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HomeAI Prompt LibraryAI Video PromptsMystical Abyssal Meadow Single Take

Mystical Abyssal Meadow Single Take

AlibabaWan 3.0Alibabavideo

A single unbroken 30-second take, 16:9, mystical abyssal meadow, photoreal textures mixed with impossible biology, ultra-detailed, no cuts. Global look: a silent basin of black volcanic sand and still, clear water. No sunlight from the surface. No ordinary fish, no sharks, no whales, no dolphins, no turtles, no seahorses, no clownfish, no tropical coral, no shipwrecks, no mermaids, no human ruins. Light is produced only by living things. Water is gin-clear with slow pearl-dust motes. Volumetric colored breath hangs in mid-water like incense. Jewel tones: milk-white, crushed-jade, violet, and inner gold. Cinematic, sacred, painterly realism, fine silt, gentle caustics on sand, shallow-to-medium depth of field that breathes with the camera. Invented plants — choir-kelp: tall hollow stems of glass-soft living crystal rising from the sand, two to four meters high. They slowly inhale, darken, then exhale long ribbons of colored breath that drift and braid in the current. The breath is physical light, not cheap neon. Roots look like pale nerve-lace in the sand. Invented animals, keep their anatomy locked for the full 30 seconds: 1) A glass-deer: six slender legs, body of living transparent abalone-glass so internal gold-light organs are visible. Two slow hearts: one red-amber, one pale gold. Antlers of branching sponge-crystal that grow tiny singing beads. It walks on the seafloor, hooves leaving brief rings of light in the sand, never swims frantically. 2) Page-rays: wide flat rays with wings of living vellum-skin. As they glide, faint maps, rivers, and coastlines write themselves across the wing and dissolve. Edges fray into soft fibers, not fins. 3) Needle-choir: hundreds of thin silver needle-bodies that behave as one organism. They lock together, change formation, and hold shape. Not a normal bait-ball. 4) The Bloom-Mother: a rooted anemone-tree at the far center, trunk of dark pearl-bark, crown a huge slow flower of living petals. Each petal is a half-awake creature. When the bloom opens, a newborn glass-deer steps out already walking. Camera: start low and wide at sand level, looking across the meadow toward the Bloom-Mother. Slow push-in combined with a gentle rise and a soft left-to-right drift. Follow the adult glass-deer without losing the grove. End in a medium shot as the newborn steps from the bloom and the needle-choir becomes a lantern above them. One continuous move, no reset, no snap-zoom, no handheld chaos. [0s–6s] Wide. Choir-kelps inhale and exhale. Ribbons of jade and violet breath unfurl. A glass-deer walks from frame-left across black sand, six legs precise, antlers beading with tiny lights. Camera begins a slow push. [6s–13s] A page

Details
Type
AI Video Prompts
Aspect Ratio
16:9
Duration
0:30
Updated
Aug 28, 2026
Category
SurrealCinematicEthereal
Source

How to use this prompt

  1. 1Copy the full prompt with the copy button above.
  2. 2Open Wan 3.0 by Alibaba, or your preferred AI video generator.
  3. 3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
  4. 4Match the example's settings (16:9 · 0:30 · Surreal · Cinematic · Ethereal), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with Wan 3.0 by Alibaba. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with Wan 3.0 using: 16:9 · 0:30 · Surreal · Cinematic · Ethereal. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More Wan 3.0 prompts

0:20
AlibabaWan 3.0
A high-intensity, cinematic anime duel set in a dense bamboo grove at midnight. Heavy rain pours through the forest as traditional paper lanterns sway violently in the storm. Towering bamboo silhouettes vanish into thick, rolling mist. One warrior wields blazing orange flames, while his horned, demonic rival commands wild violet electricity. Their movements are precise, brutal, and impossibly fast. No character names or dialogue. 0:00–0:02 — The Silent Forest A sweeping establishing shot glides between endless bamboo trunks. Two warriors face each other in the rain, completely still. A lantern flickers overhead, then the entire forest plunges into darkness, leaving only the faint glow of their supernatural blades. 0:02–0:04 — First Contact An extreme close-up reveals the fiery warrior's focused eye. In a sudden burst of motion, he lunges forward, drawing a blazing arc through the darkness. His opponent blocks at the last instant. The collision releases a violent burst of orange sparks and branching purple lightning. 