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HomeAI Prompt LibraryAI Video PromptsCybernetic Samurai vs Spider Android

Cybernetic Samurai vs Spider Android

AWan 3.0Alibabavideo

Generate a 15-second 16:9 horizontal hyper-aggressive cybernetic action anime video from the provided first frame. Characters: Ryujin (cyber-Oni samurai, plasma katana, red overdrive state) and Valkyrie-X (spider-blade combat android). Maintain 100% costume and mecha design consistency. Style & Quality: High-budget sci-fi anime combat, fast-paced mecha-blade choreography, high-voltage spark effects, rain physics, dramatic execution framing. Time-Coded Action: 0.0s – 4.0s: Valkyrie-X attacks with a 4-blade flurry; Ryujin parries with his plasma katana but takes shoulder damage. 4.0s – 8.0s: Ryujin activates Overdrive Mode (red lightning from mask), snaps Valkyrie-X’s spider arm, and slashes off her secondary blades in a plasma explosion. 8.0s – 12.0s: Ryujin thrusts his superheated blade straight through her central power core, short-circuiting her entire chassis. 12.0s – 15.0s: Ryujin kicks her dead body off his blade onto the rain-soaked rooftop, posing under glowing Tokyo neon lights.

Details

Type: AI Video Prompts
Aspect Ratio: 16:9
Duration: 0:15
Updated: Aug 28, 2026

Category

Cyberpunk Anime

How to use this prompt

1Copy the full prompt with the copy button above.
2Open Wan 3.0 by Alibaba, or your preferred AI video generator.
3Paste the prompt and keep the camera and motion terms — they steer the cinematography.
4Match the example's settings (16:9 · 0:15 · Cyberpunk · Anime), then iterate — small wording changes shift the output a lot.

Frequently asked questions

Which AI model generated this video?

This clip was generated with Wan 3.0 by Alibaba. The prompt on this page is the exact text used to create it.

What settings does this prompt use?

The example was generated with Wan 3.0 using: 16:9 · 0:15 · Cyberpunk · Anime. Reusing these settings gives the closest match.

How do I get similar results?

Copy the prompt as-is first, then change the subject while keeping the camera, motion, and lighting terms. Video models are sensitive to wording, so expect a few runs.

Can I modify this prompt?

Yes. Prompts work best as starting points — swap scenes, adjust pacing terms, or change the aspect ratio to fit your project.

More Wan 3.0 prompts

A cinematic shadow-puppet battle created on Qwen Create using the Wan 3.0 model. An ancient theater becomes the stage for a mysterious female warrior surrounded by hundreds of faceless wooden assassins. Calmly holding a tiny pair of black iron scissors, she blows gently onto the blade — triggering a dramatic transformation into enormous black iron shears. What follows is a fast, theatrical battle inspired by traditional shadow puppetry, combining expressive character performance, dynamic camera movement, realistic CG detail, and dramatic environmental destruction. Prompt Style Hyper-realistic CG cinematography with detailed facial features, realistic skin and hair, cinematic lighting, soft shadows, physically accurate reflections, SSS, global illumination, RTX ray tracing, 4K HDR quality, and realistic cloth and rigid-body physics. Scene An ancient theater stage illuminated by flickering candlelight, surrounded by translucent shadow-puppet screens and hundreds of faceless wooden assassins. The female hero, based on Image 2, wears a dark-red opera costume with copper bells and oversized flowing sleeves. She remains elegant, cold, and completely composed throughout the battle. Shot 1 — 0–3s Low-angle FPV fly-through The camera moves beneath the theater stage as hundreds of wooden puppet assassins close in. The heroine calmly draws a tiny pair of black iron scissors from her sleeve, holding them delicately between her fingertips. Shot 2 — 3–5s Extreme close-up She gently blows cold air onto the scissors, creating visible white mist. The tiny scissors rapidly expand into enormous black iron shears. She says: “The performance is over. Time to take the final bow.” Shot 3 — 5–9s Rapid 180-degree orbit She launches into an elegant, theatrical combat sequence inspired by shadow puppetry. Each movement of the giant shears releases razor-sharp black energy blades that slice through the wooden assassins like paper puppets. Shot 4 — 9–13s Fast tracking shot She moves between the wooden pillars, using the environment to propel herself forward. The giant shears crack the floor and pillars while wood splinters and debris fill the air. Her flowing sleeves, hair, and copper bells react naturally to every movement. Shot 5 — 13–15s Low-angle wide shot · Dutch-angle dolly-in She lands and rests the giant shears on her shoulder. Behind her, the motionless assassins stand covered in precise cuts. With a small flick of her wrist, the entire theater cracks apart and collapses. Smoke, fire, and black ash fill the background as the image freezes on her cold, confident expression and fades to black. Audio Diegetic and action sounds only: wooden boards, copper bells, cold wind, breath, metallic transformation, weapon impacts, energy whooshes, splintering wood, and collapsing debris. No background music. No subtitles.

