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HomeAI Prompt LibraryAI Video PromptsKinetic Typography Ad for Fast Cuts

Kinetic Typography Ad for Fast Cuts

MiniMax H3MiniMaxvideo

0.00–2.50 Warm ivory background. Large black text: **O GORDAO DOS CORTES INOVOU.** Text slides in fast from the left with a clean ease-out. A thin red line grows underneath it. On the beat, the whole composition compresses slightly and snaps back. 2.50–5.50 The red line extends across the screen and becomes a crop transition. Reveal huge stacked text: **POSSANTE COMO UM JATO.** **VELOZ COMO UM FOGUETE** Use aggressive kinetic typography: large scale, edge cropping, fast horizontal movement, strong black/ivory/red composition. Keep the text sharp when it lands. 5.50–8.50 The typography collapses into five rectangular video-frame cards. The cards rapidly fill one after another while a red timing line underneath moves much slower. Use shallow 2.5D perspective, fast card stacking, whip movement and clean parallax to visually show that generation is finishing ahead of time. inspired in some brazilian podcast 8.50–11.00 The five cards snap together into one flat composition. Reveal: **O PRIMEIRO CORTE CHEGA.** **EM APENAS 15s.** Make **EM APENAS 1.5s** the biggest visual element. Use a fast mask reveal, strong scale change and one heavy motion-design impact when the full statement lands. 11.00–12.70 A red line shoots around the frame and builds a rectangular border. The previous text disappears through the moving crop. The border contracts several times in sync with an accelerating heartbeat-like bass pulse. 12.70–15.00 Brief silence. One final impact. Reveal: **JÁ TA DISPONÍVEL BIG.** **https://t.co/XaNKtgyaIs** Warm ivory background, black typography, thin red frame. Everything becomes completely flat and still. Hold unchanged until the end. STYLE Premium 2D motion design with very subtle 2.5D card depth. Swiss editorial typography mixed with energetic commercial motion graphics. Warm ivory, black and vermilion red. Large type, strong cropping, fast masks, cards, lines, parallax, precise easing, short motion blur only during transitions. No full 3D scenes, no UI, no particles, no random objects, no glitches, no letter-by-letter animation.

Details

Type: AI Video Prompts
Aspect Ratio: 7:4
Duration: 0:15
Updated: Sep 4, 2026

Category

Motion Graphics Advertising Dynamic

How to use this prompt

1Copy the full prompt with the copy button above.
2Open MiniMax H3 by MiniMax, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (7:4 · 0:15 · Motion Graphics · Advertising · Dynamic), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with MiniMax H3 by MiniMax. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with MiniMax H3 using: 7:4 · 0:15 · Motion Graphics · Advertising · Dynamic. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More MiniMax H3 prompts

Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. The character is the exact girl from the provided reference image: preserve her face, proportions, hairstyle, outfit, materials, accessories and colors throughout; never redesign her. This film is 80% bold graphic design in motion and 20% character action: giant kinetic typography, hard-edged shapes, diagonal wipes, flat color fields, barcode strips, UI ticks, halftone, speed lines and shutter flashes. Palette: ice blue, cobalt, white, silver-grey, black. Style: premium AAA motion-graphics title sequence x streetwear campaign film. Every graphic element moves fast and snaps hard on the beat. CUT 01 | 0.00-1.00s - Pure graphics: a vertical ice-blue lightning slash rips a black field in half, white shards spray sideways, a barcode strip races left-to-right and breaks; the letters slam in one after another with heavy impact shake and chromatic aberration. CUT 02 | 1.00-2.00s - The letters collapse into a receding tunnel of nested rectangles; she bursts through the vanishing point in a low, aggressive sprint, frost particles peeling off her sneakers, camera whipping to follow. CUT 03 | 2.00-3.10s - She plants both hands on a giant rotating block of white typography and pendulum-swings underneath it, kicking the letters into spinning fragments that trail ice-blue streaks; whip-pan as she exits frame right. CUT 04 | 3.10-4.00s - Full-bleed diagonal color fields (cobalt / white / ice-blue) wipe in sequence; she appears only as a high-contrast silhouette performing a single continuous wall-kick into a mid-air twist. Huge horizontal text OVERDRIVE scrolls in the opposite direction of her travel. CUT 05 | 4.00-5.10s - She ricochets off a towering stack of stacked words reading KEEP MOVING, each bounce sending a letter flying; camera tracks her in a tight orbit as the stack topples, then snap-zooms to her determined profile. CUT 06 | 5.10-6.00s - Hard cut to a stark white editorial card with enormous black DROP and a single cobalt underline; she drops from the top of frame, lands on the word, compresses it like a trampoline and launches again; the type rebounds with a spring distortion. CUT 07 | 6.00-7.00s - Silver-grey field crossed by a thick black chevron; she cartwheels along the chevron in four stroboscopic ghost frames, each ghost a different palette color; giant outlined text SPIN rolls 360 degrees in perfect sync with her rotation. CUT 08 | 7.00-8.00s - Kinetic type barrage: the words SHARP / QUICK / FRESH / COLD slam in one per beat with shutter flashes and camera shake while she power-slides on one knee across the foreground, jacket flaring, frost bursting from the platform sneakers. CUT 09 | 8.00-9.00s - Black frame, giant white isometric cubes tumbling in 3D space; she sprints across the tops of the cubes, plants a foot and launches into a tight corkscrew, freezing at the apex; a thin ice-blue reticle and data ticks lock onto her silhouette. CUT 10 | 9.00-10.10s - Freeze releases: she dives toward camera through successive flat-color planes that peel away like torn posters, each plane revealing a larger fragment of her name; a sneaker wipe across the lens ends the shot. CUT 11 | 10.10-11.10s - Rapid-fire graphic cards: five full-screen layouts snap past with hard cuts — each a different bold composition (offset type, oversized chevron, barcode overlay, slashed crop, halftone burst) showing her in a unique athletic beat (handspring, low dash, mid-air reach, crouched ready stance, walking away). Numbers 01–05 punch in the corners. CUT 12 | 11.10-13.00s - Hero moment on a clean white cyclorama: she lands a final twisting aerial dead center in slow motion, plants, stands tall with one hand in a pocket, and a shockwave of concentric ice-blue rings, wind streaks and shattered letterforms blasts outward; brief iconic freeze with her faint confident expression, then overexpose to white. CUT 13 | 13.00-15.00s - Final identity card: enormous black wordmark dominates a pale white field with translucent ice-blue rings, technical arcs, halftone and a rough black circular emblem containing a ghosted snow-crystal / barcode motif; she stands relaxed overlapping the letters, wind rippling her jacket; one last ice-blue pulse sweeps through the typography and a frost-ring flash punctuates the end. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps; every cut must feel compositionally different; typography is always fully readable before the character overlaps it. No weapons, no combat, no fire; all energy comes from motion design, wind, frost, glass and her parkour-style athleticism. BGM: hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut; sneaker impacts, whooshes, glass shatters and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger. Premium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts.

Create a 15-second cinematic photorealistic luxury car commercial, set in a modern city at dusk. Premium automotive advertisement, realistic lighting, natural motion, detailed reflections, shallow depth of field, smooth cinematic camera movement, 4K quality, 24fps. SHOT 1 — 0–4s: Medium close-up from outside the driver's side window of a sleek black luxury sports sedan driving through the city. A young Asian woman with long dark hair is driving, wearing a black leather jacket and seatbelt. She looks naturally toward the road, then briefly smiles toward the camera. Capture realistic reflections of city lights across the glossy black body and windows. Camera tracks smoothly alongside the moving car. SHOT 2 — 4–7s: Extreme low-angle close-up of the rear wheel and rear quarter panel. The black performance tire spins rapidly as the car accelerates. Subtle tire smoke and road dust appear behind the wheel. Detailed tire texture, realistic suspension movement, glossy reflections, dramatic automotive lighting. Fast dynamic tracking camera. SHOT 3 — 7–11s: Wide rear tracking shot of the black luxury sedan speeding through a modern city tunnel/highway surrounded by tall glass buildings. The car moves confidently through the center lane. Camera follows smoothly from behind at road level. Strong sense of speed with realistic background motion blur, reflections and cinematic depth. SHOT 4 — 11–15s: Cut back inside the car. Close-up of the female driver from the passenger side. She keeps one hand on the steering wheel, looks toward the camera with a playful confident smile, then gently raises her hand toward her lips as if blowing a kiss. City lights streak softly through the windows behind her. Natural facial expressions, realistic skin texture, subtle hair movement, premium cinematic lighting. END: The car continues driving away through the city as the scene gradually becomes darker, leaving a stylish cinematic ending. Visual style: ultra-photorealistic, premium luxury automotive commercial, realistic physics, natural human movement, accurate car proportions, realistic wheel rotation, cinematic depth of field, detailed reflections, high-end color grading, smooth transitions, no cartoon look, no distorted hands, no facial artifacts, no warped car body. Camera movement should feel dynamic and confident, matching a real professional automotive commercial rather than slow motion.

