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HomeAI Prompt LibraryAI Video PromptsAAA Third-Person Action Adventure Gameplay

AAA Third-Person Action Adventure Gameplay

Seedance 2.5ByteDancevideo

Create a 30-second photorealistic AAA third-person action-adventure gameplay video, 16:9, resembling real playable Unreal Engine 5 footage, not a cinematic trailer. PROTAGONIST — STRICT CONSISTENCY: Young Korean female explorer, mid-20s, natural oval Korean face, dark almond eyes, long dark hair in a low ponytail, athletic realistic build. Same face and body throughout. She wears a burgundy-red sleeveless utility jacket, charcoal long-sleeve shirt, olive cargo pants, rugged boots, climbing gloves, tactical backpack, rope/carbiners, silver magnetic bracelet on right wrist, and curved blade at right hip. Realistic dirt, cloth, hair, and physics. CAMERA & STYLE: Normal third-person player-controlled camera behind/slightly above her. Natural movement, realistic animation, shadows, materials, physics, lighting, and environmental interaction. No cinematic camera sweeps, slow motion, excessive DOF, lens flare, title cards, logos, subtitles, or watermark. GAMEPLAY SEQUENCE 1. Abandoned Settlement She enters a ruined island settlement with overgrown stone buildings, broken walkways, boats, cliffs, and a distant watchtower. HUD: “Investigate the Abandoned Settlement.” 2. Traversal She climbs platforms and ledges, runs across a beam, jumps a gap, and reaches the watchtower route. Show stamina usage. HUD: “Reach the Abandoned Watchtower.” 3. Hidden Mechanism She discovers a cracked stone wall, activates an ancient mechanism, and opens a hidden underground entrance. Interaction prompt: “Investigate.” 4. Ancient Lift Puzzle In a huge underground chamber, she uses her magnetic bracelet to move metal counterweights onto the correct tracks. Ancient conduits activate and the stone lift starts moving. HUD: “Restore the Ancient Lift.” 5. Boss Fight The lift reaches a temple chamber where a massive stone-and-bronze guardian awakens. She draws her curved blade and fights. HUD: “Defeat the Ruin Sentinel.” Enemy health bar and lock-on indicator appear. 6. Weak Point Mechanic Guardian attacks → she dodges → uses the magnetic bracelet to pull off damaged armor → glowing weak point exposed → she strikes it with her blade → boss health decreases. Clearly show DODGE → MAGNET → WEAK POINT → ATTACK gameplay. 7. Flood Escape Ancient pipes rupture and water floods the chamber. HUD: “Escape the Flooded Chamber.” She runs, jumps broken floors, avoids falling debris, climbs a wall, and reaches the surface. 8. New Mission She reaches a rocky overlook above the ruined island. A mysterious ancient sky temple is visible beyond the mountains. HUD: “Mission Complete: Reach the Surface.” Then: “Investigate the Sky Temple.” She walks toward the new objective, clearly transitioning into the next playable mission. FINAL REQUIREMENTS: Same woman, outfit, face, hairstyle, equipment, environment, and visual quality throughout. Prioritize playable gameplay readability over cinematic beauty. Photorealistic UE5 quality, realistic physics and animation, functional minimal HUD, no gore, no dialogue captions, no logos, no watermark.

Details

Type: AI Video Prompts
Aspect Ratio: 16:9
Duration: 0:30
Updated: Sep 21, 2026

Category

Cinematic Game Assets 3D Render

How to use this prompt

1Copy the full prompt with the copy button above.
2Open Seedance 2.5 by ByteDance, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (16:9 · 0:30 · Cinematic · Game Assets · 3D Render), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with Seedance 2.5 by ByteDance. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with Seedance 2.5 using: 16:9 · 0:30 · Cinematic · Game Assets · 3D Render. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More Seedance 2.5 prompts

