Prompts
Featured
Models
Submit
Blog

AhaPrompt

AI Prompts for Images, Video & Audio — Every Model, One Library

Explore

All Prompts
Featured Prompts
Image Prompts
Video Prompts
Audio Prompts
AI Models
Submit a Prompt
Blog

Languages

English
中文
日本語
한국어

Copyright © 2026 AhaPrompt All rights reserved.

Privacy Policy Terms of Service

HomeAI Prompt LibraryAI Video PromptsWoman in robe holding lip product

Woman in robe holding lip product

Seedance 2.5ByteDancevideo

A dynamic medium shot of a cheerful young woman in a cozy robe, smiling at the camera while holding up a glossy lip product. The scene has a bright, natural morning atmosphere, with the headline “My Morning Lip Hack ✨” displayed at the top. She looks directly into the camera and says: “This is my little morning lip hack. It gives my lips a glossy finish and looks so good!”

Details

Type: AI Video Prompts
Aspect Ratio: 9:16
Duration: 0:25
Updated: Oct 18, 2026

Category

Advertising Portrait Bright

How to use this prompt

1Copy the full prompt with the copy button above.
2Open Seedance 2.5 by ByteDance, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (9:16 · 0:25 · Advertising · Portrait · Bright), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with Seedance 2.5 by ByteDance. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with Seedance 2.5 using: 9:16 · 0:25 · Advertising · Portrait · Bright. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More Seedance 2.5 prompts

Style: Authentic UGC / iPhone selfie-vlog, handheld, natural light, TikTok/Reels aesthetic. Product Reference: Use the uploaded gourmet burger image @image as the only product reference. Preserve the bun shape, patty thickness, cheese melt, lettuce, tomato, sauces, and proportions exactly in every shot. Character Description Name: Skai A young woman @image in her early 20s friendly lifestyle-vlogger personality. Shot Breakdown: SHOT 1 (0–2s) — Selfie showing the burger box. Dialogue: "Burger night!" SHOT 2 (2–4s) — Opens the box. SHOT 3 (4–6s) — Quick zoom on the burger. SHOT 4 (6–8s) — Hands lifting the burger with cheese stretching naturally. SHOT 5 (8–10s) — Bite reaction. Dialogue: "Okay... that's incredible." SHOT 6 (10–12s) — Casual close-up b-roll while reaching for fries. SHOT 7 (12–14s) — Toasting the burger toward the camera. Dialogue: "You need this." SHOT 8 (14–15s) — Freeze frame with overlay: "burger cravings = solved 🍔" Look & Feel Warm apartment lighting, genuine phone footage, slight grain, natural autofocus breathing, handheld imperfections, fast jump cuts. Negative Prompt cinematic grading, commercial production, CGI burger, fake cheese, distorted hands, warped food, perfect stabilization, studio lighting, text glitches, logo distortion.

Create a photorealistic character continuity sheet. Include a character profile, a five-angle full-body turnaround, face close-ups of the eyes, nose, mouth and skin texture, ten expressions, nine poses, costume details, a colour and material palette and a Do Not Change checklist. Keep the same face, hair, body proportions, clothing and accessories in every panel.

