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HomeAI Prompt LibraryAI Video PromptsWoman Befriends Majestic White Lion

Woman Befriends Majestic White Lion

MiniMax H3MiniMaxvideo

A Cinematic video of a young woman wearing a brown jacket walking in a peaceful park during dusk She walks along a path lined with glowing warm streetlamps On a wooden park bench, a giant, majestic white lion with glowing fur is calmly sitting The woman approaches the white lion and gently pets its mane and face. Close-up shot showing a warm connection between her and the gentle white lion with the lion nuzzling against her cheek lovingly Finally they are sitting together peacefully on the grass under a warm streetlamp at night Cinematic lighting, realistic, soft shadows 4k resolution, emotional and magical vibe.

Details

Type: AI Video Prompts
Aspect Ratio: 4:7
Duration: 0:15
Updated: Oct 6, 2026

Category

Cinematic Fantasy Ethereal

How to use this prompt

1Copy the full prompt with the copy button above.
2Open MiniMax H3 by MiniMax, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (4:7 · 0:15 · Cinematic · Fantasy · Ethereal), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with MiniMax H3 by MiniMax. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with MiniMax H3 using: 4:7 · 0:15 · Cinematic · Fantasy · Ethereal. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More MiniMax H3 prompts

Create a 15-second ultra-photorealistic cinematic luxury real-estate house tour, using the provided reference image as the visual style reference. IMPORTANT: Maintain a consistent architectural design, materials, furniture style, warm color palette, and premium luxury aesthetic throughout the entire video. The house must feel like one real, connected property. No random architectural changes. VIDEO FORMAT: Vertical 9:16 Duration: exactly 15 seconds Ultra-realistic 4K Professional luxury real-estate cinematography Smooth stabilized camera movement Natural lighting Realistic reflections and shadows Premium editorial look No people No text No logos No watermark SCENE 1 — 0-2 SECONDS — EXTERIOR REVEAL Start with a cinematic wide establishing shot of the complete luxury modern house during golden hour. Show the elegant multi-level architecture, large floor-to-ceiling windows, stone exterior walls, warm interior lights, landscaped garden, clean driveway and premium entrance. Camera slowly pushes forward toward the house like a professional real-estate drone/gimbal shot. TRANSITION: Smooth forward movement transitioning naturally toward the main entrance. SCENE 2 — 2-4 SECONDS — MAIN ENTRANCE & FOYER Camera smoothly enters through the large front door into a sophisticated luxury foyer. Show polished flooring, warm wooden staircase, elegant wall decoration, large round mirror, designer console table and soft ambient lighting. Camera moves forward slowly and naturally, revealing the open-plan interior. SCENE 3 — 4-6 SECONDS — LUXURY LIVING ROOM Transition into the main living room shown in the reference image. Show the large caramel-brown leather sectional sofa, cream upholstered lounge chairs, round wooden coffee table, patterned rug, decorative plants, wooden furniture and the central modern fireplace with gray stone/tile surround. Large windows bring in beautiful natural daylight. Camera makes a smooth cinematic side-to-side movement, showcasing the entire living space. SCENE 4 — 6-8 SECONDS — OPEN KITCHEN & DINING Camera smoothly pans from the living room into the open-plan luxury kitchen and dining area. Show a large premium kitchen island, elegant cabinetry, modern appliances, sophisticated pendant lights, marble/stone surfaces and a stylish dining area. Keep the same warm neutral color palette and architectural style. Camera slowly glides past the island for a high-end property-tour feeling. SCENE 5 — 8-10 SECONDS — MASTER BEDROOM Smooth transition into a spacious luxury master bedroom. Show a large elegant bed with premium neutral bedding, soft textured fabrics, wooden accents, designer bedside tables and large windows overlooking greenery. Warm natural sunlight enters through the windows. Camera slowly moves toward the bed and then gently pans across the room. SCENE 6 — 10-12 SECONDS — LUXURY MARBLE BATHROOM Camera transitions into a high-end master bathroom. Show large marble surfaces, a freestanding modern bathtub, spacious glass shower, elegant vanity, large mirror and warm hidden LED lighting. Use a slow cinematic camera sweep to reveal the luxurious finishes. Everything should look realistic and physically accurate. SCENE 7 — 12-15 SECONDS — BACKYARD & FINAL HERO SHOT Camera smoothly exits toward the backyard/patio. Reveal a beautiful landscaped outdoor lounge area with comfortable designer seating, greenery, warm architectural lighting and a premium swimming pool. End with a cinematic wide hero shot of the entire property glowing during sunset. Camera slowly pulls back and rises slightly, creating a premium luxury-real-estate commercial ending.