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WHITE DRAGON ASCENSION | 10s | 16:9 Use image1 as SANZO. Keep his exact face, hair, skin tone, physique, tattoos and outfit. Ultra-realistic live-action Hollywood action. Practical stunts, real katana combat, realistic physics, natural smoke and cinematic lighting. No CGI, anime, cartoon or game look. LOCATION: Infinite white cyclorama with glossy reflective floor, soft diffused light, no horizon or props. OUTFIT: All-white tactical shinobi outfit with hood, half-mask, layered robes, armor, belt, tabi boots and flowing fabric. WEAPON: ONE white-handled katana on LEFT WAIST, fully sheathed. SANZO draws it once. Blade and handle leave the saya together. Saya becomes EMPTY and remains visible. No duplicate weapon or handle. Katana never returns. CREATURE: Giant aggressive celestial dragon made of dense swirling white smoke, with horns, whiskers, mane and bright white eyes. 0–2s: SANZO runs through the white void as the smoke dragon chases him. FPV and low tracking shots. Jaws snap behind him. He combat-slides beneath the jaws. Slow motion, eye close-up, 2-frame freeze. 2–3.5s: During the slide, SANZO draws the katana. Empty saya stays visible. He performs cartwheel → butterfly twist → forward somersault and lands low. 3.5–8.8s: SANZO unleashes KAGE RYUJIN GIRI — CELESTIAL EXECUTION. The dragon coils, dives, bites and tail-whips. SANZO counters with flash steps, flips, twists and aerial slashes. Each slash tears through the smoke; the dragon instantly reforms. Use fast camera moves, crash zooms, speed ramps and heavy impacts. 8.8–10s: Final dive. SANZO performs an aerial corkscrew, somersault and butterfly motion, then delivers a powerful upward diagonal slash. 2-frame freeze. Dragon breaks into white smoke ribbons and disappears. SANZO lands in a strong ninja stance, katana in RIGHT hand, blade down. EMPTY saya visible on LEFT WAIST. Fade white. NEGATIVE: CGI, anime, cartoon, game graphics, glow, beams, duplicate katana, duplicate handle, sheathing, clipping, floating weapon, blur, plastic skin, watermark, logo, subtitles, text.

Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Japanese woman. No reference image. MAIN SUBJECT Young Japanese woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, soft and cheerful personality. Shoulder-length dark brown hair worn down with a simple clip pinning back one side, a few loose strands framing her face. Wearing an oversized light-yellow short-sleeve shirt, denim shorts, white canvas sneakers and a thin gold anklet. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older residential neighborhood in Kyoto during a warm summer evening. Narrow paved streets, low wooden houses, hanging laundry, vending machines, telephone poles, tangled overhead wires, a small corner convenience store, a shrine gate visible in the distance, cicadas humming in the trees, and long tree shadows stretching across the road. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside holding a small paper fan. She slides the door shut, glances at her reflection in a window, and looks toward the camera with a shy laugh. A warm evening breeze rustles the nearby wind chimes as she starts walking down the street. — CONVENIENCE STORE STOP She reaches the small corner store and buys a popsicle. She steps outside, unwraps it, takes her first bite and scrunches her face happily at the taste. She notices her friend filming and waves the popsicle toward the camera with a grin before taking another bite. — WALKING HOME She continues down the quiet street while eating. A small dog tied outside a shop barks softly and wags its tail. She kneels down and gently scratches behind its ears. The dog's owner calls it back and she stands, giggling as she walks on. — SMALL ACCIDENT She walks past a low hanging laundry line when a stray sheet brushes against her head. She stops, startled, then realizes what happened and bursts out laughing. She pats down her hair while her friend zooms clumsily toward her face. She looks directly into the camera and says: "Mou, yamete!" ("Come on, stop it!") — QUIET MOMENT She reaches a small stone step near a shrine gate and sits down for a moment. She finishes the popsicle while watching fireflies begin to flicker faintly near the bushes. A gentle breeze moves her hair. She tucks a loose strand behind her ear and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a soft playful smile and says: "Hayaku kite." ("Come on, hurry up.") She keeps walking down the dim lane as the streetlights flicker on, while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: cicadas, wind chimes, footsteps, distant bicycle bells, a vending machine hum, sliding doors, rustling laundry, faint conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, gentle, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Create a clean, premium 8-second fashion infographic animation based on the outfit-board layout. The entire composition remains visible on a white minimalist background.The female model on the right begins a smooth 360° rotation on her vertical axis, like a fashion showcase turntable. Her movement is elegant and continuous, maintaining natural posture and realistic cloth physics. Hair, skirt straps, and accessories react subtly to motion. At the exact same time, every item displayed inside the numbered boxes rotates synchronously:Necklace rotates slowly in 3D, revealing chain depth and pendant details. Hair bow spins gracefully around its center.Handhel d gaming console rotates on its vertical axis like a product commercial.Cargo mini skirt rotates 360° to showcase front, side, and back views.Platform boots rotate together like luxury product display renders. Black off-shoulder top rotates smoothly to reveal full garment shape.All items complete their rotations in perfect sync with the model's rotation speed. The boxes, numbers, typography, and layout remain fixed in position while only the products rotate inside their frames. Camera remains mostly static with a subtle cinematic push-in. Soft studio lighting, realistic shadows, clean commercial fashion-ad aesthetic, ultra-sharp details, premium motion graphics, smooth easing, luxury catalog presentation, 4K, 60fps.

