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HomeAI Prompt LibraryAI Video PromptsFour Weather Slices Timelapse

Four Weather Slices Timelapse

MMiniMax H3MiniMaxvideo

the first a white cloud drifting, the second a grey shower with tiny falling rain, the third slow snow, the fourth a small orange sunrise

Details

Type: AI Video Prompts
Aspect Ratio: 9:5
Duration: 0:15
Updated: Sep 29, 2026

Category

Nature Peaceful Ethereal

How to use this prompt

1Copy the full prompt with the copy button above.
2Open MiniMax H3 by MiniMax, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (9:5 · 0:15 · Nature · Peaceful · Ethereal), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with MiniMax H3 by MiniMax. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with MiniMax H3 using: 9:5 · 0:15 · Nature · Peaceful · Ethereal. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More MiniMax H3 prompts

tiny green trunks rising off the paper, branches spreading, moss filling in around the trunks

[0–3s] — THE RIDE Low cinematic tracking shot from behind. The girl rides her red bicycle along a quiet coastal road, guardrails beside her and the endless blue ocean beyond. Her skirt and loose strands of hair move naturally in the wind. Sunlight flickers across the road as she passes. [3–5s] — SOMETHING BEAUTIFUL Side shot as she suddenly notices a flock of white birds sweeping dramatically across the ocean. She slows down, smiles softly, and reaches into her backpack for a small instant camera. [5–8s] — THE PHOTOGRAPH She stops beside the overlook and raises the camera toward the ocean. As she takes the picture, the male character quietly walks into the far edge of the frame, completely unaware that he has just been captured in her photograph. [8–10s] — THE SURPRISE Extreme close-up of the photograph developing in her hands. The ocean appears first… then she notices the mysterious guy standing in the background of the photo. Her expression changes from peaceful curiosity to surprised amusement. [10–12s] — LOOK UP She slowly looks up from the photograph. Cut to the man a few meters away, standing by the guardrail with his backpack, looking directly at her. Wind moves his hair. He gives a subtle, almost playful smile. [12–15s] — THE LITTLE TWIST He walks toward her and gently points at the photograph, realizing he's in it. She laughs quietly. He gestures toward the road ahead as if asking, “Going this way?” She smiles, gets back on her bicycle, and he starts walking beside her. Final wide shot: They move together along the coastal road while the ocean stretches endlessly behind them. The little photograph remains visible in her hand as the camera slowly pulls back into the glowing blue-and-gold horizon. MOOD: spontaneous, beautiful, slightly mysterious, innocent romance, cinematic fate, natural chemistry. IMPORTANT: No exaggerated acting, no cheesy romance, no text, no logos, realistic physics and natural human movement.

A peaceful cinematic scene of a young woman sitting quietly on a wooden park bench surrounded by lush green ferns and dense tropical foliage. She wears a soft peach blouse and white pants, gently closes her eyes, takes a slow deep breath, and relaxes with a subtle peaceful smile. A light breeze softly moves her hair and the leaves around her. Natural morning light filters through the greenery, creating a calm, dreamy atmosphere. Slow cinematic camera push-in, realistic facial movement, natural body motion, shallow depth of field, soft background bokeh, photorealistic, ultra-detailed, smooth motion, 4K. No sudden movements, no camera shake.

Cinematic shot, ARRI Alexa 65, 20mm wide-angle lens, symmetrical composition. The camera slowly pushes in and slowly orbits about 10 degrees. A grand wide-angle architectural photograph, showcasing a massive white celestial marble staircase, high above the clouds, leading to heaven. Perfect central symmetry, extreme vertical one-point perspective, steep converging lines from bottom to top. Foreground: wide white stone steps, low-angle side light casting rhythmic diagonal shadows; 2 Chinese immortal female figures seen from behind, the one on the left wearing a large crimson robe, the one on the right wearing a white robe, they walk slowly in the distance, appearing tiny against the magnificent architecture. The figures occupy 5% of the frame height, appearing as extremely small specks of color, walking slowly forward. Their bodies are still, their garments and long hair catching the high-altitude breeze from the same direction, flowing backward. There is an empty distance dozens of times their body length around them. Shown from behind, with a calm and elegant bearing. They ascend from the very bottom. Midground: carved marble railings on both sides of the upper-middle section of the stairs, adorned with huge auspicious cloud sculptures; in the distant left of the sea of clouds floats a small Chinese temple pavilion. Background: at the top of the endless staircase, a magnificent and enormous golden-roofed celestial palace stands atop thick clouds. A vast ocean of white clouds, crisp azure sky, sacred atmosphere, bright morning light, grand scale contrast, the sea of clouds churns rapidly, drifting around the pathways and architecture, evoking a serene and solemn mood, like a Chinese fairyland; epic Eastern aesthetics, solemn and ethereal, with extreme proportional contrast.