A single unbroken 30-second take, 16:9, mystical abyssal meadow, photoreal textures mixed with impossible biology, ultra-detailed, no cuts. Global look: a silent basin of black volcanic sand and still, clear water. No sunlight from the surface. No ordinary fish, no sharks, no whales, no dolphins, no turtles, no seahorses, no clownfish, no tropical coral, no shipwrecks, no mermaids, no human ruins. Light is produced only by living things. Water is gin-clear with slow pearl-dust motes. Volumetric colored breath hangs in mid-water like incense. Jewel tones: milk-white, crushed-jade, violet, and inner gold. Cinematic, sacred, painterly realism, fine silt, gentle caustics on sand, shallow-to-medium depth of field that breathes with the camera. Invented plants — choir-kelp: tall hollow stems of glass-soft living crystal rising from the sand, two to four meters high. They slowly inhale, darken, then exhale long ribbons of colored breath that drift and braid in the current. The breath is physical light, not cheap neon. Roots look like pale nerve-lace in the sand. Invented animals, keep their anatomy locked for the full 30 seconds: 1) A glass-deer: six slender legs, body of living transparent abalone-glass so internal gold-light organs are visible. Two slow hearts: one red-amber, one pale gold. Antlers of branching sponge-crystal that grow tiny singing beads. It walks on the seafloor, hooves leaving brief rings of light in the sand, never swims frantically. 2) Page-rays: wide flat rays with wings of living vellum-skin. As they glide, faint maps, rivers, and coastlines write themselves across the wing and dissolve. Edges fray into soft fibers, not fins. 3) Needle-choir: hundreds of thin silver needle-bodies that behave as one organism. They lock together, change formation, and hold shape. Not a normal bait-ball. 4) The Bloom-Mother: a rooted anemone-tree at the far center, trunk of dark pearl-bark, crown a huge slow flower of living petals. Each petal is a half-awake creature. When the bloom opens, a newborn glass-deer steps out already walking. Camera: start low and wide at sand level, looking across the meadow toward the Bloom-Mother. Slow push-in combined with a gentle rise and a soft left-to-right drift. Follow the adult glass-deer without losing the grove. End in a medium shot as the newborn steps from the bloom and the needle-choir becomes a lantern above them. One continuous move, no reset, no snap-zoom, no handheld chaos. [0s–6s] Wide. Choir-kelps inhale and exhale. Ribbons of jade and violet breath unfurl. A glass-deer walks from frame-left across black sand, six legs precise, antlers beading with tiny lights. Camera begins a slow push. [6s–13s] A page

A hyper-realistic high-fashion CGI animation set in an opulent palace with marble floors, featuring a sequence where bare feet with matching manicured toenails step onto ornate, jewel-encrusted luxury creatures that magically transform into high-heeled shoes. First, a foot with red polished toes steps onto a ruby-and-gold jeweled snail, which unfolds and morphs into a breathtaking crimson gem-studded stiletto pump with delicate gold ankle straps. Next, a foot with blue nails steps onto a sapphire-blue jewel dragonfly, which transforms into a royal blue high heel adorned with shimmering iridescent wings at the heel. Finally, a foot with green nails steps onto a faceted emerald scarab beetle, which transforms into an elegant emerald stiletto featuring delicate butterfly wings, completing each transformation as the wearer steps forward in a luxury fashion showcase.