STYLE: Hollywood disaster-action film, photorealistic live-action, ARRI Alexa 35, anamorphic cinematic lens, realistic Malaysian metropolitan city, practical stunt realism, believable destruction and debris physics, aggressive handheld tracking, natural lighting, cinematic contrast, motion blur, dust, shattered glass, sparks, immersive disaster sound. MAIN CHARACTER: Use Image 1. Maintain exact facial identity, hairstyle, clothing and continuity throughout. CORE RULE: ONE CONTINUOUS SURVIVAL SHOT. No teleportation or unexplained cuts. Every movement logically connects. The man constantly runs, stumbles, recovers, jumps, slides, climbs and changes direction. The environment is the antagonist. 00:00–00:03- EARTHQUAKE Low-angle tracking behind his feet as he runs through a Malaysian city street. Ground violently shakes, he nearly falls, buildings shake and glass explodes. Concrete crashes behind him. He looks back briefly and accelerates. 00:03–00:06- COLLAPSE Front tracking shot racing backward. Building façade collapses behind him. He sharply changes direction, jumps over a metal barrier as concrete blocks destroy his original path. Dust fills the street. 00:06–00:09- CAR IMPACT He reaches an intersection. Vehicles slide uncontrollably toward him. He dives at the last second. Camera dives with him. A car passes overhead. He rolls, immediately gets up and keeps running. 00:09–00:12-ROAD CRACK A huge fissure tears across the road. He runs onto a damaged car, uses it as a springboard and leaps across the collapsing pavement. Lands hard and continues running. 00:12–00:15- FALLING GLASS Side tracking shot. High-rise windows explode above him. Glass rains down. He shields his face, ducks beneath a falling metal sign and keeps moving. 00:15–00:18-COLLAPSE A building front collapses ahead. He spots a narrow gap beneath the debris, drops low and slides underneath. Concrete crashes above him. He emerges dusty and immediately runs. 00:18–00:21-VEHICLE CHAOS A bus crashes into cars. A spinning vehicle comes toward him. He jumps onto its hood, springs off the roof and lands on the opposite sidewalk as sparks erupt behind him. 00:21–00:24- ELEVATED ROAD FAILURE An elevated roadway breaks apart ahead. He sprints to the edge and performs a full-body gap jump over the collapsing section. Brief dramatic slow motion, then real-time. Hard landing, roll, recover, run. 00:24–00:27- DEBRIS CHASE Heavy dust reduces visibility. Close shoulder-level pursuit. Falling streetlights and concrete force sudden direction changes. He stumbles against a wall, pushes himself forward and keeps running. A distant vehicle explosion sends a dust shockwave toward him. 00:27–00:30- FINAL COLLAPSE Camera moves ahead, facing him. Massive buildings collapse behind him as he runs toward camera. He jumps over a concrete barrier. A gigantic slab crashes behind him, creating a huge dust cloud. He emerges through the dust still running. CUT TO BLACK. One final footstep. SOUND: Deep earthquake rumble, structural cracking, glass explosions, crowd panic, tires, metal impacts, concrete crashes, heavy breathing, sparks, distant explosion and final low-frequency collapse. PERFORMANCE: He behaves like a real person fighting to survive not an action hero posing. Fear, instinct and adrenaline control every reaction. Realistic balance, impacts and recovery. CAMERA: Low tracking, front pursuit, side tracking, shoulder-mounted chase, whip-pans, ground-level slides and brief airborne follow shots. Camera always follows his momentum. No random drone shots, floating cameras or impossible rotations. FINAL FEEL: Relentless 30-second survival adrenaline — RUN → COLLAPSE → EVADE → JUMP → IMPACT → RECOVER → RUN → BIGGER COLLAPSE → RUN. Duration: 30 seconds | Aspect Ratio: 16:9