Create a 25-second photorealistic cinematic comedy with synchronized English dialogue. REFERENCE ASSIGNMENT Image 1: the man's exact identity, face, hairstyle, athletic physique, clothing and shoes. Image 2: the woman's exact identity, face, physique, evening dress, accessories and hair color and length. Her hair begins visibly wet. Image 3: the authoritative reference for the Tesla's exterior and the entire location: car design, color, wheels, parking position, building, street, dusk lighting and camera environment. Image 4: reference ONLY for the car's 80-degree sideways tilt, exposed underbody, four vapor outlets and the light emitted from those same outlets. Keep the exterior of the car from Image 3. Maintain these identities and designs throughout. Use the reference images as visual guidance, never display them as a collage. OPENING AND SETTING The scene starts immediately beside the parked Tesla. Both characters are already standing on the asphalt beside its street-facing side, close enough to argue. The woman stands about 1.5 meters away from the car; the man stands within arm's reach of its side sill. Match the New York evening street in Image 3: warm windows, amber streetlights, cool dusk ambience and realistic reflections on the car. The Tesla is initially upright and parked parallel to the curb. Start directly with the argument. No introductory street shot, walking toward the car, arrival sequence or opening titles. TIMELINE 0.0–3.0 seconds — IMMEDIATE VISUAL HOOK Begin with a tight medium shot of the angry woman beside the Tesla, its bodywork clearly visible behind her. She holds up a wet strand of hair and snaps: WOMAN: “My hair is WET!” Immediately cut to a low, wider angle: the man reaches down with his LEFT hand, grips the street-facing side sill and casually begins lifting that side of the Tesla. By the end of the third second, both street-facing tires are visibly several inches off the asphalt. Both curb-side tires remain on the ground. His absurd strength is instantly readable. 3.0–7.0 seconds — THE ARGUMENT CONTINUES Medium two-shot. The man holds the car at this small initial tilt with his left hand while looking at her with mounting irritation. The woman is focused on her wet hair and continues angrily: WOMAN: “I can’t go to the party like this! My hair is wet!” She gestures toward her head. Her hair is still wet, flat and separated into damp clumps. Preserve her reference dress and appearance. 7.0–10.0 seconds — HIS RESPONSE Cut to a tight close-up of the man's irritated face. His supporting left arm remains extended toward the car, consistent with the previous shot. He looks at her and says in a blunt, annoyed voice: MAN: “Now we’re going to dry it.” Hold his expression briefly, then cut back to the wider action. 10.0–14.0 seconds — LIFT AND REMOTE In a clear wide shot, he continues the SAME lift with his LEFT hand until the Tesla reaches approximately 80 degrees of sideways roll. The car rotates around its longitudinal front-to-rear axis. Both curb-side tires stay in contact with the asphalt as the pivot. Both street-facing tires rise. The front and rear remain at matching heights: this is a sideways tilt, not a nose-up lift. The underbody becomes nearly vertical and faces the woman. Match the tilted orientation and four-outlet layout from Image 4. His left hand stays visibly in contact with the raised side sill, supporting the car at approximately head height. With his free RIGHT hand, he takes a small remote from his right trouser pocket. Show a clear thumb press on its button while keeping the lifted car and woman spatially understandable. 14.0–20.0 seconds — THE ABSURD HAIR DRYER Immediately after the button press, exactly FOUR circular outlets on the exposed underbody activate simultaneously. Each outlet emits a powerful white vapor jet and bright cool-white light from the SAME opening, matching Image 4. The light illuminates the vapor from within. Keep all four origins visible. The jets project outward from the tilted underbody toward the woman. The airflow reaches her head and violently blows her hair backward and upward. Keep her face readable between the moving strands and vapor. Show the transformation continuously: wet clumps separate, individual strands flutter rapidly, and her hair becomes completely dry but wildly disheveled, frizzy, puffed up and uneven. Use a brief wide view to establish the four jets and their direction, then a closer view of her hair changing. The man keeps holding the Tesla with his left hand throughout. Near the end of this section, he releases the remote button. All four jets and their outlet lights switch off together. Residual vapor disperses. 20.0–25.0 seconds — REACTION AND PUNCHLINE Close-up of the woman. Her hair is now dry and comically messy, with loose strands sticking out in different directions. Give her a brief silent reaction: she touches a disheveled lock, realizes what happened, then slowly turns her furious gaze toward the man. She shouts loudly: WOMAN: “I HATE YOU!” Hold her furious expression for the final beat. The man is still supporting the tilted Tesla in the background where visible. PERFORMANCE AND CAMERA Play the ridiculous action with serious, believable performances. The woman is genuinely frustrated; the man is irritated and matter-of-fact. Use clean cinematic cuts, natural movement and readable staging. Keep camera positions on the same side of the action so the characters, curb and car never swap positions. Use normal-speed action, realistic skin texture, detailed hair and natural fabric movement. AUDIO Clear English dialogue with accurate lip synchronization and distinct male and female voices. Only the woman speaks her opening complaint and final line. Only the man speaks the response. Natural evening city ambience underneath the voices. A subtle suspension cr

