Bathroom Mirror Skincare UGC Ad

*Live-action version. For anime characters, see reply (↓) ────────────────── 【Style Specification】 - Convert to a photorealistic live-action image as if a real person were wearing the costume, while completely maintaining the design of the attached image (clothing, hairstyle, physique, color scheme) - Reproduce textures such as fabric, skin, hair, and metal with natural photographic realism - Do not change the design itself (do not add or remove clothing or accessories) - Use natural light and uniform lighting like a studio photo shoot 【Common Rules】 - Proceed only with SHOT separations (no time specifications) - End each SHOT with a still cut. Switch with a still → cut rather than smooth transformation - In each SHOT's frame, show only the elements specified for that SHOT. Do not mix other angles or alternate versions - Unify the background to a plain solid-color studio background (white or light gray) - Do not display subtitles, text, logos, or watermarks SHOT 1: Display a front-facing standing pose and a live-action close-up of the face side by side. SHOT 2: Display a side-facing (right) standing pose and a live-action close-up of the profile side by side. SHOT 3: Display a side-facing (left) standing pose and a live-action close-up of the profile side by side. SHOT 4: Display a back-facing standing pose and a live-action close-up of the back of the head side by side. SHOT 5: Display a front-facing standing pose and live-action close-ups of 6 facial expression variations (neutral, smile, anger, surprise, sadness, wink) side by side. SHOT 6: Display a front-facing standing pose and live-action macro close-ups of material details of worn items (clothing, accessories, jewelry) side by side. SHOT 7: Display a front-facing standing pose, a side-facing (right) standing pose, and a back-facing standing pose, along with a live-action close-up of the front-facing face, arranged together in one frame. ──────────────────

Two characters arguing in English. Make the emotion feel very realistic angry, tense, the friction between them should be palpable. Shaky handheld camera. No music.

@Hailuo_AI prompt: [Style] UGC ringside fight footage (Ringside Phone Footage), real vertical handheld phone shooting (9:16 Vertical, Handheld), raw on-site feel: digital zoom, slight defocus, motion blur, flash strobes, no filter no color grading straight-out-of-camera footage [Duration] 15 seconds [Scene] Indoor boxing gym fight night: regulation boxing ring, ropes on all sides, overhead lights shining directly down, crowd in darkness holding up phones, camera flashes going off everywhere, shooter standing in the second row at ringside filming on a handheld phone [Characters] Main character 1 @image1 (black robe with blue trim side, after removing robe: black boxing trunks and black gloves), main character 2 @image2 (white robe with green trim side, after removing robe: white boxing trunks and white gloves) [Shooting mechanics] Single continuous handheld phone shot throughout: the frame constantly has slight hand shake and breathing motion, at key moments the shooter aggressively pushes digital zoom to get close, briefly loses focus then refocuses, during intense moments the lens gets blocked by a front-row spectator standing up for half a second before finding the angle again — all the "imperfections" are the source of authenticity [00:00-00:03] Opening feeling-out Phone perspective shoots over the front-row spectators' heads toward the ring: the bell "clangs" and the two close in from their corners, main character 1 lowers his center of gravity and weaves side to side looking for an angle, main character 2 keeps both gloves up guarding his face and circles with small steps, the two exchange probing jabs, gloves thudding against each other. [On-site audio] Bell, crowd chatter, someone near the shooter yelling "hit him!" [00:03-00:07] First exchange The shooter aggressively pushes digital zoom to get close: main character 1 steps in with a left jab followed by a right hook, main character 2 ducks his head to dodge, closes distance and fires back with a two-punch hook combination, gloves thudding against each other, sweat flying under the overhead lights, the frame blurs for half a second from the rapid zoom before refocusing. [On-site audio] Continuous thuds of glove impacts, the crowd erupting with "ooooh—!", the shooter letting out an involuntary "holy shit." [00:07-00:10] Clinch and obstruction The two clinch up in close quarters grappling, the referee steps in to separate them — at that moment a front-row spectator jumps up excitedly, the phone frame gets blocked by the back of a head for an instant, the shooter frantically raises the phone higher over the heads to keep filming: the two separate and each take a step back, main character 2 wipes his face, main character 1 rolls his neck. [On-site audio] Referee yelling "Break!", the swell of crowd commotion drowning everything out. [00:10-00:13] Climax heavy blow Raised high-angle perspective: main character 2 throws a heavy punch first, main character 1 ducks under it, and the moment he comes up lands a solid right uppercut square on main character 2's chin — main character 2 staggers, stumbles backward into the ropes and slides down to sit on the canvas, the arena instantly explodes, camera flashes going off in a sea of light. [On-site audio] One explosive thud from the heavy blow followed by the crowd's roar blowing the roof off, the shooter shouting wildly, the phone shaking violently. [00:13-00:15] Final freeze frame The frame shakes as it pulls back to a wide shot: the referee rushes in to check, main character 1 retreats to a neutral corner raising both gloves high, countless phone screens glowing below like a sea of stars, the shooter yelling while pointing the lens toward the ring, the frame freezes on the blurry moment of main character 1 pumping his arm. [On-site audio] Cheering, whistling, someone pounding on the seat back in front, all fading into the roaring crowd. [Notes] The entire video maintains the raw gritty feel of straight phone footage: overexposed overhead lights, blurry focus, motion trails, and tilted framing are all acceptable; any cinematic color grading or gimbal-smooth camera movement is forbidden; striking actions should be stylized with results shown (hit, stagger, sit-down), staying within competitive sports bounds, no blood and no injury close-ups.