Image1 = woman holding gun from behind; Image2 = woman in foreground receiving drink. Strictly keep both women's faces, hairstyles, clothing, and identities consistent — do not swap them. Generate a 20-second, 16:9, live-action cinematic, one continuous take, no BGM crime-suspense deadpan comedy short film. Modern cold gray indoor beverage area, silver soda machine, cold white overhead lights. Camera fixed at a low angle slightly in front of and beside the soda machine, roughly waist-to-chest height, 35–50mm, medium close shot, shallow depth of field, essentially static. 0–4s Image2 character B cautiously approaches the soda machine, movements restrained and natural, only one brief wary glance around, neutral expression, no smiling. 4–7s She places a transparent plastic cup under the dispenser nozzle, only uses peripheral vision to check behind her once, then focuses on the cup. 7–12s Orange-yellow drink flows into the cup and gradually fills it, the machine fails to stop in time. The drink must realistically overflow past the cup rim → run down the cup wall → flow over her fingers → drip and splatter onto the metal tray. B only slightly furrows her brow, purses her lips, tightens her fingers — a sub-one-second "oh no" reaction, not exaggerated. 12–14s | Key reversal The camera does not search for danger. A black handgun slowly enters the existing frame from B's right rear, muzzle approaching the side-back of her head; character A should not appear fully yet at this moment. B reacts: her gaze first stops → extremely slight confirmation glance to the right rear → expression instantly goes quiet, body freezes. No wide eyes, no open mouth, no screaming, no jerking her head around. 14–17s B stays facing the soda machine, very slowly stops handling the cup and gradually raises both hands. Camera position unchanged, begins one natural cinematic rack focus: foreground B gradually falls out of focus, A at the right rear gradually sharpens. 17–20s Image1 character A becomes the sharp subject: black straight long hair, gold long earrings, black one-piece swimsuit, one hand steadily holding the gun, expression completely calm and neutral — no sneer, no menacing face. She looks at B and speaks in an ordinary conversational low voice, calm and earnest: "You know too much." B keeps her hands raised, does not turn around, does not respond — only an extremely subtle pause in her gaze. The shot ends immediately after the final word of the dialogue. Performance principles: B: restrained alertness → intense focus → brief hesitation → instant freeze. The greater the danger, the less she performs. A: always calm, steady, neutral — the threat comes from the act of holding the gun, not her expression. **Sound:** Only real production sound: footsteps, plastic cup, soda machine, liquid flowing and overflowing, splatter on metal tray, fabric rustling, and the final Chinese dialogue. No music, no horror sound effects, no cocking sound.

GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural makeup, black wavy hair tied into a messy side ponytail, loose peach T-shirt, white pajama pants, black sneakers and simple necklace. Maintain exact identity and appearance. LOCATION: Small Korean apartment courtyard during a warm windy afternoon. Concrete walls, laundry lines, potted plants, bicycles and neighboring homes. CAMERA / LOOK: Early-2000s consumer DV camcorder. Strong handheld shake, autofocus hunting, exposure pumping, faded colors, soft contrast, motion blur and imperfect zooms. SEQUENCE: She hangs freshly washed clothes on a long outdoor clothesline. Everything looks calm until a sudden strong gust sends one shirt flying off the line. She runs after it while laughing. The camera operator follows shakily. The shirt lands on a parked bicycle. She grabs it, tries to hang it again, and another piece of laundry immediately blows away. She looks toward the camera in disbelief before chasing it down the lane. AUDIO: Wind, fabric flapping, birds, footsteps, distant scooters and neighborhood voices. No music. Candid domestic humor, realistic fabric movement, nostalgic DV imperfections and believable everyday chaos.

30-Second Cinematic Ultra-photorealistic Korean summer lifestyle video following a young woman as she unlocks her city bicycle, places her crossbody bag in the front basket, and naturally rides through a peaceful residential neighborhood. She slows down, turns realistically, parks beside the grocery store, locks her bicycle, and enters the supermarket. She casually selects a few groceries—apples, milk, and a snack—then pays at the checkout. After placing the groceries securely in the bicycle basket, she unlocks the bike, mounts naturally, and cycles home along the same street. Focus on realistic human movement, bicycle balance, pedal motion, braking, tire contact, momentum, wind, clothing and hair movement, grocery-bag weight, and authentic everyday sounds. Smooth cinematic camera movement, natural lighting, realistic depth of field, and continuous cause-and-effect action. No teleportation, instant acceleration, floating objects, distorted anatomy, changing clothes or bicycle, exaggerated wind, CGI appearance, or action-movie movement.

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