【Style】Swimming Strokes Showcase, cinematic photorealistic quality (16:9 Cinematic, Photorealistic), super slow-motion, sunlit pool with transparent blue water tones, ethereal athletic style with long hair flowing in water 【Duration】15 seconds 【Scene】An extremely long swim lane stretching endlessly into the distance, sunlight slanting through the glass ceiling into the water, casting shifting webs of light on the pool floor, crystal-clear turquoise water, no starting blocks, scoreboards, or other competition elements in frame 【Character】Protagonist @Image 1 【Structure】Four strokes displayed in sequence, all transitions completed in water: natural transitions via body rolls or underwater glides, no wall touches, no turns, swimming the entire lane in one pass; each stroke approximately 3 seconds, with a dedicated camera angle and signature shot [00:00-00:02.5] Opening: The Glide Side underwater camera: She leaps gracefully from the pool edge, body streamlined in an underwater glide, long hair fully spread behind her like a sheet of black silk, streams of bubbles trailing back from her fingertips, shafts of sunlight sweeping across her body. 【Sound】A soft "shhh" as she enters the water, followed by a low-frequency underwater hum of stillness. [00:02.5-00:05.5] Stroke One: Breaststroke Front low-angle water-level camera: She surfaces and begins breaststroke, arms sweeping outward symmetrically, legs kicking and squeezing together, body coiling and extending with calm elegance, face fully visible with each breath lift, wet hair clinging to her cheeks, arcs of ripples pushing forward and drifting slowly toward the lens. 【Sound】A soothing "whoosh—pom" stroke rhythm, breathing audible but light and clear. [00:05.5-00:08.5] Stroke Two: Roll → Backstroke She rolls sideways onto her back—cut to overhead top-down camera: She floats face-up, arms alternating in windmill arcs behind her, long hair fanning out in the water behind her head, swaying with the currents, eyes gazing at the ceiling's light patterns, a smile at the corners of her mouth, droplets flicking off her raised fingertips. 【Sound】A splash from the roll, followed by brisk alternating stroke sounds. [00:08.5-00:11.5] Stroke Three: Roll → Freestyle She rolls back onto her front—cut to side tracking camera: Arms alternating in powerful pulls, face turned to the water for breaths, kicks churning fine white foam, speed building, hair whipping in arcs across the surface with each head turn, a long trail of wake stretching behind her into the depths of the lane. 【Sound】Stroke sounds become continuous and powerful, tempo quickening. [00:11.5-00:14] Stroke Four: Butterfly Finale (Super Slow-mo) Front water-level camera in slow motion: Both arms sweep up and over her head simultaneously, chest and back undulating in waves, each pull exploding a pair of symmetrical water-wing splashes in front of her, droplets suspended and glistening in the sunlight, water cascading off her jaw like a curtain as she lifts to breathe, hair whipping a water arc behind her. 【Sound】Slow-motion "whoosh—whoosh—" stroke beats stretched out, droplets scattering like tiny bells. [00:14-00:15] Closing: The Descent She dives downward naturally, cut to underwater camera: Body stretching into a line gliding through the web of light, hair drifting backward, she turns her head to look at the lens with a smile, bubbles rising from her lips, frame freezes. 【Sound】Water sound settling into a low-frequency hum, freeze frame punctuated by a rising closing tone. 【Notes】The four strokes must be clearly distinct: breaststroke with symmetrical kick and squeeze, backstroke with face upward, freestyle with alternating arm pulls, butterfly with synchronized dual-arm wave propulsion; transitions between strokes only via in-water rolls or underwater glides, no pool walls appearing at any point; long hair is the aesthetic thread throughout the entire film, every shot must feature hair dynamics in or above the water.
This clip was generated with MiniMax H3 by MiniMax. The prompt on this page is the exact text used to create it.
The example was generated with MiniMax H3 using: 16:9 · 0:15 · Cinematic · Slow Motion. Reusing these settings gives the closest match.
Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.
Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.