Create a 30-second photorealistic live-action miniature adventure featuring one athletic miniature woman at approximately 1- 5 scale inside a modern supermarket. She wears a fitted red athletic top, black cargo shorts and white sneakers. Maintain her exact face, hairstyle, outfit, body proportions and scale throughout. She climbs the metal frame of a giant shopping cart, leaps onto a towering cereal box and slides down its cardboard surface. Suddenly, enormous oranges roll toward her like an avalanche. She sprints across the counter, jumps onto a rolling orange and leaps onto a giant banana bunch. She then races across a moving checkout conveyor belt as a massive milk carton tips over, sending milk flowing across the surface. She escapes on a floating plastic produce tray, grabs a shopping bag and swings onto a rolling shopping cart. Dodging bouncing vegetables and falling snack packets, she leaps onto a towering stack of shopping bags and stands triumphantly as the camera pulls backward, revealing her tiny size in the enormous supermarket. STYLE: Cinematic macro photography, ultra-shallow depth of field, dynamic handheld tracking, dramatic low angles, realistic fabric and liquid physics, detailed grocery textures, natural supermarket lighting, strong foreground parallax, believable human movement and premium viral commercial aesthetics. SFX: Shopping cart wheels, footsteps, packaging crinkles, rolling fruit, conveyor motor, milk splashing, groceries tumbling and metal impacts. No music or narration. NEGATIVE: Cartoon, anime, toy-like appearance, plastic skin, duplicated character, face or outfit changes, inconsistent scale, floating objects, impossible physics, teleportation, distorted anatomy, excessive motion blur, subtitles, logos, watermark.

Overall Style: High-end luxury beauty commercial, photorealistic, 8k resolution, cinematic soft studio lighting, elegant warm gold and beige tones, smooth camera motion, and macro detail focus. Scene 1: Macro shot of a sleek, polished gold compact powder case opening slowly against a warm neutral gradient background, a soft puff of loose golden powder floating delicately in the air Scene 2: Medium close-up of a glamorous blonde model with flawless glowing skin holding the luxury gold compact near her face, looking softly into the camera Scene 3: Close-up macro shot of a professional makeup brush sweeping across the embossed pattern of the golden setting powder, kicking up a fine micro-dust of powder particles Scene 4: Macro close-up of the makeup brush smoothly applying the powder onto the model’s cheekbone, highlighting her natural radiant complexion and subtle freckles Scene 5: Final wide portrait shot of the model holding the open gold compact near her chest, smiling gently with an elegant off-the-shoulder beige dress under warm cinematic lighting

Create a 20 second cinematic tennis brand reveal for wilson. Scene 1: The Serve (10s): Create a photorealistic 16:9 premium tennis commercial. A beautiful adult blonde female tennis player wearing a vibrant hot-pink fitted tennis top, crisp white pleated tennis skirt, matching pink headband and pink tennis shoes performs a powerful serve with a Wilson tennis racket. Track the ball with dynamic cinematic camera movement, then freeze time for a dramatic close-up of her outfit, racket and ball. Scene 2: The Brand Reveal (10s): Continue seamlessly from Scene 1. Follow the tennis ball flying across the court, then rise into an aerial view revealing white and pink tennis balls arranged to spell “WILSON” on the court. Finish with a clean, stable overhead brand reveal. Style: Ultra-realistic, premium sports advertising, smooth camera movement, consistent character and outfit, natural lighting, crisp details, no extra text, no misspelled lettering.