Create a **15s, 16:9, 24fps anime character reveal trailer** with **13 fast visual beats**. Style: **Japanese anime opening × premium AAA motion graphics × fashion campaign**. The video should feel **explosive, sexy, stylish, bold and high-impact**, with **80% motion graphics and 20% character action**. ## CHARACTER LOCK — HIGHEST PRIORITY AO is a **young adult East Asian anime woman** with a sexy, confident Japanese anime aesthetic. She has: * small refined face * sharp expressive crimson eyes * glossy lips * confident, teasing gaze * slim feminine curvy figure * long elegant legs * stylish, cool, alluring presence Keep her identical throughout: * chin-length vivid red bob with messy bangs * crimson-red eyes * black choker * fitted red cropped top * short white cropped jacket, worn open * black mini skirt or fitted shorts * red belt detail * black thigh strap * white-and-red platform sneakers * subtle silver accessories Preserve the same face, body proportions, hairstyle, outfit, materials and colors in every shot. **Never redesign AO. Never change her face or outfit. If a shot becomes too complex, simplify the action first.** ## VISUAL STYLE Palette: **vivid red, crimson, white, black, silver**. Use: giant kinetic typography, red circles, diagonal slashes, manga speed lines, split screens, halftone dots, barcode strips, UI ticks, freeze frames, RGB flashes, impact shakes, poster layouts and graphic wipes. Every beat should feel: **fast, sharp, sexy, explosive, graphic and iconic**. Keep typography bold and readable. Editing: hard cuts, aggressive snap zooms, whip pans, speed ramps, freeze frames, impact shakes and foreground wipes. ## 13 VISUAL BEATS **01 | 0.0–1.0s** White field. Massive red circle slams into frame. Black bars slash across. UI ticks flicker. Giant **A**, then **O**, hit with heavy impact shake. **02 | 1.0–2.0s** The O becomes a circular frame showing an extreme close-up of AO’s crimson eye and glossy lips. She gives a teasing side glance. RGB flash. Circle bursts into red-and-white fragments. **03 | 2.0–3.1s** Black background, huge white **AO**. AO enters fast, turns sharply and power-slides beneath the typography. Red speed streaks trail behind her. Whip-pan out. **04 | 3.1–4.0s** Three red/white/black vertical panels. AO appears in three poses: hip turn, hair touch, over-shoulder stare. Huge vertical **FULL SPEED** moves behind her. **05 | 4.0–5.1s** AO jumps through a rotating typography ring reading **NO BRAKES / ALL EYES ON ME**. One clean mid-air spin. Snap zoom into her confident face. **06 | 5.1–6.0s** White editorial frame. Huge black **HOT** with a red slash. AO crosses the frame with a runway-like step, one hand at her waist. Typography compresses and rebounds. **07 | 6.0–7.0s** Bright red field with black diagonal stripe. AO performs one smooth fast turn. Three ghosted freeze positions trace the movement. Giant outlined **TURN** rotates behind her. **08 | 7.0–8.0s** Words hit one per beat: **HOT / FAST / WILD / RED** AO changes pose with each word: direct stare, hair toss, hip shift, confident forward lean. **09 | 8.0–9.0s** Black frame with manga perspective lines and a graphic grid. AO steps forward and freezes in a strong hero pose. Red circular target graphics lock around her. **10 | 9.0–10.1s** AO moves toward camera through three red-and-white graphic panels. Each panel shatters as she passes. Large **A O** fragments appear behind her. Finish with a hair or leg foreground wipe. **11 | 10.1–11.1s** Rapid poster montage: four frames of the same AO — close-up stare, walking, side pose, hands at waist. Add **01–04**, barcodes, halftone dots and sharp Japanese poster graphics. **12 | 11.1–13.0s** Hero moment on a clean white background. AO lands in a powerful fashion pose: one leg forward, one hand at her waist, chin lifted, direct eye contact. Huge red shockwave rings explode behind her. Typography fragments and speed lines burst outward. Hold an iconic confident freeze. **13 | 13.0–15.0s** Final identity card. Huge black **AO** on a bright white field. AO stands relaxed and alluring in front of the letters. Red circles, halftone, technical arcs and sharp speed accents surround her. Final red pulse flashes through the frame and ends on a hard stinger. ## ANIME STYLE Premium modern Japanese anime rendering: * clean cel shading * sharp linework * polished highlights * cinematic close-ups * dynamic perspective * fashion-editorial full-body framing * smooth hair and fabric motion AO must look like a **stylish adult anime heroine**, not chibi and not childish. ## AUDIO Hard-hitting **electro / future bass / anime-opening style music**. Use: heavy drums, bass hits, risers, glitch fills, synth stabs, typography slams, whooshes and shutter impacts. Build continuously. Peak at Beat 12. End with a sharp electronic stinger. ## PRIORITIES 1. AO identity consistency 2. sexy adult anime character design 3. red-black-white outfit consistency 4. maximum visual impact 5. readable typography 6. premium anime rendering 7. fast beat-synced editing Avoid: childlike proportions, chibi style, blue clothing, face changes, outfit changes, extra characters, unreadable typography, weak motion, dull compositions or generic schoolgirl styling. Final result: **explosive, sexy, red-hot, premium, graphic-driven and visually unforgettable.**

