves laterally, capturing horse legs alternately striking the ground, riders rising and falling with the horses' backs, and blue cloaks whipping backward. The nearest rider lowers a long-hafted wide-bladed war spear forward, the spear blade sweeps across the front of the frame but strikes no target, the reins remain connected, and horse armor and saddlery stay fixed. Distant scenery moves slowly while nearby horse heads and weapons sweep past quickly, creating strong parallax. 8.50–10.60 seconds: cut to a low-angle half-body shot of A from the side-front; he is still on one side of the army formation, iron mask and red eyes facing the direction of the incoming attack, infantry running past behind him. G advances continuously from behind him from screen-right to screen-left, its massive tiger face, shoulders and back, and front legs passing by his side in sequence; the camera follows the giant beast moving left, A gradually exits the frame edge, G opens its mouth and bares its teeth, front feet landing and pushing dust aside. G passes by A rather than attacking A, and the giant beast's size and stripes are exactly the same as before. 10.60–12.60 seconds: cut to a low wide shot from behind B, his broad shoulders and deep-red long cloak forming the foreground, his right hand planting the long-hafted battle axe at his right side, knees bent and body lowered to face forward. G approaches B from the distant center with wings spread, front paws extended, hind limbs pushing off the ground, the distance continuously shortening along the ground; the red cloak spreads in the wind, the battle axe always connected to the right hand. This shot shows the threat approaching and B's preparation, cutting away before the two sides truly make contact, without凭空 adding axe-swing hits, falls, or injuries. 12.60–14.00 seconds: cut to an oblique tight close-up of B near his pauldron, composition with a slight tilt, the thick pauldron occupying the foreground; he lowers his head, then raises his gaze to stare forward, eyes tightening, a brief stubborn teeth-clenched expression appearing at the corner of his mouth, then his jaw tenses. The short black hair, square face, and the back view from the previous shot belong to the same helmetless warrior, and the face maintains a digitally sculpted AAA game CG texture, not turning into a live-action actor. 14.00–15.60 seconds: hard cut to a frontal low-angle bust shot of A, restoring the closed iron mask, dark red neck scarf, and red eyes, with thick dark clouds behind him. Several orange-white blazing fire bodies with long red-orange trails streak across the high background along different diagonal lines, passing in sequence rather than as one synchronized row; localized warm light sweeps across the edges of his armor plates. A maintains an imposing standing pose, the camera pushes in slightly, he does not raise a hand to cast spells, and the background fire bodies are not changed to emit from his eyes or body. 15.60–19.10 seconds: cut to an extremely wide aerial tracking shot with a clearly tilted horizon, below which a large mass of cavalry is galloping in the same direction across the ochre plain. F riding H sweeps in from the distant upper area, the camera flies alongside it at high speed from the side, clearly seeing the black curved beak, red eyes, fluffy white feathers, and the blue-purple-hooded rider leaning low and holding the reins. H banks with tilted wings, one broad feathered wing sweeping past the camera and briefly blocking the view; the camera follows through to behind it, the slender white tail sweeping out of the foreground as the mount flaps forward. The camera lowers to a position above and slightly behind the cavalry and gradually levels out, the herd continuing to run below, several white-feathered flying riders gliding above at different depths, ahead a large area of glowing cyan-blue storm mist band and distant black army formations. The flying rider's ascent, turn, and wingbeats are connected, it does not transform into a winged tiger, and no cut is used to make the mount teleport. 19.10–20.90 seconds: hard cut to a low retreating shot of G from front-side; the crystal-crowned white-winged tiger charges heavily toward the camera on all four legs, front paws bearing weight on the ground before hind legs push off, the body visibly rising and falling with the gait, the white feathered wings spread and beating with the charge to balance the massive body. It opens its mouth and roars, the red back crystals, blue eyes, and gray-blue stripes are clear, dust rolls backward from the actual footfalls; the camera retreats fast enough to keep the head, chest, and front paws readable, not letting it slide frictionlessly on the ground, and not filming it as a bird-headed flying mount. 