Use the attached girl as the exact character reference. Preserve her facial identity, facial features, eye color, long wavy brown hairstyle, makeup, skin tone, body proportions, jewelry, and overall appearance consistently across every shot. Use the attached sunglasses as the exact locked product reference. Preserve the black oval-shaped frames, dark lenses, gold detailing at the temples, hinge structure, proportions, materials, and finish exactly. The sunglasses must remain identical in every frame. Create an ultra-realistic luxury UGC creator review filmed entirely in an elegant modern lounge area, not a bedroom. The lounge should feel sophisticated, warm, expensive, and naturally lived-in: cream boucle sofa, marble or stone coffee table, soft neutral cushions, elegant floor lamp, subtle gold accents, large windows, tasteful décor, and warm late-afternoon sunlight entering from the side. The woman wears the same cream/white knit sweater, beige trousers, gold hoop earrings, delicate pendant necklace, and rings from the reference image. STORYBOARD — 15 SECONDS SHOT 1 — 0–2 sec | Casual introduction Medium handheld smartphone shot. The woman sits comfortably on the cream sofa in the lounge with the sunglasses box and leather carrying case placed naturally on the coffee table beside her. She looks directly into the camera with a genuine smile and says: “Okay, these are way nicer than I expected.” Natural creator energy, relaxed posture, subtle handheld movement. SHOT 2 — 2–4 sec | Picking up the packaging She leans toward the coffee table and picks up the luxury sunglasses box. Camera moves slightly closer as she turns the box toward the lens. She opens it naturally. Capture realistic packaging texture and believable hand movements. She says: “Even the little details feel so well done.” SHOT 3 — 4–6 sec | Case reveal Close-up from slightly above her hands as she reveals the leather sunglasses case inside the box. She lifts the case out and opens it. Warm sunlight creates soft highlights on the leather and gold hardware. SHOT 4 — 6–8 sec | Sunglasses reveal She carefully removes the sunglasses from the case. Cut to a beautiful macro product shot as she holds them between her fingers. Slowly rotate the sunglasses so the camera clearly sees the front frame, dark lenses, gold temple detail, side profile, and hinges. She says: “And they’re ridiculously light.” SHOT 5 — 8–10 sec | Putting them on Return to a medium shot. She smiles, lifts the sunglasses toward her face, and puts them on naturally. She adjusts the temples with both hands, then gives a subtle confident smile toward the camera. SHOT 6 — 10–12 sec | Lounge sunlight test She stands beside the large lounge window wearing the sunglasses. Camera follows her with smooth handheld movement. She turns slightly toward the sunlight, then angles her face left and right so the lenses catch realistic reflections. She says: “They actually feel this good on.” SHOT 7 — 12–14 sec | Lifestyle moment She walks back toward the sofa, casually removes the sunglasses, and places them beside the leather case and box on the coffee table. Camera briefly focuses on the sunglasses before shifting focus back to her. SHOT 8 — 14–15 sec | Final product close-up She picks the sunglasses back up and holds them beside her face while looking directly into the camera. Warm smile. She says: “Yeah… these are staying in my rotation.” Finish with a subtle camera push-in toward the sunglasses in her hand, with the lounge softly blurred behind her. VISUAL STYLE Photorealistic luxury lifestyle UGC, authentic smartphone creator footage, elegant lounge interior, warm golden-hour sunlight, natural skin texture, realistic facial expressions, subtle handheld camera movement, cinematic autofocus, shallow depth of field, neutral color palette, 4K HDR, 16:9, 24fps.

0–2s — THE SIP Fast close-up of the ginger-haired golfer on a sunny golf course. She grabs the Sprite can, cracks it open — PSHHHT! — condensation and tiny droplets flying in slow motion. She takes a refreshing sip and gives a confident little smirk. 2–4s — GAME ON Hard cut. She tosses the Sprite can slightly upward, catches it, grabs her golf club, and steps into position. Quick whip-pan around her as sunlight flashes across the frame. 4–7s — THE SWING Rapid montage: close-up of her gripping the club → golf ball on the tee → her eyes locking onto the ball → skirt and ponytail moving as she swings. She hits the ball with a powerful, perfectly timed CRACK! 7–10s — FOLLOW THE BALL Ultra-fast camera follows the golf ball flying across the bright green course. Speed ramp as it passes trees and sunlight, then lands perfectly near the hole. 10–12s — HOLE IN ONE She watches it drop into the hole. Quick reaction shot: she smiles, spins the club casually, and walks toward the camera like she absolutely knew that was happening. 12–15s — HERO SHOT She grabs the cold Sprite can again and takes another sip. Camera pushes in as she lowers the can, smiling confidently. Condensation sparkles in the sunlight. End on a clean product close-up of the Sprite can beside the golf ball. On-screen text: “REFRESH. RELOAD. PLAY.” SPRITE — THIRSTY FOR MORE. Fast cuts, energetic commercial pacing, whip transitions, speed ramps, crisp summer lighting, realistic golf physics, dynamic camera movement, refreshing splash effects, premium sports-ad aesthetic.

