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HomeAI Prompt LibraryAI Video PromptsTentacle DoorDash Delivery on Plane

Tentacle DoorDash Delivery on Plane

MMiniMax H3MiniMaxvideo

integrated_multimodal_description: [Shot 1] Handheld cellphone footage from a passenger seat on a commercial airplane, filmed through the window during daylight above a thick cloud layer. Mild turbulence, realistic cabin ambience, totally normal amateur footage at first: the wing, clouds, and slight shaking from the aircraft. From 00:00.000 to 00:03.500, nothing unusual happens. At 00:03.500 the cloud deck far below begins to bulge and part in a disturbing way. At 00:05.000 a colossal dark tentacle, thicker than a skyscraper, slowly rises out of the clouds and reaches upward toward the plane. The filmer’s voice cracks, [English, terrified] Oh my god— what is that?!. At 00:07.500 the tentacle suddenly accelerates toward the aircraft. At 00:09.000 it smashes violently through the fuselage and into the cabin, causing a burst of debris, wind, screaming passengers, and structural tearing. But instead of attacking further, the end of the gigantic tentacle is revealed to be holding an enormous paper takeout bag. From 00:10.000 to 00:14.500 the camera shakes wildly amid the damaged cabin as the tentacle awkwardly extends the bag deeper into the aisle like a delivery driver completing a dropoff. A calm, matter-of-fact voice from somewhere in the clouds says, [English, calm] DoorDash for Kevin?. The contrast should be completely deadpan and unexpected, with no comedic music or visual cue beforehand. overall_soundscape: Realistic airplane cabin noise, muffled engine hum, mild turbulence, rising passenger panic, violent impact, metal tearing, rushing wind, screams, rattling debris, frantic breathing from the filmer, followed by the absurdly calm delivery line from outside. non_diegetic_music: none

Details

Type: AI Video Prompts
Aspect Ratio: 9:5
Duration: 0:15
Updated: Aug 19, 2026

Category

Cinematic Horror Mysterious

How to use this prompt

1Copy the full prompt with the copy button above.
2Open MiniMax H3 by MiniMax, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (9:5 · 0:15 · Cinematic · Horror · Mysterious), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with MiniMax H3 by MiniMax. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with MiniMax H3 using: 9:5 · 0:15 · Cinematic · Horror · Mysterious. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More MiniMax H3 prompts

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Create a 15-second ultra-photorealistic cinematic luxury real-estate house tour, using the provided reference image as the visual style reference. IMPORTANT: Maintain a consistent architectural design, materials, furniture style, warm color palette, and premium luxury aesthetic throughout the entire video. The house must feel like one real, connected property. No random architectural changes. VIDEO FORMAT: Vertical 9:16 Duration: exactly 15 seconds Ultra-realistic 4K Professional luxury real-estate cinematography Smooth stabilized camera movement Natural lighting Realistic reflections and shadows Premium editorial look No people No text No logos No watermark SCENE 1 — 0-2 SECONDS — EXTERIOR REVEAL Start with a cinematic wide establishing shot of the complete luxury modern house during golden hour. Show the elegant multi-level architecture, large floor-to-ceiling windows, stone exterior walls, warm interior lights, landscaped garden, clean driveway and premium entrance. Camera slowly pushes forward toward the house like a professional real-estate drone/gimbal shot. TRANSITION: Smooth forward movement transitioning naturally toward the main entrance. SCENE 2 — 2-4 SECONDS — MAIN ENTRANCE & FOYER Camera smoothly enters through the large front door into a sophisticated luxury foyer. Show polished flooring, warm wooden staircase, elegant wall decoration, large round mirror, designer console table and soft ambient lighting. Camera moves forward slowly and naturally, revealing the open-plan interior. SCENE 3 — 4-6 SECONDS — LUXURY LIVING ROOM Transition into the main living room shown in the reference image. Show the large caramel-brown leather sectional sofa, cream upholstered lounge chairs, round wooden coffee table, patterned rug, decorative plants, wooden furniture and the central modern fireplace with gray stone/tile surround. Large windows bring in beautiful natural daylight. Camera makes a smooth cinematic side-to-side movement, showcasing the entire living space. SCENE 4 — 6-8 SECONDS — OPEN KITCHEN & DINING Camera smoothly pans from the living room into the open-plan luxury kitchen and dining area. Show a large premium kitchen island, elegant cabinetry, modern appliances, sophisticated pendant lights, marble/stone surfaces and a stylish dining area. Keep the same warm neutral color palette and architectural style. Camera slowly glides past the island for a high-end property-tour feeling. SCENE 5 — 8-10 SECONDS — MASTER BEDROOM Smooth transition into a spacious luxury master bedroom. Show a large elegant bed with premium neutral bedding, soft textured fabrics, wooden accents, designer bedside tables and large windows overlooking greenery. Warm natural sunlight enters through the windows. Camera slowly moves toward the bed and then gently pans across the room. SCENE 6 — 10-12 SECONDS — LUXURY MARBLE BATHROOM Camera transitions into a high-end master bathroom. Show large marble surfaces, a freestanding modern bathtub, spacious glass shower, elegant vanity, large mirror and warm hidden LED lighting. Use a slow cinematic camera sweep to reveal the luxurious finishes. Everything should look realistic and physically accurate. SCENE 7 — 12-15 SECONDS — BACKYARD & FINAL HERO SHOT Camera smoothly exits toward the backyard/patio. Reveal a beautiful landscaped outdoor lounge area with comfortable designer seating, greenery, warm architectural lighting and a premium swimming pool. End with a cinematic wide hero shot of the entire property glowing during sunset. Camera slowly pulls back and rises slightly, creating a premium luxury-real-estate commercial ending.