Create a photorealistic, cinematic 30-second vertical featuring a loving family. Daddy is a 30-year-old man wearing a soft navy-blue T-shirt. Mommy is a 28-year-old woman wearing a cream-colored nightdress. Their adorable 4-year-old daughter wears pink pajamas with tiny stars. Keep faces, hairstyles, clothing, voices, and proportions consistent throughout. Setting: a cozy child’s bedroom at night with a warm bedside lamp and soft blankets. SCENE 1 — ONE LAST THING (0–7 seconds) Camera: Medium shot of daddy tucking his daughter into bed and pulling up her blanket. Daddy: “Goodnight, princess. Time to sleep!” The daughter gently grabs his hand. Daughter: “Wait, daddy! I have one more wish!” Daddy smiles and sits beside her. SCENE 2 — THE UNEXPECTED WISH (7–14 seconds) Camera: Close-up of the daughter looking into daddy’s eyes. Daddy: “What do you wish for, sweetheart? A new toy?” She shakes her head. Daughter: “No. I wish you could stay little with me forever!” Daddy’s smile softens as he listens. SCENE 3 — MOMMY HEARS HER (14–22 seconds) Mommy appears in the doorway and hears the conversation. Mommy: “Why do you want daddy to stay little?” The daughter looks at mommy. Daughter: “Because then nobody would tell me to go to bed!” Mommy laughs. Daddy raises his eyebrows in playful surprise. SCENE 4 — THE SWEET ENDING (22–30 seconds) Daddy gently kisses his daughter’s forehead. Daddy: “I may grow older, but I’ll always be your daddy.” The daughter hugs him around the neck. Daughter: “Good. Then you can carry me even when I’m big!” Mommy sits beside them and joins the hug. End with the daughter smiling sleepily between her parents. STYLE: Photorealistic faces and natural skin textures, realistic child expressions, accurate lip-sync, soft warm lighting, gentle bedtime piano music, close-ups during emotional dialogue, and smooth cinematic camera movements. Natural conversational pacing. Keep the bedroom and characters consistent.

