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HomeAI Prompt LibraryAI Video PromptsPaper Forest Growing Stop Motion

Paper Forest Growing Stop Motion

MMiniMax H3MiniMaxvideo

tiny green trunks rising off the paper, branches spreading, moss filling in around the trunks

Details
Type
AI Video Prompts
Aspect Ratio
9:5
Duration
0:15
Updated
Sep 29, 2026
Category
NatureSurrealAbstract
Source

How to use this prompt

  1. 1Copy the full prompt with the copy button above.
  2. 2Open MiniMax H3 by MiniMax, or your preferred AI video generator.
  3. 3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
  4. 4Match the example's settings (9:5 · 0:15 · Nature · Surreal · Abstract), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with MiniMax H3 by MiniMax. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with MiniMax H3 using: 9:5 · 0:15 · Nature · Surreal · Abstract. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More MiniMax H3 prompts

0:30
MMiniMax H3
Prompt #MiniMaxH3 in Chinese: @image1 15s | 16:9 | 1440p | 24fps | SEAMLESS LOOP [LOCK] Render exactly as @image1. 完全按照该参考图呈现,不进行任何重新设计。Do not alter hair, bangs, eye color, coat silhouette, sash, hilt ornament, or blade proportion. [LOOP] A perfect cycle. The final frame must match frame one exactly — same composition, focal length, lighting, blade position and pose — so playback runs endlessly with no seam. The story is a blade breaking and unbreaking forever. [PALETTE] Background: smooth vertical gradient, luminous cyan-teal #2AA6B4 top into deep petrol #0F4A55 bottom — a graphic plane, no environment, no horizon, no props. Coat bright coral #FF9273. Inner garment #14454E. Hair true black with blue-white highlights. Metal and glass bright silver-white. Accents as refracted light ONLY, never flat fill: gold #FFD27A, cyan #6FE3F5, magenta #FF9ED8. Core palette always dominates. [STYLE] 2.5D anime, bright cinematic. High-key, generous bloom, crisp speculars, luminous not grim. Skin luminous with subsurface warmth at ears and fingertips. Coat as heavy matte cotton twill, deep folds. Hair in clumped strands with flyaways catching the rim. Glass with real thickness — edge refraction, internal fracture lines, micro-scratches. [EFFECTS] Escalating: time-echo ghosting trailing every fast move, each afterimage a different accent; liquid mercury flow as the blade sets; kaleidoscope fracture splitting the frame into mirror symmetry; shockwave refraction warping the background and bending the type; one-frame negative invert on hard impacts; glass-crack frame wipes; reverse-gravity debris; prismatic dispersion off every shard edge casting moving caustics across her face and coat. [CAMERA + LIGHT] Anamorphic — oval bokeh, blue streak flares, slight barrel distortion wide. 85mm close, 35mm wide, 24mm on moves. 180-degree shutter. Shallow focus on hero beats, deep on montage frames. Rack focus blade-to-eyes at 2.4s and 14.2s. Hard sun key from screen right, high and behind — bright rim on jaw, shoulder and blade edge. Broad cyan bounce fill off the background plane. Kicker thrown by the shards, hue shifting each beat. Shadows open, never crushed. Brightest at 10.4, back to the opening state by 15.0. [SIGNATURE] A fine engraved CIA0 sits on the blade's ricasso above the hilt, small letter-spaced capitals cut into steel, catching the key light as the camera races past in the opening shot. Part of the blade, not an overlay — present in frame one, in the final frame, and on the reforged blade at 14.4s. [SHARDS] Vary reflected content shard to shard: blue sky with cumulus, sunlit golden farmland, a low sun with lens flare, a fragment of her own face, pure white cloud. A few reflect a beat that has not happened yet. Never blank glass. [TYPE] Behind her on the gradient plane. Condensed sans for Latin, brush-weight for Japanese. Gradient fill, soft glow, hard offset shadow. Kinetic — slams, scrolls, shatters, warps under shockwaves. Never covers her face. Japanese runs VERTICAL in a side third; Latin STACKED, two lines max, cropped by frame edge for scale. 