0:04–0:06 — Through the Bamboo The camera races alongside the fiery swordsman as he dashes through the grove, slicing through a row of bamboo with a single flowing combination. The stalks begin collapsing behind him. His opponent slips through the falling debris, leaving flickering violet silhouettes in his wake. 0:06–0:08 — Lightning From Above The camera rises directly overhead as the horned warrior launches into the air. He plunges downward with an electrified strike, splitting the muddy ground into a glowing fissure. The flame-wielding swordsman narrowly evades the impact, sending water and shattered earth flying toward the lens. 0:08–0:11 — Three Exchanges A rapid sequence of tightly choreographed sword clashes. First, a top-down shot captures their blades locking together. Next, a low-angle view shows sparks scattering across the flooded ground. Finally, the camera circles them in a fast 180-degree rotation as their weapons collide repeatedly. Each impact illuminates individual raindrops suspended in midair. 0:11–0:14 — Blades of the Storm The demonic swordsman sweeps his weapon outward, unleashing a rotating barrage of crescent-shaped violet energy blades. The flame warrior counters with a powerful spinning technique, creating a spiraling vortex of fire. The two supernatural attacks collide, filling the clearing with swirling embers, electrical arcs, and burning fragments of bamboo. 0:14–0:17 — The Decisive Clash Time slows as both fighters launch from opposite sides of the clearing. Orange flames wrap around one katana while jagged purple lightning crawls along the other. Their capes, robes, and hair whip in the storm. They meet at the center of the frame, blades crashing together in a blinding flash. 0:17–0:19 — Aftermath of Impact An extreme wide shot captures a massive pressure wave spreading through the forest. Bamboo stalks bend, snap, and scatter as the ground erupts beneath their feet. Burning orange light and violet electricity tear through the rain-filled mist while shattered lanterns tumble across the clearing. 0:19–0:20 — The Final Detail The camera settles into a close-up of both warriors standing back-to-back, barely moving. Rain evaporates into steam wherever it touches the flaming katana. Behind them, a hairline fracture slowly spreads across the demon's electrified blade. Cut to black. Visual Direction & Sound Design: Premium hand-drawn anime aesthetics blended with dimensional 3D environments. Bold inked contours, dramatic cel shading, expressive smear frames, fluid sword choreography, exaggerated speed lines, and intricate elemental effects. Deep blacks contrast with searing amber fire and luminous violet electricity. Dense volumetric mist, realistic rain simulation, cinematic motion blur, and highly detailed environmental destruction. The soundtrack combines intense Japanese orchestral percussion, deep taiko drums, roaring thunder, sharp metallic blade impacts, and explosive magical sound effects. No dialogue, no subtitles, no character names. Maintain consistent character designs throughout all shots.
Details
0:15
AlibabaWan 3.0
Extremely fast-paced, realistic, cinematic FPV flying through Tokyo, Japan. Low-altitude dives through neon-lit Shibuya streets, weaving between towering skyscrapers, crowded crosswalks, and glowing Japanese billboards. Sharp turns through narrow alleyways filled with ramen shops, drifting past vending machines, red lanterns, and bustling night markets. Racing beneath elevated train tracks as bullet trains rush overhead. Seamless swoops through futuristic shopping districts, reflective glass towers, and cyberpunk streets soaked in rain. Dynamic transitions from vibrant city nightlife to peaceful temple gates and cherry blossom-lined streets. Ultra-realistic textures, wet asphalt reflections, volumetric lighting, motion blur, steam rising from street food stalls, and cinematic atmospheric depth. Aggressive dives, tight obstacle dodges, smooth barrel rolls, and fluid high-speed maneuvers. Photorealistic, immersive, one continuous FPV flight, 4K cinematic quality, dramatic lighting, breathtaking sense of speed.
Details
0:10
AlibabaWan 3.0
Cinematic slow forward dolly shot moving past rugged rocks and weathered foliage toward a lone man standing tall on a jagged mountain peak. In the foreground, an weathered wooden suspension rope bridge with worn timber planks sways gently in the breeze, bridging an alpine cliff trail to the mountainside. The camera pushes in past his shoulder, gradually revealing the dizzying scale of the deep gorge below and the rushing, turquoise-blue river cutting through the canyon floor.
