Landscape Prompts

A wide long shot of the statue the Redeemer statue in Rio de Janeiro, Brazil, in which the statue is perfectly silhouetted against a magnificent full moon. The moon, a brilliant golden sphere, is directly behind the statue, creating a spectacular visual illusion of the Statue figure holding a celestial body aloft. The dusky purple-gray sky, transitioning from day to night, serves as a dramatic backdrop for the scene. The statue itself stands atop Corcovado Mountain, with its rugged rocky slopes visible in the foreground. 2: Vertical Chinese style night landscape photography, close-up of Temple of Heaven Prayer Hall in Beijing, three-layer circular ancient building, cyan-blue glazed tiles with gilded painted brackets, golden top spire, deep sapphire night sky dotted with tiny stars, huge clear full moon in upper right, ancient upturned roof eave on left foreground, grey ancient brick wall, dark pine tree silhouette on right, traditional Chinese architectural framing composition, cool transparent night lighting, high saturation retro oriental color palette, ultra detailed ancient carved patterns, ancient moon night atmosphere, realistic travel photo, 8K high detail --ar 4:5 --v 6.0 --style raw --s 240

Static locked-off camera, no zoom, no pan, no handheld drift. The frame never moves. Open on an empty landscape: flat azure sky, six soft cumulus clouds drifting slowly, a band of ochre and green eroded hills along the bottom. Nothing else. Hold this for a beat. Then the composition assembles itself, piece by piece, in surreal stop-motion cadence: First, a torso rises into frame from the bottom edge: a man in a flecked brown tweed jacket, white collar, dark tie. It settles and locks. Above the collar, a vertical column starts growing upward from nothing: dark earth, roots, dried vegetation and moss, building like soil stacking against gravity. Chunks fly in from the frame edges and snap into the column with weight: coral and fungal growths in salmon pink, chartreuse and rust from above; a large blue elephant head with a visible eye and pale tusks sliding in from the right; branching red vascular coral whipping in from the right edge. The face parts land last and land hard: a huge glossy red fleshy mouth with white teeth locks into the lower half, its trunk-like red tongue curling into a tight loop; a second inverted red mouth snaps into the upper half. Final details settle: a brown and orange moth wing unfolds at the upper right, small pink petal-like slices freeze mid-flight on the left with fine particles suspended around them, a small blue elephant figure tucks into the crown. The clouds keep drifting behind and through the structure the entire time, unbothered. Everything comes to rest in a still, balanced composition. Only the clouds move. Photoreal 3D render, hyperreal wet organic surfaces, hard midday light, deep saturation, crisp shadows. Surrealist portrait, Magritte staging. 12 seconds, 5:6 vertical.

Hyper realistic blockbuster cinematic 15 second action sequence in one true unbroken continuous shot, with no cuts, no morphing, and no scene transitions. A rally car races along a narrow alpine cliff road in bright cold daylight, escaping a falling avalanche and trying to reach a tunnel before the route is buried. The camera begins high above in a wide aerial view revealing snow peaks, sheer drops, and the winding road, then physically dives toward the car into a close tracking chase. It glides beside the doors, drops low near the spinning tires as snow sprays, rises overhead to reveal the avalanche rushing behind, then arcs outward into a high circling drone like view before descending again into a front facing backward tracking move. The shot remains seamless throughout as the car drifts around icy switchbacks, clips loose snow, and bursts toward the tunnel just ahead of the collapsing slope.

Super casual real smartphone home video footage, road trip pit stop at a scenic roadside spot, natural mobile phone camera with slight authentic handheld shake, normal frame rate with smooth natural motion, rapidfire montage with quick jump cuts every 1-2 seconds, unpolished authentic phone recording of friends stretching, snacking and taking photos by the car, pure raw home video feel, no cinematic polish. Use the provided reference photo as the strict ONLY visual reference for the main woman. Maintain her exact appearance with zero deviation. Generate a mixed group of friends around her at the roadside stop, car and open road visible. 0-2.5s: Shaky rapid cuts main woman laughing while leaning on the car, wind blowing, quick flashes of scenic road view. 2.5-5s: Abrupt jump cuts close-up of her sipping a cold drink, then friends unpacking snacks from the car. 5-7.5s: Fast shaky she chats animatedly pointing at the view, friends laughing around her. 7.5-10s: Quick cut close-up playful smile toward camera, then jump to group taking a silly group photo. 10-12.5s: Abrupt edit everyone gathered near the car hood, sharing chips and music playing casually. 12.5-15s: Final rapid transition main woman relaxed against the car, soft smile, calm road trip memory ending with gentle phone sway. Natural smartphone video quality, slight handheld shake, smooth motion, authentic physics, stable main character consistency, no pro effects.