Prompt #MiniMaxH3 in Chinese: @image1 15s | 16:9 | 1440p | 24fps | SEAMLESS LOOP [LOCK] Render exactly as @image1. 完全按照该参考图呈现，不进行任何重新设计。Do not alter hair, bangs, eye color, coat silhouette, sash, hilt ornament, or blade proportion. [LOOP] A perfect cycle. The final frame must match frame one exactly — same composition, focal length, lighting, blade position and pose — so playback runs endlessly with no seam. The story is a blade breaking and unbreaking forever. [PALETTE] Background: smooth vertical gradient, luminous cyan-teal #2AA6B4 top into deep petrol #0F4A55 bottom — a graphic plane, no environment, no horizon, no props. Coat bright coral #FF9273. Inner garment #14454E. Hair true black with blue-white highlights. Metal and glass bright silver-white. Accents as refracted light ONLY, never flat fill: gold #FFD27A, cyan #6FE3F5, magenta #FF9ED8. Core palette always dominates. [STYLE] 2.5D anime, bright cinematic. High-key, generous bloom, crisp speculars, luminous not grim. Skin luminous with subsurface warmth at ears and fingertips. Coat as heavy matte cotton twill, deep folds. Hair in clumped strands with flyaways catching the rim. Glass with real thickness — edge refraction, internal fracture lines, micro-scratches. [EFFECTS] Escalating: time-echo ghosting trailing every fast move, each afterimage a different accent; liquid mercury flow as the blade sets; kaleidoscope fracture splitting the frame into mirror symmetry; shockwave refraction warping the background and bending the type; one-frame negative invert on hard impacts; glass-crack frame wipes; reverse-gravity debris; prismatic dispersion off every shard edge casting moving caustics across her face and coat. [CAMERA + LIGHT] Anamorphic — oval bokeh, blue streak flares, slight barrel distortion wide. 85mm close, 35mm wide, 24mm on moves. 180-degree shutter. Shallow focus on hero beats, deep on montage frames. Rack focus blade-to-eyes at 2.4s and 14.2s. Hard sun key from screen right, high and behind — bright rim on jaw, shoulder and blade edge. Broad cyan bounce fill off the background plane. Kicker thrown by the shards, hue shifting each beat. Shadows open, never crushed. Brightest at 10.4, back to the opening state by 15.0. [SIGNATURE] A fine engraved CIA0 sits on the blade's ricasso above the hilt, small letter-spaced capitals cut into steel, catching the key light as the camera races past in the opening shot. Part of the blade, not an overlay — present in frame one, in the final frame, and on the reforged blade at 14.4s. [SHARDS] Vary reflected content shard to shard: blue sky with cumulus, sunlit golden farmland, a low sun with lens flare, a fragment of her own face, pure white cloud. A few reflect a beat that has not happened yet. Never blank glass. [TYPE] Behind her on the gradient plane. Condensed sans for Latin, brush-weight for Japanese. Gradient fill, soft glow, hard offset shadow. Kinetic — slams, scrolls, shatters, warps under shockwaves. Never covers her face. Japanese runs VERTICAL in a side third; Latin STACKED, two lines max, cropped by frame edge for scale. 0.8s 「鏡」 coral into gold 2.2s "A BLADE THAT BREAKS" / "AND UNBREAKS FOREVER" pale cyan into white 5.0s "ONE IMAGE" / "FIFTEEN SECONDS" white into coral 7.2s 「反射」 diagonal prism sweep, cyan-white-magenta-gold 10.6s "NO CUT" gold into white, warping under the shockwave 13.2s title 「鏡落」 above "MIRRORFALL", silver into pale gold, coral glow — must fully dissolve before 15.0 [SHOTS] 0.0-1.6 LOOP POINT. Extreme close-up racing along the blade flat toward the hilt, clouds streaking on steel, flare sliding down the edge, the engraved mark passing through frame. Blade detonates. Glass-crack wipe. 1.6-3.2 BULLET-TIME ORBIT. Time freezes on the detonation; camera arcs 180 degrees through the suspended shard field, threading between fragments, debris hanging in reverse gravity. Motion resumes as the arc completes. @Image1 3.2-4.8 TOP-DOWN CRANE. Bird's eye directly above; shards lock edge-on into a ring around her, then the camera drops fast down the vertical axis into a low hero angle as the ring fires outward. 4.8-6.6 MIRROR PORTAL, one take, no cut. Camera pushes into the reflection inside a single shard, passes through, emerges behind her at a new angle. Time-echo ghosts trail her lunge. 6.6-8.4 SPIKE. Kaleidoscope fracture splits the frame into sixfold symmetry, resolves, and duplicates of her peel out of the shard surfaces, each trailing a different accent. Max two of her in frame. Extreme dutch angle. 8.4-10.4 SAKUGA MONTAGE. One exchange per frame: line-art on flat cyan, two-color coral-teal silhouette, heavy smear frame, one-frame negative invert, full render. Debris accumulates, never resets. 10.4-12.4 ESCALATION. Camera barrel-rolls a full 360 pushing in low. A shard catches an incoming strike, splits it into spectrum, fires it back doubled — the shockwave warps the background and bends the type. 12.4-15.0 REVERSAL. Literal time reversal in slow motion. Debris rises, cracks close, light retreats, shards spiral back along her arm and flow together as liquid mercury before setting into one unbroken blade, the engraved mark resolving last. Camera eases into the exact opening framing. Final frame matches frame one. [MOTION] Momentum over posing. Cloth, hair and coat lag every direction change. Wrist and grip rotate with the blade, weight carries through footwork. Speed ramp each beat — slow wind-up, fast snap, settle. 杜绝任何僵硬、停顿或不自然的关节角度。 [AUDIO] Every cue on the exact frame of its beat. The mix loops as cleanly as the picture. Bed: open air, bright wind, thin sustained glass resonance. 0.0-1.6 rising metallic ring, crystalline detonation on the break frame. 1.6-3.2 filtered vacuum for the frozen orbit, faint chimes and a low drone panning with the arc, rush as motion resumes. 3.2-4.8 hard glass snap on the lock frame, deep whoosh on the drop, wide fan of air as the ring fires. 4.8-6.6 pressure drop entering the shard, muffled interior tone, sharp release on the exit. 6.6-8.4 stuttering echo as the kaleidoscope splits, sub-bass swell, one chime per duplicate. 8.4-10.4 staccato impacts locked frame-for-frame to the cuts, glass cracking, blade screech, hard gate on the invert frame. 10.4-12.4 doppler roll following the barrel turn, spectral riser on the split, doubled bright impact out. 12.4-15.0 the mix runs in reverse — reversed chimes, glass reassembling, liquid metallic pour, resolving into the opening ring. Music: glass bells and plucks in at 3.2, strings rise at 6.6, choir swell peaks at 10.4, reversing from 12.4 back into its first note. No dialogue. [LIMITS] Max two figures. Accents as refracted light only. Effects accumulate until the reversal. All type carries its gradient. First and last frame identical, no floating type in either. Engraved mark reads CIA0, spelled exactly. No logos, watermarks, or extra subtitles. No environment. Never let the frame go dark or desaturated.

