Futuristic Smartwatch Promo Video

16:9, 30s, stylized anime-real cinematic night in deserted rain-soaked industrial streets, cyan-coral light, 18mm energy, exactly 50 rapid cuts, active chase cameras, burst cuts, and flash cuts. Match @[ref image] exactly as frame one; it controls the sole muscle car, wet city, smoke, reflections, and palette. Streets stay empty and traffic-free. SEQUENCE Shot 1: Frontal WS, locked: exact frame one; the car launches. Shot 2: Ground frontal WS, pull: headlights rush dead center. Shot 3: Ground frontal CU, locked: the grille fills frame. Shot 4: Ground POV CU, locked: chassis thunders overhead. Shot 5: Rear ground CU, chase: tires splash the lens. Shot 6: Wheel ECU, track: rubber slices through rising water. Shot 7: Low profile WS, pan: the car rockets past steam. Shot 8: Top-down EWS, locked: it cuts beneath tangled cables. Shot 9: Telephoto frontal WS, push: towers compress around it. Shot 10: Exhaust ECU, locked: coral backfire, burst cut. Shot 11: Rear low WS, chase: the car pulls a spray ribbon. Shot 12: Wheel CU, track: the front tire strikes deep water. Shot 13: Profile WS, track: a water wall rises beside it. Shot 14: Storefront POV WS, locked: its reflection races on glass. Shot 15: Front 3/4 WS, pan: the real car splits the reflection. Shot 16: Side-mirror CU, locked: the empty street shrinks. Shot 17: Mirror CU, push: a neon intersection grows. Shot 18: Top-down WS, locked: brake marks hook toward it. Shot 19: Low front 3/4 WS, lead: the first drift commits. Shot 20: Wheel CU, orbit: the rear tire circles the drift. Shot 21: Rear 3/4 WS, track: countersteer throws curb spray. Shot 22: Droplet ECU, locked: headlights refract in one bead. Shot 23: Frontal WS, pull: white flash reveals a new street. Shot 24: Rear 3/4 WS, chase: pipes streak in parallax. Shot 25: Curb profile WS, track: the body skims wet concrete. Shot 26: Door CU, track: towers warp across black paint. Shot 27: Driver POV WS, chase: an empty corridor narrows. Shot 28: Hood POV WS, locked: cables whip overhead. Shot 29: Wheel ECU, track: the tire compresses on a rise. Shot 30: Low profile CU, pan: suspension rebounds forward. Shot 31: Dutch front 3/4 WS, lead: it snaps into an alley. Shot 32: Wall-mirror WS, locked: reflection starts drift two. Shot 33: Rear 3/4 WS, whip pan: mirror hands off to reality. Shot 34: Low profile WS, track: drift two clears the alley. Shot 35: Rear WS, chase: smoke and spray swallow the lens. Shot 36: Headlight ECU, locked: two flash cuts pierce haze. Shot 37: High WS, crane: camera dives as the car escapes. Shot 38: Top rear WS, chase: skim the roof, then overtake. Shot 39: Windshield ECU, track: rain beads race upward. Shot 40: Headlight POV WS, chase: road lines stream beneath. Shot 41: Puddle POV WS, locked: the car appears inverted. Shot 42: Wheel CU, locked: the tire shatters that reflection. Shot 43: Ground rear WS, tilt: spray reveals its departure. Shot 44: Frontal CU, pull: retreat inches ahead of the bumper. Shot 45: High front 3/4 WS, orbit: it crosses an empty junction. Shot 46: Top-down EWS, locked: drift three draws a water ring. Shot 47: Wheel ECU, track: countersteer redirects momentum. Shot 48: Rear profile WS, pan: it straightens at full speed. Shot 49: Rear WS, chase: red mist opens around the avenue. Shot 50: Rear EWS, pull: it accelerates onward, cut in motion. SOUND: V8 roar, gear punches, tire scrub, water hits, exhaust cracks, street reverb; cuts strike engine pulses. VFX: Spray and tire smoke catch cyan-coral light; flashes never hide motion. EXCLUDE: duplicate cars, identity drift, populated streets, traffic, daylight, stopped ending. -- First frame image with Midjourney: a vintage 1970s American muscle car facing the camera in the center of a narrow abandoned urban alley, massive clouds of glowing grey smoke erupting from both sides of the street, wet cracked asphalt reflecting headlights and neon red light, dark decaying industrial buildings, tangled overhead cables, fire escapes, exposed pipes, distant skyscrapers fading into teal fog, symmetrical centered composition, low-angle street-level camera, cinematic album cover photography, retro-futuristic neo-noir atmosphere, dramatic volumetric smoke, deep teal and coral color palette, gritty textures, strong contrast, ultra-detailed, moody night scene, no people, no typography, no letters, no logos, no signage --chaos 8 --ar 16:9 --seed 180399593 --profile oqw5d6p --stylize 250 --hd