One original female character with identity perfectly locked across the entire video. The same face, hairstyle, body shape, clothing, and accessories remain completely consistent. She has short chestnut hair tucked behind one ear, wears a mustard-yellow oversized hoodie, black athletic shorts, white crew socks, vintage running shoes, and a simple digital wristwatch. Location: a quiet countryside railway crossing at sunrise. Empty train tracks stretching into the distance, open grassy fields, wildflowers, old wooden fences, a small railway signal, morning mist, scattered birds, and distant hills. No houses, no streets, no vehicles, no city elements, no shops, and no crowds. The camera feels like an old consumer camcorder from the early 2000s. Unpredictable handheld movement, accidental zooming, exposure constantly adjusting, delayed autofocus, washed-out colors, visible digital noise, tape compression artifacts, soft image quality, slight motion blur, and completely unstabilized footage. It should feel like an amateur family recording, never cinematic. She begins sitting on the railway platform edge, tying her shoelaces while looking toward the empty tracks. She stands and slowly walks through tall grass, brushing wildflowers with her fingertips. A gust of wind lifts her hoodie as she laughs naturally. She discovers a paper airplane on the ground, unfolds it, smiles with curiosity, and gently tosses it into the air. The camera struggles to keep focus as it drifts away. She then stands beside the crossing signal, closes her eyes for a brief moment, taking in the morning breeze. In the final shot she walks away across the open field, turns once with a bright genuine smile, gives a small wave without speaking, and the recording suddenly stops mid-motion as if the camcorder battery died. Natural audio only: birds singing, insects, distant wind across the fields, grass rustling, soft footsteps, occasional railway signal clicking, and ambient countryside sounds. No music, narration, artificial effects, or post-production audio.

Towering sandstone cliffs crack under the pressure of a violent sandstorm. From a sweeping aerial over a vast desert basin, the camera dives aggressively toward a high-speed off-road buggy tearing through collapsing dunes. It slingshots past the front grill, whips around the roll cage, then drops tight to the spinning tires as sand blasts outward in golden waves. Chunks of rock tumble from above, dust spirals across the route, and the driver threads through narrow canyon gaps as entire ridgelines slump into avalanches of sand. The buggy surges through a curtain of blowing grit, bursts free, and races onto a surreal salt flat glowing in sunset orange. The camera rockets upward into a giant reveal as the storm fades behind. The engine cuts. Silence swallows the desert.

An unbroken, continuous ultra-wide cinematic aerial shot begins in the stratosphere, revealing an immense frozen mountain range beneath glowing storm clouds. The camera plunges at breathtaking speed through layers of mist and snow, diving toward a sleek futuristic hypercar blasting into a narrow mountain pass. Its luminous body, adaptive aero surfaces, and electric thrusters cut through the blizzard as an enormous avalanche erupts from the peaks behind it, cascading into the valley like a towering white tsunami. Without a single cut, the camera levels out inches above the icy terrain, skimming along the ridgeline parallel to the road while the car accelerates through sharp bends, snow exploding from beneath its wheels. The camera sweeps around the vehicle in a massive fluid arc, keeping both the hypercar and the advancing avalanche in frame as the collapsing mountainside grows closer and more violent. The car rockets toward a dark tunnel carved into the mountain while chunks of ice and debris crash around it. At the final moment, the camera races alongside the car, swings directly in front of it, then pulls backward into the tunnel as the vehicle surges inside. The climax erupts as the avalanche slams into the tunnel entrance with overwhelming force. The camera instantly climbs through a vertical opening above the mountain, soaring into the sky to reveal the entire pass being swallowed beneath a vast, rolling ocean of snow, while the futuristic car’s glowing trail continues deep inside the mountain.