



Marine fish × Japanese Gyotaku traditional direct fish rubbing × black ink contact impressions × brush-written fish name inscription × sparse and open negative space Apply ink to the fish body, then cover with paper and rub to transfer. Dense ink and paper white naturally interlace; differences in ink volume and contact create uneven impressions. Body surface textures, fin rays, and outlines vary between visible and obscured, with localized sticking, missing ink, or slight overflow, preserving the accidental nature of real rubbing. The paper surface is flat and clean, with faint paper texture. In the negative space, add a small handwritten inscription of the subject's common Chinese name, in black ink brush semi-cursive script, with natural character spacing and brush momentum, positioned in response to the fish body. Six sheets, each featuring a different marine fish species, with varying fish orientation, scale, position, and text-image layout. 9:16, n=6, six independent single images, no collage. Bottom left signature: a solid dark blue dot first, followed by white handwritten "DeepBlue".
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