Music Player Visualizer Beat Sync

First, I pull the espresso shot. I steam the milk until it's silky, then pour it slowly. I bring the pitcher close to the cup and draw the pattern. One final touch. The latte art is complete.

A sparkling, super-cute gal switches between adorable faces and hand poses while lip-syncing to the rhythm of the song. Make it a 15-second MV hook with that rowdy gal energy. Add flashy effects that match the music and action.

Style: dark-rap -rap music video with photoreal high-fashion polish and the texture of a scanned film magazine—high contrast without looking cheap. film scans, underground-music posters, and zine collage. Add coarse grain, subtle gate weave, halftone dots, rough print edges, and slight scan misregistration. Keep the edit fast and use hard cuts only—no fades or soft transitions. Match the typographic treatment and surface texture of the reference images.

Soft cute Y2K crush K-pop girl group rap MV. High fashion performance film mixed with inflated 3D candy typography graphic system. Three female idols wearing pink, blue and purple luxury Y2K stage outfits. Cute 3D chibi doll face, big dewy eyes, porcelain skin, soft blush cheeks, chibi idol proportions. Reference typography: only the inflated 3D rubber bubble font language, pink/lavender/ice-blue chrome plastic material, not the whole layout. Visual style: soft pastel crush energy, Y2K game UI, candy glossy finish, milky translucent plastic × K-pop aggressive feminine rap energy. Texture: 35mm film grain + soft glow bloom + iridescent holographic foil + jelly plastic specular + Y2K scanline + candy dot halftone + VHS frame vibration + plastic toy surface reflection + glitter confetti rain. Editing: Fast rhythm editing. Only hard cuts. No fade. No smooth transitions. Every cut follows: bass hit, snare, rap vocal impact. Character Performance Three female performers from reference image 1. Keep: same 3D chibi doll faces, big sparkling eyes, pastel Y2K idol makeup, pink/blue/purple fashion styling, soft cute cold expression. Each member has a signature prop: A holds a chunky rhinestone microphone, B has a plush bear shoulder bag, C wears oversized heart-shaped sunglasses pushed up on head. They are not posing. They are performing rap. Actions: aggressive eye contact, head nodding, shoulder movement, leaning toward camera, hand pushing toward lens, confident cute facial expression, sharp body movement, wink on snare hit, tongue-out on bass drop, hair flip on beat. Lip sync: perfect rap mouth synchronization. The performance should feel like a real K-pop rap unit MV with Y2K crush energy. Typography Animation Typography is a visual weapon. Not subtitles. Not static graphics. Use: giant English words inflated 3D rubber bubble font, jelly plastic material, pink lavender ice-blue chrome, soft puffy candy letters, compressed bold balloon fonts, stretched vertical puffy letters, handwritten graffiti titles, 3D extruded candy text, glitch displacement, print error effect, Y2K game UI pixel corruption. Text appears only when the beat hits. Characters can cover the text. Text can cover parts of clothing. Never cover eyes or main facial expression. Tiny Y2K stickers burst on beat: heart, star, smiley, sparkle, chain link, bow, four-leaf clover, mini bear. Shot 1 — Member A · Extreme Close-up「RUN NOW」 Character A face close-up, framed inside a pink heart-shaped iris wipe transition (in only, hard cut out). She looks directly into camera. Cute cold doll expression, big dewy eyes, soft blush, frosted pink lip gloss, rhinestone tear sticker under one eye. Starts rap. Chunky rhinestone microphone enters frame from below, she grips it tightly. Camera slowly pushes closer. Tiny pink heart stickers float up from bottom edge like bubbles. Huge inflated bubble letters crash into frame from left and right. Typography: "RUN NOW" — Pink jelly rubber 3D font, glossy candy surface, soft inner glow. Letters stretch vertically like puffy balloons. The word