Create a 15s, 16:9, 24fps live-action fashion magazine trailer with exactly 13 cuts. Style: Korean/Asian luxury fashion editorial × pink campaign × kinetic typography. Theme: ROSE GLOW. Tagline: SOFT ATTITUDE. Use the reference girl as the ONLY identity source. Keep the same young adult East Asian woman, face, skin tone, age, long dark-brown hair, bangs, slim body and proportions. No face drift, extra people, hairstyle or body changes. WORLD: PINK FASHION MAGAZINE STUDIO only. No outdoor/city/café/hotel/nature. Every cut changes set, layout and composition. Palette: soft/rose pink, cream white, small black/silver. Use magazine pages, typography walls, acrylic, mirrors, torn paper, grids, flowers, contact sheets, frames, checkerboard. LOOKS: 01 pink tweed + mini skirt; 02 cream-white top + pink-white asymmetric skirt; 03 rose fitted mini dress; 04 pale-pink Y2K crop top + pink-gray low-rise skirt; 05 pale-pink satin/tweed hero dress. CUTS: 1 close-up side gaze→camera, “ROSE”. 2 LOOK01, touch face, push-in, “GLOW”. 3 beauty close-up, brush hair, cream set, “CHINA MUSE”. 4 LOOK02, side→front, pink circle, “SOFT ATTITUDE”. 5 giant magazine page, half-step, “THE PINK EDIT”. 6 LOOK03 seated on silver platform, “MODERN ROMANCE”. 7 chest-up, adjust earring, “COVER GIRL”. 8 LOOK04, checkerboard, hip shift + look back, “NEW MOOD”. 9 centered model + 3–4 photo contact sheets. 10 torn pink paper reveal, shoulder turn, “FASHION ISSUE”. 11 LOOK05, pink acrylic + silver frame, step forward, “ROSE GLOW”. 12 pull-back as magazine pages/contact sheets/frames build around her, “SOFT ATTITUDE”. 13 final cover: slight turn→direct gaze; graphics assemble into ROSE GLOW / CHINA MUSE / SOFT ATTITUDE / VOL. 2026 / THE PINK EDIT. Hold final 0.5s. 55% live-action / 45% motion graphics. Each cut combines character action + camera move + typography + graphics. No dancing. Avoid slideshow, repeated backgrounds, sticker/PPT feel, cyberpunk, unreadable text, logos, watermark, UI, subtitles.

Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. The character is the exact girl from the provided reference image: preserve her face, proportions, hairstyle, outfit, materials, accessories and colors throughout; never redesign her. This film is 80% bold graphic design in motion and 20% character action: giant kinetic typography, hard-edged shapes, diagonal wipes, flat color fields, barcode strips, UI ticks, halftone, speed lines and shutter flashes. Palette: ice blue, cobalt, white, silver-grey, black. Style: premium AAA motion-graphics title sequence x streetwear campaign film. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00-1.00s - Pure graphics: a vertical ice-blue lightning slash rips a black field in half, white shards spray sideways, a barcode strip races left-to-right and breaks; the letters slam in one after another with heavy impact shake and chromatic aberration. CUT 02 | 1.00-2.00s - The letters collapse into a receding tunnel of nested rectangles; she bursts through the vanishing point in a low, aggressive sprint, frost particles peeling off her sneakers, camera whipping to follow. CUT 03 | 2.00-3.10s - She plants both hands on a giant rotating block of white typography and pendulum-swings underneath it, kicking the letters into spinning fragments that trail ice-blue streaks; whip-pan as she exits frame right. CUT 04 | 3.10-4.00s - Full-bleed diagonal color fields (cobalt / white / ice-blue) wipe in sequence; she appears only as a high-contrast silhouette performing a single continuous wall-kick into a mid-air twist. Huge horizontal text OVERDRIVE scrolls in the opposite direction of her travel. CUT 05 | 4.00-5.10s - She ricochets off a towering stack of stacked words reading KEEP MOVING, each bounce sending a letter flying; camera tracks her in a tight orbit as the stack topples, then snap-zooms to her determined profile. CUT 06 | 5.10-6.00s - Hard cut to a stark white editorial card with enormous black DROP and a single cobalt underline; she drops from the top of frame, lands on the word, compresses it like a trampoline and launches again; the type rebounds with a spring distortion. CUT 07 | 6.00-7.00s - Silver-grey field crossed by a thick black chevron; she cartwheels along the chevron in four stroboscopic ghost frames, each ghost a different palette color; giant outlined text SPIN rolls 360 degrees in perfect sync with her rotation. CUT 08 | 7.00-8.00s - Kinetic type barrage: the words SHARP / QUICK / FRESH / COLD slam in one per beat with shutter flashes and camera shake while she power-slides on one knee across the foreground, jacket flaring, frost bursting from the platform sneakers. CUT 09 | 8.00-9.00s - Black frame, giant white isometric cubes tumbling in 3D space; she sprints across the tops of the cubes, plants a foot and launches into a tight corkscrew, freezing at the apex; a thin ice-blue reticle and data ticks lock onto her silhouette. CUT 10 | 9.00-10.10s - Freeze releases: she dives toward camera through successive flat-color planes that peel away like torn posters, each plane revealing a larger fragment of her name; a sneaker wipe across the lens ends the shot. CUT 11 | 10.10-11.10s - Rapid-fire graphic cards: five full-screen layouts snap past with hard cuts — each a different bold composition (offset type, oversized chevron, barcode overlay, slashed crop, halftone burst) showing her in a unique athletic beat (handspring, low dash, mid-air reach, crouched ready stance, walking away). Numbers 01–05 punch in the corners. CUT 12 | 11.10-13.00s - Hero moment on a clean white cyclorama: she lands a final twisting aerial dead center in slow motion, plants, stands tall with one hand in a pocket, and a shockwave of concentric ice-blue rings, wind streaks and shattered letterforms blasts outward; brief iconic freeze with her faint confident expression, then overexpose to white. CUT 13 | 13.00-15.00s - Final identity card: enormous black wordmark dominates a pale white field with translucent ice-blue rings, technical arcs, halftone and a rough black circular emblem containing a ghosted snow-crystal / barcode motif; she stands relaxed overlapping the letters, wind rippling her jacket; one last ice-blue pulse sweeps through the typography and a frost-ring flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps; every cut must feel compositionally different; typography is always fully readable before the character overlaps it. No weapons, no combat, no fire; all energy comes from motion design, wind, frost, glass and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut; sneaker impacts, whooshes, glass shatters and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts.

Create a 15-second cinematic 3D animated video based exactly on the provided storyboard. Keep the same characters, faces, outfits, proportions, and environment consistent throughout the entire video. The main characters are a cute blonde little girl wearing a pink floral dress and a fluffy white, blue-eyed cat wearing a small collar with a bell. 0–2 sec: The white fluffy cat comes close to the girl and tries to get her attention. The girl looks annoyed and turns her face away. 2–4 sec: The cat gently asks for a kiss with cute expressive gestures. The girl refuses, crosses her arms, and looks upset. The cat looks confused and sad. 4–6 sec: The girl walks to the sofa, sits down, opens a colorful storybook, and starts reading. The cat follows her and sits beside her. They appear to communicate through cute facial expressions and simple gestures. 6–8 sec: The cat tries to look at the book and talk to her, but the girl becomes annoyed and moves slightly away from the cat. The cat looks apologetic. 8–10 sec: The cat tries to make peace and gently approaches her. The girl remains angry, stands up, walks toward her bedroom, and closes the door. 10–12 sec: The fluffy white cat walks to the closed bedroom door and gently knocks on it repeatedly with its paw. The cat waits patiently outside. 12–13.5 sec: The door slowly opens. The girl looks at the cat with a slightly softened expression. The cat looks happy and hopeful. 13.5–15 sec: The cat gently kisses the girl's cheek. The girl finally smiles, hugs the cat, and kisses the cat back. End the video on this warm, emotional reconciliation moment. Do not show “The End” text or any title card. Style: high-quality cinematic 3D animation, adorable expressive characters, soft realistic fur, warm cozy home lighting, natural body movement, detailed facial expressions, smooth camera transitions, shallow depth of field, emotional storytelling, gentle playful atmosphere, polished animated-film quality. Important: Keep the cat white and fluffy in every shot, maintain the same girl and cat throughout, no character changes, no extra characters, no text overlays, no subtitles, and no “The End” screen.

