Empty Suit Stop-Motion Assembly

style: visual: "Japanese watercolor-style full-color anime" editing: "Fast cuts every 0.5 seconds" animation: "High frame count, smooth 24fps" tone: "Sensual but not direct, visualizing temperature, humidity, and heartbeat" project: id: "fetish_montage_v3_with_broll" format: "vertical_9x16" fps: 24 shot_duration: "0.5s" total_shots: 28 total_duration: "14s" ratio: "fetish 22 : b-roll 6 (approximately 3.5:1)" broll_philosophy: role: "Breathing, symbolism, externalization of emotion" placement: "Immediately after consecutive fetish cuts, or at emotional turning points" rule: "Avoid direct sexual expression; convey heartbeat, temperature, humidity, and tension" broll_categories: nature_micro: - "A raindrop trails down the window" - "A candle flame sways, on the verge of being blown out by a breath" - "A crack runs through ice with the sound of it splitting" - "A single petal falls onto the table" - "Water droplets on a spiderweb tremble" - "Cigarette ash falls silently" - "Steam rises and dissipates" - "A single insect flies around a streetlamp at night" object_symbol: - "Close-up of a wall clock's second hand. It seems about to stop" - "The ceiling reflected on the black surface of coffee" - "A shoe discarded on the floor. Only one" - "Creases on an empty bed" - "A phone ringing endlessly. No one answers" - "Two cigarette butts in an ashtray. One has lipstick on it" - "Light leaking through a door gap" - "An empty chair reflected in a mirror" texture_landscape: - "Wet road at night. Headlights blur and bleed" - "Flickering neon sign" - "Shisha charcoal pulsing red" - "A distorted face reflected on a metal surface" - "The imprint of a hand sinking into a leather sofa" - "The surface of bathwater rippling" body_abstract: - "The blanket rises and falls faintly with the heartbeat" - "Only a person's shadow moves along the wall" - "A person's outline through glass. Focus drifts" - "A face reflected inside a water droplet" sequence: - id: 01 type: "fetish" action: "Lift the hair, exposing the nape of the neck" scale: "macro" - id: 02 type: "fetish" action: "Bite the lower lip, then slowly release it" scale: "extreme_macro" - id: 03 type: "b-roll" category: "object_symbol" action: "The wall clock's second hand ticks forward one second" intent: "Make the viewer aware of time stretching and compressing" - id: 04 type: "fetish" action: "Unbutton the cuff, rolling up the sleeve once" scale: "macro" - id: 05 type: "fetish" action: "The collar shifts slightly, casting a shadow on the collarbone" scale: "macro" - id: 06 type: "fetish" action: "Trace the rim of a glass with a fingertip. A drop of condensation falls" scale: "extreme_macro" - id: 07 type: "b-roll" category: "nature_micro" action: "The candle flame sways once, largely" intent: "Metaphor for breathing. Peak of tension" - id: 08 type: "fetish" action: "Remove an earring. Immediately after, hair falls onto the shoulder" scale: "macro" - id: 09 type: "fetish" action: "The foot slips out of the heel" scale: "macro" - id: 10 type: "fetish" action: "The throat moves slightly. Swallowing" scale: "extreme_macro" - id: 11 type: "b-roll" category: "texture_landscape" action: "Shisha charcoal glows red, pulsing like a heartbeat" intent: "Externalization of the heartbeat" - id: 12 type: "fetish" action: "Slowly exhale smoke from the mouth" scale: "macro_side" - id: 13 type: "fetish" action: "The shoulder blade moves quietly beneath thin fabric" scale: "macro_back" - id: 14 type: "fetish" action: "Hold a pen cap between the teeth and slowly pull it off" scale: "extreme_macro" - id: 15 type: "b-roll" category: "body_abstract" action: "The blanket rises and falls faintly with breathing" intent: "A brief pause in tension. A hint that it will continue"

Use the uploaded mechanical bull image as the main creature reference and Rahul’s image as the human character reference. Create a 15-second ultra-realistic cinematic sequence set in The Harvester universe. The scene takes place in a foggy dystopian industrial street full of smoke, ash, overhead wires, dim structures, and distant furnace glow. The giant mechanical bull is massive, battle-worn, and intimidating — a living machine-beast with heavy steel plating, exposed pistons, pipes, furnace light glowing inside cracked armor, huge curved horns, and hot steam venting from its body. 0–3s — Hook: Start with a dramatic low-angle shot of the giant mechanical bull standing motionless in the street like a dead titan, steam drifting around it. Its orange core is dim. Rahul walks into frame, small beside it, cautious but familiar, like this is his companion. 3–6s: Rahul places one hand firmly against the bull’s metal faceplate or neck armor. Close on the contact. He says in a calm, controlled tone: “Wake up. We hunt.” The bull’s eye glows brighter. Internal furnace light begins pulsing. 6–9s: The bull violently powers on — steam blasts from vents, gears rotate, pistons lock, embers spit from its chest, and its massive head lifts. One hoof slams into the ground with weight. The whole frame shakes slightly. 9–12s: Rahul pulls himself up and mounts the giant bull. The bull turns its head toward something unseen ahead in the smoke — distant danger, possibly droids or enemies approaching. We feel the next hunt is beginning. 12–15s — Payoff: The bull charges forward with explosive force through smoke and sparks, Rahul riding it hard. End on a powerful forward rush into haze as the machine roars and the hunt begins. Sound: deep metallic groans, steam bursts, furnace rumble, hoof impact, distant industrial ambience, low ominous score.