Create a photorealistic, premium Hollywood action blockbuster scene, 15 seconds, vertical 16:9. Every frame must look like a high-budget theatrical action film with physically believable stunts, spectacular practical destruction, precise choreography, realistic lighting, and crystal-clear action readability. CHARACTER AND CONTINUITY: Use the provided reference image ONLY to preserve the main woman's exact identity, face, hairstyle, skin tone, and proportions. She wears a fitted black tactical jacket, dark cargo pants, and black boots. Her outfit and appearance remain consistent throughout. No dialogue or unnecessary facial acting. LOCATION: A gigantic suspension bridge above a deep coastal gorge during a violent storm at sunset. A massive military transport helicopter is stranded on the bridge, its rotor spinning dangerously slowly. Abandoned vehicles block the road. The bridge cables groan under tension. The ocean and cliffs are visible far below. 0–3 SECONDS — IMMEDIATE DANGER: Open on a wide, crystal-clear view of the helicopter skidding sideways across the rain-soaked bridge as its landing gear throws sparks against the asphalt. The tail strikes a concrete barrier. The helicopter stops inches from the broken edge, tilted dangerously over the gorge. The woman runs into frame and grabs a thick hanging cargo cable before the aircraft slides farther. 3–6 SECONDS — CLEAN, POWERFUL ACTION: The helicopter shifts again, pulling the cable tight. The woman wraps it securely around a heavy steel bridge support, braces her boots against the road, and pulls a trapped pilot away from the open helicopter door. A powerful gust blows debris past them. She gets the pilot behind a concrete divider just as the helicopter's rear landing gear tears free. 6–9 SECONDS — MASSIVE BLOCKBUSTER SET PIECE: A large section of asphalt collapses beneath the helicopter. The aircraft drops several feet and hangs over the gorge, restrained by the tensioned cable. The woman grabs the pilot's harness and drags him across the road while the bridge deck cracks behind them. Huge concrete slabs fall into the mist below. Show the cause and effect clearly, with realistic weight, momentum, cable tension, and debris. 9–12 SECONDS — THE HERO MOMENT: The cable begins slipping around the steel support. The woman spots a heavy emergency winch mounted beside a maintenance truck. She sprints to it, locks the cable into the winch, and slams the mechanical brake down with both hands. The cable snaps tight. The helicopter swings away from the broken edge and stabilizes above the gorge. The woman remains grounded, gripping the winch as the entire bridge shudders. 12–15 SECONDS — SPECTACULAR PAYOFF: The helicopter's main rotor finally catches full power. Instead of taking off, the pilot lowers a rescue line directly toward the woman and the rescued pilot. She clips the pilot into the harness first and sends him upward. As the helicopter lifts him to safety, the enormous bridge section behind her breaks loose and plunges into the gorge in a thunderous wall of concrete and spray. She turns, sees the destruction coming, and makes one final sprint toward the helicopter's dangling rescue ladder. She jumps, catches it with both hands, and is pulled clear as the bridge collapses beneath her boots. CUT TO BLACK at the exact moment she clears the edge. CAMERA AND QUALITY: Premium large-format Hollywood cinematography, realistic human anatomy, sharp facial identity, detailed wet clothing, natural rain, physically accurate helicopter movement, realistic cable tension, high-detail concrete fracture, volumetric storm mist, dramatic but natural lighting, and carefully controlled motion blur. Use a wide establishing shot for geography, medium tracking shots for the rescue, and one close shot for the winch action. Every cut must preserve screen direction and spatial continuity. Keep the woman, cable, helicopter, and bridge edge clearly distinguishable. No chaotic camera shake that hides the action. AUDIO: Deep helicopter rotor thumps, cable groaning under tension, metal scraping asphalt, concrete cracking, wind buffeting the microphone, debris crashing into the gorge, the winch locking with a heavy metallic clunk, and a powerful orchestral-percussion score that peaks during the final jump. Sound effects must match the visible actions precisely. STRICT NEGATIVE INSTRUCTIONS: No teleporting, no unexplained cuts, no impossible superhero strength, no random explosions, no slow motion, no weightless debris, no rubbery cables, no changing helicopter design, no duplicated people, no extra fingers, no warped faces, no inconsistent clothing, no blurry action, no excessive camera shake, no artificial CGI appearance, no subtitles, and no logos. The final shot must clearly show the woman successfully catching the rescue ladder while the bridge collapses beneath her. The ending must feel earned, spectacular, dangerous, and emotionally satisfying.

