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HomeAI Prompt LibraryAI Video PromptsWindow Seat Journey to Japan

Window Seat Journey to Japan

Hailuo 02MiniMaxvideo

Young woman (exact face/hair from Image1, never alter identity or hairstyle) already seated at window seat in commercial airplane cabin, wearing light beige cardigan over white top with small crossbody bag on lap. Locked camera: low, slightly wide-angle, waist-up + window, never moves/pans/zooms/reframes. Hard cuts only, identical framing throughout: 1. Excited smile to camera, glances out window at airport vehicles → “Finally going to Japan!” 2. Slides phone into seat pocket, clicks seatbelt (chime), aircraft pushes back/taxis → grins “Now we’re really taking off.” 3. Takeoff: runway streaks, drops into clouds/blue sky, engine roar, air vent blows hair strand; she brushes it, laughs “Wow!” 4. Cruise above clouds; Mount Fuji appears; eyes widen, points, “It’s Mount Fuji!”, holds phone to window. 5. Opens Japanese bento, eats while glancing at Fuji → “Eating with this view makes it even better.” 6. Descent: seatbelt sign dings, cityscape below; packs meal, adjusts cardigan → “We’ll be landing soon.” 7. Landed Japanese airport: engines wind down, bins open; picks bag, leans in, waves “Arrived in Japan! See you all later.”, reaches toward lens → black. Perfect clothing/continuity, realistic economy window-seat interior. Photoreal live-action, natural skin texture, cabin lighting, authentic aircraft details. Diegetic sound only (no music): cabin ambience, engines, chimes, Korean lip-synced speech. No beauty filters, text, logos, or camera equipment visible.

Details

Type: AI Video Prompts
Aspect Ratio: 16:9
Duration: 0:15
Updated: Aug 17, 2026

Category

Short Film Cinematic Realistic

How to use this prompt

1Copy the full prompt with the copy button above.
2Open Hailuo 02 by MiniMax, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (16:9 · 0:15 · Short Film · Cinematic · Realistic), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with Hailuo 02 by MiniMax. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with Hailuo 02 using: 16:9 · 0:15 · Short Film · Cinematic · Realistic. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More Hailuo 02 prompts

Create a hyper-realistic full-body luxury street-fashion portrait of a stunningly beautiful adult woman with refined, high-fashion model-like features, sculpted cheekbones, a defined jawline, expressive eyes, full natural lips, and long dark-blonde/light-brown hair swept smoothly away from her face and flowing behind her shoulders. Her beauty should feel sophisticated and naturally photogenic rather than artificial or overly perfected. She is walking confidently directly toward the camera through a busy upscale city district, maintaining strong direct eye contact with the lens. Her posture is tall and elegant, shoulders relaxed, with a natural runway-inspired stride. One leg extends forward while the opposite arm swings subtly, creating realistic movement rather than a static fashion pose. Dress her in a minimalist, fitted ivory-white sleeveless midi dress with a deep but elegant V-neckline, a clean body-skimming silhouette, and soft natural draping around the lower skirt as she walks. The dress falls below the knees and has no logos, patterns, embellishments, or distracting accessories. Pair it with sophisticated black strappy flat sandals with a low minimal heel, keeping the footwear elegant but practical for walking. Place her on a wide pedestrian-oriented sidewalk in a sophisticated downtown shopping district, surrounded by a mixture of contemporary glass-and-stone architecture and older mid-rise city buildings. Populate the sidewalk with numerous realistically dressed pedestrians walking naturally in both directions, some alone and others in small groups. Include cars farther into the streetscape and storefront reflections to make the environment feel genuinely active and lived-in. Introduce subtle early-autumn visual cues, including mature trees with rich burnt-orange, amber, rust, and deep-red foliage between the buildings. Keep the autumn color concentrated enough to provide contrast against her white dress without turning the setting into a stylized fantasy. Frame her completely from head to toe, with both feet fully visible and comfortable breathing room beneath her shoes. Photograph from a slightly lower-than-eye-level perspective using approximately a 50mm full-frame lens, giving her a commanding fashion-editorial presence while preserving realistic human proportions and avoiding wide-angle distortion. Use spectacular cinematic natural lighting under softly overcast late-afternoon conditions. Create beautifully controlled highlights across her face, hair, shoulders, and white fabric, with deep dimensional shadows from the surrounding architecture. Preserve detail in the white dress without blown highlights. Use subtle separation between her and the environment, realistic reflections in nearby glass, gentle background falloff, and a sophisticated cinematic color grade combining warm autumn tones with neutral stone and cool urban shadows. The final image should feel like a high-end international fashion campaign captured spontaneously on a real city street, combining luxury editorial photography with authentic street photography. She remains the unmistakable focal point while the busy environment gives the photograph scale, movement, and realism. Hyper-realistic photography, spectacular cinematography, stunning model-like facial features, authentic skin pores and micro-texture, natural complexion variation, realistic eyes, individual eyelashes, individual hair strands, realistic fabric texture, natural garment tension and folds, physically accurate hands and fingers, anatomically correct legs and feet, natural walking biomechanics, realistic background pedestrians, authentic architecture, cinematic depth of field, subtle film grain, premium lens rendering, high dynamic range, realistic highlight roll-off, crisp subject detail, no fake skin, no plastic skin, no waxy complexion, no excessive beauty filtering, no CGI appearance, no animated look, no distorted anatomy, no warped hands, no malformed feet, no artificial-looking pedestrians, no image degradation.

