Prompts
Featured
Models
Submit
Blog

AhaPrompt

AI Prompts for Images, Video & Audio — Every Model, One Library

Explore

All Prompts
Featured Prompts
Image Prompts
Video Prompts
Audio Prompts
AI Models
Submit a Prompt
Blog

Languages

English
中文
日本語
한국어

Copyright © 2026 AhaPrompt All rights reserved.

Privacy Policy Terms of Service

HomeAI Prompt LibraryAI Video PromptsEscalator Chase Action Comedy

Escalator Chase Action Comedy

Seedance 2.5ByteDancevideo

"Reverse Pursuit" | Mall Escalator Chase Action Comedy Use the two provided character reference images as strict visual references to generate a 30-second, 16:9 photorealistic live-action action comedy video. Accurately reproduce the following plot sequence, maintaining consistent character identity, faces, hairstyles, clothing, and mall environment, without changing the main story. Image 1 = Female lead. Maintain the character identity, light blonde long hair, bangs, flower hair accessory, sailor-collar outfit, damaged long coat, black knee-high socks, and shoes from the reference image. Image 2 = Man. Maintain the character identity, highlighted short hair, eyebrow accessory, ear accessory, necklace, tattoos, black leather jacket, dark top, gray-black trousers, and black shoes from the reference image. Shot 1 — 0.0–4.0s Wide shot of both people on mall escalators. The female lead and the man stand on two adjacent escalators, passing each other in opposite directions. The man suddenly reaches out and smacks the female lead on the side of the back of her head. The female lead loses balance, her knee hits the step, and she grabs the handrail in time to steady herself. The man continues moving downward and looks back laughing at her. Shot 2 — 4.0–8.0s After regaining her footing, the female lead immediately turns and gives chase. She runs quickly downward against the moving escalator, her movements clearly more strenuous than normal running. The man moves easily downward on the other escalator. Keep the positional relationship between the two clear. Shot 3 — 8.0–12.0s The man notices the female lead is struggling to catch up, so he simply stops and lets the escalator carry him automatically. He looks back, slaps the middle divider to continue taunting her, and imitates the earlier sneak attack motion. The female lead, while chasing, observes the middle divider and the space behind the man. Shot 4 — 12.0–16.0s The female lead suddenly braces against the handrail and quickly vaults over the divider between the two escalators. When the man sees she has actually crossed over, his smile instantly disappears and he turns to start running. The female lead lands behind the man on his escalator, briefly absorbs the landing, then continues the chase. Use a continuous wide shot to clearly show the entire vaulting action. Shot 5 — 16.0–19.0s The two rapidly chase downward along the same escalator. The man keeps looking back while running to confirm the female lead's position. The female lead keeps closing the distance. The two run off the escalator one after the other, entering the lower mall platform. Shot 6 — 19.0–21.5s The female lead catches up to the man, grabs his jacket and arm from behind, and forcibly pulls him to a stop. The man is forced to turn around. The female lead immediately raises her right knee and strikes his abdomen. After the impact, the man bends over, showing clear pain and a reaction of having the wind knocked out of him. Shot 7 — 21.5–24.5s The female lead maintains control, quickly turns to use momentum, and throws the man toward the nearby advertising wall. The man loses balance, and his shoulder and back slam heavily into the wall. The advertising panel partially dents from the impact. The man slides down along the wall to the floor. Keep the action realistic and weighty. Shot 8 — 24.5–28.0s Low-angle close shot. Breathing heavily, the female lead walks up to the man, places one hand on the wall beside his head, leans in, and stares directly at him. She says: "Touch me again and see what happens." The man leans against the wall, completely stripped of his earlier taunting expression. Shot 9 — 28.0–30.0s Wide shot of the mall platform. The female lead turns and walks away, her hair and long coat swaying naturally with her steps. The man sits beneath the damaged advertising wall, one hand clutching his abdomen as he gasps for breath. In the background, the escalators continue operating normally. Distant passersby stop to watch. Maintain a brief comedic ending before cutting to black. Overall Style Photorealistic live-action cinematic action comedy, 4K photo-level realism. Natural human movement, realistic physical feedback, realistic skin, hair, and clothing materials. Modern mall environment, stable indoor white lighting, realistic reflections on glass, metal, leather, and flooring. Cinematic depth of field, slight handheld camera, stable tracking shots, moderate dynamic camera movement, natural motion blur. Action rhythm clear, fast, and crisp, all maintained at normal real-time speed. No background music, no narration, no subtitles, no watermark. Only dialogue: "Touch me again and see what happens." Important Strictly maintain consistency of character identity, faces, hairstyles, clothing, and scene. The escalator running direction and character positions remain continuous throughout the entire chase. The female lead must first chase, then vault over the divider onto the man's escalator. After vaulting, continue the chase; do not jump directly to grabbing the man. Only after both leave the escalator and enter the mall platform should the close-quarters counterattack begin. Maintain the action order: sneak attack → chase → taunt → vault over divider → same-escalator chase → grab and stop → knee strike → throw into wall → warning → leave. Maintain natural physics and realistic force reactions. Do not add new characters, scenes, weapons, extra fighting, or unnecessary actions. Do not use slow motion, exaggerated effects, or complex camera work that obscures key actions.