Duration: 15 seconds | Aspect Ratio: 16:9 | Style: Authentic UGC / iPhone selfie-vlog, handheld, natural light, slight motion blur, TikTok/Reels energy — NOT cinematic. Product Reference: Use the uploaded ramen bowl image as the only product reference. Keep the broth color, noodle thickness, toppings, egg placement, chashu slices, and bowl appearance identical throughout every shot. Camera: iPhone 15 Pro handheld with front/back camera switching, realistic autofocus hunting, natural handheld movement, slight exposure shifts, warm apartment lighting. Character Description Name: Yuna A young Japanese woman in her early 20s with soft natural beauty, shoulder-length dark hair tied loosely, subtle makeup, oversized gray hoodie, cheerful personality, filming casually inside a cozy apartment kitchen. Shot Breakdown SHOT 1 (0–2s) — Selfie holding the ramen bowl. Dialogue: "Late-night ramen again." SHOT 2 (2–4s) — Overhead reveal with steam rising. SHOT 3 (4–6s) — Close-up autofocus on noodles and broth. SHOT 4 (6–8s) — Chopsticks lifting noodles with a natural noodle stretch. SHOT 5 (8–10s) — Selfie bite reaction. Dialogue: "That's insanely good." SHOT 6 (10–12s) — Casual b-roll of the bowl while she reaches for another bite. SHOT 7 (12–14s) — Selfie holding noodles toward camera. Dialogue: "Worth every bite." SHOT 8 (14–15s) — Freeze frame with handwritten overlay: "ramen fix 🍜" Look & Feel Warm lighting, natural phone quality, authentic UGC pacing, jump cuts, realistic handheld movement. Negative Prompt cinematic look, luxury commercial, perfect framing, CGI noodles, unrealistic steam, plastic food, distorted chopsticks, extra fingers, warped hands, overprocessed HDR, text artifacts.