FORMAT: 15-second cinematic vertical car transformation film 9:16 aspect ratio Ultra-realistic automotive commercial aesthetic Japanese street culture + luxury cinematic realism High-energy transformation pacing CONCEPT: “FROM STOCK TO STREET WEAPON” A normal Maruti Suzuki Swift slowly transforms into a fully modified street machine through cinematic garage sequences, mechanical close-ups, aggressive lighting, and dramatic reveal shots. TIMELINE: 0:00–0:02 Old stock white Maruti Suzuki Swift parked inside a dim industrial garage. Dust particles in sunlight. Static realistic atmosphere. Soft engine ticking sounds. 0:02–0:04 Quick cinematic close-ups: tools dropping on metal table, garage lights turning on, mechanic gloves tightening, car jack lifting vehicle. Fast-paced editing begins. 0:04–0:06 Transformation montage: new alloy wheels installed, wide tires mounted, lowered suspension, custom front bumper attached, black spoiler fitted. Mechanical sparks and cinematic motion blur. 0:06–0:08 Paint transformation sequence. Original white paint peels away into glossy metallic midnight black. Water droplets and reflections across body panels. Neon garage lighting reflects on paint. 0:08–0:10 Interior upgrade shots: digital dashboard glowing, sport steering wheel, bucket seats, ambient red lighting, push-start ignition. Engine rev echoes. 0:10–0:12 Aggressive cinematic reveal: modified Swift exits garage slowly. Headlights turn on through smoke. Low-angle tracking shots. Wet asphalt reflections. Turbo flutter sound. 0:12–0:15 Final hero sequence: car speeding through empty city streets at night, rolling shots, drifting corner, rain reflections, motion blur, camera orbit around vehicle. End with parked hero shot under neon lights. FINAL TEXT: “SWIFT — REBORN.” VISUAL STYLE: Fast & Furious-inspired realism Moody cinematic lighting Japanese underground street-racing atmosphere Wet asphalt reflections Practical garage lighting High-detail metallic textures Subtle film grain Deep contrast shadows Realistic smoke and sparks CAMERA: ARRI Alexa Mini LF aesthetic Anamorphic lens look Low-angle tracking shots Wheel close-ups Slow-motion mechanical shots Drone-style orbit reveal Handheld garage realism SOUND DESIGN: Metal tool impacts Hydraulic jack sounds Engine revs Turbo flutter Deep bass transitions Tire screeches Cinematic trailer hits Aggressive phonk-inspired background energy QUALITY: Masterpiece-level automotive realism Luxury commercial production quality Pinterest-saveable cinematic car edit Ultra-detailed reflections and textures Feels like a premium car modification advertisement

*Live-action version. For anime characters, see reply (↓) ────────────────── 【Style Specification】 - Convert to a photorealistic live-action image as if a real person were wearing the costume, while completely maintaining the design of the attached image (clothing, hairstyle, physique, color scheme) - Reproduce textures such as fabric, skin, hair, and metal with natural photographic realism - Do not change the design itself (do not add or remove clothing or accessories) - Use natural light and uniform lighting like a studio photo shoot 【Common Rules】 - Proceed only with SHOT separations (no time specifications) - End each SHOT with a still cut. Switch with a still → cut rather than smooth transformation - In each SHOT's frame, show only the elements specified for that SHOT. Do not mix other angles or alternate versions - Unify the background to a plain solid-color studio background (white or light gray) - Do not display subtitles, text, logos, or watermarks SHOT 1: Display a front-facing standing pose and a live-action close-up of the face side by side. SHOT 2: Display a side-facing (right) standing pose and a live-action close-up of the profile side by side. SHOT 3: Display a side-facing (left) standing pose and a live-action close-up