MINIMAX H3 — 15-SECOND CINEMATIC FIGHT “BLACK MIRROR: FINAL REFLECTION” 16:9 widescreen, premium dark-fantasy fashion-action. Obsidian Ronin vs Inkshade Valkyrie inside a gigantic floating liquid-black obsidian mirror surrounded by an endless white void. Preserve exact established character designs, faces, hair, armor, weapons, proportions and silhouettes. No redesigns. Constant movement. No idle poses, hard cuts, teleportation, freeze frames, blood or gore. The mirror behaves like liquid glass: every sword strike creates ripples, cracks and independent reflections that briefly attack before snapping back. 0–3s: Mirror forms from liquid black glass. Ronin emerges with a katana strike as Valkyrie attacks from the opposite reflection. Blades collide, creating a huge circular ripple. 3–6s: Ronin's heavy cut meets Valkyrie's agile twin-blade counter. Reflections attack from opposite directions. Black cracks race across the mirror. Smoke briefly forms “REAL OR REFLECTION?” 6–9s: Mirror tilts vertical. Both fighters sprint across its surface, exchanging rapid sword strikes. The glass bends around them like liquid. 9–12s: Mirror explodes into floating black fragments. Fighters leap between reflections, destroying them. Fragments align into a giant blade shape. Smoke forms “BREAK THE IMAGE”, then shatters. 12–15s: Final charge. Ronin's massive diagonal katana strike collides with Valkyrie's spinning twin-blade cross attack. The entire mirror shatters into thousands of black particles. Silence. Final smoke typography: “ONLY ONE REMAINS.” Elegant black-and-white luxury aesthetic, glossy reflections, silver highlights, charcoal smoke, cinematic motion blur, precise camera orbiting, low mirror tracking, rotating blade shots and dramatic final push. 15s | 16:9 | continuous action | premium cinematic dark fantasy | exact character consistency