Details

Type: AI Video Prompts
Aspect Ratio: 16:9
Duration: 0:30
Updated: Oct 7, 2026

Category

Cinematic Realistic Dynamic

How to use this prompt

1Copy the full prompt with the copy button above.
2Open Seedance 2.5 by ByteDance, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (16:9 · 0:30 · Cinematic · Realistic · Dynamic), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with Seedance 2.5 by ByteDance. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with Seedance 2.5 using: 16:9 · 0:30 · Cinematic · Realistic · Dynamic. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More Seedance 2.5 prompts

STYLE: Hollywood disaster-action film, photorealistic live-action, ARRI Alexa 35, anamorphic cinematic lens, realistic Malaysian metropolitan city, practical stunt realism, believable destruction and debris physics, aggressive handheld tracking, natural lighting, cinematic contrast, motion blur, dust, shattered glass, sparks, immersive disaster sound. MAIN CHARACTER: Use Image 1. Maintain exact facial identity, hairstyle, clothing and continuity throughout. CORE RULE: ONE CONTINUOUS SURVIVAL SHOT. No teleportation or unexplained cuts. Every movement logically connects. The man constantly runs, stumbles, recovers, jumps, slides, climbs and changes direction. The environment is the antagonist. 00:00–00:03- EARTHQUAKE Low-angle tracking behind his feet as he runs through a Malaysian city street. Ground violently shakes, he nearly falls, buildings shake and glass explodes. Concrete crashes behind him. He looks back briefly and accelerates. 00:03–00:06- COLLAPSE Front tracking shot racing backward. Building façade collapses behind him. He sharply changes direction, jumps over a metal barrier as concrete blocks destroy his original path. Dust fills the street. 00:06–00:09- CAR IMPACT He reaches an intersection. Vehicles slide uncontrollably toward him. He dives at the last second. Camera dives with him. A car passes overhead. He rolls, immediately gets up and keeps running. 00:09–00:12-ROAD CRACK A huge fissure tears across the road. He runs onto a damaged car, uses it as a springboard and leaps across the collapsing pavement. Lands hard and continues running. 00:12–00:15- FALLING GLASS Side tracking shot. High-rise windows explode above him. Glass rains down. He shields his face, ducks beneath a falling metal sign and keeps moving. 00:15–00:18-COLLAPSE A building front collapses ahead. He spots a narrow gap beneath the debris, drops low and slides underneath. Concrete crashes above him. He emerges dusty and immediately runs. 00:18–00:21-VEHICLE CHAOS A bus crashes into cars. A spinning vehicle comes toward him. He jumps onto its hood, springs off the roof and lands on the opposite sidewalk as sparks erupt behind him. 00:21–00:24- ELEVATED ROAD FAILURE An elevated roadway breaks apart ahead. He sprints to the edge and performs a full-body gap jump over the collapsing section. Brief dramatic slow motion, then real-time. Hard landing, roll, recover, run. 00:24–00:27- DEBRIS CHASE Heavy dust reduces visibility. Close shoulder-level pursuit. Falling streetlights and concrete force sudden direction changes. He stumbles against a wall, pushes himself forward and keeps running. A distant vehicle explosion sends a dust shockwave toward him. 00:27–00:30- FINAL COLLAPSE Camera moves ahead, facing him. Massive buildings collapse behind him as he runs toward camera. He jumps over a concrete barrier. A gigantic slab crashes behind him, creating a huge dust cloud. He emerges through the dust still running. CUT TO BLACK. One final footstep. SOUND: Deep earthquake rumble, structural cracking, glass explosions, crowd panic, tires, metal impacts, concrete crashes, heavy breathing, sparks, distant explosion and final low-frequency collapse. PERFORMANCE: He behaves like a real person fighting to survive not an action hero posing. Fear, instinct and adrenaline control every reaction. Realistic balance, impacts and recovery. CAMERA: Low tracking, front pursuit, side tracking, shoulder-mounted chase, whip-pans, ground-level slides and brief airborne follow shots. Camera always follows his momentum. No random drone shots, floating cameras or impossible rotations. FINAL FEEL: Relentless 30-second survival adrenaline — RUN → COLLAPSE → EVADE → JUMP → IMPACT → RECOVER → RUN → BIGGER COLLAPSE → RUN. Duration: 30 seconds | Aspect Ratio: 16:9