of the profile side by side. SHOT 4: Display a back-facing standing pose and a live-action close-up of the back of the head side by side. SHOT 5: Display a front-facing standing pose and live-action close-ups of 6 facial expression variations (neutral, smile, anger, surprise, sadness, wink) side by side. SHOT 6: Display a front-facing standing pose and live-action macro close-ups of material details of worn items (clothing, accessories, jewelry) side by side. SHOT 7: Display a front-facing standing pose, a side-facing (right) standing pose, and a back-facing standing pose, along with a live-action close-up of the front-facing face, arranged together in one frame. ──────────────────

PART 1 (0–15 SECONDS) LOCATION DETAIL: Gritty urban street at golden hour dusk. Wet concrete ground reflecting golden-orange light. Industrial concrete pillars and brick walls frame both sides. Metal railings visible. Golden-orange sky in background. Blue shadows cast across street creating high-contrast cinematic look. Volumetric dust particles floating in air catching light. CAMERA ANGLES & CINEMATOGRAPHY: 0-1s: WIDE ESTABLISHING SHOT, camera positioned at street level, tilted slightly Dutch angle to show desperation. Slow dolly-in toward the fighter 1-3s: LOW-ANGLE CLOSE-UP on beaten fighter's face as goons surround him. Camera slightly beneath eye-level looking upward at aggressive goons (makes them look menacing, him vulnerable) 3-5s: OVERHEAD SHOT as golden-blue energy beam descends. Camera positioned directly above, looking down at the beam engulfing him 5-7s: FAST 360-DEGREE ORBITAL CAMERA ROTATION around fighter during energy explosion. Energy aura visible radiating outward. Multiple angles showing transformation from all sides 7-8s: EXTREME CLOSE-UP on fighter's face as eyes glow. Camera inches from face, eyes filling 60% of frame. Electricity crackling visible around eyes 8-9s: LOW-ANGLE UPWARD SHOT as fighter stands fully transformed. Camera positioned beneath him looking up he now TOWERS over everyone. Shows dominance shift 9-12s: DYNAMIC WHIP-PAN following first goon's charge. Camera pans rapidly to track movement, then HARD CUT to: 12-14s: SLOW-MOTION SIDE PROFILE SHOT of devastating punch. Camera positioned at exact side angle to catch punch trajectory. Slow-motion impact shockwave visible in air, goon's body reacting to force 14-15s: TRACKING SHOT following goon flying backward. Camera moves with the goon's body trajectory, then IMPACT SHOT from goon's POV as he crashes into wall (camera shakes violently on impact) STORY BEATS: A beaten-down fighter in torn shirt, bruises covering his face, blood dripping, is VICIOUSLY surrounded by three aggressive goons on a wet industrial street at golden hour. He's backed against a brick wall, barely defending himself as punches rain down. He's on the verge of collapse. SUDDENLY a massive golden-blue energy beam EXPLODES down from the sky with CATACLYSMIC force. The beam engulfs him in blinding light. Massive ENERGY EXPLOSION the entire street SHAKES, dust clouds ERUPT, volumetric fog fills the air. When the light clears, he stands COMPLETELY TRANSFORMED — eyes BLAZING with godly golden-blue power, energy aura RAGING violently around his entire body with visible electricity tendrils crackling, muscles VISIBLY ENHANCED and defined, face twisted in COLD RAGE and predatory intensity. He breathes heavily, stares at the goons with KILLING INTENT. The goons freeze in ABSOLUTE TERROR. First goon CHARGES desperately forward. The fighter EXPLODES into motion with IMPOSSIBLE SUPERHUMAN VELOCITY. DEVASTATING PUNCH fist CRACKS through air with SONIC intensity. SLOW-MOTION IMPACT shockwave visible, goon's face CONTORTS in agony, blood SPRAYS, body LAUNCHES like ragdoll 20 feet backward, CRASHES through brick wall with BONE-CRUSHING force, debris ERUPTS everywhere. PART 2 - LOCATION