Duration: 30 seconds Aspect ratio: 16:9 horizontal Format: A truly continuous, cut-free, frame-skip-free cinematic long take Overall style: Hollywood sci-fi adventure blockbuster, hyper-realistic, epic scale, realistic physical motion, cinematic lighting and depth of field, fine film grain, high dynamic range, warm and cool colors shifting layer by layer. Subject: A modern, realistic urban train with an entire wall of huge curved panoramic glass windows. The camera is positioned at the rear of the carriage, shooting diagonally toward the front at 24mm wide angle: the left two-thirds is the panoramic window, the right one-third contains handrails, hanging straps, and ordinary passengers. Passengers wear modern dark commuter clothing and initially sit quietly looking down at their phones. The train, carriage structure, seats, passenger positions, clothing, camera height, and focal length remain completely identical throughout the 30 seconds. All changes in time and space occur only outside the window. ONE CONTINUOUS TAKE (0-30 seconds): 0-4 seconds: The train speeds through the edge of a modern city on an overcast day. Buildings, rivers, and utility poles outside the window create realistic lateral motion blur. The carriage lighting is steady, passengers look down at their phones. The camera maintains a diagonal wide-angle composition, with only slight realistic train vibration. A calm female voice announces over the intercom: "The time-space train is about to depart. Please remain seated." 4-6 seconds: The train enters a dim tunnel, the city is replaced by concrete walls, and overhead lights sweep rapidly across the glass. The carriage gradually darkens. The tunnel walls continuously transform into rough, damp natural rock surfaces, using rocks close to the glass to create a natural occlusion transition—never cutting. 6-12 seconds—Age of Dinosaurs: The rock cave suddenly opens, revealing a prehistoric rainforest bathed in sunlight piercing through mist, along with vast Jurassic valleys. Herds of Parasaurolophus run alongside the train, massive Brachiosaurus slowly stride past distant woodlands, and pterosaurs glide across the sky. Foreground plants blur with rapid motion, mid-ground dinosaurs are sharp, and distant volcanoes are shrouded in mist, creating strong depth and parallax. At 10 seconds, a massive Tyrannosaurus rex bursts from the trees, briefly runs parallel to the train, presses close to the glass, and lets out a thunderous roar. Passengers simultaneously look up and turn toward the window, but without exaggerated panic. Golden sunlight and forest green tones cast realistically into the carriage. 12-19 seconds—Volcanic Apocalypse: The T. rex's enormous body sweeps past the camera, creating a natural occlusion. When the occlusion ends, the same prehistoric world has already become a volcanic wasteland in the throes of destruction. A supervolcano erupts violently in the distance, black volcanic clouds churn upward, glowing red lava cascades from cliffs, and fissures in the ground extend all the way toward the train. The train races at high speed through a lava canyon, volcanic bombs streak across the sky but do not strike the carriage, and a scorching shockwave chases from behind. The glass reflects real firelight, the carriage shifts from golden to intense red-orange, and passengers grip the handrails tightly, staring out in shock. Realistic gravity, smoke, and pyroclastic motion are maintained. 19-22 seconds—Time-Space Descent: The train charges into a massive cloud wall of volcanic steam, thick smoke, and white vapor. The frame is naturally covered, but the camera never stops. The red firelight rapidly shifts to a deep blue, and condensed steam forms water droplets streaking across the glass. The train seamlessly crosses the time-space interface and enters the deep sea; the interior of the carriage remains dry and intact, with no seawater seeping in. 22-28 seconds—Underwater World: The white vapor disperses, revealing a vast, clear, deep blue ocean outside the window. Sunbeams pierce down from the surface, and colorful corals, seaweed, schools of fish, sea turtles, and manta rays glide past at different depths, creating spectacular parallax. A colossal blue whale slowly swims past above the train, its belly nearly covering the entire panoramic window—an overwhelming sense of scale. Cool blue rippling light flows naturally across the carriage and passengers' faces, and all passengers gaze upward in silence. 28-30 seconds—Final Revelation: The blue whale's tail fin sweeps past the glass, forming the final natural occlusion. As the tail fin departs, a magnificent lost civilization spanning an underwater canyon suddenly appears outside the window: glowing crystal towers, giant domes, ancient temples, and floating tracks extending into the depths of the ocean, with countless manta rays gliding above the city. The train continues toward a brilliant time-space gate at the city's center. The camera holds the original composition inside the carriage, ending on the silhouettes of all passengers staring in awe—no fade-out, no cut. Camera: 24mm cinematic wide angle throughout, eye-level height, fixed three-part composition from the rear of the carriage angled toward the front; gimbal feel combined with slight train vibration; real depth of field, glass reflections, foreground motion blur, and multi-layer parallax. The camera never leaves the carriage, never changes the axis, and never suddenly pushes, pulls, rotates, or drifts. Sound: A continuous, unified train track sound serves as the audio anchor; tunnel echoes, dinosaur low-frequency footsteps and roars, volcanic explosions and lava rumbling, steam impact sounds, deep underwater ambience after entering the sea, and whale calls. Sound transitions smoothly between scenes, cinematic surround sound, no background music, no extraneous dialogue. Continuity constraints: The same train, the same carriage, the same passengers, the same clothing, the same seat layout, the same glass window structure, and the same camera position persist throughout the 30 seconds; scene changes can only occur through the train's forward motion, rock occlusion, smoke, steam, darkness, or large creatures passing by. The carriage does not deform, passengers do not teleport, and creatures outside the window never enter the carriage.