20.90–23.10 seconds: cut to a medium close shot of them running side by side, C on screen-right, right hand holding the same longsword diagonally upright beside her right shoulder as she runs forward, gaze focused ahead; D runs in from screen-left, E always seated on his shoulders. D steps on the ground, torso leaning forward, arms swinging naturally with the run, E's legs straddling D's shoulders steadily, rising and falling with the stride and using her right hand on his shoulder to keep balance. E excitedly raises the green-ringed sphere in her left hand, briefly pulling it back beside her ear and then raising it outward and upward, the sphere remaining in her left hand the whole time, never released and never thrown. The camera moves in sync from their front-side, cavalry and flying riders behind continue to press forward, the three have independent bodies, hair, and equipment, do not share arms, do not turn into other characters, and have no speaking mouth shapes or intelligible dialogue. 23.10–26.00 seconds: cut to a tight frontal close-up of B and rapidly pull back to a medium-full shot; he advances with strides at the front of the army, short black hair, red cloak, and massive black iron pauldrons maintained. B raises the same battle axe with his right hand above his shoulder, body leaning forward, lets out one short non-verbal battle cry, then accelerates charging toward the camera, companions behind immediately following. The axe-wielding arm has weight, the axe haft does not extend or retract, raising the axe is leading the charge rather than swinging at empty air; B grazes past one side of the camera, his red cloak pulled up by inertia and sweeping across the entire frame, using real cloth occlusion to complete a wipe transition. 26.00–29.40 seconds: as the cloak leaves the frame, reveal a ground-hugging rear tracking shot; the camera follows behind B and his companions over golden dry grass, the cloak still connected from the near upper-left to his shoulders and back, forming a huge red arc in the foreground. B runs with the axe in the mid-front, C passes through the near-left foreground, her right-hand longsword held diagonally downward and avoiding companions; D with E on his shoulders runs on the right, and another adult companion carrying a long tube firearm at his side follows farther in the center but does not fire. Ahead, G faces them with white wings spread, the red crystal crown clearly emerging from the cyan-blue storm clouds and dust band, dense army formations arrayed on the horizon behind. The characters' forward motion is driven by boots pushing off the ground, the camera follows behind, they must not run backward or slide along the ground. The final approximately one second gradually slows into a poster-like confrontation composition, with the giant beast's wings, cloak, and dust still slightly moving, the two sides not yet colliding; do not add killing blows, explosions, or a victory ending. 29.40–30.00 seconds: continuing the same confrontation composition, a brief image-shattering transition begins from the lower-right edge of the frame, a small number of white-gray and original-picture-colored triangular shards flipping outward, gradually extending across the image surfaces of the dry grass, sky, and cloak, ending at 30.00 seconds at the moment when the shards have spread but the battlefield is still recognizable. This is a graphical transition of the cinematic image itself; character bodies and the real battlefield do not shatter or dismember, and no title, logo, menu, subtitles, or black end card appear. Action, camera, and continuity: character reveal shots are short and clear, cavalry and winged tiger charges are fast natural movements, flying riders sweeping past the camera maintain continuous trajectories, only the final confrontation composition slows slightly, and no extra ultra slow motion heavy impacts or full-film slow motion are added. The montage may switch between both sides' perspectives, but each time a character reappears their unique identity must be restored, and different faces must not be regenerated due to front view, back view, low angle, or close-up. A is fully helmeted with red eyes throughout, B is short black hair and exposed face with one battle axe throughout, C is chestnut-brown braid and one silver sword in the right hand throughout; D and E are always two people, E only on D's shoulders, the mechanism sphere only in E's left hand; H carries F on its back, G has no rider, and the tiger-faced blue-eyed red-crystal winged tiger and the bird-beaked red-eyed white-feathered mount are never mixed. Swords, axes, reins, and saddlery always have clear grip or fixation points, with no extra weapons, duplicated limbs, armor plates merging into skin, clipping