15 seconds | 16:9 | photoreal live-action war thriller Fictional Sahelian city at blue-hour dawn. Urgent, human, suspenseful, non-graphic. REFERENCE CONTROL Image 1 = locked AMINA identity and wardrobe. Preserve face, close-cropped hair, deep-brown skin, navy field jacket, silver earpiece, canvas satchel, analogue radio, boots and determined expression. Image 2 = locked environment. Preserve concrete bridge, dry riverbed, dense low-rise city, rooftop antennae, dusty atmosphere, cool-blue shadows and restrained amber dawn. No real countries, flags, organizations or landmarks. STORY Amina is the last radio operator keeping an evacuation bridge open. Communications fail during a distant attack. She must activate the backup relay and transmit clearance before automatic controls close the bridge. 00–02s — CHANNEL OFFLINE Extreme close-up inside a dark concrete communications room. Amina grips the analogue radio as red emergency lights pulse. Dust trembles, cables quiver, broken static fills the room. Automated voice: “Emergency channel offline.” She looks up and immediately moves. 02–04s — BRIDGE CLOSING Wide aerial-oblique rooftop view. Civilians cross the bridge through windblown dust. Checkpoint signal flickers green → red as shutdown begins. A distant shockwave moves through city haze. No visible casualties. 04–06.5s — RUN Low handheld tracking behind Amina running through a damaged service corridor. Emergency lights flash, dust falls, cables briefly spark, boots hit wet concrete. She pushes through a heavy metal door into blowing dust. 06.5–09s — FLASHBACK Two minutes earlier. Medium side-profile on rooftop. Amina sees the unstable bridge signal, manually rotates the antenna and connects her radio to backup power. Slow camera push. Wind moves her satchel strap as first amber sunlight reaches her jacket. 09–12.5s — TRANSMISSION Rapid cross-cut montage: frequency dial locks → antenna aligns → bridge cables vibrate → red signal flashes → Amina speaks into radio: “Channel Seven, keep the bridge open.” Overhead shot: civilians continue crossing. Sharp hard cuts, brief black frames, natural motion blur. 12.5–15s — SIGNAL RESTORED Sound suddenly drops. Amina listens on the rooftop. Clear radio tone. Checkpoint signal changes red → steady green. Evacuation continues. Amina exhales and watches the bridge as dawn reaches the city. Slow push toward her face. Cut to black. CAMERA Large-format live-action realism. Precise nonlinear cross-cutting. Handheld tracking, aerial-oblique coverage, restrained push-ins and close details. Natural motion blur, fine film grain, subtle gate weave. No impossible camera movement. ENVIRONMENT + PHYSICS Cool-blue shadows against muted amber sunrise. Deep blacks, dusty atmosphere, weathered concrete. Wind realistically affects dust, clothing, cables and antenna equipment. All movement and interactions remain physically believable. AUDIO Stereo radio static, electrical hum, wind, boots, antenna creaks, distant low artillery and helicopter rotors. Restrained suspenseful sub-bass builds through the montage. VISUAL Photoreal cinematic war-thriller footage. Immense scale contrasted with one determined operator. Grounded, tense and human. No subtitles, text, logos, watermarks, political messaging, flags or military insignia. CONTINUITY Same Amina identity, wardrobe, radio and satchel throughout. Same bridge, city, atmosphere and dawn lighting. Maintain geographic and temporal continuity across all shots.

CAMERA: DV 16mm tape camcorder POV. CHASE films herself, occasionally propping the camera on a wall or gym bag. Natural handheld shake, imperfect framing, delayed focus, clumsy zooms, face occasionally cut off. Camcorder never visible. LOOK: Soft blurry tape aesthetic, faint tape noise, bloomed gym lights, flickering auto-exposure, muted contrast, realistic skin. STYLE: Calm post-workout gym vlog. Relaxed, reflective, slightly tired but happy. Slow pacing, natural laughs. CHARACTER: CHASE, Korean idol (20s). Long black hair loosely tied, light post-workout glow, slim athletic build. Modest long-sleeve athletic top, loose joggers/leggings, socks or shoes off, towel around neck, no jewelry. SETTING: Quiet evening gym. Stretching mat, mirror wall, gym bag, protein shake, soft lighting, mostly empty. 15s | 6 Cuts Propped medium: sits on mat, exhales. "Okay, cool-down time." Handheld stretch: hamstring stretch, laughs. "Yeah, that was a lot today." Macro: picks up protein shake, condensation visible. Ambient sound only. Medium: drinks shake, smiles. "Okay, that's actually really good." Close: overhead stretch, rates workout. "I'd give today like an eight out of ten." Selfie: grabs bag and shake, waves. "Alright, I'm heading out—see you guys."