Image1 = woman holding gun from behind; Image2 = woman in foreground receiving drink. Strictly keep both women's faces, hairstyles, clothing, and identities consistent — do not swap them. Generate a 20-second, 16:9, live-action cinematic, one continuous take, no BGM crime-suspense deadpan comedy short film. Modern cold gray indoor beverage area, silver soda machine, cold white overhead lights. Camera fixed at a low angle slightly in front of and beside the soda machine, roughly waist-to-chest height, 35–50mm, medium close shot, shallow depth of field, essentially static. 0–4s Image2 character B cautiously approaches the soda machine, movements restrained and natural, only one brief wary glance around, neutral expression, no smiling. 4–7s She places a transparent plastic cup under the dispenser nozzle, only uses peripheral vision to check behind her once, then focuses on the cup. 7–12s Orange-yellow drink flows into the cup and gradually fills it, the machine fails to stop in time. The drink must realistically overflow past the cup rim → run down the cup wall → flow over her fingers → drip and splatter onto the metal tray. B only slightly furrows her brow, purses her lips, tightens her fingers — a sub-one-second "oh no" reaction, not exaggerated. 12–14s | Key reversal The camera does not search for danger. A black handgun slowly enters the existing frame from B's right rear, muzzle approaching the side-back of her head; character A should not appear fully yet at this moment. B reacts: her gaze first stops → extremely slight confirmation glance to the right rear → expression instantly goes quiet, body freezes. No wide eyes, no open mouth, no screaming, no jerking her head around. 14–17s B stays facing the soda machine, very slowly stops handling the cup and gradually raises both hands. Camera position unchanged, begins one natural cinematic rack focus: foreground B gradually falls out of focus, A at the right rear gradually sharpens. 17–20s Image1 character A becomes the sharp subject: black straight long hair, gold long earrings, black one-piece swimsuit, one hand steadily holding the gun, expression completely calm and neutral — no sneer, no menacing face. She looks at B and speaks in an ordinary conversational low voice, calm and earnest: "You know too much." B keeps her hands raised, does not turn around, does not respond — only an extremely subtle pause in her gaze. The shot ends immediately after the final word of the dialogue. Performance principles: B: restrained alertness → intense focus → brief hesitation → instant freeze. The greater the danger, the less she performs. A: always calm, steady, neutral — the threat comes from the act of holding the gun, not her expression. **Sound:** Only real production sound: footsteps, plastic cup, soda machine, liquid flowing and overflowing, splatter on metal tray, fabric rustling, and the final Chinese dialogue. No music, no horror sound effects, no cocking sound.

GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural makeup, black wavy hair tied into a messy side ponytail, loose peach T-shirt, white pajama pants, black sneakers and simple necklace. Maintain exact identity and appearance. LOCATION: Small Korean apartment courtyard during a warm windy afternoon. Concrete walls, laundry lines, potted plants, bicycles and neighboring homes. CAMERA / LOOK: Early-2000s consumer DV camcorder. Strong handheld shake, autofocus hunting, exposure pumping, faded colors, soft contrast, motion blur and imperfect zooms. SEQUENCE: She hangs freshly washed clothes on a long outdoor clothesline. Everything looks calm until a sudden strong gust sends one shirt flying off the line. She runs after it while laughing. The camera operator follows shakily. The shirt lands on a parked bicycle. She grabs it, tries to hang it again, and another piece of laundry immediately blows away. She looks toward the camera in disbelief before chasing it down the lane. AUDIO: Wind, fabric flapping, birds, footsteps, distant scooters and neighborhood voices. No music. Candid domestic humor, realistic fabric movement, nostalgic DV imperfections and believable everyday chaos.

30-Second Cinematic Ultra-photorealistic Korean summer lifestyle video following a young woman as she unlocks her city bicycle, places her crossbody bag in the front basket, and naturally rides through a peaceful residential neighborhood. She slows down, turns realistically, parks beside the grocery store, locks her bicycle, and enters the supermarket. She casually selects a few groceries—apples, milk, and a snack—then pays at the checkout. After placing the groceries securely in the bicycle basket, she unlocks the bike, mounts naturally, and cycles home along the same street. Focus on realistic human movement, bicycle balance, pedal motion, braking, tire contact, momentum, wind, clothing and hair movement, grocery-bag weight, and authentic everyday sounds. Smooth cinematic camera movement, natural lighting, realistic depth of field, and continuous cause-and-effect action. No teleportation, instant acceleration, floating objects, distorted anatomy, changing clothes or bicycle, exaggerated wind, CGI appearance, or action-movie movement.

Multi-shot sequence with hard cuts between shots. Keep the same characters and visual style throughout. No music or score — only natural diegetic sound. SHOT 1 A dirty, exhausted 18-year-old girl with dark auburn-brown hair in a messy low ponytail, warm brown eyes, faded olive-green military jacket, backpack and gloves, aims a bolt-action rifle inside an abandoned ornate mansion. Sweat, dirt, a cheek scrape and tears cover her face. Her hands tremble. She closes her eyes as a tear rolls down, then hears something and lowers the rifle, visibly heartbroken. SHOT 2 Over her shoulder, an infected golden-coated Golden Retriever sits on the debris-covered parquet floor. Matted fur, cloudy white eyes, wounds and dark veins. He trembles while softly whimpering and growling. SHOT 3 She slowly crouches, places the rifle on the floor, wipes her tears and gives the dog a small broken smile. She quietly speaks to him, pulls a worn yellow-green tennis ball from her jacket and gently rolls it toward him. SHOT 4 Extreme low-angle close-up of the tennis ball rolling through dust across the cracked parquet floor. It stops directly in front of the dog's paws. Hold on the still ball. HARD CUT / TRANSFORMATION SHOT 5 Same low camera angle and ball position, but now on a clean sunny residential basketball court. A healthy golden-coated Golden Retriever suddenly grabs the ball. His eyes are clear and warm brown, fur clean, playful and energetic. He shakes and plays with the ball. SHOT 6 Wide shot of the basketball court. The woman throws the ball and the happy dog sprints after it, catches it, runs back and drops it at her feet, ready to play. SHOT 7 Close-up of the clean, unharmed woman laughing while affectionately ruffling the dog's neck and chest. The dog happily pants beside her. SHOT 8 Wide peaceful shot. The woman and dog sit together in a pristine dark-green vintage convertible beside the court. She shares food from a tin can with him. He gently takes it and licks her fingers. CONSISTENCY Same woman throughout: dark auburn-brown hair, loose low ponytail, warm brown eyes, olive-green military jacket, khaki cargo pants and brown boots. Same Golden Retriever: infected and injured in the mansion, healthy and playful after the transformation. Mansion: abandoned ornate interior, tall arched windows, torn dark-red curtains, peeling damask wallpaper, shattered gilt mirror, broken furniture, debris, ceiling hole and strong sunlight beams. Court: clean residential basketball court, white lines, iron fence, flowering shrubs, stone townhouses, warm late-afternoon sunlight and soft shadows. Dark-green vintage convertible with chrome trim. Visual style: ultra-realistic, photorealistic, natural human and animal movement, handheld camera, shallow depth of field, ARRI Alexa 35 look, warm cinematic grade, subtle grain. Audio: ONLY natural breathing, house ambience, dog sounds, footsteps, ball sounds, birds and wind. ABSOLUTELY NO MUSIC OR SCORE.