vibrates and squishes with bass, casts soft pink shadow on her cheek. Rap: "Run now, I don't chase." Confetti burst on final syllable. Hard cut. Shot 2 — Member B · Rap Performance「BREAK LIMIT」 Member B medium close-up, slight low angle, camera orbits 15° around her during the take. Lavender fur jacket, Y2K layered top, plush bear bag bouncing on her hip, chunky pearl choker, star-shaped earrings. She performs aggressively. Shoulders hit the rhythm. Hair flips hard on the second snare, blue hair ties catch the light. Hair moves naturally. Background: pastel gradient pink-to-lavender with faint Y2K perspective grid lines floating. Behind her appears huge handwritten text. Typography: "BREAK LIMIT" — Ice-blue bubble graffiti brush writing, soft inflated stroke, candy-coated, letters appear one by one with bounce easing. Animation: letters tear apart, reassemble, rotate 360° on snare, shake with bass. Chain link graphic swings across frame, sparkle stickers pop on every beat. Rap: "Break limits, break rules." Hard cut. Shot 3 — Member C · Hand Attack Shot「NO APOLOGY」 Member C moves close to camera. Top-down camera angle, she leans over the lens. Hand reaches toward lens. Nails are long pink acrylic with 3D star and heart charms. Focus: rings with mini plush bear charm, heart-cut gemstone, baby-pink leather texture, knit ribbed sleeve, plushy toy surface. Foreground vertical text: "NO APOLOGY" — Stretched vertical pink bubble letters, jelly puffy material, letters pierce through the back of her hand visually. Hand covers part of the typography. Fingers spread wide on the bass hit. Camera: handheld vibration. Film grain strong. Candy halftone dots bloom in shadow. Tiny "XOXO" sticker tag pulses in corner. Rap: "No apology, no regret." Hard cut. Shot 4 — Fashion Magazine Impact Cut「UNSTOPPABLE」 Member A close-up. Her face appears inside a broken Y2K trading card / idol photo card frame, with barcode at bottom, "SYS.07-A" serial tag, holographic foil border torn on left side. Not a full layout. Only one graphic element. Typography: "UNSTOPPABLE" — Huge lavender handwritten bubble text, inflated 3D rubber, glossy plastic finish, letters explode outward from center of her forehead, push edges of the card frame. Animation: text suddenly expands from behind her. Card frame rips in half vertically, holographic confetti pours from the tear, revealing pastel gradient background underneath. A second smaller photo card of her winks in from the right, slightly rotated. Rap: "Can't stop my wave." Hard cut. Shot 5 — Glitch Double Image「STATIC」 Member B close-up, slight Dutch angle (5° tilt). Create: duplicate frame, pastel RGB separation (pink/blue/lavender channels), xerox shadow, motion trail, VHS tracking line at bottom edge. Main face stays sharp. She holds a sparkly heart-shaped lollipop up beside her cheek, the lollipop leaves a trail of echo frames. Background text: "STATIC" — Y2K pixel font, candy pink chrome, letters flicker like broken game sprite, jump between frames, sometimes inverted color, sometimes missing entirely. Like corrupted music video signal + cute game glitch. A tiny "ERROR 404" sticker blinks in upper corner. Rap: "Static noise, I get louder." Hard cut. Shot 6 — Pink Blue Purple Battle「PINK OUT」 Member A and C alternate close-ups, rhythm: A-A-C-A-C-C, two frames each. Fast switching. Visual split: each member sits in a vertical color block (A=pink, C=lavender, alternating). Center text: "PINK OUT" — Pastel pink-to-purple gradient bubble 3D, letters appear one word at a time, syncing to each cut. Words appear one by one. Each word: stretch vertically on entry, compress horizontally on hold, invert color on snare, explode into heart stickers and star confetti on exit. Tiny "1.2.3.GO!" counter graphic ticks in corner. Rap: "Lights out, pink out." Hard cut. Shot 7 — Group Rap Performance「UNBREAKABLE」 Three members together.

Nostalgic montage of different clips. Graphic motion layouts of friends having fun in a theme park.