VIDEO PROMPT — "Pizza Night Vlog" (UGC iPhone Style) Duration: 15 seconds | Aspect Ratio: 16:9 | Style: Authentic UGC / iPhone selfie-vlog, handheld, natural light, slight motion blur, TikTok/Reels energy — NOT cinematic, NOT overly polished. Feels like a real creator filmed this on their phone. Product Reference: Use the uploaded Domino's Pepperoni Pizza image as the only product reference. Keep crust thickness, cheese texture, bake color, pepperoni placement, and proportions identical in every cut — no redesigning the pizza. Camera: iPhone 15 Pro front + back camera switching, handheld, natural wobble, autofocus hunting slightly (realistic), vertical-style framing cropped to 16:9, occasional finger near lens edge, natural room lighting + phone flash reflections on the pizza box. Character Description Name (for reference): Mia Awoman in her mid-20s, naturally attractive and beautiful with an approachable, girl-next-door charm — not overly done up. Wavy sandy-blonde hair pulled back loosely, light natural makeup, wearing a cozy oversized cream sweater. Warm, genuine smile, expressive eyes, casual energetic personality like a real lifestyle vlogger. Sits in a softly lit modern kitchen/living room. Shot Breakdown SHOT 1 (0–2s) — The Grab Selfie-angle, she's mid-laugh holding up the Domino's box to camera. Quick jump cut. Dialogue: "Okay so it's officially pizza night—" SHOT 2 (2–4s) — The Open Cut to overhead handheld shot, box flips open, steam rising off the pizza, slight camera shake as she leans in. SHOT 3 (4–6s) — The Zoom Quick zoom-punch into the pizza, phone camera autofocus adjusts naturally, cheese and pepperoni in focus, ambient kitchen sounds. SHOT 4 (6–8s) — The Pull Cut to her hands lifting a slice, natural cheese pull, filmed from a slightly low candid angle like a friend filming across the table. SHOT 5 (8–10s) — The Reaction Cut back to selfie-cam, she takes a bite, eyes widen, quick genuine reaction. Dialogue: "Oh my god, that's so good." SHOT 6 (10–12s) — The Candid Cutaway Jump cut to a close, slightly shaky shot of the pizza box on the counter, her hand grabbing another slice off-frame, casual b-roll energy. SHOT 7 (12–14s) — The Wrap-Up Back to selfie angle, she grins at camera, holding slice up like a toast. Dialogue: "Dominos, y'all know what to do." SHOT 8 (14–15s) — End Tag Quick freeze/cut to the box logo close-up, natural handheld wobble, soft text overlay in casual font: "pizza night = solved 🍕" — cut to black. Look & Feel Warm indoor lighting, slightly grainy natural phone sensor look, imperfect framing, real reactions, minimal dialogue (3 short lines total), authentic pacing with hard jump cuts instead of smooth transitions. Negative Prompt cinematic grade, overly smooth camera moves, studio lighting, professional voiceover, staged acting, CGI look, plastic cheese, distorted pepperoni, extra fingers, warped hands, text glitches, logo distortion, overly polished commercial feel.

Camera: First-person perspective at eye level with authentic handheld player movement, as if recorded directly from a modern AAA military shooter. The player carries a highly detailed assault rifle with realistic animations, visible hands, tactical gloves, dynamic reload mechanics, and weapon sway. **Opening Action:** The video immediately begins with the player already aiming down a roadway inside a modern military base. Multiple enemy soldiers are visible in the distance near sandbags, barricades, and military vehicles. The player carefully tracks one target, making small aim corrections while maintaining ADS (aim down sights). Fire several controlled bursts immediately at the visible enemies, producing realistic muzzle flashes, shell casings ejecting, smoke, recoil, hit reactions, and dust impacts around the targets. Continue firing in multiple short bursts while adjusting aim between enemies, simulating authentic FPS gameplay rather than scripted animation. **Movement:** After the opening firefight, lower slightly from ADS and begin advancing cautiously along the road beside concrete barriers, Hesco walls, and parked military vehicles. Frequently check left and right corners, briefly stop to reacquire targets, then raise the weapon and fire additional controlled bursts whenever enemies appear ahead. Continue pushing forward with deliberate player-controlled movement, using cover naturally and maintaining believable tactical pacing. **Environment:** Large modern military base with guard towers, armored vehicles, shipping containers, blast barriers, damaged buildings, smoke plumes, burning debris, scattered shell casings, dust clouds, and atmospheric battlefield haze. Cool natural daylight mixed with smoke and orange firelight creates a cinematic battlefield atmosphere. **Camera Motion:** Authentic player-controlled movement with subtle head bob, weapon sway, natural mouse-look adjustments, small left-right corrections while aiming, realistic recoil, smooth tracking of moving targets, brief pauses before shooting, and fluid forward progression. Avoid cinematic camera moves—everything should feel like genuine live gameplay captured by a skilled player. **Visual Quality:** Ultra-photorealistic, AAA game graphics with realistic PBR materials, detailed weapon models, physically accurate lighting, volumetric smoke, dynamic particle effects, crisp textures, realistic bullet impacts, muzzle flash illumination, motion blur only during rapid movement, and high-end military shooter presentation. **Gameplay UI:** Display a realistic modern FPS HUD inspired by games like PUBG, Battlefield, or Call of Duty (without copying exact copyrighted assets). Include: * Central dynamic crosshair or reticle * Ammo counter with magazine and reserve ammunition * Fire mode indicator * Compass at the top * Squad/team status panel * Mini-map in the upper corner * Health bar * Tactical equipment icons (grenades, medkit) * Hit markers when bullets connect * Directional damage indicators * Kill notification feed * Objective marker in the distance * Subtle interaction prompts and realistic HUD animations The HUD should feel polished, modern, and fully integrated into the gameplay, enhancing the illusion of authentic recorded footage from a contemporary military FPS.