# Basic Specifications Duration 20 seconds, 16:9 horizontal screen, Chinese dialogue, ultra-realistic live-action film quality. Genre: Urban life slice × Light relationship suspense × Autumn atmosphere × Natural dance movements × Unfinished story. The entire video should not pursue exaggerated spectacle. The core goal is: **Real, natural, good-looking, strong sense of relationship, making the audience want to know what happened between these two people before.** Core event: The female lead is at home alone, casually tidying up and getting ready to go out. Someone she knows very well suddenly sends a message from off-screen: **"I'm downstairs."** She clearly didn't expect him to actually come. Then all actions revolve around: Surprise → Instinctive happiness → Deliberately pretending to be calm → Quickly getting herself ready → Going to see him. Finally, through an old object belonging to their past, a suspense is left behind. --- # Character Lock @Image 1 is only responsible for locking the adult East Asian female lead: Facial features; Face shape; Eyes; Nose; Lips; Skin tone; Hair color; Age impression; Overall body proportions. Throughout the entire film it is always the same adult woman. Female lead fixed: S1. Off-screen adult male fixed: S2. S2 never shows his face throughout. Male voice is natural, young, familiar, not a CEO-type deep voice. The two speak like people who have truly known each other for a long time. No broadcast announcer tone. No exaggerated short-drama tone. --- # Overall Visuals Early autumn evening. A real small apartment with traces of life but not messy. Not a mansion. Not a photography studio. Not a tech space. The space has: Warm gray walls; Natural wood wardrobe; A magazine left open casually at the foot of the bed; A canvas bag; A half-open window; Curtains gently blown by the wind; On the tabletop are a phone, earphones, a hair clip, and a lip glaze. Outside the window is natural warm light close to sunset. No complex artificial lighting effects indoors. Overall color palette: Cream white; Smoky brown; Olive green; Deep denim blue; A small amount of dark red. Natural, relaxed, with the warmth of life. --- # Brand New Costume System Completely avoid the previous: Preppy style; Black suit; Formal gown; Functional uniform; Racing suit; Dance training outfit; Eastern haute couture. ## Opening Home State Female lead wears: Washed old gray-blue loose short-sleeve T-shirt; Cream white soft loungewear pants; Barefoot or light-colored short socks. Clothing has slight natural wrinkles. Like she has really been at home for half a day. No feeling of "specially dressed up for the camera." --- ## Going-Out Look A natural costume-change cut is completed through wardrobe occlusion. The female lead then wears: Cream white fitted square-neck knit top; Olive brown cropped suede jacket; Deep indigo high-waisted straight-leg jeans; Dark red-brown vintage thin-soled shoes; Small dark brown shoulder bag. No high heels. No stockings. No short skirt. No workplace queen vibe. Overall it is: **2026 autumn urban relaxed outfit + a touch of vintage feel.** --- # Makeup and Styling Opening: Close to natural bare-face state. Real skin texture. Natural eyebrows. Lips only with a faint natural color. Black long hair casually half-clipped up with a large matte hair clip. Loose strands near the ears. --- Going-out state: The character's identity remains completely unchanged. Only very natural quick tidying: Remove the hair clip; Black hair naturally falls; Then uses her hand to tuck one side of her hair behind her ear; Applies a layer of low-saturation brick rose lip glaze; Wears a pair of very small old gold earrings. No sudden transformation into refined heavy makeup. The key point is: **She just suddenly became a little more serious.** --- # Camera Principles The entire film has 3 shots. The shots have a sense of life, but cannot shake like discarded casual footage. A small amount of real handheld breathing is allowed. No commercial-ad-style large orbiting. No meaningless showing off of technique. ## Shot 1 35mm feel. Natural medium shot in the bedroom. Very slight handheld. Function: Establish the state of life and the first hook. ## Shot 2 32mm feel. Naturally enter a short lateral tracking from wardrobe occlusion. Function: Character tidying herself + a very natural small segment of body rhythm. ## Shot 3 40mm feel. Corridor follow shot → elevator stops. Function: Relationship suspense and the ending old object. --- # SHOT 1 ## 00:00－00:05.5 ### "Didn't you say you weren't coming?" At the opening, the character should not look at the camera. Female lead S1 sits half on the edge of the bed with her back to the camera. Phone placed beside her. Evening wind outside the window moves the thin white curtains. A light, slightly retro Chinese indie pop song plays in the background. She lowers her head and slowly clips her hair back up. Completely an ordinary action in life. The phone suddenly rings once. Not an exaggerated notification sound. A voice message plays automatically. S2 off-screen voice: [Chinese] I'm downstairs. The female lead's hand movement immediately stops. Stops for about 0.4 seconds. This is the first real point of tension. She slowly turns her head to look at the phone. Her expression is not shock. First it is disbelief. Then a bit of happiness that is clearly hard to hide appears in her eyes. But she quickly suppresses it. She picks up the phone. S1: [Chinese] ...Didn't you say you weren't coming? Tone: Surprised; A little reproachful; But more than anything, actually happy. No coquettish tone. S2 does not answer immediately. The female lead looks at the phone and waits half a second. Then from the phone comes: S2: [Chinese] I changed my mind at the last minute. After hearing it, she lightly presses her lips together. Trying not to smile. Fails. The corner of her mouth still rises a little. Immediately enter the next shot. --- # SHOT 2 ## 00:05.5－00:13.5 ### "Nothing in her words, but her movements give everything away" The female lead stands up and opens the natural wood wardrobe door. The wardrobe door passes through the camera foreground. The entire frame is naturally filled by the warm brown wooden door. Use this real occlusion to complete a smooth Match Cut. When the wardrobe door opens again: The female lead is already dressed in her going-out look. Same character. Same room. Only a few minutes seem to have passed. The camera is now positioned to the front side of the wardrobe. Begins a very slight tracking to the right. The background music re-enters with a slightly clearer rhythm. The female lead stands in front of the mirror applying lip glaze. Very seriously presses her lips together once. Then looks at herself in the mirror. As if thinking: "Is this too serious?" She immediately takes a tissue and gently blots off a bit of the color. This small action must feel real. The music enters a very pleasant little drumbeat. While putting on earrings, she unconsciously