Create a 15-second ultra-photorealistic cinematic luxury real-estate house tour, using the provided reference image as the visual style reference. IMPORTANT: Maintain a consistent architectural design, materials, furniture style, warm color palette, and premium luxury aesthetic throughout the entire video. The house must feel like one real, connected property. No random architectural changes. VIDEO FORMAT: Vertical 9:16 Duration: exactly 15 seconds Ultra-realistic 4K Professional luxury real-estate cinematography Smooth stabilized camera movement Natural lighting Realistic reflections and shadows Premium editorial look No people No text No logos No watermark SCENE 1 — 0-2 SECONDS — EXTERIOR REVEAL Start with a cinematic wide establishing shot of the complete luxury modern house during golden hour. Show the elegant multi-level architecture, large floor-to-ceiling windows, stone exterior walls, warm interior lights, landscaped garden, clean driveway and premium entrance. Camera slowly pushes forward toward the house like a professional real-estate drone/gimbal shot. TRANSITION: Smooth forward movement transitioning naturally toward the main entrance. SCENE 2 — 2-4 SECONDS — MAIN ENTRANCE & FOYER Camera smoothly enters through the large front door into a sophisticated luxury foyer. Show polished flooring, warm wooden staircase, elegant wall decoration, large round mirror, designer console table and soft ambient lighting. Camera moves forward slowly and naturally, revealing the open-plan interior. SCENE 3 — 4-6 SECONDS — LUXURY LIVING ROOM Transition into the main living room shown in the reference image. Show the large caramel-brown leather sectional sofa, cream upholstered lounge chairs, round wooden coffee table, patterned rug, decorative plants, wooden furniture and the central modern fireplace with gray stone/tile surround. Large windows bring in beautiful natural daylight. Camera makes a smooth cinematic side-to-side movement, showcasing the entire living space. SCENE 4 — 6-8 SECONDS — OPEN KITCHEN & DINING Camera smoothly pans from the living room into the open-plan luxury kitchen and dining area. Show a large premium kitchen island, elegant cabinetry, modern appliances, sophisticated pendant lights, marble/stone surfaces and a stylish dining area. Keep the same warm neutral color palette and architectural style. Camera slowly glides past the island for a high-end property-tour feeling. SCENE 5 — 8-10 SECONDS — MASTER BEDROOM Smooth transition into a spacious luxury master bedroom. Show a large elegant bed with premium neutral bedding, soft textured fabrics, wooden accents, designer bedside tables and large windows overlooking greenery. Warm natural sunlight enters through the windows. Camera slowly moves toward the bed and then gently pans across the room. SCENE 6 — 10-12 SECONDS — LUXURY MARBLE BATHROOM Camera transitions into a high-end master bathroom. Show large marble surfaces, a freestanding modern bathtub, spacious glass shower, elegant vanity, large mirror and warm hidden LED lighting. Use a slow cinematic camera sweep to reveal the luxurious finishes. Everything should look realistic and physically accurate. SCENE 7 — 12-15 SECONDS — BACKYARD & FINAL HERO SHOT Camera smoothly exits toward the backyard/patio. Reveal a beautiful landscaped outdoor lounge area with comfortable designer seating, greenery, warm architectural lighting and a premium swimming pool. End with a cinematic wide hero shot of the entire property glowing during sunset. Camera slowly pulls back and rises slightly, creating a premium luxury-real-estate commercial ending.