DETAIL (Escalated): Same urban street, now a DEMOLITION ZONE. Concrete cracked and breaking. Brick wall partially destroyed from first impact. Metal railings BENT and snapping. Wooden crates and boxes SPLINTERED. Pillars showing cracks spreading. Golden hour light now more dramatic with darker blue shadows. Heavy dust and debris particles in air. Total DEVASTATION visible. CAMERA ANGLES & CINEMATOGRAPHY: 15-17s: WIDE SHOT showing street arena. Camera pulls back to show scale of destruction and two remaining enemies. High-angle shot showing ground cracks 17-19s: RAPID MULTI-ANGLE FIGHT EXCHANGE alternating extreme close-ups and medium shots. Fast cutting every 0.3-0.5 seconds matching fight tempo: Close-up on second goon's face as he launches kicks (intensity capture) Low-angle shot of fighter's parries High-angle overhead shot of exchange Side profile close-up on impact moments 19-21s: MID-AIR GRAB SHOT from side angle as fighter lifts goon. Camera positioned at exact moment of lift showing superhuman strength 21-22s: VIOLENT SLAM SHOT camera positioned ground-level looking upward as goon is SLAMMED onto concrete. IMPACT slow-motion, cracks SPREAD like spiderwebs across ground, dust ERUPTS upward 22-24s: THROW SEQUENCE camera tracks throw trajectory. Goon FLIES through wooden crates, structures BEND and SHATTER, camera follows impact (tracking shot from side) 24-26s: INTENSE FINAL FIGHT EXCHANGE with scarred leader. Rapid multi-angle cuts showing: Low-angle shot of fighter's punch High-angle overhead of counter-attack Close-up on scarred goon's face showing desperation Metal railings BENDING in background from force 26-27s: EXTREME CLOSE-UP on fighter's fist as it CHARGES energy. Golden-blue glow INTENSIFIES, electricity CRACKLING violently around fist. Camera macro-level, glow filling entire frame 27-28s: SLOW-MOTION FINAL PUNCH setup. Camera positioned LOW-ANGLE BEHIND punch trajectory. Fist PULLS BACK with godly force visible (air distorting around fist) 28-29s: CATACLYSMIC IMPACT SLOW-MOTION. Camera positioned to capture scarred goon's face as punch connects. Eyes go WIDE in SHOCK, body CONTORTS from impact force, entire body LAUNCHED backward with EARTH-SHATTERING velocity 29-30s: PILLAR DESTRUCTION SHOT camera positioned wide to show goon CRASHES through concrete pillar like PAPER, pillar EXPLODES into massive chunks, structure COLLAPSES, debris MUSHROOMS into air, dust cloud engulfs entire area. Final frame: TIGHT CLOSE-UP on fighter's face from straight-on angle. Eyes still BLAZING with power. Breathing HEAVILY, chest HEAVING. Energy aura SLOWLY FADES. Cold MERCILESS confidence in stare. Fade to black. STORY BEATS: Second goon attempts RAPID KICK COMBO fighter PARRIES with BLINDING speed. Each block CRASHES with SONIC booms. GRAB he SLAMS goon down VIOLENTLY onto concrete, CRACKS spread like spiderwebs. THROW goon FLIES through wooden boxes, metal structures BEND and SHATTER from impact force. Third goon scarred leader, last hope steps forward DESPERATELY. This is BRUTAL WARFARE. EXPLOSIVE hand-to-hand combat: PUNCH blocked, COUNTERATTACK devastating, SPINNING KICK with BONE-BREAKING force, GRAPPLE with SUPERHUMAN pressure. Ground SHATTERS beneath them. Metal railings BEND and SNAP. Every collision sends SHOCKWAVES across street. FINAL MOMENT fighter CHARGES energy into fist. Fist GLOWS BLINDING GOLD-BLUE. Pulls back with GODLY FORCE. Unleashes CATACLYSMIC POWERED PUNCH. SLOW-MOTION IMPACT scarred goon's body CONTORTS, eyes WIDE in SHOCK, LAUNCHED backward with EARTH-SHATTERING velocity, CRASHES THROUGH concrete pillar like PAPER, pillar EXPLODES into massive chunks, entire structure COLLAPSES, dust MUSHROOMS into air. Fighter stands alone in TOTAL DEVASTATION. Breathing HEAVILY, chest HEAVING, eyes still BLAZING. Energy aura SLOWLY FADES. Stares DIRECTLY at camera with COLD MERCILESS confidence.