A cinematic creation film follows one maker reconstructing the main subject shown in the referenced image completely from scratch. The referenced image defines the finished subject’s complete visible appearance, proportions, structure, materials, colors, clothing or surface details, and distinctive features; ignore its background, framing, lighting, and unrelated elements. Begin directly on an empty, clean virtual workbench. Use a stable front three-quarter overhead view that keeps the developing subject readable. There is one maker throughout, represented by the same consistent left and right hands and forearms. Show no more than two hands at once. From 0 to 14 seconds, the entire creation unfolds as a clearly accelerated timelapse with rapid, purposeful hand movement and restrained motion blur. Short jump cuts compress repetitive manual work only after each action has visibly completed. Every cut inherits the exact form and progress left by the previous action. 0-2 seconds: One hand enters already holding the first foundation material, armature, or base element appropriate to the referenced subject and places it at the center. The second hand steadies it as the maker establishes the initial supporting form. 2-8 seconds: The maker rapidly develops the subject’s major structure and volumes using one coherent creation method appropriate to what the referenced image depicts. A living subject is sculpted as one continuous, non-gory digital form from armature to anatomy; a vehicle or machine is built from chassis to functional structure; an object is formed or assembled from its supporting body outward. Each additional material or component enters from outside the frame while firmly held by one of the maker’s hands, is carried to its destination, and remains under hand control until attached or shaped. 8-12 seconds: The same hands develop the recognizable outer form and reference-specific features. The maker sculpts, fits, wraps, stitches, fastens, carves, or polishes only where appropriate to the subject. Facial features, hair, clothing, body panels, wheels, glass, surfaces, accessories, or equivalent defining elements emerge through visible hand and tool contact, never through spontaneous transformation. 12-14 seconds: The maker refines proportions, edges, joints, surface transitions, textures, colors, and distinctive details until the developing subject closely matches the referenced image. One hand stabilizes the form while the other performs each final adjustment with a hand-held tool. 14-15 seconds: The maker removes the last tool by hand and withdraws both hands. The timelapse returns to normal speed as the camera makes a restrained push toward the completed subject and holds on a clean final view. Materials and components do not need to be visible before use, but anything newly introduced must enter the frame already held by one of the maker’s hands. Nothing moves, assembles, appears, disappears, or changes material independently. Maintain one maker, one continuous subject, one creation position, and one category-appropriate construction method. No assistants, extra hands, detached anatomy, duplicated elements, magical morphing, drawing phase, software interface, cursor, menus, annotations, or text overlays.

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Create a 15-second cinematic girl travel vlog in 16:9 landscape. A young woman walks through a beautiful Japanese park during peak sakura season while filming herself with a compact vlog camera. She laughs softly, spins slightly beneath the cherry blossom canopy and looks upward as petals fall around her. She then points toward a peaceful hanami picnic area filled with people enjoying spring. Her hair moves naturally in the breeze. Warm golden sunlight, authentic candid emotion, realistic people and environment, handheld influencer vlog aesthetic, photorealistic 4K, 16:9.