Multi-shot sequence with hard cuts between shots. Keep the same characters and visual style throughout. No music or score — only natural diegetic sound. SHOT 1 A dirty, exhausted 18-year-old girl with dark auburn-brown hair in a messy low ponytail, warm brown eyes, faded olive-green military jacket, backpack and gloves, aims a bolt-action rifle inside an abandoned ornate mansion. Sweat, dirt, a cheek scrape and tears cover her face. Her hands tremble. She closes her eyes as a tear rolls down, then hears something and lowers the rifle, visibly heartbroken. SHOT 2 Over her shoulder, an infected golden-coated Golden Retriever sits on the debris-covered parquet floor. Matted fur, cloudy white eyes, wounds and dark veins. He trembles while softly whimpering and growling. SHOT 3 She slowly crouches, places the rifle on the floor, wipes her tears and gives the dog a small broken smile. She quietly speaks to him, pulls a worn yellow-green tennis ball from her jacket and gently rolls it toward him. SHOT 4 Extreme low-angle close-up of the tennis ball rolling through dust across the cracked parquet floor. It stops directly in front of the dog's paws. Hold on the still ball. HARD CUT / TRANSFORMATION SHOT 5 Same low camera angle and ball position, but now on a clean sunny residential basketball court. A healthy golden-coated Golden Retriever suddenly grabs the ball. His eyes are clear and warm brown, fur clean, playful and energetic. He shakes and plays with the ball. SHOT 6 Wide shot of the basketball court. The woman throws the ball and the happy dog sprints after it, catches it, runs back and drops it at her feet, ready to play. SHOT 7 Close-up of the clean, unharmed woman laughing while affectionately ruffling the dog's neck and chest. The dog happily pants beside her. SHOT 8 Wide peaceful shot. The woman and dog sit together in a pristine dark-green vintage convertible beside the court. She shares food from a tin can with him. He gently takes it and licks her fingers. CONSISTENCY Same woman throughout: dark auburn-brown hair, loose low ponytail, warm brown eyes, olive-green military jacket, khaki cargo pants and brown boots. Same Golden Retriever: infected and injured in the mansion, healthy and playful after the transformation. Mansion: abandoned ornate interior, tall arched windows, torn dark-red curtains, peeling damask wallpaper, shattered gilt mirror, broken furniture, debris, ceiling hole and strong sunlight beams. Court: clean residential basketball court, white lines, iron fence, flowering shrubs, stone townhouses, warm late-afternoon sunlight and soft shadows. Dark-green vintage convertible with chrome trim. Visual style: ultra-realistic, photorealistic, natural human and animal movement, handheld camera, shallow depth of field, ARRI Alexa 35 look, warm cinematic grade, subtle grain. Audio: ONLY natural breathing, house ambience, dog sounds, footsteps, ball sounds, birds and wind. ABSOLUTELY NO MUSIC OR SCORE.

A cinematic 3D Pixar-style animated short of a beautiful young woman with long wavy chestnut-brown hair, large sparkling blue-green eyes, soft rosy cheeks and a gentle smile, wearing a cream sleeveless top and a beige apron with the text "@Logolumos" printed on the chest. She is in a bright, sunlit modern kitchen with warm wooden cabinets, marble countertop, a window with plants, and golden hour sunlight streaming in. Photorealistic lighting, shallow depth of field, ultra-detailed textures, high-end 3D animation quality. Sequence: She cracks a brown egg into a glass bowl already containing several egg yolks. She pours white sugar over the yolks. She simultaneously pours golden oil from a measuring cup and white milk from a glass pitcher into the bowl. She sifts white flour through a metal sieve into the wet mixture. She sprinkles dark cocoa powder onto the flour mound. She whisks everything into a rich, glossy dark chocolate batter. She brushes melted butter onto a rectangular metal baking pan. She pours the thick chocolate batter into the pan with a spatula. She slides the pan into a preheated oven. She looks at her wristwatch with a slightly worried expression while waiting. The cake rises and bakes inside the glowing oven. She opens the oven wearing oven mitts and pulls out the perfectly baked dark chocolate cake. She proudly presents the finished round chocolate cake on a cooling rack, smiling at the camera. Warm, inviting, cozy cooking atmosphere, smooth camera movements, professional food-commercial quality, 8k, highly detailed.