WHITE DRAGON ASCENSION | 10s | 16:9 Use image1 as SANZO. Keep his exact face, hair, skin tone, physique, tattoos and outfit. Ultra-realistic live-action Hollywood action. Practical stunts, real katana combat, realistic physics, natural smoke and cinematic lighting. No CGI, anime, cartoon or game look. LOCATION: Infinite white cyclorama with glossy reflective floor, soft diffused light, no horizon or props. OUTFIT: All-white tactical shinobi outfit with hood, half-mask, layered robes, armor, belt, tabi boots and flowing fabric. WEAPON: ONE white-handled katana on LEFT WAIST, fully sheathed. SANZO draws it once. Blade and handle leave the saya together. Saya becomes EMPTY and remains visible. No duplicate weapon or handle. Katana never returns. CREATURE: Giant aggressive celestial dragon made of dense swirling white smoke, with horns, whiskers, mane and bright white eyes. 0–2s: SANZO runs through the white void as the smoke dragon chases him. FPV and low tracking shots. Jaws snap behind him. He combat-slides beneath the jaws. Slow motion, eye close-up, 2-frame freeze. 2–3.5s: During the slide, SANZO draws the katana. Empty saya stays visible. He performs cartwheel → butterfly twist → forward somersault and lands low. 3.5–8.8s: SANZO unleashes KAGE RYUJIN GIRI — CELESTIAL EXECUTION. The dragon coils, dives, bites and tail-whips. SANZO counters with flash steps, flips, twists and aerial slashes. Each slash tears through the smoke; the dragon instantly reforms. Use fast camera moves, crash zooms, speed ramps and heavy impacts. 8.8–10s: Final dive. SANZO performs an aerial corkscrew, somersault and butterfly motion, then delivers a powerful upward diagonal slash. 2-frame freeze. Dragon breaks into white smoke ribbons and disappears. SANZO lands in a strong ninja stance, katana in RIGHT hand, blade down. EMPTY saya visible on LEFT WAIST. Fade white. NEGATIVE: CGI, anime, cartoon, game graphics, glow, beams, duplicate katana, duplicate handle, sheathing, clipping, floating weapon, blur, plastic skin, watermark, logo, subtitles, text.

Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Japanese woman. No reference image. MAIN SUBJECT Young Japanese woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, soft and cheerful personality. Shoulder-length dark brown hair worn down with a simple clip pinning back one side, a few loose strands framing her face. Wearing an oversized light-yellow short-sleeve shirt, denim shorts, white canvas sneakers and a thin gold anklet. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older residential neighborhood in Kyoto during a warm summer evening. Narrow paved streets, low wooden houses, hanging laundry, vending machines, telephone poles, tangled overhead wires, a small corner convenience store, a shrine gate visible in the distance, cicadas humming in the trees, and long tree shadows stretching across the road. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside holding a small paper fan. She slides the door shut, glances at her reflection in a window, and looks toward the camera with a shy laugh. A warm evening breeze rustles the nearby wind chimes as she starts walking down the street. — CONVENIENCE STORE STOP She reaches the small corner store and buys a popsicle. She steps outside, unwraps it, takes her first bite and scrunches her face happily at the taste. She notices her friend filming and waves the popsicle toward the camera with a grin before taking another bite. — WALKING HOME She continues down the quiet street while eating. A small dog tied outside a shop barks softly and wags its tail. She kneels down and gently scratches behind its ears. The dog's owner calls it back and she stands, giggling as she walks on. — SMALL ACCIDENT She walks past a low hanging laundry line when a stray sheet brushes against her head. She stops, startled, then realizes what happened and bursts out laughing. She pats down her hair while her friend zooms clumsily toward her face. She looks directly into the camera and says: "Mou, yamete!" ("Come on, stop it!") — QUIET MOMENT She reaches a small stone step near a shrine gate and sits down for a moment. She finishes the popsicle while watching fireflies begin to flicker faintly near the bushes. A gentle breeze moves her hair. She tucks a loose strand behind her ear and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a soft playful smile and says: "Hayaku kite." ("Come on, hurry up.") She keeps walking down the dim lane as the streetlights flicker on, while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: cicadas, wind chimes, footsteps, distant bicycle bells, a vending machine hum, sliding doors, rustling laundry, faint conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, gentle, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Create a single continuous self-filmed vlog recorded on a handheld action camera in 16:9 aspect ratio. The camera is always held by the anthropomorphic fox, creating a natural first-person selfie perspective with light wind-induced shake, occasional soft lens flares from sunlight, realistic focus pulls, and dynamic walking/leaning motion. No cuts, transitions, or cinematic effects. Include a subtle realistic digital timestamp in the bottom-right corner that progresses naturally throughout the video. Visual Style: Bright modern 4K digital look with vibrant yet soft natural colors, warm mid-afternoon golden sunlight mixed with gentle shadows, soft bokeh on distant flowers, subtle pollen or floating seeds in the air, crisp details on fur and petals. Slight handheld energy but smooth enough for casual vlogging. Widescreen 16:9 framing. Character: Ember, a 24-year-old anthropomorphic red fox (bipedal, human-like proportions) with soft fluffy reddish-orange fur, white chest and muzzle, bright amber eyes, pointed ears, and a long bushy tail that sways naturally. He wears a simple light denim jacket with rolled sleeves over a soft cream t-shirt and comfortable cargo shorts. Personality: curious, warm, slightly playful and soft-spoken. Location: Starts in a wide open golden meadow filled with tall wildflowers (yellow buttercups, purple lupines, white daisies) surrounded by distant soft green hills and a few scattered oak trees under a clear blue sky with a few wispy clouds. Gentle breeze moving the grass and flowers. Sequence (exactly 30 seconds, continuous take with timestamps): 0:00 – 0:05 Ember lifts the camera, smiles softly at the lens with his ears perking up, and says in a warm, slightly raspy voice: “Hey friends… look at this meadow I just wandered into.” 0:05 – 0:13 He walks slowly through the tall flowers, lowering the camera slightly to show the colorful blooms and butterflies fluttering past while continuing: “The whole field is glowing… and there are so many little butterflies.” 0:13 – 0:20 He crouches carefully among the flowers, gently reaches one paw toward a yellow bloom without picking it, and watches a butterfly land nearby, laughing lightly: “Hi little one… you’re so delicate.” 0:20 – 0:26 He turns the camera to capture both his face and the meadow, then sits cross-legged in a soft patch of grass, letting his tail curl beside him. He gazes around for a few seconds and says quietly: “Places like this make the world feel endless and calm.” 0:26 – 0:30 He stands up, waves one paw at the camera with a gentle smile, and says: “Thanks for coming along today. See you next time.” The camera naturally lowers a little as he continues walking deeper into the meadow.

Browse all Seedance 2.5 prompts Explore AI Video Prompts