A cinematic luxury fashion film, 30 seconds, photorealistic, 4K, shallow depth of field, slow graceful camera moves. An elegant East Asian woman with long wavy chestnut-brown hair and bangs (later a sharp bob) walks through a sequence of Japanese and Balinese sacred spaces. Mood: quiet, rain-washed, golden-hour, ritualistic, high fashion editorial. Scene 1 — rainy dusk Japanese wooden street: she walks straight toward camera on wet stone pavement, lanterns glowing in wooden machiya buildings. Outfit: crisp oversized white button-down shirt tucked into a voluminous indigo shibori wrap skirt with a long trailing train that drags on the wet stones. Soft rain, reflections, lantern light. Scene 2 — autumn temple garden: she walks away from camera down a stone path toward a wooden temple hall, maple trees blazing red and orange, sunbeams through leaves. She wears a long black structured coat with wide sleeves. A large piece of flowing blue-and-white shibori fabric billows in the foreground. Scene 3 — hanging indigo textiles: she walks and slowly spins through a hall of hanging blue shibori and batik panels. Outfit: dramatic off-the-shoulder crimson satin gown with enormous puffed sleeves and a full swirling skirt. She lifts the skirt as she turns. Scene 4 — vast wooden temple hall with tatami: she stands still in the center facing camera, long shibori train spread on the floor. Autumn maple leaves fall in slow motion around her. Same white shirt + indigo wrap skirt. Golden altar in the background. Close-up: wind blows her long hair across her face; she looks directly at camera, soft natural light, temple interior bokeh. Scene 5 — wooden temple corridor: she walks away then turns toward camera. Outfit: sculptural cream high-collar jacket with dramatic winged shoulders and peplum, black trousers, and a long trailing blue-and-white patterned textile. Scene 6 — ornate Balinese temple courtyard (orange brick and stone gate): she now has a sharp dark bob. Cream embroidered jacket + long gold-and-brown batik wrap skirt with train. She tosses a burst of bright pink flowers toward camera; petals fly in slow motion. Scene 7 — warehouse of hanging traditional textiles: she spins in a deep burgundy velvet off-the-shoulder long-sleeve ballgown with full skirt among racks of batik and ikat fabrics. Final scene — open wooden pavilion with polished floor: she stands facing camera in a floor-length structured cream coat-dress with geometric quilted pattern. Translucent white silk fabrics swirl around her like wings; white petals fall from the ceiling. Soft natural light, tropical garden beyond the columns. Style: cinematic color grade (cool blue-grey rain + warm amber lanterns + rich autumn reds + deep indigo + gold), slow motion fabric movement, elegant walking and turning, fashion-film lighting, no dialogue, no logos. High-end editorial, poetic, cultural fusion of Japanese shibori and Indonesian batik.

Create a 15-second cinematic girl travel vlog in 16:9 landscape. A young woman walks through a beautiful Japanese park during peak sakura season while filming herself with a compact vlog camera. She laughs softly, spins slightly beneath the cherry blossom canopy and looks upward as petals fall around her. She then points toward a peaceful hanami picnic area filled with people enjoying spring. Her hair moves naturally in the breeze. Warm golden sunlight, authentic candid emotion, realistic people and environment, handheld influencer vlog aesthetic, photorealistic 4K, 16:9.

A Western female traveler in her mid-20s, wearing a beige winter jacket, dark hiking pants, hiking boots, knitted hat, gloves, and a small backpack, walks toward an approaching glass cable-car cabin at a modern snowy mountain station. She waits behind the safety line, boards naturally, holds the handrail, and stands beside the panoramic window as the doors close. The cabin gradually accelerates away from the station and begins climbing above a snow-covered valley. She naturally shifts her balance, places one gloved hand against the window, and watches the snowy forests, rocky slopes, winding trails, and distant mountain peaks below. Her expression changes to genuine amazement as the breathtaking landscape expands beneath her. She smiles and says, "Wow... look at that," with accurate English lip synchronization. The cabin gently sways as it moves along the cable before settling into smooth motion. Ultra-photorealistic travel documentary, realistic cable-car mechanics, authentic human movement, physically accurate inertia and suspension, natural snow and wind behavior, realistic reflections through glass, bright neutral daytime lighting, cinematic stabilized camera movement, immersive mountain ambience, seamless scene progression, consistent character and environment, no CGI appearance, no teleportation, no floating cabin, no exaggerated swinging, no distorted hands, no wardrobe changes, no text overlays, logos, or watermarks.

A hyper-realistic handheld phone video at a normal city crosswalk during the day. People wait for the light, cars pass, and the ambience is completely ordinary and mundane. In the middle of the scene, a low distant whale call is heard from above. Several people, including the camera operator, look up. High in the sky, partially obscured by clouds, a colossal blue whale slowly swims overhead as though the atmosphere were an ocean. It is enormous, larger than several city blocks, and moves gracefully through the clouds with realistic weight and motion. The surrounding buildings make its impossible scale instantly clear. More of its body becomes visible as it glides across the sky, with fins, tail, and subtle cloud interaction. The pedestrians below stand frozen, looking up in disbelief. The scene should feel like an ordinary urban phone recording interrupted by one vast, surreal, awe-inspiring event that is presented as if it were really happening.

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