A Surprise Day Trip Create a hyper-realistic 15-second observational lifestyle video following a young Korean woman during an unexpected day trip. This is not a vlog and she never talks directly to the camera. The footage is recorded by a friend on a modern flagship smartphone, with the phone itself never visible. Use natural handheld movement, subtle smartphone stabilization, realistic autofocus, authentic exposure changes, slight framing imperfections, and genuine environmental audio. The footage should feel like a real spontaneous memory rather than a professionally produced video. Character & Outfit A stylish Korean woman in her early 20s with long softly wavy black hair, natural glowing skin, minimal makeup, and an expressive, cheerful personality. She wears a cream oversized knit sweater, high-waisted straight-leg blue jeans, white sneakers, a small brown crossbody bag, and delicate gold earrings. Casual, attractive, and appropriate for a relaxed day outdoors. Location A beautiful countryside destination outside the city with a small scenic train station, green hills, wildflowers, a quiet walking trail, and a charming riverside café. Sequence The video begins as she steps off a small local train with a surprised smile, looking around at the peaceful scenery. She walks along the platform while her friend films from several steps away. She notices a beautiful view beyond the station and excitedly gestures for the camera to follow her. Cut-free, she walks along a flower-lined trail, occasionally looking back and smiling at the person filming. She reaches a small riverside café, picks up two takeaway coffees, and hands one to the camera operator with a playful smile. They continue walking beside the river. She suddenly spots a small wooden footbridge, laughs, and quickly walks across it while turning back to wave. The final moment shows her standing beside the river, holding her coffee, enjoying the scenery as the breeze moves her hair. She looks toward the unseen camera, smiles naturally, and gestures for the camera operator to come closer. Realism Requirements One continuous 15-second recording with consistent identity, outfit, environment, and lighting. Natural walking physics, realistic hair movement, accurate hands and facial expressions, believable object interactions, authentic smartphone exposure, and natural environmental audio. Avoid AI artifacts, duplicated people, warped anatomy, floating objects, unnatural facial expressions, impossible physics, excessive stabilization, cinematic camera movements, or sudden scene changes. The finished footage should look like an authentic spontaneous day-trip memory captured by a friend on a smartphone.

A high stakes hallway encounter turns into a brutal close quarters fight, proving she’s always one step ahead. Every move is calculated, every attack met with precision, and by the time those elevator doors close, the mission is already over.