Create a fast-paced, high-energy cinematic sports commercial featuring a professional female tennis player competing on a blue hard court. Scene & Camera: - Begin with an overhead bird’s-eye shot of her powerful serve. - Transition into low-angle tracking shots capturing her fast footwork and movement across the court. - Use intense close-ups of her focused face, hands, racket, and ball impact. - End with a dramatic golden-hour silhouette as she strikes the ball. Visual Style: Photorealistic, premium sports-commercial aesthetic, bright natural sunlight, subtle lens flares, crisp focus, realistic motion blur, dynamic camera movement, cinematic composition, 8K detail, 35mm film look, subtle film grain. Performance: Natural athletic movement, realistic tennis technique, accurate racket and ball physics, powerful swings, quick footwork, confident expressions, and believable body mechanics. Audio: Realistic tennis-court ambience, racket impacts, ball bounces, quick footsteps, and subtle cinematic sports sound design. No dialogue. Negative Prompt: Distorted hands, extra fingers, unnatural anatomy, incorrect tennis technique, floating racket, unrealistic ball movement, duplicated objects, face distortion, flickering, jitter, slow motion unless intentional, CGI appearance, low detail, watermark, text, or logos.

Duration: 15 seconds Aspect ratio: 9:16 Reference: @image 1, lock the protagonist's face, hairstyle, body, and original look from the reference image; do not redescribe or change the outfit Audio: harbor water sounds, light wooden dock creaks, apparatus squeezing sounds, footsteps striking water, splashing, gradually strengthening wind, the protagonist's natural laughter; no dialogue, no narration, no subtitles Overall style: hyper-realistic phone footage, extreme water stunt short film, golden hour natural light, slow-to-fast pacing, realistic water physics, slight handheld feel GLOBAL CONTINUITY Setting: New York harbor at golden hour, clear sky, calm sea. The Statue of Liberty is visible in the center distance, with the city skyline on the right. The camera is positioned on an old wooden dock, with some planks, metal fasteners, and worn edge guards visible on the right side of the frame. Main subject: @image 1 is the sole protagonist. The person's appearance and original styling remain consistent throughout. Water-walking apparatus: The protagonist's legs are each inserted into two giant transparent water-walking devices. The devices extend to around the knees, with wide oval buoyant foot platforms at the bottom. The transparent shells catch a light golden refraction in the sunset. Both devices remain identical in size, shape, and transparency throughout. They are water stunt apparatus, not to be redesigned as part of the character's costume. CAMERA CONTINUITY The three SHOTs are time phases of one continuous take — no scene or camera position changes. The cameraperson remains on the dock, shooting from behind the protagonist. It starts as a medium-wide shot; after the protagonist enters the water, the camera tilts slightly down; as she accelerates, it smoothly pulls back and tilts up to recompose, keeping the protagonist, the wake, and the Statue of Liberty on the same central axis. PHYSICAL ENGINE Slow stepping: When the transparent device's bottom touches the water surface, it partially sinks, producing circular ripples and light splashes. The protagonist needs to bend her knees and spread her arms to maintain balance. High-speed running: The left and right devices alternately strike the water surface. Each step produces splashes shooting sideways and backward, gradually forming a long, symmetrical V-shaped wake behind her. Each step must include: Lift leg → swing forward → contact water surface → device sinks → splash ejection → lift again. SHOT 1 (00:00-00:05) Testing the water Subject: The protagonist from @image 1 stands at the edge of the dock, back to the camera, facing the Statue of Liberty. Action: 00:00-00:01.50: The protagonist looks down at the devices on her feet and the water, leaning slightly forward, slowly adjusting her center of gravity. 00:01.50-00:03.20: The protagonist lifts her left leg high, slowly extending the giant transparent device out over the dock. Her right leg remains on the wooden planks for support. The wide bottom of the left device contacts the water surface, first pressing a shallow depression, then partially submerging, creating a ring of fine ripples. 