Use @ image1 as the visual bible. The board is a 16-image 4x4 storyboard shot burst, not a first frame and not a production-board layout. Create one cohesive 15-second 16:9 multi-shot music-video b-roll clip as real cinematic nightclub footage only. Translate the 16-frame progression into one continuous acrobatic male breakdance phrase: 0-3s establish the crowd circle, low fisheye master, top rock entry, and the start of a clockwise circular dolly orbit; 3-6s show crowd opening, drop to floor, six-step / three-step, and readable hand/foot floor contact; 6-9s show CC / kick-out, sweep, power-move setup, and windmill or backspin-like power motion; 9-12s hold the rotation through the second power beat and catch a baby/chair freeze; 12-15s complete the orbit to the front, release into final footwork, land a decisive freeze/tableau, and show crowd eruption. Preserve the board's central athletic male breaker, adult nightclub crowd circle, glossy wet black floor, red backlight, acid green lasers, white strobes, blue haze, water mist, fisheye lens, and circular camera geography. The camera may rotate around the dancer, but the movement must stay motivated and readable: low circular dolly, Steadicam crowd-circle wrap, low tracking inserts, and front-angle freeze completion. Avoid random flying camera, chaotic spinning, teleporting perspective jumps, losing the dancer, impossible acrobatics, duplicate limbs, foreground blockers, visible camera gear, text, logos, singer, or children.

REFERENCE USAGE: Image 1 — the KALDR bottle. Preserve the smoked charcoal glass, bevelled edges, pale blue liquid, brushed gunmetal cap and the etched silver KALDR mark exactly. Image 2 — the closing brand lockup. Preserve the letterforms, tracking, silver finish and the COLD KEEPS line exactly. It appears only in the final shot, alone on black. Image 3 — the location, palette, cloud, surf and film texture for the whole film. Image 4 — a three panel character sheet of the woman. Use it only to match her face, hair, frost detail and black greatcoat. Do not reproduce the sheet's panel layout, its grey backdrop or its flat studio lighting. She must appear as a single person inside the Image 3 environment, lit by that location. Audio 1 — the voice for the woman's spoken line. Match its timbre, pitch, accent, breathiness and pacing exactly. Use it only for her voice, not as background audio or ambience. Premium luxury fragrance brand film. Photoreal 35mm anamorphic, high contrast, fine grain, cold specular highlights, deep crushed blacks. Palette strictly black sand, gunmetal, glacial blue and silver, with no warm tones anywhere. Setting: a black volcanic beach on a northern coast at blue hour under heavy storm cloud. Tone: severe, violent, expensive. This is a fast, aggressive fashion edit, not a calm product film. Never slow, never ceremonial, never a slideshow of pretty holds. [0-1.5s] Cold open, no establishing shot. Camera at water level, lens half submerged, [Static shot]. A sheet of freezing surf races straight at the lens. Her boots stride hard into frame through the water, coat hem whipping. HARD CUT. [1.5-2.6s] Extreme macro insert. Frost crystals race across black glass and flood the etched KALDR mark with rime, filling the letters. HARD CUT. [2.6-4.2s] Behind her, low and close, [Tracking shot] pushing fast. She walks straight into an oncoming wave that towers over her, coat streaming sideways, never breaking stride. HARD CUT. [4.2-5.4s] Reverse, low angle from the water. The wave collapses over her. Camera [Shake] on the impact. Cut on the peak of the white spray. HARD CUT. [5.4-9s] SLOW MOTION. The wave freezes solid around her mid collapse. She stands inside a shell of blue black ice, the spray suspended in the air as a thousand hanging shards, her coat frozen mid snap, her face calm and unbothered. Camera [Tracking shot] orbits right through the suspended shards, holding her at centre. This is the hero image of the film. [9-9.8s] Snap back to real time. The ice shell detonates outward. Camera [Pull out] fast and hard through the exploding shards. HARD CUT. [9.8-12.6s] Tight close up, [Push in]. She walks out of the collapsing ice straight at the lens, ice water running off her coat, looking directly into camera. She says quietly: "I was never meant to melt." She holds the look for a beat after the line. HARD CUT. [12.6-13.8s] The bottle alone, upright on wet black sand, shot low and close on a macro lens. Frost blooms outward from its base toward the lens. No text of any kind in this shot. HARD CUT. [13.8-15s] Pure black frame. The brand lockup from Image 2 appears alone, centred, exactly as in the reference. The wordmark KALDR emerges from darkness at low opacity, letter spacing opening over 0.4 seconds into sharp focus with a faint edge glow, and the line COLD KEEPS sits smaller beneath it. Nothing else is in this frame. Critical: the bottle, the woman, the beach and the wordmark must never share a frame. The lockup must never overlap or be occluded by the bottle, and the etched mark on the glass must never appear in the same shot as the lockup. Hold the lockup to the end. Dialogue and lip sync: only one line is spoken, in the shot beginning at 9.8 seconds: "I was never meant to melt." Match the voice in Audio 1 exactly, including its timbre, breathiness, pacing and the way the sentence lands without rising at the end. Do not substitute a different voice, do not add reverb or processing that changes its character. Her lip movement must match the words frame accurately and stop when the line ends. Her breath fogs on the words. Do not repeat the line and do not add any other spoken words anywhere in the film. Pacing: hold every cut until its stated timecode and do not shorten the last two shots. The first four shots are fast and aggressive. The slow motion shot is the only long hold in the film. Everything after it is fast again. Audio: hard coastal wind, heavy surf, a low sub bass drone. At 5.8 seconds, one deep impact hit, a splintering glass freeze crackle and a reversed swell. Then cut the wind, the surf and all low end to complete silence from 6 seconds to 9 seconds, leaving only isolated ice ticks and faint crystal ring in that window. This silence is mandatory and must be obvious. At 9 seconds the full mix slams back in with a hard low kick and the crash of shattering ice into water. As she speaks, duck the wind, surf and low end so her voice sits forward and dry. The final second holds one sustained low string chord decaying into wind. No voiceover, no narrator, no lyrics, no recognisable melody. Do not add other people, boats, buildings, vehicles, modern objects, subtitles, on screen captions, watermarks, or any text other than specified. Do not warp or distort the bottle or the wordmark. No cartoon or plastic CGI water or ice. Keep skin texture real, no over smoothing. Never let the ice or spray form a face, eyes, or a creature.