[Generation goal] Live-action spy action, one continuous take. Rogue Viper is ambushed in a hotel corridor by a masked ninja, disarms his knife bare-handed, and kicks him off a balcony over a city at dusk. Exactly two people throughout. [Reference roles] Image 1 defines Rogue Viper only: face, amber eyes, long loose black hair, black leather suit, gold cobra buckle, over-knee boots, sheathed katana across her back. All three panels in image 1 are one woman. Her face is visible in every shot and matches the close-up panel. Do not copy the black oval covering the face in the full-body panels, the gray studio backdrop, the panel layout, or the inset buckle image. Image 2 defines the corridor set only: dark green walls, mahogany doors and paneling, blue-and-gold patterned runner carpet, crystal chandeliers, shaded table lamps, warm low light. The katana stays sheathed on her back the whole clip. She never draws it. One sword exists. The ninja has no reference: lean man, matte black garb, wrapped forearms, red lacquered demon mask with gold fangs and small horns. His face is never seen. [Stage 1 - approx 0-6s] Viper walks away from camera down the corridor. She stops. The ninja steps from a doorway behind her, frame right. She turns as his punch arrives and blocks it with her forearm. Camera dollies in behind her at eye level. [Stage 2 - approx 6-13s] Close-quarters exchange mid-corridor. She slips a punch, drives an elbow into the mask, ducks a hook, shoulders him into the paneling. A table lamp topples. He stays on his feet. Camera whip pans with the strikes. [Stage 3 - approx 13-20s] He draws a straight black knife and lunges at her chest. She turns her hips out of the line, traps his wrist in both hands, twists it outward, and the knife drops point-first into the carpet. She stands over it empty-handed. Low medium two-shot. [Stage 4 - approx 20-26s] She drives him backward through tall open glass doors onto a stone balcony. Sky opens behind him, dense city skyline in orange and deep blue dusk. She plants and kicks him in the chest. He goes over the balustrade and out of frame. Camera tracks with them, then stops at the rail. [Stage 5 - approx 26-30s] She holds at the rail one beat, breathing, wind moving her hair. She turns her head to camera and the corner of her mouth lifts into a small smirk. Hold. Cut to black. Restrained, no laugh, no wink, no dialogue. (low bass note swells and cuts) [Maintain consistency] Two people only. Viper's face, hair, suit, and buckle never change. The katana stays sheathed through every strike. The mask stays on the entire clip. One knife, and it stays in the carpet after Stage 3. The fight travels one direction, away from camera, and never reverses. Corridor light warm and low, balcony light cool dusk. No dialogue. No on-screen text, no logos.

Young adult woman with long dark brown hair, green eyes, wearing a fitted white crop top, light-blue denim shorts and white sneakers, sitting casually on a sofa inside a luxurious modern beach house, bright summer afternoon, huge glass windows overlooking the ocean, friends laughing and moving around in the background, upbeat party atmosphere. She suddenly gets up from the sofa and walks toward the open glass doors. Handheld camera follows closely behind her shoulder, natural shaky movement and slight autofocus shifts. She grabs a pair of sunglasses from a table, puts them on while continuing to walk. She steps onto the wooden deck overlooking the beach, pauses for a moment and looks toward the ocean. She kicks off her sneakers, runs down the wooden stairs toward the sand. Camera follows behind her at running pace, slightly shaky and energetic. She reaches the shoreline, turns toward the camera laughing, then runs directly into the shallow waves. Camera follows her into the water, briefly dipping below the surface as she splashes through the waves. She comes back up laughing, pushes her wet hair away from her face and looks toward the horizon. Bright natural sunlight, warm coastal color palette, realistic water physics, candid documentary energy, subtle handheld lens wobble, natural motion blur, photorealistic cinematic quality.

Young Caucasian woman, chin-length auburn bob haircut, green eyes, wearing a light green short top and white denim shorts, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. She removes her jersey, places it on the back of the lounge chair, then removes her denim shorts, places them on the lounge chair, revealing a pink swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. She dives into the pool shouting "take care", landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout. ..