0.8s 「鏡」 coral into gold 2.2s "A BLADE THAT BREAKS" / "AND UNBREAKS FOREVER" pale cyan into white 5.0s "ONE IMAGE" / "FIFTEEN SECONDS" white into coral 7.2s 「反射」 diagonal prism sweep, cyan-white-magenta-gold 10.6s "NO CUT" gold into white, warping under the shockwave 13.2s title 「鏡落」 above "MIRRORFALL", silver into pale gold, coral glow — must fully dissolve before 15.0 [SHOTS] 0.0-1.6 LOOP POINT. Extreme close-up racing along the blade flat toward the hilt, clouds streaking on steel, flare sliding down the edge, the engraved mark passing through frame. Blade detonates. Glass-crack wipe. 1.6-3.2 BULLET-TIME ORBIT. Time freezes on the detonation; camera arcs 180 degrees through the suspended shard field, threading between fragments, debris hanging in reverse gravity. Motion resumes as the arc completes. @Image1 3.2-4.8 TOP-DOWN CRANE. Bird's eye directly above; shards lock edge-on into a ring around her, then the camera drops fast down the vertical axis into a low hero angle as the ring fires outward. 4.8-6.6 MIRROR PORTAL, one take, no cut. Camera pushes into the reflection inside a single shard, passes through, emerges behind her at a new angle. Time-echo ghosts trail her lunge. 6.6-8.4 SPIKE. Kaleidoscope fracture splits the frame into sixfold symmetry, resolves, and duplicates of her peel out of the shard surfaces, each trailing a different accent. Max two of her in frame. Extreme dutch angle. 8.4-10.4 SAKUGA MONTAGE. One exchange per frame: line-art on flat cyan, two-color coral-teal silhouette, heavy smear frame, one-frame negative invert, full render. Debris accumulates, never resets. 10.4-12.4 ESCALATION. Camera barrel-rolls a full 360 pushing in low. A shard catches an incoming strike, splits it into spectrum, fires it back doubled — the shockwave warps the background and bends the type. 12.4-15.0 REVERSAL. Literal time reversal in slow motion. Debris rises, cracks close, light retreats, shards spiral back along her arm and flow together as liquid mercury before setting into one unbroken blade, the engraved mark resolving last. Camera eases into the exact opening framing. Final frame matches frame one. [MOTION] Momentum over posing. Cloth, hair and coat lag every direction change. Wrist and grip rotate with the blade, weight carries through footwork. Speed ramp each beat — slow wind-up, fast snap, settle. 杜绝任何僵硬、停顿或不自然的关节角度。 [AUDIO] Every cue on the exact frame of its beat. The mix loops as cleanly as the picture. Bed: open air, bright wind, thin sustained glass resonance. 0.0-1.6 rising metallic ring, crystalline detonation on the break frame. 1.6-3.2 filtered vacuum for the frozen orbit, faint chimes and a low drone panning with the arc, rush as motion resumes. 3.2-4.8 hard glass snap on the lock frame, deep whoosh on the drop, wide fan of air as the ring fires. 4.8-6.6 pressure drop entering the shard, muffled interior tone, sharp release on the exit. 6.6-8.4 stuttering echo as the kaleidoscope splits, sub-bass swell, one chime per duplicate. 8.4-10.4 staccato impacts locked frame-for-frame to the cuts, glass cracking, blade screech, hard gate on the invert frame. 10.4-12.4 doppler roll following the barrel turn, spectral riser on the split, doubled bright impact out. 12.4-15.0 the mix runs in reverse — reversed chimes, glass reassembling, liquid metallic pour, resolving into the opening ring. Music: glass bells and plucks in at 3.2, strings rise at 6.6, choir swell peaks at 10.4, reversing from 12.4 back into its first note. No dialogue. [LIMITS] Max two figures. Accents as refracted light only. Effects accumulate until the reversal. All type carries its gradient. First and last frame identical, no floating type in either. Engraved mark reads CIA0, spelled exactly. No logos, watermarks, or extra subtitles. No environment. Never let the frame go dark or desaturated.
Details
0:15
MMiniMax H3
a stream of tiny clear glass beads pours out around the rim and spills onto the marble, bouncing, rolling, scattering
Details
0:15
MMiniMax H3