Details
0:30
AlibabaWan 3.0
Generate a 30-second photorealistic supernatural comedy in 16:9landscape format, beginning from the supplied opening frame. 0–4 SECONDS — THE DISTURBANCE: Continue directly from the opening frame. Dax shifts his sneakers on Lena’s seat back, causing a small jolt. Lena closes her eyes briefly, then opens them with restrained irritation. Evan notices the shoes and turns slightly toward Dax. Keep the popcorn bucket upright on his lap. 4–8 SECONDS — THE WARNING: Cut to a side three-quarter view showing the two rows. Evan turns back and quietly says, “Feet down.” Dax responds with a dismissive half-smile and keeps his shoes in place. Lena remains still, then slowly directs her attention toward him. 8–12 SECONDS — THE LIFT: Cut to Lena’s face. Her irises develop a faint violet tint. She raises one hand beside her shoulder and turns her palm upward. Cut wider. Dax’s shoes lift away from the seat back as his knees bend naturally. His torso rises from his chair, followed by his hips and legs, forming one continuous, physically coherent movement. He looks down in surprise as he floats just above his seat. Nearby patrons glance upward. 12–17 SECONDS — THE LAUNCH: Cut to a reverse wide shot from behind the audience, establishing the large cinema screen ahead. It shows a dusty, damaged city street with distant zombie-like figures. Dax rises clear of the seat backs and turns to face the screen. Lena makes one sudden forward pushing gesture. He accelerates straight toward the screen above the center aisle, without striking any patrons. His arms reach forward instinctively while his jacket and hair trail behind him. Follow his movement with a controlled tracking shot. Keep the trajectory continuous and clearly directed toward the screen. Normal speed throughout. 17–20 SECONDS — THROUGH THE SCREEN: Dax reaches the center of the screen. The projected surface ripples inward like a luminous membrane as he passes through it: head and shoulders, torso, then legs and sneakers. The screen closes behind him. Cut on the same forward movement into the movie world. He lands on his palms and knees on the dusty street, absorbs the movement with bent elbows, and immediately begins pushing himself upright. 20–25 SECONDS — INSIDE THE MOVIE: Use a low medium-wide shot. Dax stands, looks behind him, and sees three zombie-like figures approaching. They have dusty torn clothing, pale faces, and stiff movements without graphic wounds. He turns and runs down the street, glancing back in comic panic. Briefly show the cinema screen from the audience’s perspective: Dax is now visibly running inside the projected film. This confirms where he has gone. 25–30 SECONDS — THE PAYOFF: Return to Lena and Evan in their original seats. Lena’s eyes are dark brown again. Evan looks at her with astonishment, then gently offers the popcorn bucket. Lena takes one small pinch of popcorn with her right hand, raises it to her mouth, places it inside, withdraws her fingers, and chews naturally. The popcorn disappears only after entering her mouth. She looks forward with a faint satisfied smile. Evan lets out a small amused breath. Hold their quiet two-shot as light from the movie flickers across their faces. PHOTOGRAPHY: Realistic cinema lighting, deep-red seats, cool screen illumination, natural skin texture, and readable facial expressions. Inside the movie, use dusty daylight, desaturated architecture, and grounded shadows. Use clear close-ups, side coverage, and establishing wides. Match action and travel direction across cuts. Keep the supernatural event fast and decisive. AUDIO: Natural theater ambience, seat movement, Evan’s brief warning, a subtle supernatural hum, a sharp rushing sound during the launch, movie-world footsteps, and a quiet popcorn crunch at the end.
Details
0:15
AlibabaWan 3.0
EAST AUSTIN - AFTER HOURS 15-Second Cinematic Streetwear City Tour | WAN 3 | Night Character & Visual Continuity Begin with the supplied reference image as the exact opening frame, transitioning immediately into nighttime. Preserve the woman's exact facial identity, long wavy hair, green-and-white trucker cap, white sleeveless cropped top, oversized cream shorts, white socks, striped sneakers, tattoos, and black shoulder bag throughout all scenes. The film captures East Austin's authentic nightlife through street art, neighborhood bars, food trucks, live music, and spontaneous human interactions. Natural confident movement, cinematic streetwear photography, and an energetic but believable atmosphere. Scene 1 — Skylark, East Austin (0:00–0:02.5) Begin outside the Skylark storefront from the reference image, now illuminated by warm nighttime lighting. The woman makes direct eye contact with the camera for less than one second, gives a subtle confident smile, then turns and starts walking. A few patrons enter the bar behind her. The camera tracks backward at medium distance, maintaining her face and upper body in frame. Clean hard cut. Scene 2 — East Sixth Street (0:02.5–0:05.5) She walks confidently along East Sixth Street, passing colorful murals, illuminated neighborhood bars, and small groups socializing outside. A cyclist rides past behind her as she briefly glances toward the street activity. The camera tracks laterally at waist height, rising into a dynamic medium portrait. Authentic Austin storefronts, streetlights, and moving pedestrians create a lively nighttime setting. Clean hard cut. Scene 3 — East Austin Food Truck Court (0:05.5–0:08.5) At a bustling outdoor food truck court, she approaches a warmly illuminated service window. A friendly vendor hands her a small paper food tray. She visibly