The camera makes a full 360-degree orbit around the subject, returning to the starting view.

Wide establishing shot of an outdoor football field at sunrise, strong sun flare behind the stadium, players appearing as silhouettes in the distance. Moody, premium sports-commercial atmosphere. SHOT 2 — 2–4s Extreme macro close-up of a black football sneaker. Focus on the textured sole, stitching and three-stripe detailing. Dramatic studio lighting, shallow depth of field, slow cinematic camera movement. SHOT 3 — 4–6s A young male football player wearing a clean white T-shirt, dark athletic pants and black sneakers sits in a school/locker-room hallway and tightens his laces. Low-angle close-up, natural light through windows, realistic movement. SHOT 4 — 6–10s Night football match on an outdoor court under powerful stadium floodlights. The same player dribbles a football with confidence and speed. Dynamic tracking camera, realistic footwork, subtle motion blur, cinematic contrast, energetic sports-commercial feel. SHOT 5 — 10–13s Close-up of the player looking focused before the next play. Stadium lights glowing behind him, shallow depth of field, dramatic rim lighting, realistic skin and facial details. SHOT 6 — 13–15s Premium hero product shot of the black football sneaker standing on a glossy reflective surface in a dark studio. Soft spotlight from above, dramatic shadows, crisp details, slow camera push-in. End on a clean luxury sports-ad frame. Style: photorealistic live-action, premium sports commercial, cinematic lighting, realistic physics, natural skin texture, smooth camera movements, shallow depth of field, high detail, 4K, no text, no watermark, no distorted hands or feet.

Create a 15s, 16:9, 24fps live-action fashion magazine trailer with exactly 13 cuts. Style: Korean/Asian luxury fashion editorial × pink campaign × kinetic typography. Theme: ROSE GLOW. Tagline: SOFT ATTITUDE. Use the reference girl as the ONLY identity source. Keep the same young adult East Asian woman, face, skin tone, age, long dark-brown hair, bangs, slim body and proportions. No face drift, extra people, hairstyle or body changes. WORLD: PINK FASHION MAGAZINE STUDIO only. No outdoor/city/café/hotel/nature. Every cut changes set, layout and composition. Palette: soft/rose pink, cream white, small black/silver. Use magazine pages, typography walls, acrylic, mirrors, torn paper, grids, flowers, contact sheets, frames, checkerboard. LOOKS: 01 pink tweed + mini skirt; 02 cream-white top + pink-white asymmetric skirt; 03 rose fitted mini dress; 04 pale-pink Y2K crop top + pink-gray low-rise skirt; 05 pale-pink satin/tweed hero dress. CUTS: 1 close-up side gaze→camera, “ROSE”. 2 LOOK01, touch face, push-in, “GLOW”. 3 beauty close-up, brush hair, cream set, “CHINA MUSE”. 4 LOOK02, side→front, pink circle, “SOFT ATTITUDE”. 5 giant magazine page, half-step, “THE PINK EDIT”. 6 LOOK03 seated on silver platform, “MODERN ROMANCE”. 7 chest-up, adjust earring, “COVER GIRL”. 8 LOOK04, checkerboard, hip shift + look back, “NEW MOOD”. 9 centered model + 3–4 photo contact sheets. 10 torn pink paper reveal, shoulder turn, “FASHION ISSUE”. 11 LOOK05, pink acrylic + silver frame, step forward, “ROSE GLOW”. 12 pull-back as magazine pages/contact sheets/frames build around her, “SOFT ATTITUDE”. 13 final cover: slight turn→direct gaze; graphics assemble into ROSE GLOW / CHINA MUSE / SOFT ATTITUDE / VOL. 2026 / THE PINK EDIT. Hold final 0.5s. 55% live-action / 45% motion graphics. Each cut combines character action + camera move + typography + graphics. No dancing. Avoid slideshow, repeated backgrounds, sticker/PPT feel, cyberpunk, unreadable text, logos, watermark, UI, subtitles.

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