@Arcane_Aii Using the attached reference image for the character and the attached audio track for timing, generate a jazz-noir anime title sequence in a stylized pop-art style. Every cut must land exactly on a beat of the audio — treat the track as the edit timeline. VISUAL STYLE — apply throughout: Render characters as flat, high-contrast black silhouettes against solid single-color backgrounds (saturated red, mustard yellow, deep blue). No naturalistic shading — each shot commits to one or two dominant colors only, like a screen-printed poster. Compose shots like comic-book panels and pulp-magazine covers: bold panel divisions splitting the frame, hard geometric shapes, dramatic off-center cropping, extreme close-ups intercut with full-body poses. Use freeze-frames as a core device: the character hits a dynamic pose (drawing a weapon, mid-stride, lighting a cigarette, turning toward camera) and the frame HOLDS completely still for one full beat before cutting. Do not smooth or interpolate through these holds — they must be dead stops. Title typography in mid-century Saul Bass style: stark geometric letterforms, bold sans-serif, text that slides in as flat colored bars or snaps into frame on the beat. Overlay the entire sequence with heavy analog film grain, slight gate weave, and worn-print color texture — it should look like a scratched 35mm print of a 1960s jazz album cover, not clean digital animation. MOTION AND EDITING: Alternate between two modes — (1) fast kinetic bursts of motion (whip pans across silhouettes, rapid cut sequences, a silhouette sprinting across a solid color field) and (2) hard freeze-frame holds. The contrast between the two IS the rhythm. Cuts are hard cuts only: no dissolves, no fades, no morphing between shots. Each new shot snaps in on the downbeat with a fresh background color. End on the character in silhouette, frozen mid-pose against a solid red field, with the title card snapping in beside them on the final hit of the track.