Ultra-realistic behind-the-scenes phone footage inside a giant VFX water-tank studio. One single continuous unbroken wide shot, no cuts, no close-ups, no coverage. A miniature mountain city and long airport runway sit inside the tank beneath a huge practical concrete dam, surrounded by a green-screen wall with tracking markers, overhead rigging, studio lights, a Jimmy Jib, side camera trolleys on tracks, monitors, cables, hydraulic dam rigs, water pumps, breakaway concrete sections, and crew members in FX-studio shirts filming the setup. The handheld phone camera starts from an elevated side angle, clearly showing the runway, miniature city, reservoir, dam wall, water tank, practical-effects machinery, and crew. Someone off-camera shouts, “Action!” A cargo aircraft begins accelerating down the runway. At the exact same moment, a thin crack appears across the centre of the dam behind the city. The phone camera stays wide and smoothly pans with the aircraft. The crack spreads rapidly through the concrete. Water begins spraying through small fractures, then bursts through in powerful jets. Warning lights flash around the miniature city as buildings, bridges, and vehicles shake. Large sections of the dam buckle outward. Concrete blocks break loose and tumble into the city while water pressure tears open the central wall. A massive surge erupts through the breach, carrying broken concrete, trees, vehicles, and debris toward the airport. The aircraft keeps accelerating as the flood reaches the city streets. Buildings are struck and collapse in sequence. Bridges twist away, rooftops tear loose, and miniature vehicles are swept into the water. The surge reaches the airport perimeter. Hangars are crushed, runway lights disappear beneath the flood, and water races across the tarmac behind the aircraft. Crew members retreat from the tank edge while camera operators, trolley units, and the Jimmy Jib continue filming. At the last possible second, the aircraft lifts off as the flood overwhelms the final runway section. A section of concrete barrier slams through the tarmac beneath its tail, sending water, debris, and shattered miniature structures into the air. The aircraft climbs, then banks above the drowned city while the remaining dam wall collapses completely. Another violent wave surges through the streets, carrying rooftops, vehicles, trees, and broken structures toward the foreground. Keep the behind-the-scenes environment visible throughout: green screen, tracking markers, tank walls, hydraulic rigs, water pumps, cables, crew reactions, cameras, monitors, miniature construction, and practical flood machinery. End while the aircraft is still banking above the submerged city, the dam continues collapsing, and water is actively tearing through the airport below. Sound: off-camera “Action!”, deep concrete groans, aircraft engine roar, crew chatter, trolley wheels, cracking dam wall, pressurised water jets, collapsing buildings, rushing floodwater, debris impacts, alarms, spray, metal tearing, and startled shouting.

STYLE: Hollywood disaster-action film, photorealistic live-action, ARRI Alexa 35, anamorphic cinematic lens, realistic Malaysian metropolitan city, practical stunt realism, believable destruction and debris physics, aggressive handheld tracking, natural lighting, cinematic contrast, motion blur, dust, shattered glass, sparks, immersive disaster sound. MAIN CHARACTER: Use Image 1. Maintain exact facial identity, hairstyle, clothing and continuity throughout. CORE RULE: ONE CONTINUOUS SURVIVAL SHOT. No teleportation or unexplained cuts. Every movement logically connects. The man constantly runs, stumbles, recovers, jumps, slides, climbs and changes direction. The environment is the antagonist. 00:00–00:03- EARTHQUAKE Low-angle tracking behind his feet as he runs through a Malaysian city street. Ground violently shakes, he nearly falls, buildings shake and glass explodes. Concrete crashes behind him. He looks back briefly and accelerates. 00:03–00:06- COLLAPSE Front tracking shot racing backward. Building façade collapses behind him. He sharply changes direction, jumps over a metal barrier as concrete blocks destroy his original path. Dust fills the street. 00:06–00:09- CAR IMPACT He reaches an intersection. Vehicles slide uncontrollably toward him. He dives at the last second. Camera dives with him. A car passes overhead. He rolls, immediately gets up and keeps running. 00:09–00:12-ROAD CRACK A huge fissure tears across the road. He runs onto a damaged car, uses it as a springboard and leaps across the collapsing pavement. Lands hard and continues running. 00:12–00:15- FALLING GLASS Side tracking shot. High-rise windows explode above him. Glass rains down. He shields his face, ducks beneath a falling metal sign and keeps moving. 00:15–00:18-COLLAPSE A building front collapses ahead. He spots a narrow gap beneath the debris, drops low and slides underneath. Concrete crashes above him. He emerges dusty and immediately runs. 00:18–00:21-VEHICLE CHAOS A bus crashes into cars. A spinning vehicle comes toward him. He jumps onto its hood, springs off the roof and lands on the opposite sidewalk as sparks erupt behind him. 00:21–00:24- ELEVATED ROAD FAILURE An elevated roadway breaks apart ahead. He sprints to the edge and performs a full-body gap jump over the collapsing section. Brief dramatic slow motion, then real-time. Hard landing, roll, recover, run. 00:24–00:27- DEBRIS CHASE Heavy dust reduces visibility. Close shoulder-level pursuit. Falling streetlights and concrete force sudden direction changes. He stumbles against a wall, pushes himself forward and keeps running. A distant vehicle explosion sends a dust shockwave toward him. 00:27–00:30- FINAL COLLAPSE Camera moves ahead, facing him. Massive buildings collapse behind him as he runs toward camera. He jumps over a concrete barrier. A gigantic slab crashes behind him, creating a huge dust cloud. He emerges through the dust still running. CUT TO BLACK. One final footstep. SOUND: Deep earthquake rumble, structural cracking, glass explosions, crowd panic, tires, metal impacts, concrete crashes, heavy breathing, sparks, distant explosion and final low-frequency collapse. PERFORMANCE: He behaves like a real person fighting to survive not an action hero posing. Fear, instinct and adrenaline control every reaction. Realistic balance, impacts and recovery. CAMERA: Low tracking, front pursuit, side tracking, shoulder-mounted chase, whip-pans, ground-level slides and brief airborne follow shots. Camera always follows his momentum. No random drone shots, floating cameras or impossible rotations. FINAL FEEL: Relentless 30-second survival adrenaline — RUN → COLLAPSE → EVADE → JUMP → IMPACT → RECOVER → RUN → BIGGER COLLAPSE → RUN. Duration: 30 seconds | Aspect Ratio: 16:9