follows the rhythm: Left shoulder lightly taps once; Right shoulder follows once; Body naturally sways left and right for two beats; Takes a step back; Then follows through with a very small, very relaxed half-turn. This is not formal dancing. More like a person whose mood suddenly improved, and without realizing it, her body starts moving to the music. The suede jacket, hair, and jeans produce real inertia. When she turns back, she just happens to see herself in the mirror. She also realizes she was a little too happy just now. She immediately stops. Can't help but smile a little. From the phone again comes S2: [Chinese] Two more minutes. While picking up her shoulder bag, the female lead replies: S1: [Chinese] I know, what's the rush. Her words are annoyed. But her movements clearly speed up. The contrast here is the joke and the sense of relationship. --- # SHOT 3 ## 00:13.5－00:20.0 ### "What he brought" The female lead goes out from the apartment door. The camera naturally follows behind her at an angle. Not a stabilizer-ad feel. Maintain a slight real follow-shot feel. She quickens her pace for two steps. Then deliberately slows down a little. As if suddenly realizing: She was acting too eager. She casually tidies her hair. Pretends to be very natural. Ahead in the corridor, the elevator: "Ding." The doors open. The camera does not immediately rush in. The female lead stands outside the elevator doors. She originally had a bit of a smile. But after seeing inside, Her footsteps slow. Her smile also gently freezes. Not fear. It is being struck by the memory of something. S2 still does not show his face. The frame only shows his hand reaching out from inside the elevator. In his hand he is holding: **An old silver portable CD player with obvious signs of use.** There is a slight scratch on one corner of the casing. A very old small blue sticker is attached to the body. It can be seen that this object has been kept for many years. The female lead stares at the CD player. Her previous relaxed state suddenly quiets down. The background music also lowers very naturally here. Leave a little corridor ambient sound. S1 says very softly: [Chinese] ...Why do you still have this? Do not cry. Do not immediately become sentimental. The male voice does not answer. Pause for half a second. The camera only very lightly moves forward a little. S2: [Chinese] Come down first, then I'll tell you. The female lead looks at the person in the elevator. Stops. In her eyes there is: Surprise; Familiarity; A little complexity; And very obvious curiosity. The elevator doors begin to close slowly. Just as the doors are about to cover the space between the two: End directly. No black screen explanation. No "to be continued." Let the audience naturally wonder: **What exactly is this CD player?** **What happened between them before?** --- # Dance Element The dance in this film must never become a large performance. The core is: **After the feelings can no longer be hidden, the body gives it away first.** Only use 4 very natural rhythmic actions: Shoulders for two beats; Light body sway; One step back; Small half-turn. The movements are like a real young woman alone, hearing a song she likes, and after her mood suddenly improves, moving along with it herself. Do not: Professional stage-performance feel; Large waves; High-difficulty dance; Long periods of dancing; Sexy gyration; Fixed TikTok hand dance. The function of the dance is: To show that she is actually very much looking forward to seeing this person. --- # Dialogue Design The entire film has only 5 lines. S2: "I'm downstairs." S1: "...Didn't you say you weren't coming?" S2: "I changed my mind at the last minute." S2: "Two more minutes." S1: "I know, what's the rush." Ending: S1: "...Why do you still have this?" S2: "Come down first, then I'll tell you." All dialogue must sound like normal young people chatting. No punchlines. No "dialogue-y" tone. No explaining the relationship. The audience, through: Pauses; Expressions; Speed of movement; The old object; guesses the relationship between the two. --- # Sound Design Background music: Light; Warm; With a bit of retro guitar and soft drum machine; About 95－105 BPM. Keep the volume low in the first half. When the female lead naturally does her little dance steps, the music becomes slightly clearer. After the elevator doors open: The music gradually lowers. Leaving: Corridor ambient noise; Shoe sole sounds; Elevator mechanical sounds; Slight breathing. When the old CD player appears, do not add an exaggerated "suspense Boom." The more natural the better. --- # Performance Curve 00:00－00:02: Ordinary state of being alone. 00:02－00:05.5: Surprise; Wanting to smile but holding it back. 00:05.5－00:10: Mood clearly improves. Movements begin to become lighter. 00:10－00:13.5: After being rushed, she talks tough, but is obviously anxious. 00:13.5－00:16: Looking forward to meeting. 00:16－00:20: After seeing the old object, her emotions suddenly quiet down. Not great sorrow or great joy. Leave a real sense of story. --- # Continuity Hard Constraints Same adult female lead. Same face. Same skin tone. Same body proportions. Same going-out outfit. The spatial logic from apartment to corridor is clear. S2 never shows his face. No sudden appearance of a complete male character. No second female lead. No character face drift. No sudden appearance of heavy makeup. No mansion-ization. No cyberpunk. No future UI. No supernatural phenomena. No sudden slow motion. No random orbiting shots. No hard costume changes. Costume change is only completed through a natural Match Cut fully occluded by the wardrobe door. No exaggerated short-drama crying scenes. No female lead constantly performing for the camera. Most of the time she should seem like: **She does not know someone is filming her.** --- # H3 Execution Priority ## First Priority Stable character identity; The first hook of "I'm downstairs"; The female lead's real subtle emotional changes; Wardrobe-occluded costume change; Natural little dance steps; The old CD player in the elevator at the end; "Why do you still have this?" These must hold up. ## Second Priority Real clothing materials; Natural follow shot; Curtain wind; Elevator mechanical movement; Hair and fabric inertia. ## Third Priority Specific scratches on the CD player; Small blue sticker; Small room decorations. If H3 execution complexity comes into conflict: Prioritize deleting small prop details. Do not sacrifice the character relationship and the final old-object foreshadowing. The final effect should be like a real slice of life accidentally captured: The first half makes people feel sweet and relaxed; The middle has a cute little contrast; The ending suddenly opens up a past story. The most natural question the audience should have after watching should be: **"What exactly was the relationship between these two before?"** Not: "How was this AI effect made?"

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