through people or horses, or weapons switching hands without reason. Faces, giant beast fur, and wings all maintain the same set of refined AAA CG asset texture. The army continuously runs, closes in, and raises dust; do not let only the protagonists move while the background army stands still and makes way; dust streams follow real footprints, cloaks and hair lag behind acceleration, and the giant beast's weight affects its footfalls but does not without reason shatter the entire ground. Strictly prohibited background music: at no time in the entire film may background music, cinematic score, music tracks, melodies, rhythmic percussion, chorus, songs, musical sustained tones, or tonal ambient beds be generated. Only diegetic audio synchronized with the image and physically belonging to the scene is allowed: strong plains wind, flapping banners and cloaks, friction of armor plates and leather, dense but unsynchronized horse hooves and combat boots on earth, slight saddlery sounds, heavy footfalls and non-verbal roars of the winged tiger, wordless breathing and short exertion shouts of riders and warriors, massive wingbeats, air sound of close flybys, distant howling of high-altitude fire bodies, and sounds of sand and dry grass being stepped on. Near and far volume changes with camera distance, wind pressure increases when near wingbeats block the lens, and when the red cloak brushes the lens there is only real cloth rustling; the final image shattering still retains battlefield sound, without adding glass explosions or musical impacts. No dialogue, no narration, no intelligible shouted words, no songs, no subtitles; do not use pulsing sounds, orchestral hits, melodic sound design, or rhythmic sound effects to fill the absence of music, and do not arrange horse hooves, footsteps, roars, or impacts into drumbeats. The appearance of any background music or score is judged unqualified. music=0; no_music=1; strict_no_music=1; audio=diegetic_only; No readable text, emblems, brand logos, player controls, interface, or watermark throughout the film, no blood, no open wounds, no dismemberment.

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GPT Image 2.5

Transform every visible person in the uploaded image into a realistic LEGO-style minifigure while preserving the original environment, background, composition, lighting, and relationships. Create exactly one separate minifigure for every visible person. Preserve each person’s recognizable identity, expression, hairstyle, hair color, skin tone, proportions, pose, position, clothing, accessories, and held objects. FORMAT LOCK Vertical 3:4 composition. Show every minifigure fully from head to toe without cropping. Preserve the original group arrangement and perspective. Extend the environment naturally only when needed for the 3:4 frame. STYLE TRANSFER Convert only the people into authentic LEGO-style minifigures. Use realistic molded plastic, cylindrical heads, block-shaped torsos, standard arms and hands, short legs, printed facial features, detailed printed clothing, and molded plastic hairpieces matching each person’s hairstyle. Keep the figures seamlessly integrated into the original photograph. DETAIL & COLOR Accurately reproduce each person’s original clothing colors, patterns, layers, sleeves, collars, pants, skirts, shoes, jewelry, glasses, hats, bags and other visible accessories as LEGO prints or molded elements. Preserve original skin tones and facial expressions. Realistic plastic reflections, subtle seams, fine printed details and natural contact shadows. COMPOSITION LOCK Keep the original location, architecture, scenery, furniture, objects, colors, textures, perspective, depth, weather, atmosphere and time of day unchanged. Do not redesign or simplify the background. Preserve all existing objects in their original positions. Objects held or worn by people may be converted into LEGO-style accessories while maintaining their original appearance and color. STYLE Photorealistic LEGO-style minifigure transformation, premium 3D toy photography, realistic molded plastic, subtle glossy finish, physically accurate reflections, natural lighting, cinematic detail, seamless integration with the original scene. NEGATIVE PROMPT No changed background, studio backdrop, LEGO environment, added bricks, removed objects, extra people, missing people, duplicates, merged figures, generic characters, altered outfits, invented accessories, identity loss, wrong hairstyles, cropped bodies, missing limbs, oversized heads, realistic human bodies, real hair, real fabric, anime, cartoon exaggeration, CGI-looking environment, floating figures, excessive reflections, harsh shadows, blur, low resolution, text, logos, watermark.

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