A house cat sits in front of an empty gilded mirror. A full-size lion slowly materializes inside the glass. The magician throws a blue velvet cloth over the entire frame. The cloth drops: the mirror has vanished, and the lion is standing onstage. Final frame: the lion calmly lies down beside the cat.

Image1 = woman holding gun from behind; Image2 = woman in foreground receiving drink. Strictly keep both women's faces, hairstyles, clothing, and identities consistent — do not swap them. Generate a 20-second, 16:9, live-action cinematic, one continuous take, no BGM crime-suspense deadpan comedy short film. Modern cold gray indoor beverage area, silver soda machine, cold white overhead lights. Camera fixed at a low angle slightly in front of and beside the soda machine, roughly waist-to-chest height, 35–50mm, medium close shot, shallow depth of field, essentially static. 0–4s Image2 character B cautiously approaches the soda machine, movements restrained and natural, only one brief wary glance around, neutral expression, no smiling. 4–7s She places a transparent plastic cup under the dispenser nozzle, only uses peripheral vision to check behind her once, then focuses on the cup. 7–12s Orange-yellow drink flows into the cup and gradually fills it, the machine fails to stop in time. The drink must realistically overflow past the cup rim → run down the cup wall → flow over her fingers → drip and splatter onto the metal tray. B only slightly furrows her brow, purses her lips, tightens her fingers — a sub-one-second "oh no" reaction, not exaggerated. 12–14s | Key reversal The camera does not search for danger. A black handgun slowly enters the existing frame from B's right rear, muzzle approaching the side-back of her head; character A should not appear fully yet at this moment. B reacts: her gaze first stops → extremely slight confirmation glance to the right rear → expression instantly goes quiet, body freezes. No wide eyes, no open mouth, no screaming, no jerking her head around. 14–17s B stays facing the soda machine, very slowly stops handling the cup and gradually raises both hands. Camera position unchanged, begins one natural cinematic rack focus: foreground B gradually falls out of focus, A at the right rear gradually sharpens. 17–20s Image1 character A becomes the sharp subject: black straight long hair, gold long earrings, black one-piece swimsuit, one hand steadily holding the gun, expression completely calm and neutral — no sneer, no menacing face. She looks at B and speaks in an ordinary conversational low voice, calm and earnest: "You know too much." B keeps her hands raised, does not turn around, does not respond — only an extremely subtle pause in her gaze. The shot ends immediately after the final word of the dialogue. Performance principles: B: restrained alertness → intense focus → brief hesitation → instant freeze. The greater the danger, the less she performs. A: always calm, steady, neutral — the threat comes from the act of holding the gun, not her expression. **Sound:** Only real production sound: footsteps, plastic cup, soda machine, liquid flowing and overflowing, splatter on metal tray, fabric rustling, and the final Chinese dialogue. No music, no horror sound effects, no cocking sound.

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