reaches out, takes the tray, smiles, and says, "Thanks!" The vendor replies, "You bet!" The camera makes a close lateral pass, clearly capturing the complete hand-to-hand exchange. Customers converse nearby, and warm light spills across the sidewalk. Clean hard cut. Scene 4 — East Sixth Live Music Courtyard (0:08.5–0:11.5) She moves through an intimate outdoor bar courtyard where a local band performs beneath warm string lights. Small groups talk, laugh, and move naturally to the music. As she walks past a friend, they exchange a quick sideways high-five, both smiling and continuing forward without stopping. The camera sweeps closely across her shoulder into a moving medium close-up, keeping her prominent while revealing the band and lively crowd behind her. Clean hard cut. Scene 5 — East Austin Night Portrait (0:11.5–0:15) She walks along a vibrant East Austin sidewalk past illuminated murals, parked bicycles, and active neighborhood bars. The camera tracks alongside her before smoothly arcing around into a frontal medium-close portrait. She casually adjusts the brim of her trucker cap, looks directly into the lens, and gives a playful half-smile while continuing forward. The camera retreats smoothly, finishing on a strong cinematic portrait with warm streetlights, colorful storefronts, and natural pedestrian movement behind her. Cinematography & Editing Five distinct shots across exactly 15 seconds. Clean hard cuts with purposeful visual continuity. Dynamic frontal tracking, lateral camera movement, close-range passes, and a smooth closing camera arc. Alternate medium, sectional, and portrait compositions without repetitive full-body scans. Keep the protagonist visible and recognizable in every shot. Natural walking connects the scenes, with believable movement through each location. Maintain accurate East Austin architecture, recognizable neighborhood character, realistic storefront signage, authentic street art, and convincing local nightlife. Background pedestrians move independently with natural behavior. Nighttime illumination comes from practical streetlights, illuminated storefronts, food trucks, and bar lighting. Realistic exposure, skin tones, shadows, and reflections. All physical interactions must be complete and continuous. Food is visibly transferred from vendor to character. The sideways high-five makes clear hand contact. No teleportation, sudden object appearances, morphing, identity drift, distorted anatomy, unnatural camera movement, plastic skin, smoothing, or animated appearance. Hyper-realistic cinematic photography, natural skin pores, detailed fabrics, realistic hair movement, and believable human performances. Audio: Authentic nighttime street ambience, distant conversations, passing bicycles, brief natural dialogue, and live music originating from the courtyard performance. No generated background music, soundtrack, or voiceover.
Details
0:13
AlibabaWan 3.0
Create a 13-second ultra-realistic luxury beauty advertisement for a turquoise lip gloss with elegant minimalist packaging. Scene 1 (0–3s): A close-up of the lip gloss standing upright in fresh snow on a mountain peak at golden hour. Warm sunlight glows through the background, tiny snow particles float in the air, and the camera slowly pushes toward the product. Scene 2 (3–6s): A beautiful woman with long dark wavy hair, natural glowing skin, and elegant makeup sits on a snowy mountain rock wearing a flowing ivory chiffon gown. She holds the turquoise lip gloss and looks confidently into the camera. Snow-covered mountains and misty peaks create a breathtaking luxury backdrop. Her dress moves gently in the cold breeze. Scene 3 (6–9s): Extreme macro close-up of her lips as she smoothly applies the lip gloss with the applicator. Show realistic lip texture, a beautiful wet shine, precise application, and soft natural highlights. Scene 4 (9–11s): She gently presses her lips together, revealing a glossy, hydrated finish. Soft light reflects naturally across her lips, with a subtle, elegant camera movement. Scene 5 (11–13s): Final luxury beauty portrait of the woman holding the product beside her face against the snowy mountain scenery. She gives a confident, subtle expression while her hair moves gently in the wind. Visual style: Photorealistic luxury cosmetics commercial, cinematic golden-hour lighting, creamy highlights, cool snowy backgrounds, shallow depth of field, macro product photography, smooth camera movements, realistic skin and lip texture, premium beauty campaign aesthetic, 4K detail, vertical 9:16 format. Consistency: Keep the same woman, facial features, hairstyle, ivory gown, and turquoise product throughout. Maintain consistent product packaging and realistic hand movements. Avoid: Cartoon visuals, plastic skin, distorted fingers, changing product design, flickering, unnatural lip movements, extra objects, text overlays, logos, and watermarks.
Details
0:30
AlibabaWan 3.0
A model with long light-brown hair walks and poses in a luxurious studio setting against a soft beige wall and a towering arrangement of white peonies. She wears a dramatic one-shoulder evening gown in muted gray: a heavily embellished bodice and sheer skirt densely covered in silver sequins and crystal beads, cinched by a slim black belt with a floral buckle, and finished with a long flowing sheer cape that trails behind her. Close-ups highlight the intricate beading, her large sculptural earrings, and bracelet, while full shots show her elegant stance, platform heels, and the gown’s movement as she turns to reveal the back. The clip ends with the Ziad Nakad logo over a soft-focus view of the dress from behind.