[0–3s] — THE RIDE Low cinematic tracking shot from behind. The girl rides her red bicycle along a quiet coastal road, guardrails beside her and the endless blue ocean beyond. Her skirt and loose strands of hair move naturally in the wind. Sunlight flickers across the road as she passes. [3–5s] — SOMETHING BEAUTIFUL Side shot as she suddenly notices a flock of white birds sweeping dramatically across the ocean. She slows down, smiles softly, and reaches into her backpack for a small instant camera. [5–8s] — THE PHOTOGRAPH She stops beside the overlook and raises the camera toward the ocean. As she takes the picture, the male character quietly walks into the far edge of the frame, completely unaware that he has just been captured in her photograph. [8–10s] — THE SURPRISE Extreme close-up of the photograph developing in her hands. The ocean appears first… then she notices the mysterious guy standing in the background of the photo. Her expression changes from peaceful curiosity to surprised amusement. [10–12s] — LOOK UP She slowly looks up from the photograph. Cut to the man a few meters away, standing by the guardrail with his backpack, looking directly at her. Wind moves his hair. He gives a subtle, almost playful smile. [12–15s] — THE LITTLE TWIST He walks toward her and gently points at the photograph, realizing he's in it. She laughs quietly. He gestures toward the road ahead as if asking, “Going this way?” She smiles, gets back on her bicycle, and he starts walking beside her. Final wide shot: They move together along the coastal road while the ocean stretches endlessly behind them. The little photograph remains visible in her hand as the camera slowly pulls back into the glowing blue-and-gold horizon. MOOD: spontaneous, beautiful, slightly mysterious, innocent romance, cinematic fate, natural chemistry. IMPORTANT: No exaggerated acting, no cheesy romance, no text, no logos, realistic physics and natural human movement.
Details
0:15
MMiniMax H3
Create a 15-second cinematic girl travel vlog in 16:9 landscape. A young woman walks through a beautiful Japanese park during peak sakura season while filming herself with a compact vlog camera. She laughs softly, spins slightly beneath the cherry blossom canopy and looks upward as petals fall around her. She then points toward a peaceful hanami picnic area filled with people enjoying spring. Her hair moves naturally in the breeze. Warm golden sunlight, authentic candid emotion, realistic people and environment, handheld influencer vlog aesthetic, photorealistic 4K, 16:9.
Details
0:15
MMiniMax H3
a translucent curl of ice rising off the blade and dropping to the bench, holding its curl
Details
0:15
MMiniMax H3
the first a white cloud drifting, the second a grey shower with tiny falling rain, the third slow snow, the fourth a small orange sunrise
Details
0:16
MMiniMax H3
He found a black hole paper and the Human greed took over. 😭 He kept pulling out money until he decided to go inside himself. Big mistake.
Details
0:15
MMiniMax H3
A Western female traveler in her mid-20s, wearing a beige winter jacket, dark hiking pants, hiking boots, knitted hat, gloves, and a small backpack, walks toward an approaching glass cable-car cabin at a modern snowy mountain station. She waits behind the safety line, boards naturally, holds the handrail, and stands beside the panoramic window as the doors close. The cabin gradually accelerates away from the station and begins climbing above a snow-covered valley. She naturally shifts her balance, places one gloved hand against the window, and watches the snowy forests, rocky slopes, winding trails, and distant mountain peaks below. Her expression changes to genuine amazement as the breathtaking landscape expands beneath her. She smiles and says, "Wow... look at that," with accurate English lip synchronization. The cabin gently sways as it moves along the cable before settling into smooth motion. Ultra-photorealistic travel documentary, realistic cable-car mechanics, authentic human movement, physically accurate inertia and suspension, natural snow and wind behavior, realistic reflections through glass, bright neutral daytime lighting, cinematic stabilized camera movement, immersive mountain ambience, seamless scene progression, consistent character and environment, no CGI appearance, no teleportation, no floating cabin, no exaggerated swinging, no distorted hands, no wardrobe changes, no text overlays, logos, or watermarks.
Details
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