WAN 3.0 — UGC: I TRIED THE VIRAL RESTAURANT **OUTPUT** Authentic vertical UGC food-review video, 16:9 smartphone footage, approximately 30 seconds. The entire sequence feels like a real creator spontaneously documenting their visit to a viral restaurant for TikTok or Instagram Reels. One continuous visit with natural temporal progression, not a polished commercial. **SUBJECT** A young male food creator in his mid-20s, casual black T-shirt, light overshirt, short dark hair and light stubble. He holds a modern smartphone at arm's length while filming himself. His personality is curious and energetic but not exaggerated. Maintain consistent face, hairstyle, clothing and physical appearance throughout. **WORLD** A massively viral contemporary restaurant in a busy upscale city neighborhood during dinner time. A long queue extends outside the entrance, groups of young customers are filming their food, warm interior lighting spills onto the sidewalk, staff move quickly between tables and the dining room is visibly crowded. Inside, the restaurant has modern industrial interiors, stainless-steel cooking equipment, warm wood tables and an open kitchen. **ACTION** The creator begins outside the restaurant, holding the phone toward himself and speaking naturally: “Okay, I finally tried the restaurant that’s literally everywhere on my feed.” He turns the phone toward the long queue and crowded entrance. Cut naturally to him seated inside. He shows the menu, then flips the camera toward the kitchen as the staff prepare the restaurant's viral signature dish. The dish arrives dramatically, steaming and freshly plated. He brings the phone closer for a handheld food close-up, then takes one bite. There is a brief pause as he processes the flavor. His expression changes from skeptical to genuinely surprised. He looks directly into the camera and says: “Wait… this is actually insane.” He takes another bite, laughs naturally and finishes with: “Okay, I get the hype.” **CAMERA** Modern smartphone camera, vertical 9:16 framing. Primarily handheld front-facing selfie footage with occasional rear-camera POV. Natural arm movement, imperfect framing and subtle hand shake. Autofocus briefly hunts when the phone moves from the creator's face to the food, then locks onto the dish. Automatic exposure adjusts naturally when moving between the bright entrance and warmer interior. Occasional slight cropping of the creator's face and spontaneous reframing. Food close-ups are handheld rather than professionally staged. No gimbal movement, crane shots or cinematic camera choreography. **LOOK** Authentic contemporary smartphone image quality: realistic skin texture, natural dynamic range, subtle computational sharpening, believable smartphone HDR, mild motion blur and light social-media compression. Warm practical restaurant lighting mixed with cooler ambient light from outside. Realistic reflections on plates, glassware and stainless steel. The food looks appetizing but physically real, with visible steam, sauce movement and natural texture. No commercial food photography aesthetic. **SOUND** Direct smartphone microphone recording. Natural creator dialogue with spontaneous pauses and slight background bleed. Busy restaurant ambience, conversations, cutlery, plates, kitchen activity, sizzling food and distant staff voices. Food sounds remain subtle and realistic. No background music, cinematic sound design or artificial voice-over. **CONTINUITY / CONSTRAINTS** Preserve the same creator, clothing, restaurant layout, table position and food appearance throughout. The viral dish must remain geometrically consistent between shots. Maintain realistic smartphone perspective and handheld behavior. No professional camera movements, no studio lighting, no beauty-filter appearance, no excessive color grading, no exaggerated facial reactions, no duplicated customers, no changing restaurant architecture, no warped hands or utensils, no disappearing food, no impossible object movement and no artificial slow motion.