Details
0:15
AlibabaWan 3.0
ROME — THE ETERNAL CITY 15-Second Cinematic Fashion Tour | WAN 3 Create a hyper-realistic 15-second cinematic fashion film set in Rome, Italy, entirely during a bright, warm late afternoon. Five distinct scenes connected by clean, energetic hard cuts. Maintain consistent Mediterranean afternoon sunlight, blue skies, natural shadows, and authentic Roman street activity throughout. No evening, dusk, sunset, or nighttime. CHARACTER & VISUAL CONTINUITY Begin with the exact supplied reference image as the opening frame. Preserve the woman's facial identity, long wavy auburn hair, natural skin texture, proportions, light blue and pale yellow fitted top, oversized cream cargo jeans, dark belt, white sneakers, and gold earrings throughout. She is confident, expressive, and naturally engaged with her surroundings. Her movements feel spontaneous rather than choreographed. Keep her visible in every shot. Preserve accurate Roman architecture, street geography, and realistic pedestrian and vehicle movement. SCENE 01 — COLOSSEUM (0:00–0:03) Open exactly on the supplied image at Via Celio Vibenna, with the Colosseum behind her. She holds direct eye contact with the camera for less than one second, releases the weathered pole, and steps naturally forward. The camera tracks backward at close range as she walks toward it. Scooters, cars, and pedestrians continue moving realistically behind her. Bright late-afternoon sunlight illuminates her face. SCENE 02 — MONTI (0:03–0:06) Hard cut to a narrow cobblestone street in Rome's Monti neighborhood. The camera tracks laterally alongside her as she walks past a lively sidewalk café. A waiter carrying espresso makes eye contact, smiles, and says, "Ciao!" She turns slightly toward him, smiles, and replies, "Ciao!" without stopping. Natural conversational timing, accurate lip movement, and an understated exchange. Café customers continue talking behind them. SCENE 03 — TREVI FOUNTAIN (0:06–0:09) Hard cut to the Trevi Fountain. She moves through a small group of visitors, with the magnificent fountain and cascading water clearly recognizable behind her. A moving medium-close camera follows as she glances over her shoulder at the fountain, then turns back toward the lens with a subtle smile. Flowing hair, realistic water, authentic crowd movement, and bright afternoon sunlight. SCENE 04 — PIAZZA NAVONA (0:09–0:12) Hard cut to Piazza Navona. She walks past a street artist sketching at an easel near the piazza. She glances down at the drawing and gives the artist an appreciative smile. The artist briefly looks up and smiles back. The camera performs a dynamic close-range lateral pass, keeping her in frame while revealing the historic fountain, cafés, and pedestrians behind her. The interaction is brief, believable, and fluid. SCENE 05 — PONTE SANT'ANGELO (0:12–0:15) Hard cut to Ponte Sant'Angelo, with Castel Sant'Angelo clearly visible in the background. She walks confidently toward the camera along the historic bridge. The camera tracks backward, then transitions smoothly into a close portrait. She slows, casually brushes her hair away from her face, and makes direct eye contact with the viewer. End on a strong, natural editorial portrait with the castle and afternoon city activity visible behind her. CINEMATOGRAPHY & REALISM Use dynamic tracking, lateral camera passes, sectional medium-close framing, and a final intimate portrait. Maintain purposeful camera movement without zooms, static establishing shots, repetitive full-body scans, or empty environmental footage. Every scene must include the protagonist and authentic local activity. Reconstruct each Roman landmark accurately from the camera's perspective, with realistic scale and spatial relationships. All character movements and human interactions must be physically natural. Hands must contact objects correctly. No teleporting, floating, morphing, duplicated pedestrians, warped architecture, facial drift, artificial skin smoothing, or unnatural transitions. Natural skin pores, detailed fabric textures, realistic hair movement, authentic sunlight, and cinematic editorial image quality. No fake or plastic skin, no animated appearance. AUDIO Natural Rome street ambience only: scooters, café conversations, footsteps, fountain water, and the two brief spoken greetings. No generated music, soundtrack, or musical accompaniment. EDITING Five distinct scenes, approximately three seconds each. Clean hard cuts only. No dissolves, montage overlays, speed ramps, or slow motion. Maintain energetic forward momentum and a consistent bright late-afternoon atmosphere. End at exactly 15 seconds.
Details
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