TITLE: "TRY THIS ROADSTER". A 28-second high-budget live-action car commercial, filmed for real on location by a professional crew with camera cars, a drone, a runway crane and an air-to-air camera jet. Shot on 35mm film: warm natural light, soft halation, fine grain, real motion blur, smooth stabilised moves with subtle handheld life. Every shot is at real-time speed with no slow motion, cut fast and punchy. The effects are flawless and invisible. Nothing looks digital or animated. ASSETS: - Roadster: the car, with the same shape, silver-white colour, scale and RDSTR plate in every shot. - Character: the woman, with the same face, hair and outfit throughout. - Racer: the man, an original racing driver in a plain white-and-silver race suit with no logos. - Interior: the cabin, left-hand drive, with her always seated on the left behind the yoke. - FlightFX: whenever the car hovers or flies, exactly four thin, semi-transparent white cold-gas vapour jets blow straight down from beneath it. They are soft and misty, with no glow and no flame. - Courtyard, Desert and Runway: the locations. Each scene stays strictly in its own location. Use every image for appearance only, never its background. PHYSICAL REALISM: the car is always lit by the scene's own sun, casts a real moving shadow, reflects its surroundings, and is a normal 4.5 m sports car in scale. The camera always physically moves with the action. SCENE 1, COURTYARD [0s-7s], location Courtyard (old stone college building, soft overcast daylight): [0-1.5s] LOW DETAIL: the camera glides past the car's front wheel and sculpted silver flank, with the two people walking toward it in the background. [1.5-3.5s] MEDIUM, OVER THE SHOULDER: Racer rests a hand on the car's roof, smiles and says, "Try this Roadster." Character, facing him, lights up and replies, "It looks amazing!" [3.5-5.5s] MEDIUM: she opens the driver's door, slides into the left seat and runs her hand over the yoke, admiring the cabin. [5.5-7s] LOW WIDE: the door closes with a solid thunk and the car starts with a soft electric hum. SCENE 2, DRIVE-AWAY [7s-8s]: LOW TRACKING on a leafy street. The car accelerates past the lens with a rush of air, a light smoky haze curling off the tyres toward camera. SCENE 3, DESERT CAMELS [8s-12s], location Desert (golden-hour highway, dunes, acacias): [8-9s] CHASE behind the car: about 12 real camels scattered naturally on and beside the road turn their heads toward it, and one groans. [9-10s] LOW REAR: the four vapour jets fire downward, smoke and sand billow out from beneath the car, and it lifts off the asphalt. [10-11s] LOW ANGLE among the herd: a camel's head fills the foreground. Behind it, the car flies overhead and completes one smooth barrel roll around its nose-to-tail axis, with thin vapour trails behind it. [11-12s] LOW REAR CHASE: the car lands softly on the road in a burst of smoke and dust and drives on. SCENE 4, STREET SWEEPER [12s-15s], suburban autumn street: [12-13s] MEDIUM WIDE: a tired street sweeper in an orange high-visibility vest stands beside a huge pile of leaves. The car hovers low beside the kerb, and she smiles at him from her open window. [13-15s] LOW GROUND: the jets blast the pile into a swirling cloud of orange leaves and vapour. It clears to reveal a spotless sidewalk and the sweeper laughing in amazement. SCENE 5, APPLE TREE [15s-17s], sunny green orchard: [15-16s] WIDE TRACKING: the car flies in low and hovers beside a big apple tree heavy with red apples, its jets rustling the grass. [16-17s] MEDIUM CLOSE-UP at her window: she reaches out, twists and plucks a shiny red apple, the branch springs back, and she smiles at it. SCENE 6, CABIN [17s-18s]: MEDIUM INTERIOR side profile. She drives with one hand on the yoke and a relaxed, happy smile, warm light streaming through the glass. SCENE 7, RUNWAY TO THE SKY [18s-28s], location Runway (golden sunset, unbranded white private jet): [18-19.5s] LOW WIDE: the car rolls on its wheels down the runway beside the jet, both accelerating, the jet's engines shimmering with heat. [19.5-21s] DETAIL with RACK FOCUS: the car's vapour jets blast down onto the runway, smoke billows out, its tyres lift, and focus racks to the jet's nose rotating up. [21-22.5s] WIDE: both lift off together and climb toward golden clouds. The car pulls ahead, vapour streaming continuously. [22.5-24s] CHASE: the car punches through a cloud and bursts out above a glowing sea of clouds. [24-25.5s] WIDE AIR-TO-AIR: six to eight real white geese glide in on both sides of the car, flying alongside it. [25.5-26.5s] TIGHT, SHALLOW FOCUS at her window: a goose in the soft foreground. She smiles and waves goodbye. [26.5-28s] HIGH WIDE: the car tilts its nose down and descends through the clouds toward the golden land below, vapour trailing. SOUND: real location audio only. Footsteps and dialogue in the courtyard, a door thunk and electric hum, a whoosh as the car passes, camel groans, the deep hiss and whoosh of the thrusters, leaves roaring, the sweeper's laugh, birdsong and an apple snap, a jet-engine roar, rushing wind, goose wing flaps and calls. No music, so it can be added in the edit. Avoid: slow motion, CGI, an animated look, a plastic look, the car changing shape or size, glowing jets, rocket flames, fire, an evenly front-lit or pasted-in car, missing shadows, a front flip, a backflip, the woman on the right, a round steering wheel, team or sponsor logos, real celebrities, cartoon animals, birds frozen in the air, a white or studio background, text, watermark.

Browse all Seedance 2.5 prompts Explore AI Video Prompts