Preserve the exact face, hairstyle, identity, skin tone, and body proportions from @ image1 throughout. Outfit: oversized mustard yellow corduroy jacket over a plain white tee, cropped straight-leg denim jeans, white canvas sneakers, small pearl stud earrings, hair down and slightly tousled with a center part. Authentic woman exploring Japan. Late-2000s personal vlog aesthetic. Extremely raw handheld flip-camera footage with heavy camera shake, natural reframing, partial face crops, focus hunting, exposure shifts, warm faded colors, mild digital noise, and authentic home-video imperfections. No posing, no cinematic glamour, no stabilization, no modern color grading. 00:00–00:04 Walking through a narrow, lantern-lined street food alley in the evening, neon signs glowing softly, camera shaking with each step. "Okay, I'm so hungry, let's find some street food!" 00:04–00:08 Stops at a small takoyaki stall where a vendor flips golden takoyaki balls with quick, practiced motions. She leans in, watching closely with a curious expression. 00:08–00:12 Takes her first bite of a hot takoyaki, blows air from her mouth because it's too hot, laughs, and says, "Oh it's hot, but so good!" 00:12–00:16 Sits on a small stool at a crowded street counter, chatting with the vendor and other customers, laughing at something someone said. 00:16–00:20 Tries flipping a takoyaki ball herself with the little picks, fumbles it, it rolls off the griddle, she laughs while the vendor and customers cheer her on. 00:20–00:24 Takes a bite of grilled skewered chicken (yakitori), chews happily, gives an enthusiastic thumbs-up to the camera. 00:24–00:27 Walks slowly down the alley past glowing food stalls and paper lanterns, waving at vendors, holding a skewer in one hand. 00:27–00:30 Stops under a string of hanging lanterns, turns back to the camera with a warm smile, waves and says, "See you in my next adventure. Bye!" before the recording ends naturally. Natural ambience only: sizzling grills, vendors calling out orders, distant chatter, clinking utensils, footsteps on pavement, faint music from nearby shops, night breeze. No background music, subtitles, logos, or watermarks. The footage should feel exactly like a genuine late-2000s handheld flip-camera travel vlog with authentic human movement and realistic interactions.

Preserve the exact face, hairstyle, identity, skin tone, and body proportions from @ image1 throughout. Outfit: oversized sage green linen shirt, faded olive cropped pants, worn rubber flip-flops, thin silver anklet, hair tied in a loose messy bun with flyaway strands. Authentic Indonesian woman. Late-2000s personal vlog aesthetic. Extremely raw handheld flip-camera footage with heavy camera shake, natural reframing, partial face crops, focus hunting, exposure shifts, warm faded colors, mild digital noise, and authentic home-video imperfections. No posing, no cinematic glamour, no stabilization, no modern color grading. 00:00–00:04 Walking along a narrow dirt path through a bustling morning wet market, camera bouncing with each step. "Come on, let's go find the best sambal ingredients!" 00:04–00:08 Stops at a produce stall piled with chilies, shallots, and tomatoes. An elderly vendor scoops a handful of red chilies into a bag, haggling playfully. 00:08–00:12 Picks up a chili, sniffs it, laughs, and says to the camera, "Oh, this one's going to be spicy!" 00:12–00:16 Crouches beside a stone mortar with a local woman, watching her grind spices by hand, asking questions and nodding along. 00:16–00:20 Tries grinding the sambal herself, wobbles the pestle awkwardly, spice splashes a little, she laughs at her own mess while the vendor grins. 00:20–00:24 Dips a piece of tempeh into the freshly made sambal, tastes it, eyes widen from the heat, fans her mouth, gives an exaggerated thumbs-up. 00:24–00:27 Walks back through the market stalls, greeting familiar vendors, carrying a small bag of ingredients. 00:27–00:30 Pauses near the market entrance, turns to the camera, wipes her forehead, smiles and says, "That's it for today's market run. See you next time!" before the recording cuts off naturally. Natural ambience only: market chatter, vendors calling out prices, clinking bowls, motorbikes passing, sizzling food carts, footsteps on gravel, distant rooster crows. No background music, subtitles, logos, or watermarks. The footage should feel exactly like a genuine late-2000s handheld flip-camera travel vlog with authentic human movement and realistic interactions.