Create a 15-second ultra-cinematic street racing sequence with the adrenaline and intensity of a modern arcade racing game. 0–3 sec — Launch: Midnight in a neon-lit city. A modified supercar sits at a red light, engine vibrating aggressively. Close-up of glowing headlights, spinning rims, driver gripping the steering wheel. The light turns green — instant launch with tire smoke and dramatic camera shake. 3–7 sec — High-Speed Chase: Low-angle tracking shot beside the car as it blasts through wet streets at extreme speed. Neon signs reflect across the glossy bodywork. Rapid gear shifts, glowing dashboard, realistic motion blur, sparks from a near-miss with a barrier. Camera swings from rear chase view to a dynamic side shot. 7–11 sec — Impossible Corner: The car approaches a sharp city corner at full speed, slams the brakes, then performs a perfectly controlled drift. Tires scream, smoke fills the street, headlights cut through the haze. Camera rotates around the vehicle in a fast 360° cinematic move. 11–15 sec — Final Sprint: The car exits the drift and rockets toward a massive illuminated finish line. A second rival car appears beside it. Both accelerate side-by-side through a tunnel of neon lights. Final shot: extreme low-angle rear view as the winning car disappears into the night. Visual style: photorealistic AAA racing-game graphics, cinematic night lighting, wet asphalt reflections, detailed car materials, realistic tire physics, volumetric fog, dynamic motion blur, lens flares, aggressive camera movement, high-speed perspective, dramatic depth of field, premium VFX, seamless transitions, intense racing atmosphere. Audio: roaring engine, turbo spool, gear shifts, tire screech, bass-heavy cinematic soundtrack, Doppler effects and a powerful final acceleration hit. Format: 9:16 vertical, 15 seconds, ultra-detailed, realistic physics, consistent car design throughout, no text, no logos, no watermarks.

A cinematic video of a young woman with long, wavy brown hair, clad in an intricately embroidered beige traditional outfit, sitting gracefully on straw in a rustic, sunlit stone room. Soft dust motes float through warm sunbeams illuminating the serene atmosphere. She gently extends her hand, offering grain to a flock of small sparrows and a blue songbird perched on rustic clay pots around her. The camera glides subtly in a dynamic medium shot, capturing her soft smile and peaceful movement as the birds hop and flutter around her hand in ultra-detailed quality.

[0:00–0:03] VISUAL: PIP, a small scrappy inventor-kid (10, goggles, patchwork jacket, mechanical glove on one hand), weaves through the crowded sky-market carrying a glowing energy core wrapped in cloth, glancing over her shoulder. PIP (muttering to herself): "Just get to the turbine. Don't look back. Don't look—" SFX: bustling market chatter, wind chimes, distant airship engines. [0:03–0:06] VISUAL: A massive armored SKY-GUARDIAN robot (18ft tall, clunky but powerful, glowing red visor) smashes through a market stall behind her, scanning the crowd. GUARDIAN (booming, robotic): "RETURN THE CORE. THIS IS YOUR ONLY WARNING." SFX: stall wood splintering, heavy mechanical footsteps, crowd gasping. [0:06–0:10] VISUAL: Pip sprints onto a rope bridge, glances back — the Guardian rips the bridge's support post clean out of the platform, sending the whole bridge swinging wildly. PIP (yelping, gripping the rope): "Okay THAT one I didn't plan for!" SFX: rope creaking, wood cracking, wind howling. [0:10–0:15] VISUAL: ULTRA-FAST ACTION SEQUENCE. Pip swings across on the collapsing bridge, activates her mechanical glove — it fires a grappling hook onto a passing airship, yanking her clear just as the Guardian's fist smashes the empty bridge to splinters. SFX: grapple-hook fire, metal clank, whoosh of swinging, massive fist impact. [0:15–0:19] VISUAL: Airship pilot (an old grizzled sky-trader, unbothered) glances at Pip now hanging off his ship's railing. PILOT (deadpan, sipping tea): "You're the kid they're after." PIP (still dangling): "Depends who's asking!" SFX: airship engine hum, tea cup clink, Pip's boots scrambling for grip. [0:19–0:23] VISUAL: The Guardian leaps from platform to platform, closing the gap, and grabs the airship's tail fin. HEAVY VFX: the ship lurches violently, energy-balloon ropes snapping, sparks and steam bursting from the engine. SFX: metal groaning, snapping ropes, steam hiss, alarmed pilot shout. [0:23–0:26] VISUAL: Pip climbs to the ship's engine core, yanks a lever, redirecting the storm turbine's built-up energy straight into the Guardian's grip. MASSIVE VFX ENERGY BURST — blue lightning arcs wrap the Guardian, throwing it off the ship in a shower of sparks, tumbling down through the clouds below. PIP (shouting, triumphant): "Static shock — my favorite trick!" SFX: massive electric surge, thunder-crack, Guardian's distant metallic crash fading into clouds. [0:26–0:30] VISUAL: Pip slumps back against the railing, soot-streaked, grinning, hugging the core to her chest as the airship steadies and the sunset glows gold across the sky-city behind her. The old pilot glances over, impressed despite himself. PILOT (small smile): "...Not bad, kid." PIP (catching her breath, grinning): "Told you it depends who's asking." SFX: airship engine settling into calm hum, wind, distant sky-city ambience, warm final music sting.

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