[Upload reference ] + Use the girl in reference as a strict identity reference for the model and her yellow sunglasses. Preserve face, hair, and the exact frame shape and colour throughout. 15 seconds, 16:9. Premium fashion commercial, photoreal live action. Infinite black void, polished black floor. She is the only lit element: hard key from one side, second hard light from the other, deep shadow between, strong speculars on the yellow frame and lenses. She walks slowly toward the camera in a black high-neck top and long black coat, chin level, eyes on the lens. Camera tracks backward at her pace, holding her size in frame. All type is heavy condensed uppercase sans-serif in vivid yellow, rendered as physical objects in 3D perspective with real thickness, catching the same light as she does and casting faint shadows on the floor. [0-4s] LOOK rises out of the floor ahead of her in deep perspective, grows as she approaches, and sweeps past on both sides out of frame. [4-7s] SEE enters from the right at high speed, streaks behind her with heavy motion blur, exits left. [7-10s] FOCUS appears large and fully out of focus, resolves into razor sharpness over half a second, holds, breaks apart. [10-12s] Four thin yellow lines draw a rectangle around her and FRAME assembles along its lower edge. Throughout, passing type reflects across the glossy lenses as it moves near her. [12-15s] She stops. All type collapses inward and vanishes into black. The camera continues into a tight close-up on her face and the yellow sunglasses. She holds completely still, eyes on the lens. On the black beneath her the title composes in the same yellow type: "SHIOBA LENS", and below it, smaller: "MADE TO BE SEEN". Hold. All text clean, legible, correctly spelled English capitals, each word once only. No garbled or duplicated letters, misspellings, subtitles, watermarks, or other text or logos. Audio: low sustained bass, Composition: model centered, all type within the central third of the frame

Create a 15-second ultra-premium cinematic luxury perfume commercial designed to fully showcase MiniMax H3's multimodal capabilities. Output Settings: • Duration: 15 seconds • Resolution: 2K (1440p) • Frame Rate: 24 FPS • Aspect Ratio: 9:16 Vertical • Native Stereo Audio • Commercial-grade quality Scene 1 (0–3s) Extreme macro shot of a crystal luxury perfume bottle resting on polished black marble. Golden sunrise light passes through the glass, creating realistic caustics and sparkling reflections. Tiny perfume particles float naturally in the air. Slow cinematic push-in with perfect depth of field. Scene 2 (3–6s) A luxury fashion model wearing an elegant black dress walks confidently through a futuristic golden hallway. The camera smoothly circles around her while she gracefully picks up the perfume bottle. Hair moves naturally, realistic fabric simulation, premium fashion campaign quality. Scene 3 (6–10s) She sprays the perfume. The mist transforms into flowing golden particles that evolve into blooming flowers, liquid gold ribbons, shimmering butterflies, floating crystal fragments, and elegant light trails surrounding her. Every movement is physically realistic with seamless cinematic transitions. Scene 4 (10–13s) Hero beauty sequence. Slow-motion close-ups of the model's face, glowing skin, elegant eyes, glossy lips, luxury jewelry, and the perfume bottle. Beautiful bokeh, premium studio lighting, realistic reflections, cinematic lens movement. Scene 5 (13–15s) Epic ending. The perfume bottle rotates slowly on a glossy black pedestal surrounded by floating golden particles and soft luxury lighting. The model stands elegantly in the background. Premium cinematic composition worthy of a global luxury brand campaign. Visual Style: Luxury brand commercial, Dior Beauty, Chanel, Tom Ford, Apple-level production quality, Hollywood cinematography, ultra-photorealistic, ray tracing, global illumination, volumetric lighting, realistic reflections, premium color grading, cinematic depth of field, physically accurate materials, ultra-detailed textures, smooth camera movement, flawless facial animation, natural body motion, production-ready advertising quality. Negative Prompt: Low quality, blurry, noise, flickering, unstable motion, distorted anatomy, bad hands, bad face, duplicate objects, watermark, logo, text overlay, compression artifacts, oversaturated colors, unrealistic physics, low-detail textures.

Ultra-fast paced cinematic action sequence, a man in a sleek black tactical suit with advanced winged jetpack on his back, dramatic high-altitude jump from a towering cliff edge, immediately diving headfirst at extreme speed down a deep rocky mountain gorge with jagged cliffs blurring past, intense free-fall with wind and dust whipping around him, at the very last second he suddenly activates powerful rocket launcher boosters, bright orange flames and thrust exploding from the jetpack, sharp high-speed swap and barrel roll to the side avoiding the rocky wall by inches, then rocketing forward aggressively straight towards an enemy vehicle ahead, eyes focused and intense, dynamic motion blur, dramatic golden hour lighting, highly detailed, epic wide cinematic angle, over-the-top action style, intense energy, 8k