00:03.20-00:05.00: The protagonist attempts to shift her weight onto her left leg, and her body suddenly tilts left. Her arms quickly spread open, her right leg still angled against the dock edge, forming a straddling stance with one foot in the water and one on the dock. She sways left and right, nearly losing balance, but does not fall in. Environment: The sea remains calm, with only expanding ripples around the device. The sunset lights the edge of the transparent device from the right. Camera: 24mm phone wide-angle, rear medium-wide shot, slight forward movement with a downward tilt, keeping the full body and devices in frame. Style: Realistic, cautious, slightly comedic — the body must react naturally to the device's weight. Constraints: No running at the start; the first device must step into the water alone first; splashes must not be excessive. SHOT 2 (00:05-00:10) Finding balance and sudden acceleration Subject: The protagonist gradually moves the second transparent device from the dock into the water. Action: 00:05-00:06.50: The protagonist lifts her right leg high and places the second device into the water. Both wide bottoms now partially press into the sea surface, creating two sets of overlapping circular ripples. She bends her knees and spreads her arms, sways once, then gradually returns to an upright stance. 00:06.50-00:07.50: The protagonist takes two small experimental steps forward. Each step slowly lifts a device and gently presses it into the water, producing only minimal splashes. 00:07.50-00:08.50: The protagonist pauses briefly, turns her head to look back over her left shoulder at the camera, flashing a smug, playful smile and letting out a natural laugh. 00:08.50-00:10.00: She quickly turns back forward, leans her body in, and her arms enter a running swing. The first step is a powerful push against the water, the second step visibly accelerates, and splashes grow from small to large. Environment: The wooden dock remains on the right side, with the protagonist gradually increasing her distance from it. The Statue of Liberty stays directly ahead. Camera: The camera remains on the dock, smoothly pulling back and tilting slightly up to recompose — it does not follow into the water. Style: A sharp contrast in rhythm — from clumsy testing to sudden smooth acceleration. Constraints: The look-back smile must be included; a brief pause during the look-back; acceleration must begin only after turning back forward. SHOT 3 (00:10-00:15) Sprinting across the water Subject: The protagonist sprints across the sea surface toward the Statue of Liberty. Action: 00:10-00:12.50: The protagonist runs at a steady, fast pace, with the left and right devices alternately striking the water in continuous succession. Each landing produces bright splashes that spray sideways and backward. Her body leans slightly forward, arms swing naturally in alternation, and stride length gradually widens. A continuously extending and widening V-shaped wake forms behind her. 00:12.50-00:14.20: The protagonist maintains her speed, gradually stops swinging her arms, and extends them outward to both sides, slightly raised, forming a free, exhilarated shallow-V pose. Her legs continue alternating in a running motion — the stepping cannot stop. The sunset turns the splashes at her feet into a pale golden mist. 00:14.20-00:15.00: The protagonist continues moving into the distance, rapidly shrinking in the frame. The camera tilts slowly upward, allowing more sky to fill the frame, while keeping the protagonist, the Statue of Liberty, and the V-shaped wake on the same central axis. The shot ends while she is still running — she does not reach the island, does not stop, and does not look back. Environment: The calm sea is carved by a clear wake behind the protagonist, while the surrounding water remains smooth. The distant landmark and skyline remain stable in position. Camera: Fixed position on the dock, smooth pull-back with a slight upward tilt. In the latter half, it does not chase closer to the protagonist and does not switch to aerial footage. Style: Realistic high-speed splashes, golden backlighting, strong depth and sense of speed — like an unbelievable extreme challenge captured on a phone. Constraints: The protagonist must continuously alternate stepping; she must keep running after spreading her arms; the transparent devices cannot disappear or deform. --- Negative: Redesigned character clothing, additional garments, style drift, facial drift, hair change, character replacement, ordinary shoes, device disappearing, device shrinking, device turning into a surfboard, jet ski, skateboard, or boat, sprinting at the very beginning, omitting the single-foot water test, omitting the swaying, omitting the look-back smile, spreading arms too early, falling into the water, tripping, sinking, injury, colliding with the dock, standing on the shallow bottom, sliding without steps, hovering, flying, teleporting, feet locked in place, incorrect gait, same-side arm and leg movement, soles not contacting the water surface, devices not sinking at all, devices penetrating through the water, splashes appearing prematurely, no splashes, tsunami, giant water column, splashes blocking the subject, wrong wake direction, wake suddenly disappearing, Statue of Liberty moving, cityscape deforming, horizon tilting, extra boats blocking the subject, camera cuts, frontal tracking shot, aerial shot, camera entering the water, sudden scene changes, anime rendering, game CGI, plastic skin, cheap green screen, excessive slow motion, extra people, extra arms, extra legs, reversed joints, melting body, character duplication, subtitles, on-screen text, brand logos, watermarks, narration, additional dialogue

Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. The character is the exact girl from the provided reference image: preserve her face, proportions, hairstyle, outfit, materials, accessories and colors throughout; never redesign her. This film is 80% bold graphic design in motion and 20% character action: giant kinetic typography, hard-edged shapes, diagonal wipes, flat color fields, barcode strips, UI ticks, halftone, speed lines and shutter flashes. Palette: ice blue, cobalt, white, silver-grey, black. Style: premium AAA motion-graphics title sequence x streetwear campaign film. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00-1.00s - Pure graphics: a vertical ice-blue lightning slash rips a black field in half, white shards spray sideways, a barcode strip races left-to-right and breaks; the letters slam in one after another with heavy impact shake and chromatic aberration. CUT 02 | 1.00-2.00s - The letters collapse into a receding tunnel of nested rectangles; she bursts through the vanishing point in a low, aggressive sprint, frost particles peeling off her sneakers, camera whipping to follow. CUT 03 | 2.00-3.10s - She plants both hands on a giant rotating block of white typography and pendulum-swings underneath it, kicking the letters into spinning fragments that trail ice-blue streaks; whip-pan as she exits frame right. CUT 04 | 3.10-4.00s - Full-bleed diagonal color fields (cobalt / white / ice-blue) wipe in sequence; she appears only as a high-contrast silhouette performing a single continuous wall-kick into a mid-air twist. Huge horizontal text OVERDRIVE scrolls in the opposite direction of her travel. CUT 05 | 4.00-5.10s - She ricochets off a towering stack of stacked words reading KEEP MOVING, each bounce sending a letter flying; camera tracks her in a tight orbit as the stack topples, then snap-zooms to her determined profile. CUT 06 | 5.10-6.00s - Hard cut to a stark white editorial card with enormous black DROP and a single cobalt underline; she drops from the top of frame, lands on the word, compresses it like a trampoline and launches again; the type rebounds with a spring distortion. CUT 07 | 6.00-7.00s - Silver-grey field crossed by a thick black chevron; she cartwheels along the chevron in four stroboscopic ghost frames, each ghost a different palette color; giant outlined text SPIN rolls 360 degrees in perfect sync with her rotation. CUT 08 | 7.00-8.00s - Kinetic type barrage: the words SHARP / QUICK / FRESH / COLD slam in one per beat with shutter flashes and camera shake while she power-slides on one knee across the foreground, jacket flaring, frost bursting from the platform sneakers. CUT 09 | 8.00-9.00s - Black frame, giant white isometric cubes tumbling in 3D space; she sprints across the tops of the cubes, plants a foot and launches into a tight corkscrew, freezing at the apex; a thin ice-blue reticle and data ticks lock onto her silhouette. CUT 10 | 9.00-10.10s - Freeze releases: she dives toward camera through successive flat-color planes that peel away like torn posters, each plane revealing a larger fragment of her name; a sneaker wipe across the lens ends the shot. CUT 11 | 10.10-11.10s - Rapid-fire graphic cards: five full-screen layouts snap past with hard cuts — each a different bold composition (offset type, oversized chevron, barcode overlay, slashed crop, halftone burst) showing her in a unique athletic beat (handspring, low dash, mid-air reach, crouched ready stance, walking away). Numbers 01–05 punch in the corners. CUT 12 | 11.10-13.00s - Hero moment on a clean white cyclorama: she lands a final twisting aerial dead center in slow motion, plants, stands tall with one hand in a pocket, and a shockwave of concentric ice-blue rings, wind streaks and shattered letterforms blasts outward; brief iconic freeze with her faint confident expression, then overexpose to white. CUT 13 | 13.00-15.00s - Final identity card: enormous black wordmark dominates a pale white field with translucent ice-blue rings, technical arcs, halftone and a rough black circular emblem containing a ghosted snow-crystal / barcode motif; she stands relaxed overlapping the letters, wind rippling her jacket; one last ice-blue pulse sweeps through the typography and a frost-ring flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps; every cut must feel compositionally different; typography is always fully readable before the character overlaps it. No weapons, no combat, no fire; all energy comes from motion design, wind, frost, glass and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut; sneaker impacts, whooshes, glass shatters and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts.

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